Disc #'s in parentheses ( ) do not appear on records, but are from EDISON DISC RECORDINGS, compiled by Raymond R. Wile.
First date in ( ) is coupling date; second date is supplement date (first monthly listing), from EDISON DISC RECORDINGS by Raymond R. Wile
Side: R=Right, primary selection; L=Left, secondary selection
Date Recorded from TRUESOUND ONLINE DISCOGRAPHY PROJECT and original artist cards (organ records)
| Side | Matrix # | Date Recorded | Title, (Composer), Performer |
| R | 1061-B-4-30 | 1912.05.3 | "Moonlight in Jungleland" (Dempsey & Schmid, composers) Coon duet - Orchestra Accompaniment [Arthur Collins, Baritone; Byron G. Harlan, Tenor] [WORDS] |
| L |
3028-C-2-12 | 1914.05. | "Below the Mason-Dixon Line" (Dave [Alfred] Reed, Composer) Coon Song - Orchestra Accompaniment [Arthur Collins, Baritone] [WORDS] |
| R | 4565-B-4-1 | 1916.03.06/9 | Broken Heart (Ernest Gillet) String Quintet with Harp [Venetian Instrumental Quartette] |
| L |
4130-A-5-14 | 1915.09. | Largo (G. F. Handel) American Symphony Orchestra |
| 50053-R BROKEN HEART - Ernest Gillet - STRING ORCHESTRA Ernest Gillet, the popular French composer, was born at Paris, September 13th, 1856. He became a pupil of the famous Niedermeyer School and the Paris Conservatoire. Later he took the position of solo 'cellist at the Grand Opera, and more recently still has taken up his residence in London. His music is mostly for the piano, being in that light vein with few technical difficulties, styled salon music, doubtless because of its popularity among amateur performers. Gillet's most famous piece is called "Loin du bal" ("Sounds from the ballroom"), whose dainty tripping little melody is known to most every music lover. "Broken Heart," although not so widely known, is very popular, and gains in interest when arranged for string orchestra rather than piano solo as it was originally written. |
50053-L LARGO - Händel - STRING ORCHESTRA This "Largo" was originally written as an air in one of Handel's Italian operas, "Serse" or "Xerxes," which was produced in 1738. That the full greatness of a man is only revealed when misfortune overtakes him was demonstrated by the great master at this time, one of the saddest periods of his life, when, in order to redeem his word of honor and save himself from a debtor's prison, he worked with immoderate energy to produce this work. The opera as a whole, like all of Handel's earlier efforts, is quite dead, but this air deservedly enjoys a perennial popularity. It is a very simple melody, but nevertheless composed with a fine sense for effect, as for example in the climax, when the theme rises higher and higher by successive changes of most beautiful harmony. |
| R | 2272-B-8-5 | 1913.05.07 | "Charme d'Amour-Valse Lente" (Edwin F. Kendall) Brass and String Orchestra [American Symphony Orchestra] |
| L |
2357-C-1-19 | 1913.07.02 | "The Red Man" "Dwellers in the Western World"[-1] (John Philip Sousa) Brass Orchestra [Edison Concert Band] |
| R | 2071-C-3-81 | 1912.12.30 | "Rose-Mousse" (Entr' Acte Valse) (Auguste Bosc) String Orchestra [American Symphony Orchestra] |
| L | 2358-C-1-60 | 1913.07.02 | "The Black Man" "Dwellers in the Western World"[-3] (John Philip Sousa) Brass Orchestra [Edison Concert Band] |
| R | 2485-A-1-6 [2-1] | 1913.10.08 | American Patrol (F. W. Meacham) New York Military Band |
| L | 2593-B-5-3 | 1913.11.26 | Boston Commandery March (T. M. Carter) New York Military Band |
| R | 2066-C-2-4 | 1912.12.24 | Flanagan and His Motor Car (Vaudeville Specialty with Orchestra) Steve Porter [WORDS] |
| L | 2900-A-2-1 | 1914.03. | When Uncle Joe Plays A Rag On His Old Banjo (Theodore Morse) Coon Song with Orchestra - Robert Lett [WORDS] |
| R | 3035-C-3-6 | 1914.05. | America - New York Military Band |
| L | 3069-C-4-6 | 1914.05/06 | (a) Hail Columbia (b) The Star Spangled Banner - New York Military Band |
| R | 3070-B-3 | 1914.05/06 | The Jolly Coppersmith March (Descriptive) (C. C. Peter) Band [New York Military Band] [WORDS] |
| L | 3074-B-11-3 | 1914.05/06 | The Guardmount Patrol (R. Eilenberg) Band [New York Military Band] |
| R | 3272-C-2-4 | 1914.09. | Die Wacht am Rhein [M. Carl Wilhelm - Max Schneckenburger] Band [New York Military Band] |
| L | 3319-C-7 | 1914.09.26/30 | (a) Die Wacht am Rhein [M. Carl Wilhelm - Max Schneckenburger] (b) Deutschland über Alles [(Joseph Haydn - Heinrich Hoffmann von Fallersleben] (In German) Male Quartet Unaccompanied [Manhattan Quartet] [WORDS] |
| 50187-R DIE WACHT AM RHEIN BAND The poem of "Die Wacht am Rhein" was written by a German manufacturer named Schneckenburger, in 1840, when the left bank of the Rhine was threatened by France. The melody, as we know it to-day, was composed by Carl Wilhelm. It was arranged by him as a part-song for men's voices, and was first sung on June 11th, 1854. In 1871 Wilhelm received a pension from the Emperor, because of the popularity of his work. Wilhelm died in Schmalkalden, and a monument is erected there in his honor. The great German National Anthem is given a notable presentation on this record in a band arrangement that is particularly stirring. |
No. 50187-L (a) DIE WACHT AM RHEIN (b) DEUTSCHLAND ÜBER ALLES - MANHATTAN QUARTET On this side of the record is given two of the leading patriotic songs of Germany in a pulse-stirring rendition, in German, by the Manhattan Quartet of male voices. Everyone--not only Germans--must be familiar with "The Watch on the Rhine." "Germany Over All" also hardly needs introduction, for it is one of the foremost songs in the affections of every German. Male voices rightly seem best suited to render patriotic music, and the singing of the Manhattan Quartet could hardly be surpassed. Altogether this is a record that will inspire every true lover of the "Fatherland," as well as proving enjoyable to the people of other nations. |
| R | 3389-C-3-3 | 1914.10.2 | Panama Exposition Overture (Frosini) Accordion Solo [Pietro J.] Frosini |
| L | 3390-A-5-3 | 1914.10.2 | Italian Fantasia (Frosini) Accordion Solo - [Pietro J.] Frosini |
| R | 3400-B-9 | 1914.10.31 | Thru the Park March (Frosini) Accordion Solo - Unaccompanied [Pietro J. Frosini] |
| L | 3401-C-3-9 | 1914.10.31 | Echoes from the Movies (Frosini) Accordion Solo - Unaccompanied [Pietro J. Frosini] |
| R | 3398-A-3-2 | 1914.10.2 | The Skating Trot--One-Step (Leonardo Stagliano) National Promenade Band |
