Bach Bibliography Search Result - Ordered Chronologically

Author : Dreyfus, Laurence
Show full details : ON

Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Dreyfus, Laurence:   The Use of the Harpsichord in the Sacred Works of J. S. Bach. [p]AMS_Minneapolis (Oct 1978) A paper read at the Forth-Fourth Annual Meeting of the American Musicological Society, Meeting Jointly with the Society for Music Theory, October 19-22, 1978 at Hotel Leamington, Minneapolis.
	2.	Dreyfus, Laurence:   J. S. Bach's Experiment in Differentiated Accompaniment: Tacet Indications in the Organ Parts to the Vocal Works. JAMSoc 32/2 (Summer 1979), 321-334. Studies and Reports.
	3.	Dreyfus, Laurence Dana:   Basso Continuo Practice in the Vocal Works of J. S. Bach: A study of the Original Performance Parts. diss. (1980), 341p. Univ. of Columbia 1980. 341p
	4.	Dreyfus, Laurence:   The Length of Bass Notes in J.S. Bach's Secco Recitatives. [p]AMS_Denver (Nov 1980) A paper read at the CMS / AMS / SMT Denver Annual Meetings, November 6-9, 1980.
	5.	Dreyfus, Laurence:   Zur Frage der Cembalo-Mitwirkung in den geistlichen Werken Bachs. [cr]Marburg1978 (1981), 178-184.
	6.	Dreyfus, Laurence:   J. S. Bach and the Status of Genre: Problems of 'Style' in BWV 1029. [p]AMS_Louisville (Oct 1983) A paper read at the Forty-Ninth Annual Meeting of the American Musicological Society, October 27-30, 1983 at The Galt House, Louisville.
	7.	Dreyfus, Laurence:   J. S. Bach's Concerto Ritornellos and the Question of Invention. [p]AMS_GreaterNewYork (May 1984) A paper read at the Greater New York Chapter meeting of the AMS on May 5, 1984 at Columbia University.
	8.	Dreyfus, Laurence:   The metaphorical soloist: Concerted organ parts in Bach's cantatas. EarlyM 13/2 (May 1985), 237-247.
	9.	Dreyfus, Laurence:   J. S. Bach's Concerto Ritornellos and the Question of Invention. MQ 71/3 (1985), 327-358.
	10.	Dreyfus, Laurence:   The Metaphorical Soloist: Concerted Organ Parts in Bach's Cantatas. [ce]JSBOrganist (1986), 172-192.
	11.	Dreyfus, Laurence:   The Articulation of Genre in Bach's Instrumental Music. [cr]Philadelphia1985 (1986), 10-38.
	12.	Dreyfus, Laurence:   The capellmeister and his audience: Observations on 'enlightened' receptions of Bach. [cr]Stuttgart1985 (1987), i: 180-189.
	13.	Dreyfus, Laurence:   J. S. Bach and the Status of Genre: Problems of Style in the G-minor sonata, BWV 1029. JMcol 5/1 (Winter 1987), 55-78.
	14.	Dreyfus, Laurence:   Bach's Continuo Group: Players and Practices in his Vocal Works. Cambridge, Mass; London: Harvard Univ. Press, 1987, xii, 264p. (= Studies in the History of Music, 3) [contents]
	15.	Dreyfus, Laurence:   Bach and the Pursuit of Contemplative Time. [p]AMS_Oakland (Nov 1990) A paper read at the AMS/SEM/SMT Oakland Annual Meetings on 7-11 November 1990.
	16.	Dreyfus, Laurence:   Matters of Kind: Genre and Subgenre in Bach's Well-Tempered Clavier, Book I. [fs]Scheide (1993), 101-119.
