Bach Bibliography
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Series : diss.
Year : 1992
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Corneilson, Paul Edward:   Opera at Mannheim, 1770-1778. diss. (1992) PhD diss., Music: U. of North Carolina, Chapel Hill, 1992. UMI DA9309859
2. Bynum, Leroy Evans, Jr.:   The first Berlin lieder school: The early development of German art song. diss. (1992) DMA doc., Music: U. of Georgia, 1992. UMI DA9316313
3. Brink, Arend:   Die gebruik van basstrykinstrumente in geselekteerde werke van J. S. Bach. diss. (1992) [The use of bass string instruments in selected works of J.S. Bach] MM, University of the Orange Free State, 1992.
4. Pretorius, Estelle:   Musiek-allegoriese elemente in twee kantates van J. S. Bach: 'n Studie in woord-toonverhoudinge. diss. (1992) [Music allegorical elements in two cantatas of J.S.Bach: a study in word-painting] MM, University of Pretoria, 1992.
5. Böhnert, Andreas:   Studien zum Klavierwerk Wilhelm Friedemann Bachs. diss. (1992) PhD diss., Musicology, Univ. of Hamburg, 1992.
6. Groves, S. E.:   Bach Pianists: a Performance History. diss. (1992), 116p. DMA doc., The University of Texas at Austin, 1992, 116p.
7. Krug, Hans-Peter:   'Die Marburger Anatomenfamilie': (Wagener, Lieberkühn, Gasser, Strahl, Zumstein). diss. (1992), 119p. vorgelegt von Hans-Peter Krug. - Marburg, Univ., Diss., 1992. [3], 119p. [contains Biography of Guido Richard Wagener]
8. Herrmann, Matthias:   Der Komponist Rudolf Mauersberger (1889 -1971): Untersuchungen zum handschriftlich überlieferten instrumentalen Frühschaffen und zum vorwiegend unveröffentlichten vokalen Hauptwerk; mit systematisch-chronologischem Werkverzeichnis (RMWV). diss. (1992), 133, 198p. Hochschulschrift: Leipzig, Univ., Habilschr., 1992. Teil 1: 133, [17] Bl; Teil 2: 198 Bl.
9. Sanders, Morgan Shawn:   The use of twentieth-century string techniques in solo violoncello music by Texas composers (1977-1987): From a performer's approach. diss. (1992), 146p. DMA doc., Music: U. of Texas, 1992. 146p. UMI DA9225785
10. Shabalina, Tat'jana:   Sonaty I. S. Bakha dlya kamernogo ansamblya. diss. (1992), 165p. Problemy tekstologhii v svyazi s istoriyey sozdaniya i ispolnitel'skoy praktikoy. PhD diss. St Petersburg, 1992. 165p. [J. S. Bach's Sonatas for Chamber Ensemble: The problems of their text criticism in connection with their creation history and modern performance practice]
11. Fontana, Giuseppe:   Diciotto edizioni novecentesche della Suite III per violoncello solo, BWV 1009, di J.S. Bach: Osservazioni sui criteri e sull'uso. diss. (1992), 195p. [Eighteen 20th-century editions of J.S. Bach's suite no. 3 for solo violoncello, BWV 1009: Observations regarding criteria and practice] Tesi di laurea, Storia della musica: U. degli Studi di Venezia, 1992. 195 p.
12. Osokin, Sergej:   Istoriceskaja zizn' muzykal'nogo proizvedenija v ispolnitel'skom iskusstva: Na materiale interpretacij Horoso temperirovannogo klavira I.S. Baha. diss. (1992), 22p. [The historical life of a musical work in performance practice: Materials from interpretations of Das wohltemperirte Clavier] PhD diss., Performance practice: Gosudarstvennaja Konservatorija, Moskva, 1992. 22 p.
13. Palazcenko, Irina:   Instrumental'naja fantazija XVII-XVIII vv.: Genezis i puti razvitija. diss. (1992), 24p. [The instrumental fantasy in the 17th and 18th centuries: Genesis and routes of development] PhD diss., History of music: Gosudarstvennaja Konservatorija, Moskva, 1992. 24 p.
14. Mansure, Victor Newell:   The Allemandes of Johann Sebastian Bach: A Stylistic Study. diss. (1992), 284p. DMA diss., Music History, University of Oregon, 1992, 284p. UMI DA9313305
15. Eisert, Christian:   Die Clavier-Toccaten BWV 910-916 von Johann Sebastian Bach: quellenkritische Untersuchungen zu einem Problem des Frühwerks. diss. (1992), 3 vols. PhD diss., Musicology, Freiburg im Breisgau. 1992. 298p, 194p (Anh. 1. Kritischer Bericht, Lesartenverzeichnisse) + Edition (Anh.2 - Manuskript für Wiener Urtext-Edition / Schott-Verl., Mainz)
16. Johns, Cort MacLean:   Technology, Culture and Creativity: Factors Connecting Invention and Scientific Discovery. diss. (1992), 301p. [on J.S. Bach in Kassel, pp. 122-129]. Diss. University of St. Gallen, 1992; Diss. Nr. 1333. 301p.
17. Janson, Peter:   Applicatio textus or dramma per musica? The function of the church cantatas by Georg Friedrich Kauffmann. diss. (1992), 323p. PhD diss. University of Victoria, British Columbia. 1992. 323p.
18. Lewis, Gary Wayne:   Ornamentation in the Music of J.S. Bach: A Study of Formal Design, Motivic Continuity, and Aesthetic Value. diss. (1992), 336p. DMA doc., University of Oregon, 1992, 336p.
19. Mehne, Wendy Ann:   A Research/Performance Edition of Johann Sebastian Bach's Acknowledged Flute Sonatas. diss. (1992), 352p. DMA diss., The University of Wisconsin - Madison, 1992, 352p. UMI DA9221923
20. Maxwell, Grant L.:   Music for three or more pianists: An historical survey and catalogue. diss. (1992), 355p. DM doc., Music: University of Alberta, 1992. 355 p.
21. Morton, Wyant:   Questions of Authenticity in three Motets Attributed to Johann Sebastian Bach. diss. (1992), 46p. MusAD diss., The University of Arizona, 1992. 46p. UMI DA9229856
22. Taylor, Jeffrey Mitchell:   Johann Pachelbel's cantata 'Christ lag in Todesbanden': Its significance as a possible model for J.S. Bach's cantata no. 4. diss. (1992), 54p. MM thesis, Music: California State University, Long Beach, Fresno, 1992. 54p
23. Vieira, Yara Quercia:   Aspectos tecnicos da partita n. 1 para violino solo de J.S. Bach. diss. (1992), 91p. [Technical aspects of the partita no. 1 for solo violin by J.S. Bach] Mestrado, Performance practice: U. Federal do Rio de Janeiro, 1992. 91p. [BWV 1002]
24. Holler, Ann K.:   A comparative study of selected Bach and Klengel fugues. diss. (1992), viii, 69p. M.M. diss., University of Tennessee, Knoxville, 1992. viii, 69p.
25. Hirsbrunner, Theo:   Arthur Honegger: Ein Aussenseiter im Groupe des Six. Dissonanz 31 (Feb 1992), 19-23.

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