| L | 3458-B-1-4 | 1914.11/12 | Operatic Rag (Julius Lenzberg) Sodero's Band |
| R | 3523-B-2-6 | 1915.01.18 | Tip-Top Tipperary Mary (Harry Carroll) Baritone and chorus [Royal Fish, tenor; Billy Murray, tenor; John Young, tenor; Steve Porter, baritone; and William Hooley, bass] with orchestra - Joseph A. Phillips [WORDS] |
| L | 3524-B-1-6 | 1915.01.18 | The Little Ford Rambled Right Along (Byron Gay) Tenor with orchestra - Billy Murray [WORDS] |
| 50227-R TIP-TOP TIPPERARY MARY - Harry Carroll BARITONE - JOSEPH A. PHILLIPS AND CHORUS Probably the most popular young lady in the world of song to-day is "Tipperary Mary," the heroine of the great marching song of the English Army, "It's a Long, Long Way to Tipperary." This song about her is by Harry Carroll and Ballard MacDonald, writers of the famous "Trail of the Lonesome Pine" and "It Takes a Little Rain with the Sunshine." Although those songs (especially the former) surpassed all popularity records, "Tipperary Mary" seems quite ready to equal them in public favor. The presentation of this number is especially good, and it makes a record that every Edison owner is bound to enjoy. The refrain you will find is of a highly whistleable character--the kind of tune you can't get away from. |
50227-L THE LITTLE FORD RAMBLED RIGHT ALONG - Byron Gay TENOR - BILLY MURRAY Whether you are the proud owner of a Ford auto, or just an ordinary mortal, you will be convulsed at Billy Murray's rendering of this nonsense ditty, which, by the way, is Henry Ford's favorite song. The tune is undeniably catchy, but the main interest of course lies in the clever words, telling of the "little old Ford" that "rambled right along" no matter what happened. The Ford Company are perhaps not quite prepared to back up the various statements this lyric makes as to the extraordinary adaptability of their car, but we do not doubt that in a general way they heartily endorse the ideas expressed. No one could be better than Billy Murray at this sort of thing, and the record is one that of its kind will probably never be surpassed. |
| R | 3493-B-2-5 [6-1] | 1915.01.02 | Mother's Prayers Have Followed Me (B. D. Ackley) Baritone and Chorus, with Organ - Homer Rodeheaver [WORDS] |
| L | 3494-A-3-4 | 1915.01.02 | My Father Watches Over Me (Chas. H. Gabriel) Baritone and Chorus, with Organ - Homer Rodeheaver [WORDS] |
| R | 3726-C-2-117 | 1915.04. | The Stars and Stripes Forever March (J. P. Sousa) Sodero's Band |
| L | 3378-C-6-164 | 1914.10.2 | Evening Chimes in the Mountains (Franz Behr) Band [Edison Concert Band] |
| R | 3782-C-4-9 | 1915.05. | Town Topics of Pun'kin Center--A Rural Sketch (Cal Stewart) [WORDS] |
| L | 3767-C-3-23 | 1915.05. | Uncle Josh Buys an Automobile--A Rural Monologue (Cal Stewart) [WORDS] |
| R | 3776-C-6-44 | 1915.05. | Uncle Josh Keeps House--A Rural Monologue (Cal Stewart) [WORDS] |
| L | 3766-A-3-28 | 1915.05. | Uncle Josh in a Barber Shop--A Rural Monologue (Cal Stewart) [WORDS] |
| R | 3857-C-72xx | 1915.06. | Moonlight on the Lake (C. A. White) Male Voices with Orchestra - Knickerbocker Quartet [WORDS] |
| L | 3734-C-130 | 1915.04. | The Old Oaken Bucket - Male Voices with Orchestra - Knickerbocker Quartet [WORDS] |
| R | 5313-C-3-85 | 1917.01.18/24 | A Perfect Day Waltz (Carrie Jacobs-Bond) Jaudas' Society Orchestra (For Dancing) |
| L | 4749-C-9-1 | 1916.05.25/31 | Sunset on the St. Lawrence Waltz (M. Heller) Jaudas' Society Orchestra (For Dancing) |
| R | 4017-B-2-2 [1-1] | 1915.07.26/9 | Asleep In The Deep (Petrie-Lamb) (Bass and Male Chorus with Orchestra) William Myers [WORDS] |
| L | 4086-B-5-1 [1-1] | 1915.09.01/3 | The Blue Jay And The Thrush (Joe Belmont) (Singing and Whistling with Orchestra) Harlan and Belmont [WORDS] |
| R | 4137-B-1-2 | 1915.09. | O Little Town Of Bethlehem (L. H. Redner) Mixed Voices with Orchestra - The Carol Singers [WORDS] |
| L | 4144-A-6-5 | 1915.09. | Once In Royal David's City (H. J. Gauntlett) Mixed Voices with Orchestra - The Carol Singers [WORDS] |
| R | 4449-C-2-9 | 1916.01. | The Memphis Blues--Fox Trot (W. C. Handy) National Promenade Band (For Dancing) |
| L | 4381-C-3-35 | 915.12.29/31 | Merry Whirl--One-Step (Julius Lenzberg) Vess L. Ossman's Banjo Orchestra (For Dancing) |
| R | 4578-A-1-18 | 1916.03.1 | Setting the Pace--One-Step (Chester W. Smith) Jaudas' Society Orchestra (For Dancing) |
| L | 4592-A-1-17 | 1916.03.1 | Kangaroo Hop--Fox Trot (Morris) (Xylophone with orchestra) Lou Chiha "Frisco" (For Dancing) |
| R | 4671-C-6-1 | 1916.04.18/21 | American Fantasie (Victor Herbert) New York Military Band |
| L | 4582-A-4-2 | 1916.03.1 | National Emblem March (E. E. Bagley) New York Military Band |
| R | 4325-B-1-1 [1-2] | 1915.12. | Spanish Rhapsody (S. Salvetti) Alessios Mandolin Quartet |
| L | 4326-A-2-3 | 1915.12. | Hungarian Serenade (G. Sgallari) Alessios Mandolin Quartet |
| R | 4775-A-1-9 | 1916.06.06/14 | On the Beach Medley Waikiki Hawaiian Orchestra |
| L | 4601-B-1-8 | 1916.03.20/3 | Medley of Hawaiian Airs--No. 2 Louise and Ferera (Hawaiian Guitar) |
| R | 4834-C-7-35 | 1916.06.29/30 | You're a Dangerous Girl (Monaco) Contralto and baritone with orchestra - Helen Clark and Joseph A. Phillips [WORDS] |
| L | 4791-C-7-21 | 1916.06.14/9 | Dublin Mary Brown (May Hill) Tenor and chorus with orchestra - Irving Kaufman [WORDS] |
| R | 4923-A-2-102 | 1916.08. | Santa Claus Song [Charles T. Ellis] (With Yodle) Yodler with orchestra - George P. Watson [WORDS] |
| L | 4924-A-4-110 | 1916.08. | Du, Du [Liegst Mir Im Herzen] and Doctor Eisenbart (With Yodles) Yodler with orchestra - In German - George P. Watson |
| R | 4931-C-3-79 | 1916.08.18 | Listen To This--One Step (Mel B. Kaufman) Jaudas' Society Orchestra (For Dancing) |
| L | 4930-C-5-65 | 1916.08.18 | Ole Virginny--One Step (J. S. Zamecnik) Jaudas' Society Orchestra (For Dancing) |
| R | 5259-A-4-4 | 1917.01.01/8 | American Eagle March (J. G. Boehme) New York Military Band |
| L | 5258-A-2-5 | 1917.01.01/8 | The New Colonial March (R. B. Ball) New York Military Band |
| R | 5172-C-4-11 | 1916.11.22 | Mo-Ana--Hawaiian Waltz (Harry B. Olsen) Jaudas' Society Orchestra (For Dancing) |
| L | 5194-C-3-13 | 916.12.04/7 | Flora Bella--One Step (Milton E. Schwarzwald) Jaudas' Society Orchestra (For Dancing) |
| R | 4983-B-4-3 | 1916.09.01/9 | The Whistler And His Dog (Arthur Pryor) New York Military Band |
