Bach Bibliography
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Series : UnderstandingBach
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Blanken, Christine:   A Cantata-Text Cycle of 1728 from Nuremberg: a Preliminary Report on a Discovery relating to J. S. Bach's so-called 'Third Annual Cycle' UnderstandingBach 10 (2015), 9-30. http://bachnetwork.co.uk/ub10/ub10-blanken.pdf
2. Brookshire, Bradley:   Edwin Fischer's Bach-Pianism in Context. UnderstandingBach 11 (2016), 107-127. http://bachnetwork.co.uk/ub11/ub11-brookshire.pdf
3. Bruckstein, Almut Sh.; HaCohen, Ruth:   An experiment in reception and conception: re-texting Bach's St John Passion for Good Friday 2005. UnderstandingBach 1 (2006), 87-88. http://www.bachnetwork.co.uk/ub1/hacohen2.pdf
4. Butt, John:   The Postmodern Mindset, Musicology and the Future of Bach Scholarship. UnderstandingBach 1 (2006), 9-18. http://www.bachnetwork.co.uk/ub1/butt.pdf
5. Cressy, Thomas:   The Case of Bach and Japan: Some Concepts and their Possible Significance. UnderstandingBach 11 (2016), 140-146. Young Scholars' Forum. http://bachnetwork.co.uk/ub11/ub11-cressy.pdf
6. Crist, Stephen A.:   A Compositional Testing Ground: Arias in J. S. Bach's Weimar Church Cantatas. UnderstandingBach 12 (2017), 9-20.
7. Davis, Stacey:   Creating Clarity and Contrast: A Dialogue with Rachel Podger on the Analysis and Performance of Implied Polyphony in Bach's Unaccompanied Violin Works. UnderstandingBach 12 (2017), 59-84.
8. Fazekas, Gergely:   Formal Deviations in the First Kyrie of the B minor Mass. UnderstandingBach 12 (2017), 21-36.
9. Fazekas, Gergely:   J. S. Bach and the Two Cultures of Musical Form. UnderstandingBach 10 (2015), 109-122. http://bachnetwork.co.uk/ub10/ub10-fazekas.pdf [BWV 870, 870a, 1011/4]
10. Fazekas, Gergely:   The Conflict of Symmetrical Form and Text Settings by J. S. Bach. UnderstandingBach 11 (2016), 83-105. http://bachnetwork.co.uk/ub11/ub11-fazekas.pdf [BWV 91, 179, 201, 236, 803, 1051, 1053]
11. Frampton, Andrew:   A Copyist of Bach and Zelenka: Identifying the Scribes of GB-Ob, MS Tenbury 749. UnderstandingBach 11 (2016), 131-139. Young Scholars' Forum. http://bachnetwork.co.uk/ub11/ub11-frampton.pdf
12. French, Hannah:   Bach's Unsung Champion: Sir Henry J. Wood. UnderstandingBach 12 (2017), 126-132. Young Scholars' Forum.
13. HaCohen, Ruth:   Exploring the Limits: the Tonal, the Gestural, and the Allegorical in Bach's Musical Offering. UnderstandingBach 1 (2006), 19-38. http://www.bachnetwork.co.uk/ub1/hacohen1.pdf
14. Hall, Matthew J.:   Keyboard Technique as Contrapuntal Structure in J. S. Bach's Clavier Works. UnderstandingBach 10 (2015), 85-107. http://bachnetwork.co.uk/ub10/ub10-hall.pdf
15. Heber, Noelle:   Bach and Money: Sources of Salary and Supplemental Income in Leipzig from 1723 to 1750. UnderstandingBach 12 (2017), 111-125. Young Scholars' Forum.
