Type | List | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | A Comparative Study of Five Piano Works by Bach, Beethoven and Liszt. |
diss. |
| | 1995 |
71p |
|
| 2. | Affective Gesture in J. S. Bach's Keyboard Music with Special Reference to Selected Works in D Minor. |
diss. |
| | 1995 |
186p |
|
| 3. | A Performer's Analysis of Selected Compositions by Johann Sebastian Bach, Frederic Chopin, and Alberto Ginastera. |
diss. |
| | 1995 |
165p |
|
| 4. | A Performer's Guide to the 'English Suites' of J. S. Bach, BWV 806-811. |
diss. |
| | 1995 |
170p |
|
| 5. | A Performer's Study of Three Multimovement Organ Compositions Representing Eighteenth-Century France, Eighteenth-Century Germany, and Twentiety-Century France: Boyvin, Bach and Duruflé. |
diss. |
| | 1995 |
178p |
|
| 6. | Applications of Reductive Analytical Techniques in the Phrygian Settings of the 'Orgelbuechlein' by Johann Sebastian Bach. |
diss. |
| | 1995 |
116p |
|
| 7. | Bachs Weimarer Orgelbüchlein. Studien zu ausgewählten Beispielen. |
diss. |
| | 1995 |
|
|
| 8. | Carl Philipp Emanuel Bach's 'Neue Lieder-Melodien Nebst Einer Kantate Zum Singen Beym Klavier' (1789) and the development of the German Lied. |
diss. |
| | 1995 |
228p |
|
| 9. | Die Choralbearbeitung für Orgel im Umkreis der Schüler J. S. Bachs. |
diss. |
| | 1995 |
|
|
| 10. | Die Markus-Passion von Reinhard Keiser und ihre Aufführungen unter Bach in Leipzig. |
diss. |
| | 1995 |
60p |
|
| 11. | Die Musikaliensammlung der Familie von Voß: Ein Beitrag zur Berliner Musikgeschichte um 1800. |
diss. |
| | 1995 |
586p |
|
| 12. | Fantasy in the Instrumental Music of C. P. E. Bach. |
diss. |
| | 1995 |
v, 276p |
|
| 13. | Formirovanie instrumental'noj faktury v organnoj muzyke Germanii XV-XVIII vekov. |
diss. |
| | 1995 |
24p |
|
| 14. | Friedrich Wilhelm Marpurg's Abhandlung von der Fuge (1753-1754). |
diss. |
| | 1995 |
viii, 245p |
|
| 15. | Instrumentation and structure in Anton Webern's orchestration of the Ricercar A 6 from Johann Sebastian Bach's 'Musical Offering'. |
diss. |
| | 1995 |
156p |
|
| 16. | Ispolnitel'skaja interpretacija muzykal'nogo proizvedenija v istoriko-stilevoj evoljucii: Teorija voprosa i analiz ispolnenij Horosho temperirovannogo klavira I.S. Baha. |
diss. |
| | 1995 |
26p |
|
| 17. | Johann Nikolaus Forkel's Philosophy of Music in the Einleitung to Volume One of the Allgemeine Geschichte der Musik (1788): A Translation and Commentary with a Glossary of Eighteenth-Century Terms. |
diss. |
| | 1995 |
xiii, 472 p |
|
| 18. | Keys and behavioural trends: An investigation into the relationship between choice of key and compositional strategies in the cantatas of J.S. Bach. |
diss. |
| | 1995 |
|
|
| 19. | 'Mach einmal mein Ende gut'. Zur Sterbekunst in den Kantaten Johann Sebastian Bachs zum 16. Sonntag nach Trinitatis. |
diss. |
| | 1995 |
349p |
|
| 20. | Mendelssohn and the musical discourse of the German Restoration. |
diss. |
| | 1995 |
iv, 343p |
|
| 21. | Per un'interpretazione dei 14 canoni di Bach BWV 1087: implicazioni didattiche e ideologiche. |
diss. |
| | 1995 |
150p |
|
| 22. | Pitch Standards in the Baroque and Classical Periods. |
diss. |
| | 1995 |
xxxiv, 644p |
|
| 23. | Research and transcription procedures to provide additional literature for trombone quartet. |
diss. |
| | 1995 |
153p |
|
| 24. | Rhythmic Conflicts in the Keyboard Music of J.S. Bach: A Problem of Binary Against Ternary Rhythms. |
diss. |
| | 1995 |
236p |
|
| 25. | Simetrijska analiza elemenata i strukture muzickog dela. |
diss. |
| | 1995 |
|
|
| 26. | Sviatoslav Richter's interpretative response to J.S. Bach: A selective study. |
diss. |
| | 1995 |
|
|
| 27. | The Blessed Death in the Church Cantatas of Johann Sebastian Bach. |
diss. |
| | 1995 |
xi, 357p |
|
| 28. | The emergence of a pivotal role for the thumb in keyboard fingering during the early eighteenth century and its subsequent impact on pianistic idiom. |
diss. |
| | 1995 |
166p |
|
| 29. | The harpsichord concertos of Wilhelm Friedemann Bach. A Lecture Recital, together with Three Recitals of Selected Works of J. S. Bach, W. F. Bach, D. Scarlatti, F. Couperin, J. J. Froberger, G. Ligeti, W. Byrd, and Others. |
diss. |
| | 1995 |
xv, 122p |
|
| 30. | The keyboard manuscripts of Johann Christoph Bach, cantor in Gehren. |
diss. |
| | 1995 |
821p |
|
| 31. | The role of the cadence as determining factor of phrasing of the organ toccatas, preludes and fantasias of Johann Sebastian Bach. |
diss. |
| | 1995 |
|
|
| 32. | The Sacred Choral Music of Dave Brubeck: A Historical, Analytical, and Critical Examination. |
diss. |
| | 1995 |
xii, 370p |
|
| 33. | Thirty-Two Transcriptions for Piano of Organ Chorales of J. S. Bach. |
diss. |
| | 1995 |
237p |
|
| 34. | Toward a stylistic history of the north German 'cantata' in the second half of the seventeenth century. |
diss. |
| | 1995 |
970p |
|
| 35. | Written-Out Ornaments in J. S. Bach's Organ Music as a Model for Improvised Ornamentation. |
diss. |
| | 1995 |
170p |
|