| L | 4917-B-3-2 | 1916.07.27/8 | Simplicity--Intermezzo (Dorothy Lee) Sodero's Band |
| R | 5306-H-3-41 | 1917.01.p | Poor Butterfly--Fox Trot (Raymond Hubbell) Jaudas' Band (For Dancing) |
| L | 4704-C-7-33 | 1916.05.03/11 | The Missouri Waltz (Logan & Eppel) Jaudas' Society Orchestra (For Dancing) |
| R | 5325-C-6-5 | 1917.01.26 | You Said Something--Have a Heart (Jerome Kern) Soprano and tenor with orchestra - Rachael Grant And Billy Murray [WORDS] |
| L | 5357-C-3-6 | 1917.02.09/15 | I'd Be Happy Anywhere With You--Her Soldier Boy (Sigmund Romberg) Soprano and tenor with orchestra - Bettina Bergere And George Wilton Ballard [WORDS] |
| 50435-R YOU SAID SOMETHING--HAVE A HEART - Jerome Kern SOPRANO AND TENOR - RACHAEL GRANT AND BILLY MURRAY The press representative of "Have a Heart," Miss Beulah Livingstone, describes its story as follows: "The merry musical story of "Have a Heart" is attuned to the heart throbs of a honeymooning couple who decide to get a divorce, all on account of 'hubby's' sympathy for the 'poor working girl.' After an unexpected meeting in the lingerie room of 'hubby's' store, they make amends, fondly embrace each other and, with the aid of the elevator boy, they encore the honeymoon in the same palatial seaside hotel." "You Said Something" is one of the biggest hits of the show--as charming a little song, in fact, as Broadway has heard for many seasons. |
50435-L I'D BE HAPPY ANYWHERE WITH YOU--HER SOLDIER BOY - Sigmund Romberg SOPRANO AND TENOR - BETTINA BERGERE AND GEORGE WILTON BALLARD The musical comedy "Her Soldier Boy" was well-received in New York. It featured Clifton Crawford and Adele Rowland, both favorites with the New York public. Among the several musical numbers that became popular the song given on this record was prominent. It is a tuneful little duet and makes a thoroughly charming record. George Wilton Ballard is well known to the Edison public; he has made many fine popular-song and musical comedy records. Bettina Bergere is a new comer among Edison artists, but, judging by this sample of her work, she is likely to make a hit. |
| R | 5672-C-1-5 | 1917.07.05/16 | We Three Kings Of Orient Are (Old Christmas Carol) Mixed Voices with Orchestra - The Carol Singers [WORDS] |
| L | 5677-B-1-5 | 1917.07.05/16 | God Rest You Merry, Gentlemen (Old Christmas Carol) Mixed Voices with Orchestra - The Carol Singers [WORDS] |
| R | 5840-C-8-2 | 1917.10.08 | Hail! Hail! The Gang's All Here! (Theo. Morse-Arthur Sullivan) Male voices with orchestra - Shannon Quartet [WORDS] |
| L | 5848-C-7-24 | 1917.10. | So Long, Mother (Egbert Van Alstyne) Tenor and male chorus with orchestra - George Wilton Ballard [WORDS] |
| R | 5215-C-4-94xx | 1916.12.13/9 | Mammy's Little Coal Black Rose (Richard A. Whiting) (Tenor with orchestra) Manuel Romain [WORDS] |
| L | 5698-A-2-1 | 1917.07.17/20 | If You Had All the World And Its Gold (Albert Piantadosi) (Tenor with orchestra) Manuel Romain [WORDS] |
| R | 5723-C-2-8 | 1917.08.02 | Umbrellas To Mend--One-Step (Mel B. Kaufman) Frisco "Jass" Band [WORDS] |
| L | 5553-C-2-33 | 1917.05.10 | Johnson "Jass" Blues--Fox Trot (E. Arnold Johnson) Frisco "Jass" Band |
| R | 6054-A-10-124 | 1918.03.07 | K-K-K-Katy (Geoffrey O'Hara) (Tenor and chorus [John Young, tenor; Steve Porter, baritone; Donald Chalmers, bass; assisted by Ada Jones] with orchestra) Billy Murray [WORDS] |
| L | 6072-C-7-184 | 1918.03.21 | A Submarine Attack (Theo. Morse) Premier Quartet and Company [Donald Chalmers, Helen Clark, Edward Meeker, Billy Murray, Steve Porter, and John Young] [WORDS] |
| R | 6205-A-5-75 | 1918.06.05/7 | General Pershing March (Carl D. Vandersloot) Imperial Marimba Band |
| L | 6153-A-16 | 1918.05.01/8 | The Prettiest Little Song Of All (Belasco) (Bells with orchestra) John F. Burckhardt |
| R | 6122-C-5-21 | 1918.04. | Irish Washerwoman-Medley of Jigs - Violin Solo - Harold Veo - Pianoforte by John F. Burckhardt |
| L | 5775-C-5-160 | 1917.09. | Medley of Irish Reels - Accordion Solo - Patrick J. Scanlon - Piano accompaniment by Dennis L. Smith |
| R | 6292-B-2-10 | 1918.07. | Sabre and Spurs March (John Philip Sousa) New York Military Band |
| L | 6427-C-8-40 | 1918.10.23/8 | Le Régiment de Sambre-et-Meuse (French National Défilé March) (Robert Planquette) New York Military Band |
| R | 6211-A-5-101 | 1918.06.07/13 | Clover Club (A "Fox Trot" Classic) Imperial Marimba Band |
| L | 6212-C-2-93 | 1918.06.07/13 | Nona Waltz (F. W. Vandersloot) Imperial Marimba Band |
| R | 6502-C-6-142 | 1918.12.12 | This Is The Time--One Step - The Canary (Clifton Crawford) Jaudas' Society Orchestra |
| L | 6503-C-15-105 | 1918.12.12 | Take A Chance--Fox Trot - The Canary (Jerome Kern) Jaudas' Society Orchestra |
| R | 6389-A-3-5 | 1918.10.01/2 | Snow Deer (Percy Wenrich) (Soprano and tenor with orchestra) Ada Jones and Billy Murray [WORDS] |
| L | 5990-C-6-9 | 1918.01.25/31 | Silver Bell (Percy Wenrich) (Soprano and tenor with orchestra) Gladys Rice and Vernon Dalhart [WORDS] |
| R | 6542-C-9-43 | 1919.01.02 | Oh Helen! (McCarron-Morgan) Baritone and chorus with orchestra - Arthur Fields [WORDS] |
| L | 6591-C-9-48 | 1919.01. | How 'Ya Gonna Keep 'Em Down On the Farm After They've Seen Paree? (Walter Donaldson) Tenor with orchestra - Byron G. Harlan [WORDS] |
| R | 6647-C-115 | 1919.03.04 | Anything Is Nice If It Comes From Dixieland (Clarke-Meyer-Ager) (Male voices with orchestra) Premier Quartet [Billy Murray, tenor; John Young, tenor; Steve Porter, baritone; and Donald Chalmers, bass] [WORDS] |
| L | 6630-C-48 | 1919.02.13/24 | Have A Smile For Everyone You Meet And They Will Have A Smile For You (Bert Rule) (Tenor and male voices with orchestra) Arthur Hall [WORDS] |
| R | 6790-B-20-2 | 1919.05.14/5 | Why Did You Come Into My Life? (Chas. K. Harris) Tenor with orchestra - Lewis James [WORDS] |
| L | 6791-C-9-42 | 1919.05.14/5 | When I Met You (F. Henri Klickmann) Contralto and tenor with orchestra - Helen Clark and George Wilton Ballard [WORDS] |
| 50577-R WHY DID YOU COME INTO MY LIFE? Harris LEWIS JAMES - TENOR The words and music of this song are by Chas. K. Harris, who has been a popular song writer for many years. Sentimental ballads of this kind always follow a great war, when peoples' hearts are so full of human sympathy. This song is a sort of a revival of the type of ballads that was very popular twenty years ago. Mr. Harris is famous as the composer of "After the Ball," which was one of the most popular song hits of the generation. |