16. Hellawell, Piers:   Bach to the Future: Recontextualising the Solo Violin Canon in 2014. UnderstandingBach 10 (2015), 171-173. Reports. http://bachnetwork.co.uk/ub10/ub10-hellawell.pdf
17. Heller, Wendy:   'Aus eigener Erfahrung redet': Bach, Luther, and Mary's Voice in the Magnificat, BWV 243. UnderstandingBach 10 (2015), 31-69. http://bachnetwork.co.uk/ub10/ub10-heller.pdf
18. Koska, Bernd:   Cantors, Schoolmasters, and Directors of Music: New Research on Bach's Students. UnderstandingBach 10 (2015), 161-170. Reports. http://bachnetwork.co.uk/ub10/ub10-koska.pdf
19. Maul, Michael:   'Having to perform and direct the music in the Capellmeister's stead for two whole years': Observations on How Bach Understood His Post during the 1740s. UnderstandingBach 12 (2017), 37-58. Trans. Barbara M. Reul.
20. Owens, Samantha:   Music via Correspondence: A List of the Music Collection of Dresden Kreuzorganist Emanuel Benisch. UnderstandingBach 11 (2016), 39-56. http://bachnetwork.co.uk/ub11/ub11-owens.pdf
21. Paczkowski, Szymon:   Bach and Poland in the Eighteenth Century. UnderstandingBach 10 (2015), 123-137. http://bachnetwork.co.uk/ub10/ub10-paczkowski.pdf
22. Shabalina, Tatiana:   Activities around the Composer's Desk: The Roles of Bach and his Copyists in Parody Production. UnderstandingBach 11 (2016), 9-38. http://bachnetwork.co.uk/ub11/ub11-shabalina.pdf [BWV 34a, 36b, 173, 184, 193, 207a, 216a]
23. Siegele, Ulrich:   On J. S. Bach's Compositional Technique. UnderstandingBach 11 (2016), 67-82. Trans. Reiko Füting. [Partial repr. of 'Compositional Technique' in Robin A. Leaver (ed.), The Routledge Research Companion to J. S. Bach (2016)] http://bachnetwork.co.uk/ub11/ub11-siegele.pdf [BWV 849, 857, 867, 888, 1049, 1079]
24. Stewart, Andrew:   Big Boys Don't Cry? Attitudes towards Death in Bach's Leipzig. UnderstandingBach 1 (2006), 39-50. http://www.bachnetwork.co.uk/ub1/stewart.pdf
25. Stockigt, Janice B.:   The Music of Leipzig's Royal Catholic Chapel during the Reign of August II. UnderstandingBach 11 (2016), 57-66. http://bachnetwork.co.uk/ub11/ub11-stockigt.pdf
26. Strohm, Reinhard:   Transgression, Transcendence and Metaphor - the 'Other Meanings' of the B-Minor Mass. UnderstandingBach 1 (2006), 49-68. http://www.bachnetwork.co.uk/ub1/strohm.pdf
27. Szabó, Zoltán:   Remaining Silhouettes of Lost Bach Manuscripts? Re-evaluating J. P. Kellner's Copy of J. S. Bach's Solo String Compositions. UnderstandingBach 10 (2015), 71-83. http://bachnetwork.co.uk/ub10/ub10-szabo.pdf
28. Tatlow, Ruth:   A Glorious Summer Meeting: the 2015 Dialogue Report. UnderstandingBach 11 (2016), 149-152. Reports. http://bachnetwork.co.uk/ub11/ub11-tatlow_dr.pdf
29. Tatlow, Ruth:   A Missed Opportunity: Reflections on Written by Mrs Bach. UnderstandingBach 10 (2015), 141-157. Current Concerns. http://bachnetwork.co.uk/ub10/ub10-tatlow-wbmb.pdf
30. Tatlow, Ruth:   Ten Years of Bach Network UK. UnderstandingBach 10 (2015), 175-177. Reports. [Repr. from 18cM 12/1 (2014) 121-148] http://bachnetwork.co.uk/ub10/ub10-tatlow-10y.pdf
31. Tatlow, Ruth:   The Use and Abuse of Fibonacci Numbers and the Golden Section in Musicology Today. UnderstandingBach 1 (2006), 69-85. http://www.bachnetwork.co.uk/ub1/tatlow.pdf
32. White, Harry:   Evangelists of the Postmodern: Reconfigurations of Bach since 1985. UnderstandingBach 12 (2017), 85-107.

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