Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Druzinin, Sergej Vāceslavovic: Sistema sredstv muzykal'noj ritoriki v orkestrovyh sūitah I.S. Baha, G.F. Gendelā, G.F. Telemana. diss. (2002), 210p. [The means of musical rhetoric in orchestral suites of J.S. Bach, Handel, and Telemann] Kand (Iskusstvovedenie) diss., Rossijskaā Akademiā Muzyki imeni Gnesinyh, Moskva, 2002. 210p. | |
| 2. | Steely, Kathryn: Large-Scale Architecture in the J. S. Bach Violoncello Suite Preludes and the Formation of Interpretation. diss. (2002), 215p. DM thesis, Northwestern University, 2002. 215p. ISBN: 0-493-72271-8. | |
| 3. | Kahlstorf, Delano Kent: The two-part inventions of J. S. Bach: A performing edition based upon the keyboard technique and performance practice of Bach and his circle. diss. (2002), 260p. PhD. Texas Tech Univ., 2002. 260 pp. Advisor: Lora Deahl. | |
| 4. | Savarese, Mary B.: Performance Practice in the Keyboard Sonatas of Carl Philipp Emanuel Bach. diss. (2002), 274p. PhD thesis, Claremont Graduate University, 2002. ix, 274p. ISBN: 0-493-60863-X. | |
| 5. | Chapin, Keith Moore: From tone system to personal inspiration: The metaphysics of counterpoint in 18th and early 19th- century Germany. diss. (2002), 322p. PhD, Stanford University, 2002. Ann Arbor, MI: University Microfilms International, 2002. 322p. ISBN: 0-493-87464-X. UMI No. 3067845. | |
| 6. | Stahlke, Mary Benson: Johann Krieger and sacred vocal music in Zittau, 1682-1735. diss. (2002), 615p. PhD diss., University of Southern California, 2002. Ann Arbor, MI: University Microfilms International, 2002. 615p. ISBN: 0-496-41124-5. UMI No. 3093421. | |
| 7. | Lindsley, William T.: Conservative and progressive elements, and vocal and key characteristics in the first two movements of C.P.E. Bach's Prussian Sonata no. 1 in F major, H. 24. diss. (2002), 67p. MM. diss., University of Louisville, 2002. 67p. | |
| 8. | Kutz, Eric: Towards a Formal Paradigm for the Bach Cello Suite Preludes: A Study of the History, Theory, Origins, and Organization of Bach's Preludes to BWV 1007-1012, and Implications for Their Performance. diss. (2002), x, 146p. DMA diss., Performance, Juilliard School, 2002. x, 146 p. | |
| 9. | Jones, Sara Ann: 'The Neumeister Collection of Chorale Preludes of the Bach Circle': An examination of the chorale preludes of J. S. Bach and their usage as service music and pedagogical works. diss. (2002), x, 89p. DMA diss., Louisiana State University and Agricultural & Mechanical College, 2002. x, 89p. - Ann Arbor, MI: University Microfilms International (UMI), 2002. ISBN: 0-496-82148-2. Dissertation No: 3134923 | |
| 10. | O'Loghlin, Michael A.: The Viola da Gamba Music of the Berlin School, 1732-1772. diss. (2002), xi, 377p. PhD diss., Musicology, University of Queensland, 2002. xi, 377 p. | |
| 11. | Leahy, Anne Marie: Text-Music Relationships in the 'Leipzig' Chorales of Johann Sebastian Bach. diss. (2002), xv, 223p. PhD diss., University of Utrecht, 2002. xv, 223p | |