Bach Bibliography
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1. Bach and Pietism: The Relationship of the Church Music of Johann Sebastian Bach to Eighteenth-Century Lutheran Orthodoxy and Pietism with Special Reference to the 'Saint Matthew Passion'. DMIN, School of Theology at Claremont, 1976. 180p. diss. 1976 180p
2. Bach's 'Die Kunst der Fuge': a Living Compendium of Fugal Procedures. DMA diss., Performance, University of Wisconsin, 1976. 371p. diss. 1976 371p
3. Beiträge zum historischen Cembalobau. Leipzig, Univ., Sekt. Kulturwiss. u. Germanistik, Diss., 1976. (Nicht f. d. Austausch.) - [Bd. 1:] XI, 334 gez. Bl.; [Bd. 2:] gez. Bl. 336-628. diss. 1976 628p
4. C.P.E. Bach no Klavier Konzert Wq.43 no gakufu kotei. [A revision of the score of the clavier concertos Wq. 43 by C.P.E. Bach.] MA diss., Musicology: Ochanomizu University, 1976. 2v. 75p diss. 1976 75p
5. De la lecture de la partition à l'écoute de l'interprétation, essai de description de 'l'Art de fugue' de J.-S. Bach. Paris: Université de Paris-Nanterre 1976. 159 Bl. diss. 1976 159p
6. Der Begriff der kunstlerischen Erfahrung bei Theodor W. Adorno. PhD diss., Universität Frankfurt am Main, 1976. iii, 132 p diss. 1976 iii, 132p
7. Johann Sebastian Bach's Magnificat in D, BWV 243: a conductor's analysis and preparation for performance. PhD diss., Conducting: Indiana University, 1976. 275p. diss. 1976 275p
8. Juhachi-Seiki Deutsch no Ensoron Kenkyu - J.J. Quantz, E. Bach, Leopold Mozart no Chosho no Hikaku Kento. [A study of 18th-century German performance practice: comparisons of the writings of J.J. Quantz, C.P.E. Bach, and Leopold Mozart.] MA diss., Musicology: Musashino Academy of Music, 1976. 220p. diss. 1976 220p
9. Maks Reger kak javlenie nemeckoj muzykal'noj kul'tury. [Max Reger and German culture.] PhD diss., History of music: Inst. istorii iskusstv Ministerstva kul'tury SSSR, Moskva, 1976. 24p diss. 1976 24p
10. Max Reger als Bach-Bearbeiter. PhD diss., Musicology, Freiburg im Breisgau, 1976. diss. 1976
11. Music Symbolism in selected cantatas and chorale preludes of J. S. Bach. PhD diss., Columbia University, N.Y. 1976, 433p. diss. 1976 433p
12. Schönbergs Instrumentationen Bachscher und Brahmscher Werke als Dokumente seines Traditionsverständnisses. PhD diss., Universität Köln 1976. diss. 1976
13. The German troped polyphonic Magnificat. PhD diss., Musicology: University of Iowa, 1976. 2v. 685 p. diss. 1976 685p
14. The idiomatic character of Romantic keyboard composition: a comparison of selected piano and organ works of Franz Liszt and a study of differentiation in their styles. Rochester, N.Y.: Eastman School of Music, 1976, 218p. diss. 1976 218p
15. The Ornamentation in Seven Flute Sonatas Composed by, or Attributed to, J. S. Bach. Ed.D., Music Education, University of Illinois, 1976. 477 p. diss. 1976 477p
16. The sacred song arrangements of C.P.E. Bach. MA diss., Music history: Ohio State Univ., 1976. 172 p. diss. 1976 172p
17. The Sacred Vocal Duets of Heinrich Schütz and Johann Sebastian Bach: an Introduction and an Annotated Listing. DMA diss., Musicology, Southern Baptist Theological Seminary, 1976. 110p diss. 1976 110p
18. The ternary sonata principle from 1731 to 1765: C. P. E. Bach. PhD diss., University of Port Elizabeth, 1976. diss. 1976
19. The vocal serenata of the seventeenth and eighteenth centuries. MA diss., Musicology: Eastman School of Music, 1976. 204p. [BWV 173a] diss. 1976 204p
20. Unechtes unter J. S. Bachs Klavierwerken. Univ. Tübingen, 1976. 43p. diss. 1976 43p

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