50577-L WHEN I MET YOU - Klickmann HELEN CLARK AND GEORGE WILTON BALLARD CONTRALTO AND TENOR There's an unusually pretty melody in this sentimental song in which the voices of Helen Clark and George Ballard blend beautifully. Both of these singers are so well known to the Edison family that they will require no introduction. You will agree that this duet is as effective as anything they have done. Both Miss Clark and Mr. Ballard were born in the apple-growing section of western New York, which is famous not only for producing the best apples in the world, but also some of the best singers. |
| R | 6782-C-12-95 | 1919.05.07/14 | Patrol Of The Scouts (E. Boccalari) Conway's Band |
| L | 6783-C-11-2 | 1919.05.07/14 | Lola--Italian Serenade (Carl Friedemann) Conway's Band |
| R | 6878-C-15-6 | 1919.07.17 | Breeze (Blow My Baby Back To Me) (Macdonald-Goodwin-Hanley) (Male voices with orchestra) Premier Quartet [Billy Murray, tenor; John Young, tenor; Steve Porter, baritone; and Donald Chalmers, bass] [Orch. acc. featuring George Hamilton Green, xylophone] [WORDS] |
| L | 6831-C-11-7 | 1919.06.1 | Ragging The Chopsticks (Frankl-Gottler) (Baritone with orchestra) Arthur Fields [WORDS] |
| R | 6667-C-4-3 | 1919.03.15/31 | That Tumble-Down Shack in Athlone (M. Carlo-A. Sanders) Counter-Tenor and chorus with orchestra - Will Oakland [WORDS] |
| L | 6887-A-8-7 | 1919.07. | Did You Mean All You Told Me Last Night? (S. Fisk-M. Pomerance) Tenor with orchestra - Manuel Romain [WORDS] |
| R | 6423-C-10-3 | 1918.10.10/23 | La Dance des Sorcieres (F. H. Losey) Sodero's Band |
| L | 6422-C-83 | 1918.10.10/23 | Miss Trombone (Henry Fillmore) New York Military Band |
| R | 6924-A-7-4 | 1919.09. | See Old Man Moon Smile (Al Bernard) (Coon Duet with orchestra) Al Bernard and Ernest Hare [WORDS] |
| L | 6922-C-17 | 1919.08. | I've Got My Captain Working For Me Now (Irving Berlin) (Tenor with orchestra) Fred. Hillebrand [WORDS] |
| R | 6043-A-11-100 | 1918.02. | Kimmel March (J. J. Kimmel) Accordion Solo - John J. Kimmel - Pianoforte by Joe Linder |
| L | 6044-B-8-105 | 1918.02. | Bonnie Kate--Medley of Reels Accordion Solo - John J. Kimmel - Pianoforte by Joe Linder |
| R | 4051-A-2-59 | 1915.08. | Daisies Won't Tell (Anita Owen) (Contralto and Baritone with Orchestra) Helen Clark and Joseph A. Phillips [WORDS] |
| L | 4729-C-6-9 | 1916.05.11/24 | Put On Your Old Grey Bonnet (Percy Wenrich) (Contralto and Baritone with Orchestra) Helen Clark and Joseph A. Phillips [WORDS] |
| R | 6963-C-1-21 | 1919.10.07 | Floatin' Down To Cotton Town (F. Henri Klickmann) (Male Voices with Orchestra) Premier Quartet [Arthur Hall, tenor; John Young, tenor; Steve Porter, baritone; and Donald Chalmers, bass] [WORDS] |
| L | 6936-C-6-15 | 1919.09. | You're My Gal (Al Bernard) (Coon Duet with Orchestra) Al Bernard and Ernest Hare [WORDS] |
| R | 6942-B-3-2 | 1919.09.22/9 | Golden Gate (Open for Me) (Kendis-Brockman) (Tenor with Orchestra) Lewis James (with Louise Ferrell in the Refrain) [WORDS] |
| L | 6941-C-4-3 | 1919.09.22/9 | Granny (Alex Belledna) (Contralto with Orchestra) Marion Evelyn Cox [WORDS] |
| R | 6904-C-10-2 | 1919.08.04/7 | I've Made Up My Mind To Mind A Maid Made Up Like You (Jean Schwartz) (Contralto and Baritone with Orchestra) Helen Clark and Joseph A. Phillips [WORDS] |
| L | 6933-B-4-13 | 1919.09. | My Desert Love (John Cooper) (Tenor with Orchestra) Lewis James [WORDS] |
| R | 6775-C-4-16 | 1919.05.07/14 | Col. Stuart March (A. F. Weldon) Conway's Band |
| L | 5856-C-9-5 | 1917.10. | The Vampire Dance Characteristic (F. H. Losey) Sodero's Band |
| R | 6989-C-1-1 | 1919.10. | Tents of Arabs--One-Step (Lee David) Tuxedo Dance Orchestra |
| L | 6984-C-7-4 | 1919.10.17 | In Siam--Fox Trot (Saxophone, Xylophone and Piano) The All Star Trio |
| R | 6749-C-17-12 | 1919.04. | Peter Gink--One Step (Adapted from "Peer Gynt" Suite I) (George L. Cobb) Tuxedo Dance Orchestra |
| L | 6929-C-1-15 | 1919.09. | Yelping Hound Blues--Fox Trot (Lada-Nunez-Cawley) Louisiana Five |
| R | 7028-C-67 | 1919.11.21 | Pretty Little Rainbow--Waltz (Vincent C. Plunkett) Lenzberg's Riverside Orchestra [uncredited vocalist] [WORDS] |
| 6985-B-10 | 1919.10.17 | Lucille--Fox Trot (Wadsworth-Arden) (Saxophone, Xylophone and Piano) The All Star Trio |
| R | 6937-C-4-2 | 1919.09. | Wait Until The Roses Bloom (Louis Morgan) (Saxophone with orchestra) Wheeler Wadsworth |
| L | 6229-C-4-1 | 1918.06.14/7 | Aloha Land (Hawaiian Waltz) (Wallie Herzer) Waikiki Hawaiian Orchestra (with Louise and Ferera) |
| R | 5506-C-1-2 | 1917.04.11/7 | Liberty Bell March (Sousa) New York Military Band |
| L | 4672-H-3-9 | 1916.04.18/24 | At a Georgia Campmeeting (Kerry Mills) New York Military Band |
| R | 7107-C-3-2 | 1920.01.03/15. | Dardanella--Fox Trot (F. Bernard--J. S. Black) Harry Raderman's Jazz Orchestra |
| L | 7102-C-3-2 | 1920.01.03/15 | Make That Trombone Laugh--Fox Trot (Henry Scharf) Harry Raderman's Jazz Orchestra |
| R | 7030-C-2-1 | 1919.11.11 | You'd Be Surprised (Irving Berlin) (Tenor with orchestra) Billy Murray [WORDS] |
| L | 7031-C-1-1 | 1919.11.11 | Sahara (We'll Soon Be Dry Like You) (Jean Schwartz) (Tenor with orchestra) Billy Murray [WORDS] |
| R | 7064-A-3-6 | 1919.12. | You Are Free--Apple Blossoms (Victor Jacobi) (Soprano and tenor with orchestra) Betsy Lane Shepherd and Lewis James [WORDS] |
| L | 7008-A-7-1 | 1919.11. | Little Girls, Good Bye--Apple Blossoms (Victor Jacobi) (Tenor and Chorus with orchestra) Lewis James [WORDS] |
| R | 7070-C-15-32 | 1919.12. | How Sorry You'll Be (Wait'll You See) (H. Kalmar--H. Ruby) (Contralto and Baritone with orchestra) Helen Clark and Joseph Phillips [WORDS] |
| L | 7071-C-2-25 | 1919.12. | Was There Ever A Pal Like You (Irving Berlin) (Tenor with orchestra) George Wilton Ballard [WORDS] |
| R | 7143-C-11-14 | 1920.02.01/6 | Patches--Fox Trot (Roberts-Callahan) Lopez & Hamilton's Kings of Harmony Orchestra |
| L | 7103-C-13-34 | 1920.01.03/15 | Yellow Dog Blues--Fox Trot (W. C. Handy) Harry Raderman's Jazz Orchestra |
| R | 7131-C-15-17 | 1920.01. | Swanee (George Gershwin) (Tenor and Yodler with orchestra) Al Bernard and Frank M. Kamplain [WORDS] |
| L | 7150-A-10-86 | 1920.02.06 | When My Baby Smiles At Me (Bill Munro) (Soprano and Tenor with orchestra) Rachael Grant and Billy Murray [featuring laughs by Edward Meeker] [WORDS] |