	17.	Dreyfus, Laurence:   What is an Invention? [ce]Dreyfus (1996), 1-32; 247-249. [BWV 772]
	18.	Dreyfus, Laurence:   Composing against the Grain. [ce]Dreyfus (1996), 33-58; 249-250. [BWV 816, 18]
	19.	Dreyfus, Laurence:   The Ideal Ritornello. [ce]Dreyfus (1996), 103-133; 250-251. [Revised version of 'J. S. Bach's Concerto Ritornellos and the Question of Invention.', MQ, lxxi/3 (1985), pp. 327-358.] [BWV 1042, 35, 1047, 1061, 245/24]
	20.	Dreyfus, Laurence:   The Status of a Genre. [ce]Dreyfus (1996), 103-133; 251-254. [Revised version of 'J. S. Bach and the Status of Genre: Problems of Style in the G-minor sonata, BWV 1029.', JMcol, v/1 (1987), pp. 55-78] [BWV 1029, 1001/1, 1005/2, 808/1]
	21.	Dreyfus, Laurence:   Matters of Kind. [ce]Dreyfus (1996), 135-168; 254-256. [Revised version of 'Matters of Kind: Genre and Subgenre in Bach's Well-Tempered Clavier, Book I', [fs]Scheide (1993), pp. 101-119] [BWV 849/2; 856/2; 860/2; 850/2; 846/1; 849/2; 1080]
	22.	Dreyfus, Laurence:   Figments of the Organicist Imagination. [ce]Dreyfus (1996), 169-188; 256-257. [BWV 847/2]
	23.	Dreyfus, Laurence:   On Bach's Style. [ce]Dreyfus (1996), 189-218; 258-259. [BWV 1052, 1051]
	24.	Dreyfus, Laurence:   Bach as Critic of Enlightenment. [ce]Dreyfus (1996), 219-244; 258-260. [Revised version of 'The Articulation of Genre in Bach's Instrumental Music', [cr]Philadelphia1985 (1986), pp. 10-38] [BWV 831, 198]
	25.	Dreyfus, Laurence:   Bach and the Patterns of Invention. Cambridge, MA: Harvard Univ. Press, 1996. [v], 270p. ISBN: 0674060059; Paperback edn. 2004. 288p. ISBN: 0-674-01356-5 [contents]
	26.	Dreyfus, Laurence:   Bachian invention and its mechanisms. [ce]CambridgeCompanion_Bach (1997), 171-192.
	27.	Dreyfus, Laurence:   Bach no Continuo Group -- Seigaku Sakuhin ni okeru Sosha to Kanshu ni tsuite. Dai-2-Sho: Orugan to Chenbaro (Shozen). BCJ (Dec 2001), 46-53. [Bach's Continuo Group -- Players and Practices in His Vocal Works. Chapter 2: Organ and Harpsichord. (cont., pp.23-32)] Trans. by Nahoko Goto.
	28.	Dreyfus, Laurence:   Bach no Continuo Group -- Seigaku Sakuhin ni okeru Sosha to Kanshu ni tsuite. Dai-1-Sho: Jo. BCJ 48 (May 2001), 26-32. [Bach's Continuo Group -- Players and Practices in His Vocal Works: Chapter 1: Introduction (pp.1-9)] Trans. by Nahoko Goto.
	29.	Dreyfus, Laurence:   Bach no Continuo Group -- Seigaku Sakuhin ni okeru Sosha to Kanshu ni tsuite. Dai-2-Sho: Orugan to Chenbaro. BCJ 49 (Jun 2001), 28-38. [Bach's Continuo Group -- Players and Practices in His Vocal Works. Chapter 2: Organ and Harpsichord (pp.10-23)] Trans. by Nahoko Goto.
	30.	Dreyfus, Laurence:   Bach no Continuo Group -- Seigaku Sakuhin ni okeru Sosha to Kanshu ni tsuite. Dai-2-Sho: Orugan to Chenbaro (Tsuzuki). BCJ 51 (Feb 2002), 35-44. [Bach's Continuo Group -- Players and Practices in His Vocal Works. Chapter 2: Organ and Harpsichord. (cont., pp.33-48)] Trans. by Nahoko Goto.
	31.	Dreyfus, Laurence:   Bach no Continuo Group -- Seigaku Sakuhin ni okeru Sosha to Kanshu ni tsuite. Dai-2-Sho: Orugan to Chenbaro (Tsuzuki). BCJ 53 (Apr 2002), 34-40. [Bach's Continuo Group -- Players and Practices in His Vocal Works. Chapter 2: Organ and Harpsichord. (cont., pp.48-58)] Trans. by Nahoko Goto.
	32.	Dreyfus, Laurence:   Bach no Continuo Group -- Seigaku Sakuhin ni okeru Sosha to Kanshu ni tsuite. Dai-2-Sho: Orugan to Chenbaro (Tsuzuki). BCJ 54 (Jun 2002), 36-47. [Bach's Continuo Group -- On the performers and custom in vocal works. Chapter 2: Organ and Harpsichord. (cont.)] Trans. by Nahoko Goto.
	33.	Strohm, Reinhard; Butt, John; Dreyfus, Laurence; Tatlow, Ruth:   Bach Network UK -- latest report: New Directions in Bach Studies: Second J S Bach Dialogue Meeting [9-10 December 2006 in Oxford] BachNotesLBS (Mar 2007), [5].
	34.	Dreyfus, Laurence:   Bachian Poetics in the St John Passion. [p]SMA_Glasgow (Apr 2009) A keynote paper read at SMA Spring Study Day 'Bach's Passions' held on 24-25 April 2009 at University of Glasgow.
	35.	Dreyfus, Laurence:   The Triumph of 'Instrumental Melody': Aspects of Musical Poetics in Bach's St. John Passion. BachPerspectives 8 (2011), 96-121.
	36.	Dreyfus, Laurence:   Early music defended against its devotees: A theory of historical performance in the twentieth century. [ce]BaroqueMusic (2011), 499-527.