Bach Bibliography
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Series : diss.
Year : 1969
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Hanson, J.:   An Operational approach to a theory of rhythm. diss. (1969) Yale Uni. 1969.
2. Riedel, Herbot Hugo:   Recognition and Re-cognition: Bach and The Well-tempered Clavier I. diss. (1969) PhD diss., Berkeley: University of California 1969.
3. Ray, Martha Elizabeth Park:   A study of the German church cantata exclusive of Bach, 1650-1750. diss. (1969) MM diss.: Florida State U., Tallahassee, 1969.
4. Mulbury, David:   A collection of organ music by pupils of J. S. Bach. diss. (1969), 102, 89p. DMA diss., Musicology. Eastman School of Music 1969. 102, 89p
5. Rixman, Eunice Elizabeth:   The sacred cantata God hath awakened the Lord, by Carl Philipp Emanuel Bach, in relation to its performance. diss. (1969), 103, 50 p. DMA diss., Church music: University of Southern California, 1969. 2v. 103; 50 p.
6. Flothuis, Marius:   Mozarts Bearbeitungen eigener und fremder Werke. diss. (1969), 104p. University of Amsterdam 1969. 104p
7. Bradley, Alan Louis:   A modern performing edition for clarinet and piano of five selected Baroque sonatas with a study of performance practice and descriptive commentary of the sonatas. diss. (1969), 105p. MusD diss., Musicology: Indiana Univ., 1969. 105p. [BWV 1023]
8. Harriss, Ernest Charles:   Johann Mattheson's 'Der vollkommene Capellmeister': a translation and commentary. diss. (1969), 1586p. DMA diss., Peabody College for Teachers of Vanderbilt University, 1969. 1586p. AAT 7007632
9. Williams, Janet Leslie:   An Analytical Study of Three Flute Sonatas by Johann Sebastian Bach. diss. (1969), 169p. MM diss., Duquesne University, 1969. 169p
10. Bruderer, Conrad:   A comparison of the preludes found in common in the Clavierbüchlein für Wilhelm Friedemann Bach, the well-tempered Clavier, and the Forkel edition of the well-tempered Clavier. diss. (1969), 173p. DM Diss. Piano Performance. Bloomington, Indiana University, 1969. 173p
11. Foster, Walter Charles:   J. S. Bach's musical treatment of negative text passages. diss. (1969), 245p. PhD dissertation. University of Texas at Austin 1969. 245p.
12. Majskij, V. L.:   Osobenosti golosovedenija J. S. Bacha. diss. (1969), 315p. Leningrad, 1969. 315p.
13. Warburton, Ernest:   A Study of Johann Christian Bach's Operas. diss. (1969), 324, 390 Bl. DPhil diss., Music, Oxford University, 1969. 2 v. 324; 390 leaves.
14. McKinney, James Carroll:   The solo bass voice in the cantatas of J. S. Bach. diss. (1969), 330p. DMA diss., Performance, University of Southern California 1969. 330p.
15. Hill, Vernon Willard, Jr.:   The B Minor Mass by Johann Sebastian Bach: A study in Reformed Catholic thought. diss. (1969), 363p. RelD. diss., Claremont School of Theology, 1969. 363p.
16. Byrt, John Clare:   Form and style in the works of Sebastian and Emanuel Bach. diss. (1969), 380, 201 Bl. DPhil diss., Oxford University, 1969. 2 v. (xiii, 380, lxxxiv; 201 leaves).
17. Vos, Marie Ann Heiberg:   The Liturgical Choral Works of Johann Christian Bach. diss. (1969), iii, 744p. PhD diss., Musicology, Washington University, 1969. 2 vols., iii, 744p
18. Frum, Bernard:   The dramatic-dualistic style element in keyboard music published before 1750. diss. (1969), v, 266p. PhD diss., Musicology: Columbia University, 1969. v, 266 p
19. Mekota, Beth Anna:   The Solo and Ensemble Keyboard Works of Johann Christian Bach. diss. (1969), vi, 309p. PhD diss., Musicology, University of Michigan, 1969. vi, 309p - Dissertation Abstracts International, 30-05A, p. 2063, AAF6918059.
20. Dykstra, Brian James:   The Interpretation of Bach's Well-Tempered Clavier, Book One: A Study in Diversity. diss. (1969), xiii, 487p. DMA diss., University of Rochester, 1969. xiii, 487p.

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