Bach Bibliography Search Result - Ordered Chronologically

Series : [ce]Wolff
Year : 1991
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Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Wolff, Christoph:   New Perspectives on Bach Biography. [ce]Wolff (1991), 3-13, 399. [Repr. of 'Problems and New Perspectives of Bach Biography', Proteus ii/2 (1985), pp. 1-7]
	2.	Wolff, Christoph:   The Family. [ce]Wolff (1991), 14-22, 399-401. [Repr. from Johann Sebastian Bach: Life, Times, Influence, eds. Barbara Schwendowius and Wolfgang Dömling (Kassel [u.a.]: Bärenreiter, 1977), pp. 51-68]
	3.	Wolff, Christoph:   Decisive Career Steps. [ce]Wolff (1991), 23-31, 401. [Repr. of 'Events in his Life and Career' in Johann Sebastian Bach: Life, Times, Influence, eds. Barbara Schwendowius and Wolfgang Dömling (Kassel [u.a.]: Bärenreiter, 1977), pp. 69-82]
	4.	Wolff, Christoph:   Employers and Patrons. [ce]Wolff (1991), 32-40, 401. [Repr. in Johann Sebastian Bach: Life, Times, Influence, eds. Barbara Schwendowius and Wolfgang Dömling (Kassel [u.a.]: Bärenreiter, 1977), pp. 83-96]
	5.	Wolff, Christoph:   Buxtehude, Bach, and Seventeenth-Century Music in Retrospect. [ce]Wolff (1991), 41-55, 401-402. [Repr of 'Dietrich Buxtehude and Seventeenth-Century Music in Retrospect', in Church, Stage, and Studio, ed. Paul Walker (Ann Arbor, 1989), pp. 3-20]
	6.	Wolff, Christoph:   Bach and Johann Adam Reinken: A Context for the Early Works. [ce]Wolff (1991), 56-71, 402-405. [Repr. of 'Johann Adam Reinken and Johann Sebastian Bach: On the Context of Bach's Early Works', in J. S. Bach as Organist: His Instruments, Music, and Performance Practices, ed. George B. Stauffer and Ernest May (Bloomington, 1986), pp. 57-80]
	7.	Wolff, Christoph:   Vivaldi's Compositional Art, Bach, and the Process of 'Musical Thinking'. [ce]Wolff (1991), 72-83, 405. [Repr. of 'Vivaldi's Compositional Art and the Process of ''Musical Thinking''', in Nuovi Studi Vivaldiani, vol. 1, ed. Antonio Fanna and Giovanni Morelli (Florence, 1988), pp. 1-17]
	8.	Wolff, Christoph:   Bach and the Tradition of the Palestrina Style. [ce]Wolff (1991), 84-104, 405-406. [English trans by Alfred Mann of 'Die Tradition des vokalpolyphonen Stils in der neueren Musikgeschichte, insbesondere bei Bach', Musik und Kirche xxxviii (1968), pp. 62-80]
	9.	Wolff, Christoph:   The Neumeister Collection of Chorale Preludes from the Bach Circle. [ce]Wolff (1991), 107-127, 406-408. [Repr. of 'Introduction', in The Neumeister Collection of Chorale Preludes from the Bach Circle (Yale University Manuscript LM 4708): A Facsimile Edition, ed. Christoph Wolff (New Haven and London, 1986), pp. 1-14]
	10.	Wolff, Christoph:   Bach's Audition for the St. Thomas Cantorate: The Cantata 'Du wahrer Gott und Davids Sohn'. [ce]Wolff (1991), 128-140, 408-409. [English trans. by Alfred Mann of 'Bachs Leipziger Kantoratsprobe und die Aufführungsgeschichte der Kantate ''Du wahrer Gott und Davids Sohn' BWV 23''', Bach-Jahrbuch lxiv (1978), pp. 78-94]
	11.	Wolff, Christoph:   Origins of the Kyrie of the B Minor Mass. [ce]Wolff (1991), 141-151, 410-412. [English trans. by Alfred Mann of 'Zur musikalischen Vorgeschichte des Kyrie aus J. S. Bachs Messe in h-Moll', in Festschrift für Bruno Stäblein zum 70. Geburtstag, ed. Martin Ruhnke (Kassel, 1967), pp. 316-326]
	12.	Wolff, Christoph:   The Reformation Cantata 'Ein feste Burg'. [ce]Wolff (1991), 152-161, 412-413. [Repr. of 'Bach's Cantata Ein feste Burg: History and Performance Practice', American Choral Review xxiv (1982), pp. 27-38.]