| R | 7193-C-1-9 | 1920.03. | Pickaninny Blues (A Waltz Lullaby) (F. Henri Klickmann) (Male Voices with orchestra) Crescent Trio [WORDS] |
| L | 7204-C-1-1 | 1920.03. | Underneath The Moon (Vincent C. Plunkett) (Contralto and Baritone with orchestra) Helen Clark and Joseph Phillips [WORDS] |
| R | 7135-A-2-3 | 1920.01.28 | Wailana Waltz (Drowsy Waters) (Guitar Duet) Toots Paka's Hawaiians |
| L | 7147-H-3-2 | 1920.02/04 | Hawaiian Smiles (Mary Earl) Waikiki Hawaiian Orchestra |
| R | 4621-C-2-9 | 1916.03.30/1. | Sing Us A Song Of Bonnie Scotland (T. H. Payne) (Scotch Song with orchestra) Glen Ellison [WORDS] |
| L | 7246-B-3-3 | 1920.03.25/31 | When I was Twenty One (Harry Lauder) (Scotch Song with orchestra) Glen Ellison [WORDS] |
| R | 6986-C-3-4 | 1919.10. | Manhattan Beach March (Sousa) New York Military Band |
| L | 6949-B-1-32 | 1919.09.29/30 | Windy Willy--Characteristic March (F. H. Losey) New York Military Band |
| R | 7159-F-2-1 [2-1] | 1920.02/06 | When You're Gone I Won't Forget (Peter De Rose) (Contralto and Tenor with Orchestra) Louise Terrell and George Wilton Ballard [WORDS] |
| L | 3725-G-3-1 | 1923.05.18 | Whispering Hope (Alice Hawthorne) (Contralto and Tenor with Orchestra) Helen Clark and Walter Van Brunt [WORDS] |
| R | 7247-A-1-2 | 1920.03.26/31 | So Long, Oo Long (How Long You Gonna Be Gone?) (Kalmar-Rudy [Ruby]) Contralto with orchestra - Helen Clark [WORDS] |
| L | 7123-A-1-1 | 1920.01. | That Naughty Waltz (Sol. P. Levy) Contralto and Baritone with orchestra - Helen Clark and Joseph Phillips [WORDS] |
| R | 7344-C-2-4 | 1920.05.11 | There's A Typical Tipperary Over Here (Abner Silver) (Male Voices with orchestra) Premier Quartet [Charles Hart, tenor; Billy Jones, tenor; Steve Porter, baritone; and Harry Donaghy, bass] [WORDS] |
| L | 7371-C-1-2 | 1920.05.24/31 | Pretty Kitty Kelly (Pease-Nelson) (Tenor with orchestra) William Bonner [WORDS] |
| R | 7254-C-4-5 | 1920.03.25/31 | My Sahara Rose Medley--Fox Trot (Clarke-Donaldson) (Two Saxophones and Two Pianos) Wiedoeft-Wadsworth Quartet |
| L | 7230-B-1-4 | 1920.03.19 | Karzan--Fox Trot (Will E. Dulmage) Green Bros. Novelty Orchestra |
| R | 7200-C-1-5 | 1920.03. | Daddy You've Been A Mother To Me (Fred Fisher) (Tenor with orchestra) George Wilton Ballard [WORDS] |
| L | 7250-C-4-1 | 1920.03.25/31 | Hiawatha's Melody of Love (Geo. W. Meyer) (Soprano and Contralto with Orchestra) Betsy Lane Shepherd and Elizabeth Lennox [WORDS] |
| R | 6112-C-4-3 | 1918.04. | The U. S. Field Artillery March (John Philip Sousa) New York Military Band |
| L | 6017-C-1-11 | 1918.02.13 | Piccolo Pic (Walter L. Slater) Creatore And His Band |
| 50688-R U. S. FIELD ARTILLERY MARCH - Sousa - NEW YORK MILITARY BAND Since the war there has been a revival of interest in military music, and of course, John Philip Sousa is our highest composer representative of that type of music. The present march of his is dedicated to the officers and men of the 306th Field Artillery National Army, U. S. A. Age and custom cannot take away anything from the spirit of the Sousa marches, and this one, composed only a few years ago, is as full of fire and pulse as anything the March King ever wrote. The New York Military Band plays the march as if it had been inspired to the task. |
50688-L PICCOLO PIC - Slater - CREATORE AND HIS BAND As we have frequently said before, humor in music is a difficult thing to achieve, but when a composer succeeds in doing so, he has the world on his side. "Piccolo Pic" contains a lot of the comic spirit. You do not listen to it very long before you smile, then you snicker, and then you laugh, especially if there is anyone with you who feels tickled in the same way by the grotesqueries of the composition. The composer, Walter L. Slater, is to be congratulated on his work. Creatore and his Band relish the job given them, evidently, and the Piccolo soloist certainly has the time of his life in the many technical stunts that he is called upon to do. |
| R | 7214-A-3-5 | 1920.03.11/9 | The Ring And The Rose (Kitty Berger) Harp-Zither Solo - Kitty Berger |
| L | 7404-C-3-3 | 1920.06.1 | The Four Jacks March (Abe Losch) Accordion Solo - Frosini |
| R | 7452-A-3-2 | 1920.07. | Moonlight In Mandalay (Abe Olman) (Soprano, Mezzo-Soprano and Contralto) The Homestead Trio [Betsy Lane Shepherd, Gladys Rice, Amy Ellerman] (Piano Accompaniment) [WORDS] |
| L | 7449-C-2-3 | 1920.07. | Tripoli (On the Shores Of Tripoli) (Contralto and Tenor) Helen Clark and George Wilton Ballard (Pianoforte by John F. Burckhardt) [WORDS] |
| R | 7424-A-1-6 | 1920.06.20/8 | Aloha Oe--Paraphrase (Liliuokalani-Sodero) Sodero's Band |
| L | 7302-F-8-9 | 1920.04.09 | Our Director March (F. E. Bigelow) Conway's Band |
| R | 7523-A-3-7 | 1920.09.10/26 | Whispering--Fox Trot (John Schonberger) Green Bros. Novelty Band |
| L | 7537-C-1-4 | 1920.09.10/26 | Feather Your Nest--Fox Trot (Kendis-Brockman-Johnson) Lenzberg's Riverside Orchestra |
| R | 7308-F-3-1 | 1920.06. | Bonnie Brier Bush March - Conway's Band |
| L | 6948-B-3-3 | 1919.09.29/30 | Pretty Dick Polka (Vangucci) New York Military Band |
| R | 7618-A-1-12 | 1920.11.03/5 | Baby Dreams (From the Musical Comedy "Jimmie") (Herbert Stothart) (Soprano and Mixed Voices with Orchestra) Elizabeth Spencer [WORDS] |
| L | 7642-A-2-15 | 1920.11.12/22 | Margie--Medley Fox Trot (Intro. Look What You've Done With Your Dog-Gone Dangerous Eyes) Max Fells's Della Robbia Orchestra |
| R | 7791-B-1-4 | 1921.02.10 | Come and Nestle In Your Daddy's Arms--Fox Trot (Herscher-Burke) Lenzberg's Riverside Orchestra |
| L | 7783-C-1-5 | 1921.02.08 | Deenah--Fox Trot (Henry Scharf) Harry Raderman's Jazz Orchestra |
| R | 7755-A-4-6 | 1921.01. | Margie (Conrad-Robinson) (Tenor and mixed voices with orchestra) Harvey Hindermyer [WORDS] |
| L | 7749-A-4-3 | 1921.01. | In The Heart Of Dear Old Italy (Jack Glogau) (Mixed voices with orchestra) Metropolitan Quartet [WORDS] |
| R | 7838-C-1-6 | 1921.03.10 | Blue Jeans (Kerr-Traveller) (Male Voices with Orchestra) Premier Quartet [Charles Hart, tenor; Billy Jones, tenor; Steve Porter, baritone; and Harry Donaghy, bass] [WORDS] |
| L | 7832-B-3-2 | 1921.03.08 | Hey Paw! (Guy Shrigley) (Male Voices with Orchestra) Premier Quartet [Charles Hart, tenor; Billy Jones, tenor; Steve Porter, baritone; and Harry Donaghy, bass; assisted by Edward Meeker] [WORDS] |
