Bach Bibliography Search Result

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Year : 2014
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Type	List	Title [further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	A performance guide of J.S. Bach's viola da Gama sonatas transcribed for viola. MMus diss., South African College of Music, University of Cape Town, 2014. 86p	diss.			2014	86p
	2.	A Study of J.S. Bach's Sacred and Secular Vocal Works influenced by Popular Stylized Dance of the French Baroque Court: A Performer's Guide. DMA diss., University of Kentucky, 2014. v, 127p	diss.			2014	v, 127p
	3.	Charles Valentin Alkan: Interpreting the Composer's use of Rhythm as Identified in the Dominant Motifs present in the Music for Organ, Pedal-piano and Harmonium. PhD diss., National University of Ireland Maynooth, 2014. xvii, 400p.	diss.			2014	xvii, 400p
	4.	Felix Mendelssohn Bartholdys vierstimmige Chorlieder a cappella und das Chorwesen in der ersten Ha¨lfte des 19. Jahrhunderts. PhD diss., Fakultät für Kulturwissenschaften im Fach Musikwissenschaft, Universität Paderborn, 2014. vii, 342, ccvi p.	diss.			2014	viii, 342, ccvi p
	5.	Gol'dberg-variacii (Aria mit verschiedenen Verænderungen) v kontekste pozdnego tvorcestva I.S. Baha. [Goldberg variations in the context of J.S. Bach's late compositions] Moskva: Kand,Iskusstvovedenie from Gosudarstvennaâ Konservatoriâ imeni P.I. Cajkovskogo, 2014. 417p.	diss.			2014	417p	Latin 2
	6.	Perspectives on Phrase Rhythm in J. S. Bach's Keyboard Fugues. PhD diss., Jacobs School of Music, Indiana University, 2014. xix, 245p.	diss.			2014	xix, 245p
	7.	Propuesta interpretativa a partir del análisis formal y estilístico de dos movimientos Allemanda y doble de la partita para violín solo No.1 en Si menor de J.S Bach. Javeriana University, Bogota, 2014. [23]p	diss.			2014	23p
	8.	Sonatas for violin and basso continuo written by British composers in the first half of the eighteenth century. PhD diss., University of Cardiff, June 2014. vii, 437p.	diss.			2014	vii, 437p
	9.	The Art of Gigue: Perspectives on Genre and Formula in J. S. Bach's Compositional Practice. PhD diss., Harvard University, 2014.	diss.			2014
	10.	The Development and Application of Keyboard Fingering Principles in the Music of J. S. Bach and C. P. E. Bach: An Analysis in Comparison with Modern Approaches to Fingering, and the Utilization of the J. C. Bach-Ricci Method for Nurturing a Versatile Technique in the Early Stages of Study. DMA diss., The University of North Carolina at Greensboro, 2014. xiv, 192p. [BWV 870a, 925, 934]	diss.			2014	xiv, 192p
	11.	The Role of Sir Henry J. Wood in the English Bach Awakening: Orchestral Bach at the Proms 1895-1944. PhD diss., University of Leeds, 2014. x, 238p (vol.1), viii, 191p (vol.2)	diss.			2014	x, 238, viii, 191p