Bach Bibliography Search Result - Ordered Chronologically

Series : [cr]Moskva2012
Year : 2016
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Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Wollny, Peter:   Prekrasnye ital'ânskie muzykal'nye vesicy na nemeckoj zemle': O tom, kak socinâli muzyku posle Tridcatiletnej vojny. [cr]Moskva2012 (2016), 16-50. ['The lovely Italian music on German soil': Music composition after the Thirty Years' War] trans. Ol’ga Vladimirovna Gero.
	2.	Gero, Ol’ga Vladimirovna:   Ostinatnye i riturnel'nye formy v Laudate puerri Dominum na primere proizvedenij oz Dûbenovskoj kollekcii. [cr]Moskva2012 (2016), 62-80. [Ostinato and ritornello forms in the settings of Laudate puerri Dominum: Examples of the works at the Düben collection]
	3.	Mal'ceva, Anastasiâ Aleksandrovna:   Muzykal'no-èkzegeticeskij podhod v kontekste muzykal'noj ritoriki nemeckogo barokko. [cr]Moskva2012 (2016), 92-102. [Musical-exegetical approach in the context of the musical rhetoric of the German Baroque]
	4.	Glöckner, Andreas:   '...Velikij muzykant, a ne škol'nyj ucitel'...': Zametki na temu—Iogann Sebast'ân Bah—kantor, kapel'mejster, muzykal'nyj direktor. [cr]Moskva2012 (2016), 111-123. ['...The great musician, not a school teacher...': Notes on the Johann Sebastian Bach as cantor, kapellmeister, and music director] trans. Ol’ga Vladimirovna Gero.
	5.	Wolff, Christoph:   Kak zvucala 'muzyka prežnego roda'? [cr]Moskva2012 (2016), 136-156. [How did the music of the older generation sound?]
	6.	Glöckner, Andreas:   Utracennaâ so vremën okoncaniâ vojny: O sud'be staroj notnoj biblioteki školy Sv. Fomy v Lejpcige. [cr]Moskva2012 (2016), 165-182. [Lost since World War II: The music library of the Thomasschule zu Leipzig] trans. Ol’ga Vladimirovna Gero.
	7.	Dirksen, Pieter:   I.S. Bah i tradiciâ horal'noj partity. [cr]Moskva2012 (2016), 192-200. [J.S. Bach and the choral partita tradition] trans. Ol’ga Vladimirovna Gero. [BWV 766-770]
	8.	Dirksen, Pieter:   Kantata Erfreute Zeit im neuer Bunde i rol' skripki v kantatah pervogo lejpcigskogo godovogo cikla I.S. Baha. [cr]Moskva2012 (2016), 209-228. [The cantata Erfreute Zeit im neuer Bunde and the role of the violin in Bach's first Leipzig Jahrgang] trans. Ol’ga Vladimirovna Gero. [BWV 83]
	9.	Âncenko, Olesâ Aleksandrovna:   Selig ist der Mann BWV 57 I.S. Baha kak duhovnyj dialog vysšego porâdka. [cr]Moskva2012 (2016), 245-254. [Selig ist der Mann BWV 57 by J.S. Bach as a sacred dialogue of a higher order] [BWV 57]
	10.	Nasonov, Roman Aleksandrovic:   Vos'moe slovo Hrista: O duhovnom smysle arii Flösst, mein Heiland s ègo iz Roždestvenskoj oratorii Baha. [cr]Moskva2012 (2016), 264-271. [The eighth word of Christ: On the sacred meaning of the echo aria Flösst, mein Heiland from J.S. Bach's Weihnachts-Oratorium] [BWV 248]
	11.	Vâzkova, Elena Vasil'evna:   K voprosu o tipologii rukopisej i o tvorceskom processe I.S. Baha. [cr]Moskva2012 (2016), 280-292. [The typology of manuscripts and the creative process of J.S. Bach] [BWV 606, 1080]
	12.	Merkulov, Aleksandr Mihajlovic:   Kadenciâ solista v XVIII–nacale XIX veka: Mify i real'nost'. [cr]Moskva2012 (2016), 302-318. [Soloist cadenza in the 18th and early 19th centuries: Myths and reality]
	13.	Wolff, Christoph:   Mocart i Bah. [cr]Moskva2012 (2016), 335-350. [Mozart and Bach] trans. Ol’ga Vladimirovna Gero.
	14.	Gero, Ol’ga Vladimirovna; Nasonov, Roman Aleksandrovic (eds.):   I.S. Bah i muzykal'naâ praktika nemeckogo barokko / J.S. Bach und die musikalische Praxis des deutschen Barock. Moskva, Russia: Gosudarstvennaâ Konservatoriâ imeni P.I. Cajkovskogo, 2016. 360p. ISBN: 978-5-89598-323-2; 5-89598-323-5. [contents]