	13.	Wolff, Christoph:   The Handexemplar of the Goldberg Variations. [ce]Wolff (1991), 162-177, 413-414. [Repr. of 'Bach's Handexemplar of the Goldberg Variations: A New Source', Journal of the American Musicological Society, xxix (1976), pp. 224-241]
	14.	Wolff, Christoph:   Bach's Personal Copy of the Schübler Chorales. [ce]Wolff (1991), 178-186, 414-416. [Repr. from J. S. Bach as Organist, ed. George B. Stauffer and Ernest May (Bloomington, 1986), pp. 121-132]
	15.	Wolff, Christoph:   The Clavier-Übung Series. [ce]Wolff (1991), 189-213, 416-417. [Repr. of 'Commentary', in Johann Sebastian Bach's Clavier-Übung, Faksimile-Ausgabe, ed. Christoph Wolff (Leipzig, 1984), pp. 21-32]
	16.	Wolff, Christoph:   Text-Critical Comments on the Original Print of the Partitas. [ce]Wolff (1991), 214-222, 417-418. [English trans by Alfred Mann of 'Textkritische Bemerkungen zum Originaldruck der Bachschen Partiten', Bach-Jahrbuch lxv (1979), pp. 65-74]
	17.	Wolff, Christoph:   Bach's Leipzig Chamber Music. [ce]Wolff (1991), 223-238, 418-419. [Repr. from Early Music xiii (1985), pp. 165-175]
	18.	Wolff, Christoph:   New Research on the Musical Offering. [ce]Wolff (1991), 239-258, 419-423. [Repr. of 'New Research on Bach's Musical Offering', The Musical Quarterly lvii (1971), pp. 379-408]
	19.	Wolff, Christoph:   Bach's Last Fugue: Unfinished? [ce]Wolff (1991), 259-264, 423. [Repr. from Current Musicology xix (1975), pp. 71-77]
	20.	Wolff, Christoph:   The Compositional History of the Art of Fugue. [ce]Wolff (1991), 265-281, 423-424. [English trans. by Alfred Mann of 'Zur Chronologie und Kompositionsgeschichte von Bachs ''Kunst der Fuge''', Beiträge zur Musikwissenschaft xxv (1983), pp. 130-142]
	21.	Wolff, Christoph:   The Deathbed Chorale: Exposing a Myth. [ce]Wolff (1991), 282-294, 424-426. [English trans. by Alfred Mann of 'Bachs Sterbechoral. Kritische Fragen zu einem Mythos', in Essays in Renaissance and Baroque Music in Honor of Arthur Mendel, ed. Robert L. Marshall (Kassel, 1974), pp. 283-297] [BWV 668]
	22.	Wolff, Christoph:   Chronology and Style in the Early Works: A Background for the Orgel-Büchlein. [ce]Wolff (1991), 297-305, 426-427. [English trans. by Alfred Mann of 'Zur Problematik der Chronologie und Stilentwicklung des Bachschen Frühwerkes, insbesondere zur musikalischen Vorgeschichte des Orgelbüchleins', in Bericht über die Wissenschaftliche Konferenz Leipzig 1985, ed. Winfried Hoffmann and Armin Schneiderheinze (Leipzig, 1988), pp. 449-455]
	23.	Wolff, Christoph:   The Architecture of the Passacaglia. [ce]Wolff (1991), 306-316, 427-428. [English trans. by Alfred Mann of 'Die Architektur von Bachs Passacaglia', Acta Organologica iii (1969), pp. 183-194]
	24.	Wolff, Christoph:   The Organ in Bach's Cantatas. [ce]Wolff (1991), 317-323, 428. [Repr. of 'The Organ in Bach's Cantata Works', Das Kantatenwerk, xiii (Hamburg: Teldec 6.35284-00-501, 1975), pp. 7-8]
