Bach Bibliography Search Result

Series : ^diss.$
Year : 2004
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Type	List	Title [further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	A comparison of selected editions of Johann Sebastian Bach's Unaccompanied cello suite number six in D major BWV 1012 transcribed for the viola: a doctoral essay.	diss.			2004	xvi, 132p
	2.	A history of the Oregon Bach Festival.	diss.			2004	318p
	3.	A performance guide to J. S. Bach's Suite No. 5 for violoncello solo: The interpretation of the ornaments, rhythm, bowing and phrasing, and polyphonic texture.	diss.			2004	77p
	4.	A performer's study of three preludes and fugues for organ representing eighteenth-century Germany, nineteenth-century Germany, and twentieth-century France: Johann Sebastian Bach, Franz Liszt, and Maurice Durufle.	diss.			2004	151p
	5.	De fuga in f (BWV 534) van Johann Sebastian Bach? - Verkenning van een kwantitatieve methode voor het modelleren van muzikale stijl.	diss.			2004	97p
	6.	Die Botschaft der Kantate: eine musiko-theologische Analyse der Kantaten Johann Sebastian Bachs zum 6. Sonntag nach Trinitatis.	diss.			2004
	7.	Die Chorwerke von Moritz Hauptmann (1792–1868).	diss.			2004	135p
	8.	Die Dispositio der römischen Oratorie als Beitrag zum Formverständnis ausgewählter Instrumentalfugen von Johann Sebastian Bach.	diss.			2004
	9.	Events im Spektrum kulturpolitischer Zielsetzungen. Künstlerische, gesellschaftliche und ökonomische Dimensionen von Kulturevents untersucht am Beispiel des Leipziger Bachfests.	diss.			2004	96p
	10.	Expression and Meaning in Bach Performance and Reception: An Examination of the B minor Mass on Record.	diss.			2004	xv, 432p
	11.	Felix Mendelssohn-Bartholdy: The first 'Romantic' composer for the organ.	diss.			2004	51p
	12.	Fortspinnungstypus revisited: Schemata and prototypical features in J. S. Bach's minor-key cantata aria introductions.	diss.			2004	238p
	13.	Johann Sebastian Bach's Halt im Gedächtnis Jesum Christ BWV 67: A Study of the Sources and Their Implications.	diss.			2004	xii, 174p
	14.	J. S. Bach: English suite no. 4, BWV 809 for two guitars.	diss.			2004	67p
	15.	Karg-Elert's 'Passacaglia and Fugue on B-A-C-H': A study of harmonic and stylistic analysis.	diss.			2004	v, 101p
	16.	Les paradoxes métaphysiques de la Passion selon Saint Matthieu de J.-S. Bach.	diss.			2004	623p
	17.	Louis Spohr und die 'Kasseler Schule'. Das pädagogische Wirken des Komponisten, Geigenvirtuosen und Dirigenten in der ersten Hälfte des 19. Jahrhunderts.	diss.			2004	417p
	18.	New transcriptions for viola: Works by J. S. Bach, Frank Bridge, Clara Schumann, and Rebecca Clarke.	diss.			2004	105p
	19.	Performance practice issues in piano transcriptions of J. S. Bach's unaccompanied violin Chaconne by Brahms and Busoni.	diss.			2004	xi, 80p
	20.	Performance-Practice Issues of the Chaconne from Partita II, BWV 1004, by Johann Sebastian Bach.	diss.			2004	vii, 150p
	21.	Possible Orchestral Tendencies in Registering Johann Sebastian Bach's Organ Music: An Historical Perspective.	diss.			2004	xii, 167p
	22.	Science, metaphysics, and the late works of J. S. Bach.	diss.			2004	305p
	23.	The Instrumental Variations Sets of Antonio Vivaldi: Old Forms in New Genres.	diss.			2004	ix, 155p
	24.	The obbligato organ cantatas of J. S. Bach in the context of 18th-century practice.	diss.			2004	xix, 830p
	25.	The role of the chorale in the oratorios and symphonies of Felix Mendelssohn-Bartholdy.	diss.			2004	254p
	26.	The Soul and Jesus Dialogue Cantatas of Johann Sebastian Bach.	diss.			2004	xi, 238p
	27.	The treasons of image: Bach, irony, and Shostakovich's preludes and fugues, op. 87.	diss.			2004	256p
	28.	Toward a methodology for the analysis of fugue: An examination of selected Bach organ works.	diss.			2004	124p
	29.	Wind Orchestration in the Music of Johann Christian Bach, 1762-1782: Studies in Structure, Texture and Form.	diss.			2004	608p