Bach Bibliography
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Series : diss.
Year : 1999
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Stange-Elbe, Joachim:   Analyse- und Interpretationsperspektiven zu Johann Sebastian Bachs 'Kunst der Fuge' mit Werkzeugen der objektorientierten Informationstechnologie. diss. (1999) Univ. Osnabrück, Habil.-Schr., 1999.
2. Yagi, Tomoko:   Bach no Goldberg Hensokyoku no Kenkyu. diss. (1999) [A Study on Bach's Goldberg Variations] MA diss., Gifu Seitoku Gakuen Daigaku, 1999.
3. Ishikawa, Miyuki:   J. S. Bach no Junankyoku oyobi Oratorio ni okeru Alto Solo no Yakuwari to Igi ni kansuru Kenkyu. diss. (1999) [A Study on the role of Alto Solo and its significance in J. S. Bach's Passions and Oratorios] MA diss., Tokyo Gakugei daigaku, 1999
4. Park, Dohee:   J. S. Bach: Han'onkaiteki Gensokyoku to Fuga (BWV 903) no Kaishaku. diss. (1999) MA diss., Tokyo Gakugeidaigaku, 1999. [Interpreting the Chromatic Fantasy and Fugue (BWV 903) by J. S. Bach]
5. Field, Elizabeth Imbert:   Performing Solo Bach: An Examination of the Evolution of Performance Traditions of Bach's Unaccompanied Violin Sonatas from 1802 to the Present. diss. (1999), 194p. DMA diss., Cornell University, 1999. 194p [UMI AAI9914682]
6. Terent'eva, Svetlana Viktorovna:   Vysokaja messa I.S. Baha v svete dialoga kul'tur. diss. (1999), 20p. [Bach's High Mass in the dialogue of cultures] Kand., Iskusstvov: Magnitogorskaja Gosudarstvennaja Konservatorija, 1999. 20p.
7. Krasnoskulov, Alexey:   Strukturnye osobennosti klavirnyh sjuit I.S. Baha i pamjat' ispolnitelja. diss. (1999), 24p. [The structural aspects of J.S. Bach's clavier suites in relation to performers' musical memory] Kand., Iskusstvov: Rostovskaja Konservatorija im. S. Rahmaninova, 1999. 24 p.
8. Palas, Merit:   Musiikin retoriikka editoimisen välineenä: Johann Sebastian Bachin sooloviulusonaattien BWV 1001 ja 1003 käsikirjoitus tarkasteltuna musiikin retoriikan valossa. diss. (1999), 366p. PhD thesis. Helsinki: Sibelius-Akatemia, 1999. 366p. - also 2004.
9. Claus, Rolf Dietrich:   Johann Peter Kellner. Studien zu Leben und Werk nebst einem thematisch-systematischen Verzeichnis seiner musikalischen Werke. diss. (1999), 390p. Rostock, Univ., Diss., 1999. 390p.
10. Potgieter, Zelda:   Analyses of selected works from the Well-tempered clavier of J.S. Bach: A synthesis of existing approaches. diss. (1999), 449, 58p. DPhil diss., Univ. of Port Elizabeth, 1999. 2 vols. 449, 58 p.
11. Thaves, Darrin Fredrick:   Frederick the Great: His influence on the output of flute sonatas by Carl Philipp Emanuel Bach. diss. (1999), 45p. MM. diss., California State University, Long Beach, 1999. 45p
12. Kubota, Keiichi:   C.P.E. Bach no Kigaku Sosaku ni okeru Kaitei oyobi Henkyoku ni kansuru Kenkyu. diss. (1999), 671p. [A study of C.P.E. Bach's revisions and arrangements of his instrumental compositions] PhD diss., (Musicology), Tokyo Geijutsu Daigaku, 1999. 671p.
13. Britt, Carol Delane Currie:   The chorale prelude: The development of the chorale prelude and the use of the chorales of Martin Luther's Catechism by various European composers from the Reformation to Johann Sebastian Bach. diss. (1999), 87p. DMA diss., Univ. of Alabama, 1999. 87p. - Ann Arbor, MI: University Microfilms International, 1999; ISBN: 0-599-51576-7. Dissertation No: 9949358.
14. Youngren, William Thomas Harvey:   The songs of C. P. E. Bach. diss. (1999), 975p. PhD diss., Brandeis university, 1999. 975p. - Ann Arbor, MI: University Microfilms International, 1999. ISBN: 0-599-72364-5. Dissertation No: 9967620.
15. Meißner, Michael:   Johann Sebastian Bachs Mühlhäuser Zeit (1707-1708). diss. (1999), 97p. Hochschulschrift. Weimar, HS für Musik 'Franz Liszt', Magisterarbeit, 1999. 97p.
16. Wesche, Jörg-Tilemann:   Studien zu ausgewählten Weimarer Arien von Johann Sebastian Bach. diss. (1999), ii, 280p. vorgelegt von Jörg-Tilemann Wesche. - MA diss, Kiel, Univ., 1999. Band 1: Textteil; Band 2: Formschemata und Notentext. ii, 198p; 199-280p.
17. Betancourt, Rodolfo J.:   The Process Of Transcription for Guitar of J. S. Bach Chaconne from Partita II for Violin Without Accompaniment, BWV 1004. diss. (1999), iv, 65p. MMus diss., The Lamont School of Music, University of Denver, 1999. iv, 65p.
18. Thompson, Alton:   Formal Coherence in Emanuel Bach's Auferstehung. diss. (1999), xviii, 302p. DMA diss., Conducting, Johns Hopkins University, Peabody Conservatory of Music, 1999. xviii, 302p.
19. Thierbach, Sue Ellen Puyear:   A pedagogical guide to selected violin concertos by Bach, Viotti, Goldmark, and Khachaturian. diss. (1999), xxii, 286p. DA diss., Univ. of Northern Colorado, 1999. xxii, 286p. [Dissertation Number: UMI AAI9927749] [BWV 1042]

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