Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Ebata, Nobuaki; Tomita, Yo; Mills, Ian: Mendelssohn and The Schübler Chorales (BWV 645-650): A New Source found in the Riemenschneider Bach Institute Collection. Bach 44/1 (2013), 1-45 | |
| 2. | Ishii, Akira: Johann Sebastian Bach, Carl Philipp Emanuel Bach, and Johann Jacob Froberger: The Dissemination of Froberger's Contrapuntal Works in Late Eighteenth-Century Berlin. Bach 44/1 (2013), 46-133 | |
| 3. | Kennelly, Laura: In Memoriam: Elinore Louise Barber (June 3, 1919-March 26, 2013) Bach 44/1 (2013), 134 | |
| 4. | Butler, Lynn Edwards: Four Sources Relating to Bach, Organ Builder Johann Scheibe, and the Organs in Zschortau and Stötteritz. Bach 44/2 (2013), 1-5 | |
| 5. | Grant, Jason B.: The Origins of the Aria 'Ich folge dir, verklärter Held' and the Recurring Chorus 'Triumph!' from the Oratorio Die Auferstehung und Himmelfahrt Jesu by Carl Philipp Emanuel Bach. Bach 44/2 (2013), 6-24 | |
| 6. | Chobanian, Loris Ohannes (ed.): FANTASIA For Organ Duo / 'Bach - Riemenschneider' Bach 44/2 (2013), 21p | |
| 7. | Lee, Kayoung: The Reception of Bach's Music in Korea from 1900 to 1945. Bach 44/2 (2013), 25-51 | |
| 8. | Serebrennikov, Maxim: Once Again on the Authorship of BWV 907 and BWV 908. Bach 44/2 (2013), 52-66 | |