| R | 7870-B-1-4 | 1921.03.23/31 | Tea Leaves--Fox Trot (Egan-Whiting) Max Fells' Della Robbia Orchestra |
| L | 7829-A-2-2 | 1921.03.01/8 | Would You? Fox Trot (Sterling-McConnell) Orlando's Orchestra |
| R | 8002-C-1-3 | 1921.05.19 | In My Tippy Canoe (Intro. "Hunika") Waltz (Fred Fisher) Green Bros. Novelty Band |
| L | 8001-A-4-1 | 1921.05.19 | Listening--Fox Trot (Joe Solman) Green Bros. Novelty Band |
| R | 8087-A-3-4 | 1921.06.21 | When The Honeymoon Was Over--Fox Trot (Fred Fisher) Broadway Dance Orchestra |
| L | 8086-A-2-4 | 1921.06.21 | My Sunny Tennessee--Fox Trot (Kalmar-Harry & Herman Ruby) Broadway Dance Orchestra |
| R | 8104-C-3-2 | 1921.06.28 | Bring Back My Blushing Rose - Medley Fox Trot (Introducing: "Sally, Won't You Come Back?") Ziegfeld Follies of 1921 (Friml-Stamper) Broadway Dance Orchestra |
| L | 8105-C-1-4 | 1921.06.30 | Second Hand Rose - Medley Fox Trot (Introducing: "I Know") Ziegfeld Follies of 1921 (Hanley-Monaco) Broadway Dance Orchestra |
| R | 8215-A-2-1 | 1921.09.14 | Fancies-Fox Trot (Herbert Spencer) Green Bros. Novelty Band |
| L | 8216-A-5-1 | 1921.09.14 | Mississippi Cradle-Medley Waltz (Intro.: "Always In My Dreams") (Olman-Cooke) Green Bros. Novelty Band |
| R | 8232-C-5-3 | 1921.09.29 | Wonderland Of Dreams (L. W. Abbott) Violin solo - Rae Eleanor Ball - Pianoforte by Jessie L. Deppen |
| L | 8233-A-6-3 | 1921.09.29 | Havana Moon (Walter Smith) Violin solo - Rae Eleanor Ball - Pianoforte by Jessie L. Deppen |
| R | 7955-A-1-7 | 1921.05.01/4 | Bonnie Maggie Tamson (Harry Lauder) (Scotch Song with Orchestra) Glen Ellison [WORDS] |
| L | 7942-C-1-6 | 1921.04.27/9 | The Portobello Lassie (Harry Lauder) (Scotch Song with Orchestra) Glen Ellison [WORDS] |
| R | 8230-B-2-1 | 1921.09.29 | June Moon--Fox Trot (Magine-Straight) Lanin's Orchestra |
| L | 8231-A-2-1 | 1921.09.29 | Say It With Music--Fox Trot (from "Irving Berlin's Music Box Revue") (Irving Berlin) Lanin's Orch. |
| R | 8281-C-5-1 | 1921.11.03 | Weep No More--Fox Trot (My Mammy) (Lew Pollack) Harry Raderman's Jazz Orchestra |
| L | 8280-B-4-2 | 1921.11.03 | A Dream Of Your Smile--Fox Trot (Con Conrad) Harry Raderman's Jazz Orchestra |
| R | 8315-A-6-5 | 1921.12.08/19 | Monastery Bells Waltz (Pete Wendling) (Piano Solo) Henry W. Lange |
| L | 8226-B-4-9 | 1921.09.23 | Kitten On The Keys (Zez Confrey) (Piano Solo) Zez Confrey |
| R | 7474-C-5-1 | 1920.08.02/3 | Miss Johnson's Party Medley - Violin - Joseph Samuels - Pianoforte by Larry Briers |
| L | 7468-C-4-1 | 1920.07.28/31 | O Silenzio A Buordo (Capolongo) Accordion, Clarinet and Guitar - The Three Vagrants |
| R | 6149-A-6-4 | 1918.04. | The Little Good For Nothing's Good For Something After All (Harry Von Tilzer) (Mixed Voices with Orchestra) The Harmony Four [WORDS] |
| L | 7948-C-5-5 | 1921.04.27/9 | Isle Of Love (Murray) (Contralto and Baritone with orchestra) Helen Clark and Joseph Phillips (missing label) [WORDS] |
| R | 8336-C-1-1 | 1922.01.11 | A Darktown Quartet Rehearsal (Arr. by Geoffrey O'Hara) (Male Voices Unaccompanied) Premier Quartet [Charles Hart, tenor; Billy Jones, tenor; Steve Porter, baritone; and Harry Donaghy, bass] [WORDS] |
| L | 8339-B-3-3 | 1922.01.12 | Operatic Syncopation (Harriman-Egan) (Tenor and Baritone with Orchestra) Billy Jones and Ernest Hare [WORDS] |
| R | 8248-A-2-4 | 1921.10.11 | Polonaise Militaire (Chopin) United States Marine Band |
| L | 5996-C-3-4 | 1918.02.01/5 | Ballet Music--Excelsior (R. Marenco) Creatore And His Band |
| R | 8306-B-2-2 | 1921.11.29 | The "Knocker" (Edward Clark) (Character Recitation) Edward Clark [WORDS] |
| L | 8293-B-3-4 | 1921.11.18 | I'm Going Back To The Workhouse (Edward Clark) (Character Recitation) Edward Clark [WORDS] |
| R | 1559-A-6-3 | 1922.03.29 | Memories Of The South--Medley Fox Trot (Piano Solo) Ernest L. Stevens |
| L | 8386-F-4-2 | 1922.03.17 | Nola--Fox Trot (Felix Arndt) (Fox Trot Adaptation by Vincent Lopez) Vincent Lopez Orchestra |
| R | 6981-C-8-1 | 1919.10. | Since First You Smiled On Me (Frank H. Grey) Baritone Solo - Herbert C. Tilley, Jr. [WORDS] |
| L | 3278-A-1-7 | 1914.09. | Grandfather's Clock (Henry Clay Work) Contralto, Tenor and Chorus - Helen Clark and Walter Scanlan [WORDS] |
| R | 8456-C-2-3 | 1922.05.17 | Parade Of The Wooden Soldiers - Novelty March from "Chauve Souris" (Leon Jessel) Vincent Lopez Orchestra |
| L | 8444-A-4-1 | 1922.05.06 | All Over Nothing At All--Fox Trot (James S. Rule) Ernest L. Steven' Trio (Saxophone, Banjo and Piano) (Thrall-Aron-Stevens) |
| R | 8238-C-2-3 | 1921.10.04 | Santa Claus Hides In Your Phonograph (Arthur A. Penn) Harry E. Humphrey [WORDS] |
| L | 4887-B-1-3 | 1916.07.18/9 | The Christmas Cobwebs (Carolyn S. Bailey) A Bed-Time Story - Edna Bailey [WORDS] |
| R | 3817-A-3-2 [2-2] | 1915.05. | Where The Silvery Colorado Wends Its Way (Charles Avrill) (Tenor and Chorus) Walter Van Brunt [WORDS] |
| L | 3583-F-5-5 | 1923.05.11 | The "Humoreske" Song - Adapted from Dvořák's Melody (Arr. by Chas. H. Roth) (Tenor Solo) Walter Van Brunt [WORDS] |
| R | 8534-A-7-2 | 1922.07.18. | With His Umpah Umpah On The Umpah Isle (Harry Von Tilzer) Collins and Harlan [WORDS] |
| L | 8484-A-4-3 | 1922.06.08 | Hurry Along, Liza With Me (Al Bernard) Al Bernard and Ernest Hare [WORDS] |
| R | 4541-C-1-6 | 1916.02. | Believe Me If All Those Endearing Young Charms (Sir John Stevenson) Cornet Solo - Ernst Albert Couturier |
| L | 5001-A-1-4 | 1916.09. | Carnival Of Venice (Variations) Accordion Solo - Frosini |
| R | 8537-A-4-3 | 1922.07.21 | My Old Hawaiian Home (F. W. Vandersloot) Palakiko's Hawaiian Orchestra |
| L | 8562-B-2-4 | 1922.08.07 | Eleanor--Fox Trot (Jessie L. Deppen) Imperial Marimba Band |
| R | 8603-C-2-2 | 1922.09.20 | You Gave Me Your Heart (So I Give You Mine) Fox Trot (Ted Snyder) Broadway Dance Orchestra |
| L | 8604-C-4-1 | 1922.09.20 | When The Leaves Come Tumbling Down--Fox Trot (Richard Howard) Broadway Dance Orchestra |
| R | 8867-A-3-2 | 1923.03.02 | Day By Day In Every Way I'm Getting Better Day By Day (Jean Schwartz) Male Duet - Robert Denning and Jack Holt [WORDS] |
| L | 8863-A-2-2 | 1923.03.01 | The Lawn Swing (Carl Jean Tolman) Contralto and Male Chorus - Helen Clark [WORDS] |
| R | 1584-A-4-1 | 1922.09.29 | To-Morrow-Fox Trot (Roy Turk-J. Russel Robinson) Ernest L. Stevens' Trio (Saxophone, Banjo and Piano) Charles J. Murray, M. Aron and E. L. Stevens |
| L | 8607-A-4-1 | 1922.09.27 | Argentina-Fox Trot "George White's Scandals" (G. Gershwin) Atlantic Dance Orchestra |