	25.	Wolff, Christoph:   Apropos the Musical Offering: The Thema Regium and the Term 'Ricercar'. [ce]Wolff (1991), 324-331, 428-430. [English trans. by Alfred Mann of (1) 'Überlegungen zum ''Thema Regium''', Bach-Jahrbuch lix (1973), pp. 33-38, and (2) 'Der Terminus ''Ricercar'' in Bachs Musikalischem Opfer', Bach-Jahrbuch liii (1967), pp. 70-81]
	26.	Wolff, Christoph:   The Agnus Dei of the B Minor Mass: Parody and New Composition Reconciled. [ce]Wolff (1991), 332-339, 430. [Repr. from A Bach Tribute: Essays in Honor of William H. Scheide, ed. Paul Brainard and Ray Robinson (Kassel, 1993)]
	27.	Wolff, Christoph:   Principles of Design and Order in Bach's Original Editions. [ce]Wolff (1991), 340-358, 430-432. [English trans. by Alfred Mann of 'Ordnungsprinzipien in den Originaldrucken Bachscher Werke', in Bach-Interpretationen, ed. Martin Geck (Göttingen, 1969), pp. 144-167, 223-225]
	28.	Wolff, Christoph:   Toward a Definition of the Last Period of Bach's Work. [ce]Wolff (1991), 359-367, 432-433. [English trans. by Alfred Mann of 'Bachs Spätwerk: Versuch einer Definition', in Johann Sebastian Bachs Spätwerk und dessen Umfeld: Perspektiven und Probleme. Bericht über das wissenschaftliche Symposion anläßlich des 61. Bachfestes der Neuen Bachgesellschaft, Duisburg 1986, ed. Christoph Wolff (Kassel, 1988), pp. 15-22]
	29.	Wolff, Christoph:   On the Original Editions of Bach's Works. [ce]Wolff (1991), 371-376, 433. [English trans. by Alfred Mann of 'Zu den Originalausgaben Johann Sebastian Bachs', in 300 Jahre Johann Sebastian Bach. Ausstellungs-Katalog Stuttgart 1985, ed. Ulrich Prinz (Tutzing, 1985), pp. 57-64]
	30.	Wolff, Christoph:   Bach's Vocal Music and Early Music Criticism. [ce]Wolff (1991), 377-382, 433-434. [Repr. of 'Bach's Vocal Works and Early Music Criticism', Das Kantatenwerk, xx (Hamburg: Teldec 6.35362-00-501, 1978), pp. 6-7]
	31.	Wolff, Christoph:   On the Recognition of Bach and 'the Bach Chorale': Eighteenth-Century Perspectives. [ce]Wolff (1991), 383-390, 434-435. [English trans. by Alfred Mann of (1) 'Zur Rezeptionsgeschichte Bachs im 18. Jahrhundert', in Alte Musik als ästhetische Gegenwart: Bach, Händel, Schütz. Bericht über den internationalen musikwissenschaftlichen Kongreß Stuttgart 1985, ed. Dietrich Berke and Dorothee Hanemann, vol. 1 (Kassel, 1987), pp. 162-164, and (2) 'Bachs vierstimmige Choräle. Geschichtliche Perspektiven im i8. Jahrhundert', in Jahrbuch des Instituts für Musikforschung der Stiftung Preußischer Kulturbesitz 1985-86, ed. Günther Wagner (Kassel, 1989), pp. 257-263]
	32.	Wolff, Christoph:   'The Extraordinary Perfections of the Hon. Court Composer': An Inquiry into the Individuality of Bach's Music. [ce]Wolff (1991), 391-397, 435-436. [English trans. by Alfred Mann of '''Die sonderbaren Vollkommenheiten des Herrn Hofcompositeurs''. Versuch über die Eigenart der Bachschen Musik', in Bachiana et alia musicologica. Festschrift Alfred Dürr zum 65. Geburtstag, ed. Wolfgang Rehm (Kassel, 1983), pp. 356-362]
	33.	Wolff, Christoph:   Bach. Essays on His Life and Music. Cambridge, Mass.; London: Harvard Univ. Press, 1991. 461p. ISBN: 0-674-05925-5 (hardback) -- paperback edn. 1993. ISBN: 0-674-05926-3. [contents]