Type | List | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | A Baroque Model in the Twentieth Century: The Preludes and Fugues, Opus 87 of Dmitri Shostakovich. MA diss., University of Western Ontario, 1996. v, 136p. |
diss. |
| | 1996 |
v, 136p |
|
| 2. | A Conductor's Analysis of 'Gloria' Settings from Five Masses and a Pedagogical Approach to Their Performance. DMA diss., New Orleans Baptist Theological Seminary. 1996. 123p. UMI No. DA9640215 |
diss. |
| | 1996 |
123p |
|
| 3. | An Idiomatic Piano Reduction of the Orchestral Accompaniment to Bach's 'Magnificat'. DMA diss., Arizona State University, 1996. 69p |
diss. |
| | 1996 |
69p |
|
| 4. | Aprendendo contraponto atraves dos preludios corais. [Learning counterpoint through the chorale preludes] Mestrado, U. Federal da Bahia, 1996. |
diss. |
| | 1996 |
|
|
| 5. | Bachs Arbeiten am strengen Satz: Studien zum Leipziger Vokalwerk. Habilitation, Musicology, Univ. of Kiel, 1996. (Kassel: Bärenreiter Verlag, in preparation, 400p.) |
diss. |
| | 1996 |
|
|
| 6. | Bach's Well-Tempered Clavier in Musical Thought and Practice, 1750-1850. PhD diss., Stanford University, 1996, vii, 176p |
diss. |
| | 1996 |
vii, 176p |
|
| 7. | Barokartikulasie en -vingersetting vir die klavierbegeleier: 'n Toepassing in die fluitsonate in E-mol (BWV 1031) van J. S. Bach [Baroque articulation and fingering for the piano accompaniment: an application in the flute sonata in E minor (BWV 1031) by J.S. Bach] MMus thesis, Univ. of Pretoria, 1996. |
diss. |
| | 1996 |
|
|
| 8. | Die Johannes-Passion von Johann Sebastian Bach. Eine Untersuchung der freien Dichtung. Diplomarbeit Germanistik, Bamberg 1996. 104p. Published in 2001. |
diss. |
| | 1996 |
104p |
|
| 9. | Double-Type Gigues in the Baroque Period and the Rhythmic Interpretation of Bach's Gigue from 'Partita VI'. DMA doc., Stanford University, 1996. 69p. UMI No. DA9611932 |
diss. |
| | 1996 |
69p |
|
| 10. | Extemporization of J. S. Bach's Goldberg Variations BWV 988: The Varying of Reprise with Improvised Embellishments. DMA diss, Boston University, 1996. 232p. UMI No. DA9625330 |
diss. |
| | 1996 |
232p |
|
| 11. | From Continuo to Obbligato Cembalo: A Study of the Changing Role of the Harpsichord in J. S. Bach's Harpsichord Concertos and Solo Sonatas with Obbligato Cembalo. PhD Michigan State University, 1996. 340p - Dissertation Abstracts International, Volume: 57-05, Section: A, page: 1900. |
diss. |
| | 1996 |
340p |
|
| 12. | Het Gebruik van Secundaire Registers in Clavecimbelmuziek voor 1760. [The Use of Secondary Stops in Harpsichord Music before 1760] MA diss. Vakgroep Muziekwetenschap, Universiteit Utrecht, 1996, 96p |
diss. |
| | 1996 |
96p |
|
| 13. | Jean-Sébastien Bach, le musicien-arpenteur. Étude sur les structures numériques dans quelques œuvres de J. S. Bach. mémoire de DEA inédit, Université Paris IV / Sorbonne. 1996, 120p |
diss. |
| | 1996 |
120p |
|
| 14. | Le Magnificat de Jean-Sébastien Bach, étude de la version originale en mi bémol majeur. mémoire de maîtrise inédit, Université Paris IV / Sorbonne. 1996, 110p |
diss. |
| | 1996 |
110p |
|
| 15. | Max Reger: Variationen und Fuge über ein Thema von Johann S. Bach für Klavier op. 81--Ensaio interpretativo. Mestrado, Performance practice: U. Federal do Rio de Janeiro, 1996. 220 p. |
diss. |
| | 1996 |
220p |
|
| 16. | Mendelssohn's Lobgesang. The Genesis of the Symphony-Cantata and a Critical Edition of its Original Version. M.Litt. diss., University of Oxford, 1996. 2 vols. ii, 98; iii, 333 leaves. |
diss. |
| | 1996 |
ii, 98, iii, 333p |
|
| 17. | Soloistic Writing for the Oboe in the Arias of Handel's Operas, with Three Recitals of Selected Works by Marcello, Strauss, Ravel, Bach, Handel, Saint-Aaens and Others. DMA diss. University of North Texas, 1996. 87p. |
diss. |
| | 1996 |
87p |
|
| 18. | The G-D-G-C scordatura tuning for the double bass: A historical survey, theoretical rationale, pedagogical study, and compositional demonstration. DA diss., Ball State U., 1996. 711p. UMI No. DA9713630. [BWV 1011] |
diss. |
| | 1996 |
711p |
|
| 19. | The 'Mistuned' Cello: Precursors to J. S. Bach's Suite V in C minor for Unaccompanied Violoncello. DMus diss. The Florida State University, 1996. 115p |
diss. |
| | 1996 |
115p |
|
| 20. | The Oboe and the Baroque Bass in Johann Sebastian Bach's Vocal Works. DMA diss., University of Maryland, College Park, 1996. 80p. UMI No. DA9637748 |
diss. |
| | 1996 |
80p |
|
| 21. | The returning adult student: Standard and andragogical methods used in the preparation and pedagogy of J. S. Bach's Prelude and Fugue I, BWV 846. MMus diss., Duquesne University, 1996. 66p. |
diss. |
| | 1996 |
66p |
|
| 22. | The Sacred Duets and Terzets of Johann Sebastian Bach: A Study of Genre and Musical Text Interpretation. PhD diss. Harvard University, 1996. xv, 505 Bl. |
diss. |
| | 1996 |
xv, 505 Bl |
|
| 23. | The 'Well-Tempered Clavier' by J. S. Bach: A Performance Guide to Twelve Selected Preludes and Fugues Arranged in Order of Ascending Difficulty. DMA diss. University of Washington, 1996, 117p. DA9637917 |
diss. |
| | 1996 |
117p |
|