| R | 8654-C-3-4 | 1922.11.03 | Three O'Clock in the Morning (Julian Robledo) (Soprano and Tenor) Elizabeth Spencer and Charles Hart [WORDS] |
| L | 8653-C-3-2 | 1922.11.03 | When Knighthood Was In Flower (Victor Herbert) (Baritone and Soprano) J. Harold Murray and Elizabeth Spencer [WORDS] |
| R | 8662-C-2-3 | 1922.11.10 | Bees Knees - Fox Trot (Ted Lewis-Ray Lopez) Atlantic Dance Orchestra |
| L | 8661-C-2-1 | 1922.11.10 | You Are My Rain-Beau - Medley Fox Trot (Intro: "Sixty Seconds Ev'ry Minute, I Think Of You") From "Greenwich Village Follies" (Hirsch) Atlantic Dance Orchestra |
| R | 8695-C-8-2 | 1922.12.16 | On A Moonlight Night--Waltz (L. Wolfe Gilbert) Kaplan's Melodists |
| L | 8696-B-7-1 | 1922.12.16 | Underneath The Mellow Moon--Medley Waltz (Intro: "My Carolina Rose") (W. W. Hall) Kaplan's Melodists |
| R | 8801-B-2-2 | 1922.12.27 | O-Le-O-Lady (Al Bernard) Al Bernard and Frank M. Kamplain [WORDS] |
| L | 8689-C-3-4 | 1922.12.12 | Wearing Of The Green (Old Irish Air) Tenor and Mixed Chorus - Walter Scanlan [WORDS] |
| R | 8877-B-2-4 | 1923.03.13 | Little Rover (Don't Forget To Come Back Home) (Walter Donaldson) (Tenor) Billy Jones [WORDS] |
| L | 8882-B-5-4 | 1923.03.16 | Until The End Of Time (H. W. Petrie) (Tenor) Byron Hudson [WORDS] |
| R | 8923-B-1-7 [2-1] | 1923.04.13 | Barney Google (Billy Rose & Con Conrad) (Tenor and Baritone) Billy Jones and Ernest Hare [WORDS] |
| L | 8929-C-7-1 | 1923.04.17 | Old King Tut (In Old King Tutenkhamen's Day) (Harry Von Tilzer) (Tenor and Baritone) Billy Jones and Ernest Hare [WORDS] |
| R | 8931-B-3-2 | 1923.04.17 | A Kiss In The Dark - Intro: "Weaving My Dreams" Medley Waltz (Victor Herbert) Kaplan's Melodists |
| L | 8927-C-4-1 | 1923.04.16 | That Red Head Gal - Blues Fox Trot (Van & Schenck & Henry Lodge) Atlantic Dance Orchestra |
| R | 8964-C-3-3 | 1923.05.09 | Tell Me Gypsy (Where My Lovin' Daddy's Gone) Blues Fox Trot (Spencer Williams) Broadway Dance Orchestra |
| L | 8965-A-1-3 | 1923.05.09 | Who's Sorry Now - Fox Trot (Ted Snyder) Broadway Dance Orchestra |
| R | 8989-B-7-6 | 1923.05.18 | Yes! We Have No Bananas--Fox Trot (Frank Silver and Irving Cohn) Green Bros. Novelty Band [uncredited vocalist] [WORDS] |
| L | 8985-B-4-5 | 1923.05.17 | Ritzi Mitzi (A Snappy, Peppy Ditty) Fox Trot (Con Conrad and Irving M. Bibo) Kaplan's Melodists (missing label) |
| R | 9011-B-1-8 | 1923.06.06 | Parade Of The Wooden Soldiers (Leon Jessel) Tenor and Mixed Voices - Harvey Hindermyer [WORDS] |
| L | 9031-C-1-8 | 1923.06.14 | That's My Baby (Sidney Clare, Cliff Friend and Owen Murphy) Male Duet - Robert Denning and Jack Holt [WORDS] |
| R | 9091-C-1-7 | 1923.07.24 | Last Night On The Back Porch (I Loved Her Best Of All) Fox Trot (Lew Brown and Carl Schraubstader) Green Bros. Novelty Band |
| L | 9092-A-1-5 | 1923.07.24 | Polly-Olly-Oo (Said The Parrot To The Cuckoo) Fox Trot (Ray Henderson) Green Bros. Novelty Band |
| R | 9094-A-4-1 | 1923.07.25 | Oh! Sister, Ain't That Hot! (Harry White and Will Donaldson) (Tenor) Robert White [Vernon Dalhart] [WORDS] |
| L | 9115-C-3-7 | 1923.08.02 | Oh! How He Lied To Me (Harry White and Will Donaldson) Florence Brady [WORDS] |
| R | 9102-A-3-5 | 1923.07.28 | Wonder If She's Lonely, Too (Bernie Grossman & Willy White) (Tenor) Lewis James [WORDS] |
| L | 9106-A-1-4 | 1923.07.31 | Cry Baby "Helen of Troy, New York" (Bert Kalmar and Harry Ruby) (Soprano Duet) Gladys Rice and Betsy Lane Shepherd [WORDS] |
| R | 9112-B-3-3 | 1923.08.02 | Roll Along Missouri - Waltz (M. K. Jerome) McNalpak's Dance Orchestra |
| L | 9116-A-1-5 | 1923.08.03 | Rose Of The Morning (Intro: "My Dutch Lady") Medley Fox Trot from "The Passing Show Of 1923" (Sigmund Romberg-Jean Schwartz) Willie Creager's Dance Orchestra |
| R | 9136-B-5-13 | 1923.09.05 | That's A Lot Of Bunk (Al Wilson, James A. Brennan and Mack Henshaw) Billy Jones and Ernest Hare [WORDS] |
| L | 9114-A-6-2 | 1923.08.02 | That Old Gang Of Mine (Ray Henderson) Tenor and Baritone - Billy Jones and Ernest Hare [WORDS] |
| R | 9122-C-1-3 | 1923.08.23 | Mother Goose Songs No. 1 - Tenor - Lewis James [WORDS] |
| L | 9127-B-2-4 [2-1] | 1923.08.28 | Mother Goose Songs No. 2 - Tenor - Lewis James [WORDS] |
| R | 8787-B-1-2 | 1923.10.27 | Just A Girl That Men Forget--Waltz (Al Dubin, Fred Rath and Joe Garren) Saxophone, Banjo and Piano - Stevens' Trio |
| L | 9192-C-5-3 | 1923.10.05 | Chansonette--Fox Trot (Rudolf Friml) Don Parker's Dance Orchestra |
| R | 9264-B-3-1 | 1923.11.24 | Opera Reel With Calls - Violin - Jasper Bisbee - Pianoforte by Beulah Bisbee-Schuler [WORDS] |
| L | 9262-B-1-3 | 1923.11.24 | McDonald's Reel - Violin - Jasper Bisbee - Pianoforte by Beulah Bisbee-Schuler |
| R | 9242-A-1-1 | 1923.11.08 | Mother Goose Songs No. 3 - Tenor - Lewis James [WORDS] |
| L | 9243-A-1-1 | 1923.11.08 | Mother Goose Songs No. 4 - Tenor - Lewis James [WORDS] |
| R | 8773-A-5-1 | 1923.10.16 | Last Hope - Transcription (Louis M. Gottschalk) Piano Solo - Ferdinand Himmelreich |
| L | 8774-B-1-4 | 1923.10.16 | Believe Me If All Those Endearing Young Charms - Transcription (Tom Moore) (Piano Solo) Ferdinand Himmelreich |
| R | 8798-B-4-2 | 1923.12.06 | You Didn't Want Me When I Wanted You (I'm Somebody Else's Now) Fox Trot (Jack Stern) Saxophone, Banjo and Piano - Stevens' Trio |
| L | 9301-A-1-1 | 1923.12.21 | You--Fox Trot (Bud Cooper) Ernest Stevens' Dance Orchestra |
| R | 9377-A-1-3 | 1924.02.15 | California Here I Come-Fox Trot (Al Jolson, Bud De Sylva and Joseph Meyer) Atlantic Dance Orchestra |
| L | 9347-A-1-2 | 1924.01.28 | Egyptian Rose-Fox Trot (Ted Snyder) Kaplan's Melodists |
| R | 9196-C-1-3 | 1923.10.09 | Father Of Victory March (L. Ganne) United States Marine Band |
| L | 9197-B-1-2 | 1923.10.09 | Marche Militaire (F. Schubert, Op. 51 No. 1) United States Marine Band |
| R | 9383-A-4-2 | 1924.02.20 | There's Nobody Else But You--Fox Trot (Gilbert) Broadway Dance Orchestra (missing label) |
| L | 9389-A-5-2 | 1924.02.21 | Every Day I Hear My Daddy Say (Riddle Dum Bum)--Fox Trot (Art Randall) The Merry Sparklers |
| R | 10019-C-1-6 | 1924.02.20 | A Smile Will Go a Long Long Way - Piano Novelty (Benny Davis & Harry Akst) Piano Solo - Ernest L. Stevens |
| L | 10020-B-5-1 | 1924.03.25 | The West, a Nest, and You - Waltz (Billy Hill) Piano Solo - Harry Osborne [Ernest L. Stevens] |
