Type | List | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | A adaptação da obra alaudística de Johann Sebastian Bach para alto guitar: Um modelo híbrido. |
diss. |
| | 1993 |
|
|
| 2. | A diagnostic and analytical model of score preparation: A clinical approach to musical morphology. |
diss. |
| | 1993 |
189p |
|
| 3. | A historical perspective on unity in the keyboard partitas of Johann Sebastian Bach. |
diss. |
| | 1993 |
317p |
|
| 4. | A musician's introduction to Baroque dance. |
diss. |
| | 1993 |
139p |
|
| 5. | An investigation of the articulations found in the primary sources of the flute sonatas of Johann Sebastian Bach resulting in a composite edition for analysis and a second edition for practical performance. |
diss. |
| | 1993 |
281p |
|
| 6. | Anna Amalia von Preußen: Porträt einer Komponistin unter besonderer Berücksichtigung des soziologischen und des analytisch begründeten stilistischen Standorts |
diss. |
| | 1993 |
82, 35 Bl |
|
| 7. | A Performer's Study of Three Organ Sonatas from the Eighteenth to the Twentieth Centuries: Bach, Mendelssohn, and Hindemith. |
diss. |
| | 1993 |
133p |
|
| 8. | A Study of Parody Technique and Performance Considerations for Johann Sebastian Bach's 'Mass in G Minor' (BWV 235). |
diss. |
| | 1993 |
107p |
|
| 9. | Choral singers' timbral descriptions and evaluations of recorded choral excerpts using a dark-to-bright vowel hierarchy. |
diss. |
| | 1993 |
126p |
|
| 10. | Die motettischen Sätze in Bachs Kantatenwerk. |
diss. |
| | 1993 |
110p |
|
| 11. | Fingering, Pedalling and Expression in the Organ Works of J. S. Bach. |
diss. |
| | 1993 |
186p |
|
| 12. | Free polyphonic texture in selected early piano works of Robert Schumann. |
diss. |
| | 1993 |
59p |
|
| 13. | George Rochberg's Carnival music, suite for solo piano: An aesthetic compositional and performance perspective. |
diss. |
| | 1993 |
90p |
|
| 14. | Johann Sebastian Bach: an Appreciation. |
diss. |
| | 1993 |
53p |
|
| 15. | Kinship between the chorale preludes of J.S. Bach and those of Reger (Op. 67), Karg-Elert (Op. 65), Peeters (Opp. 68, 69, 70), Dupre (Op. 28). |
diss. |
| | 1993 |
x, 359p |
|
| 16. | Kurt Weill: A song Composer in Wartime With Three Recitals of Selected Works of Mozart, Strauss, Bach, Schubert, and Others. |
diss. |
| | 1993 |
187p |
|
| 17. | L'évolution de langage contrapuntique de Mozart autour de l'année 1782: L'influence conjuguée de J. Haydn et J.S. Bach. |
diss. |
| | 1993 |
|
|
| 18. | Mauricio Kagel, Sankt-Bach-Passion: Kompositionstechnik und didaktische Perspektiven. |
diss. |
| | 1993 |
297p |
|
| 19. | Musical ambiguity in analysis and composition: Problems of pattern, value, form, and structure. |
diss. |
| | 1993 |
163p |
|
| 20. | 'Prelude of Suite V' for Cello Solo by J. S. Bach: Options for Performance. |
diss. |
| | 1993 |
57p |
|
| 21. | Programmnost' v instrumental'noj muzyke epohi barokko: Problemy tipologii nacional'nyh skol. |
diss. |
| | 1993 |
48p |
|
| 22. | Rhythm, Meter, and Phrase: Temporal Structures in Johann Sebastian Bach's Concertos. |
diss. |
| | 1993 |
xvii, 589p |
|
| 23. | Studies in the Music of Wilhelm Friedemann Bach: Sources and Style. |
diss. |
| | 1993 |
637 Bl |
|
| 24. | The Bach Sinfonias: A Guide to Analysis and Performance Planning. |
diss. |
| | 1993 |
234p |
|
| 25. | The Pre-Classical Concerto of Johann Christian Bach: First Movement Design in the Eighteen 'London' Keyboard Concertos. |
diss. |
| | 1993 |
xii, 243p |
|
| 26. | Tradition and Innovation in Franz Liszt's Variations on a Motive of Bach. |
diss. |
| | 1993 |
163p |
|
| 27. | Zur Echtheitsproblematik im Werk J. S. Bachs - dargestellt an der Toccata BWV 565. |
diss. |
| | 1993 |
125p |
|
| 28. | Überlegungen zu J. S. Bachs lebensgeschichtlichem Wandel am Ende der 1730er Jahre. Eine psychologisch-biographische Studie in Grenzgebieten. |
diss. |
| | 1993 |
199p |
|