Type | List | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Addition, omission and revision: the stylistic changes made to Zehn Variationen ueber ein Praeludium von Chopin by Ferruccio Busoni, with three recitals of selected works by J. S. Bach, D. Scarlatti, Beethoven, Brahms, Debussy, Schumann and Liszt. |
diss. |
| | 1994 |
xi, 67p |
|
| 2. | An Examination of Johann Sebastian Bach's Fifth and Sixth Suites for Solo Cello, BWV 1011 and 1012. |
diss. |
| | 1994 |
98p |
|
| 3. | Aria Forms in Opera Seria of the Classic Period: Settings of Metastasio's Artaserse from 1760-1790.. |
diss. |
| | 1994 |
xv, 422p |
|
| 4. | Bartók's contributions to piano pedagogy: His edition of Bach's Well-tempered clavier and impressions of former students. |
diss. |
| | 1994 |
ix, 120p |
|
| 5. | Das Bach-Bild Philipp Spittas. |
diss. |
| | 1994 |
|
|
| 6. | Die Lutherischen Messen Johann Sebastian Bachs. Studien zum Parodieverfahren in den Messen BWV 233-236. |
diss. |
| | 1994 |
181p |
|
| 7. | Disposition und Ausarbeitung in Bachs späten Clavier-Werken (1739-1749). |
diss. |
| | 1994 |
|
|
| 8. | Felix Mendelssohn Bartholdy and the Italian Symphony: Historical, Musical, and Extramusical Perspectives. |
diss. |
| | 1994 |
xv, 455p |
|
| 9. | Historicism and composition: Giuseppe Baini, the Sistine Chapel choir, and stile antico music in the first half of the 19th century. |
diss. |
| | 1994 |
412p |
|
| 10. | Ideologies of learned counterpoint in the northern German Baroque. |
diss. |
| | 1994 |
376p |
|
| 11. | Metrical Displacements in the 'Well-Tempered Clavier': a Study of Rhythm in the Fugal Genre. |
diss. |
| | 1994 |
|
|
| 12. | Musikalische Autonomie und Textbezug in Vokalwerken von strenger Satztechnik. |
diss. |
| | 1994 |
280p |
|
| 13. | The allemandes in the six suites for solo cello by J.S. Bach: An analysis and comparison. |
diss. |
| | 1994 |
91p |
|
| 14. | The Controversy over Bach's Trills: Towards a Reconsiliation. |
diss. |
| | 1994 |
166p |
|
| 15. | The effects of rate of deviation and musical context on intonation perception in homophonic four-part chorales. |
diss. |
| | 1994 |
204p |
|
| 16. | The Evolution and Nomenclature of Bach's Horn Parts. |
diss. |
| | 1994 |
143p |
|
| 17. | The fugues of Joseph Rheinberger's organ sonatas: An historical and analytical study. |
diss. |
| | 1994 |
176p |
|
| 18. | The Influence of Baroque Dance in the Performance of Johann Sebastian Bach's 'Six Suites a Violonello Senza Basso' |
diss. |
| | 1994 |
72p |
|
| 19. | The Pedagogy of Transition: Issues of Composition and Craft in the Bach Chorales and Bach Fugues. |
diss. |
| | 1994 |
vi, 231 Bl |
|
| 20. | The Persistence of Memory: Mode, Trope, and Difference in the Passion Chorale. |
diss. |
| | 1994 |
302p |
|
| 21. | The School Fugue. Its Place in the Organ Repertoire of the French Symphonic School, a Lecture Recital, together with Three Recitals of Selected Works of J. S. Bach, D. Buxtehude, C. Franck, P. Eben, F. Mendelssohn, R. Schumann, M. Reger and Others. |
diss. |
| | 1994 |
194p |
|
| 22. | Three works for voice and French horn with accompaniment. |
diss. |
| | 1994 |
72p |
|
| 23. | Zapadnoevropejskaja sonata dlja skripki solo pervoj poloviny XX veka--Istorija, stil', problemy interpretacii. |
diss. |
| | 1994 |
16p |
|