| R | 9502-C-1-4 | 1924.05.08 | Paradise Alley - Fox Trot and Song from "Paradise Alley" (Harry Archer and Carle Carlton) Fox Trot by Harry Raderman's Dance Orchestra - Song by Arthur Hall [WORDS] |
| L | 9536-B-4-4 | 1924.05.28 | Bringin' Home The Bacon - Fox Trot And Song (Frank Bannister, Lew Colwell and Van & Schen[c]k) Fox Trot by Kaplan's Melodists - Song by Vernon Dalhart [WORDS] |
| R | 8311-A-2-3 | 1921.12.07 | Swing Low, Sweet Chariot - Negro Spiritual - Male Voices - The Southern Four [Fisk University Jubilee Quartet] [WORDS] |
| L | 8312-A-2-3 | 1921.12.07 | (A) Shout All Over God's Heaven (B) Standin' In The Need O' Prayer - Negro Spirituals - Male Voices - The Southern Four [Fisk University Jubilee Quartet] [WORDS] |
| R | 9577-C-1-8 | 1924.06.20 | What Has Become Of Hinky Dinky Parlay Voo (Al Dubin, Irving Mills, Jimmy McHugh and Irwin Dash) Al Bernard and Chorus [WORDS] |
| L | 9583-C-5-3 | 1924.06.25 | I'm Gonna Bring A Water-Melon (To My Girl To-Night) (Con Conrad) Billy Jones and Ernest Hare [WORDS] |
| R | 9602-C-3-4 | 1924.07.07 | The Sidewalks Of New York (Chas. B. Lawlor and James W. Blake) Tenor and Chorus - Billy Jones [WORDS] |
| L | 3586-B-1-6 | 1915.02. | I'm Just A Ragged Newsboy, But My Heart's True Blue (Harry D. Kerr) Tenor - Walter Scanlan [WORDS] |
| R | 9259-A-1-3 | 1923.11.24 | Money Musk With Variations - Violin - Jasper Bisbee - Pianoforte by Beulah Bisbee-Schuler |
| L | 9260-A-1-3 | 1923.11.24 | The Girl I Left Behind Me--Medley - Violin - Jasper Bisbee - Pianoforte by Beulah Bisbee-Schuler |
| R | 9261-C-3-6 | 1923.11.24 | College Hornpipe - Violin - Jasper Bisbee - Piano by Beulah Bisbee-Schuler |
| L | 9263-B-1-2 | 1923.11.24 | The Devil's Dream (Reel) Violin - Jasper Bisbee - Piano by Beulah Bisbee-Schuler |
| R | 9665-B-1-4 | 1924.08.06 | Lucille-Fox Trot (L. Wolfe Gilbert and Abner Silver) Golden Gate Dance Orchestra |
| L | 9669-C-3-2 | 1924.08.07 | Kiss Me Goodnight-Waltz (Ben Bernie, Vernon Stevens, Gladys Gillette and Elmer Olson) Harry Raderman's Dance Orchestra |
| R | 9661-A-4-7 | 1924.08.05 | Jealous (Jack Little) Wright and Bessinger - The Radio Franks [WORDS] |
| L | 9636-A-4-4 | 1924.07.22 | The Pal That I Loved Stole The Gal That I Loved (Harry Pease and Ed. G. Nelson) Tenor - James Doherty [WORDS] |
| R | 9673-C-1-5 | 1924.08.26 | Words - Fox Trot (Al. Dubin, Al. Tucker and Otis Spencer) Congo Four |
| L | 9674-C-1-1 | 1924.08.26 | I'd Give Ev'ry Rose On Broadway For That Little Rose Back Home - Fox Trot (Fred Fisher and Sidney Holden) Congo Four |
| R | 5711-A-1-5 | 1917.07.25/31 | Duo Concertant (Ch. Baermann, Op. 33) Two Clarinets - Anthony Giammatteo and Fred J. Brissett |
| L | 4997-C-1-1 | 1916.09. | Sonata In C Major (Frosini) Accordion Solo [Pietro J.] Frosini |
| R | 9692-A-3-1 | 1924.09.08 | Carry Your Cross With A Smile (Chas H. Gabriel) Baritone and Mixed Voices - Homer Rodeheaver [WORDS] |
| L | 9694-C-1-5 | 1924.09.08 | All The Way To Calvary (Rev. A. H. Ackley) Baritone and Mixed Voices - Homer Rodeheaver [WORDS] |
| R | 9770-B-3-1 | 1924.10.07 | Somebody Loves Me - Fox Trot from "George White's Scandals" (Ballard MacDonald, B. G. De Sylva and George Gershwin) Nathan Glantz And His Orchestra |
| L | 9772-C-1-3 | 1924.10.08 | Tea For Two - Fox Trot from "No No Nanette" (Irving Caesar and Vincent Youmans) Green Bros. Novelty Band |
| R | 9730-B-1-1 | 1924.09.23 | Little Brown Jug - Singing, Harmonica and Guitar - The Blue Ridge Duo - Gene Austin and George Reneau [WORDS] |
| L | 9732-A-1-6 | 1924.09.23 | Arkansas Traveler (Breakdown) Harmonica and Guitar with Dance Calls - The Blue Ridge Duo - Gene Austin and George Reneau [WORDS] |
| R | 9662-B-4-1 | 1924.08.05 | How Come You Do Me Like You Do? (Gene Austin and Roy Bergere) Florence Brady [WORDS] |
| L | 9610-A-3-1 | 1924.07.10 | Hard-Hearted Hannah (The Vamp Of Savannah) Tenor (Jack Yellen, Bob Bigelow and Chas. Bates) Robert White [Vernon Dalhart] [SKIPS] [WORDS] |
| R | 9779-B-1-5 [2-3] | 1924.10.09 | It Ain't Gonna Rain No Mo' (2nd Edition) (Wendell Hall) (The Happiness Boys) Billy Jones and Ernest Hare [WORDS] |
| L | 9791-C-1-1 | 1924.10.15 | Ain't You Comin' Out To-Night? (Robinson and Massey) Vernon Dalhart & Company (missing label) [WORDS] |
| R | 9678-C-1-9 | 1924.08.28 | Moana Chimes--Waltz (Bartley Costello & Otto Motzan) Waikiki Hawaiian Orchestra |
| L | 9679-A-3-1 | 1924.08.28 | Under The South Sea Palms (Mitchel Parish & George Johnson) Waikiki Hawaiian Orchestra |
| R | 9880-A-3-2 | 1924.11.15 | Nightingale - Waltz (James Brockman) Polla's Clover Gardens Orchestra |
| L | 9777-B-5-1 | 1924.10.09 | Me And The Boy Friend - Fox Trot (Sidney Clare & Jimmie Monaco) Meadowbrook Dance Orchestra |
| R | 9789-A-12-1 | 1924.10.15 | The Prisoner's Song (Guy S. Massey) Vernon Dalhart & Co. [WORDS] |
| L | 9790-A-10-3 | 1924.10.15 | Way Out West In Kansas (Carson Robinson) Vernon Dalhart & Co. [WORDS] |
| R | 9950-B-1-5 | 1925.01.20 | Oh, Katharina! Fox Trot And Song (L. Wolfe Gilbert and Richard Fall) Fox Trot by Green Bros. Novelty Band--Song by Arthur Hall [WORDS] |
| L | 9954-A-5-3 | 1925.01.21 | How I Love That Girl! Fox Trot And Song (Gus. Kahn and Ted Fiorito) Fox Trot by Polla's Clover Gardens Orchestra--Song by Vernon Dalhart [WORDS] |
| R | 9979-C-3-3 | 1925.01.29 | All Alone (Irving Berlin) Tenor - Walter Scanlan [WORDS] |
| L | 9999-C-3-3 | 1925.02.10 | Rose-Marie - From "Rose-Marie" (Otto Harbach, Oscar Hammerstein, 2nd & Rudolf Friml) Tenor - Walter Scanlan [WORDS] |
| R | 10242-C-1-1 | 1925.03.04 | You Gave All Your Kisses To Somebody Else (So Why Bring Your Tears to Me) (Mitchell Parish and Lou Herscher) (Tenor) James Doherty [WORDS] |
| L | 9918-A-1-1 | 1924.12.26 | The Heart of A Girl (Gus Kahn and H. Leopold Spitalny) (Tenor) James Doherty [WORDS] |
| R | 10338-A-1-11 | 1925.04.28 | Ukulele Lady (Gus Kahn & Richard A. Whiting) Male Voices - Arthur Hall And John Ryan [WORDS] |
| L | 10341-B-1-6 | 1925.04.29 | Don't Bring Lulu (Billy Rose, Lew Brown & Ray Henderson) Billy Jones And Ernest Hare (The Happiness Boys) [WORDS] |
| R | 10451-A-4-2 | 1925.06.23 | Collegiate - Novelty Fox Trot with Vocal Chorus (Lew Brown, Moe Jaffe & Nat Bonx) Golden Gate Orchestra [WORDS] |
| L | 10440-B-1-7 | 1925.06.18 | Steppin' In Society - Fox Trot (Alex Gerber & Harry Akst) Billy Wynne's Greenwich Village Inn Orchestra |
| R | 9988-B-1-5 | 1925.02.03 | When They Ring The Golden Bells For You An |