Type | List | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Anglijskie sjuity I. S. Baha -- zagadka nazvanija. [J. S. Bach's English Suites -- enigma of the title] |
VestnikStPetersburgUArts |
8 | 1 | 2018 |
3-16 |
Latin 2 |
| 2. | K analizu dvojnoj fugi v traktate o fuge f. v. Marpurga. [An analysis of a fuga duplex in the Treatise of a fugue by F. W. Marpurg] |
VestnikStPetersburgUArts |
1 | 2 | 2011 |
19-33 |
|
| 3. | Klavirnye tokkaty Ioganna Sebast'jana Baha. K vopro su genezi sa žanra. [Clavier toccatas by J. S. Bach. On the question of genre genesis] |
VestnikStPetersburgUArts |
2 | 1 | 2012 |
216-219 |
|
| 4. | k osobennostjam ispol'zovanija horala i fugi v organnoj sonate feliksa Mendel'sona-Bartol'di or. 65 No.6 D-moll. [Peculiarities of using choral and fuge in the organ sonata Op. 65 N?6 d-moll by Felix Mendelssohn Bartholdy] |
VestnikStPetersburgUArts |
1 | 1 | 2011 |
32-40 |
|
| 5. | K voprosu o vzaimodejstvii sonatnoj formy i fugi v organnyh sonatah Or. 65 Feliksa Mendel'sona-Bartol'di. [On interaction of sonata form and fugue in Organ Sonatas Op. 65 by Felix Mendelssohn- Bartholdy] |
VestnikStPetersburgUArts |
2 | 3 | 2012 |
47-56 |
|
| 6. | 'L'Ornement mystérieux' and Mark Kroll's revision of the French baroque performance practice. |
VestnikStPetersburgUArts |
8 | 3 | 2018 |
328-355 |
|
| 7. | On the Circumstantial Context of J. S. Bach's Canon super Fa Mi BWV 1078. |
VestnikStPetersburgUArts |
9 | 2 | 2019 |
238-255 |
|
| 8. | O primečatel'noj kompozicionnoj raznovidnosti fug v 'Horošo temperirovannom klavire' I. S. Baha. [Concerning the notable compositional kind of fugues in Bach's 'Well tempered clavier'] [BWV 860/2, 878/2] |
VestnikStPetersburgUArts |
8 | 1 | 2018 |
17-36 |
Latin 2 |
| 9. | Organnoe tvorčestvo F. Mendel'sona-Bartol'di: cerkovnye ili sekuljarnye kompozicii? [Organ works by Felix Mendelssohn-Bartholdy: ecclesial or secular works?] |
VestnikStPetersburgUArts |
3 | 2 | 2013 |
15-23 |
Latin 2 |
| 10. | Partimento kak ob"ekt issledovanija v muzykal'noj nauke XXI veka. [Partimento as a research object in the 21st century musicology] |
VestnikStPetersburgUArts |
8 | 2 | 2018 |
179-194 |
|
| 11. | Performing Ornaments in English Virginal and Harpsichord Music (Based on the Study of Original Interpretation Instructions). |
VestnikStPetersburgUArts |
10 | 1 | 2020 |
41-67 |
|
| 12. | Sjuita vs sonata v čpohu barokko. [Suite vs Sonata in the Baroque Era] |
VestnikStPetersburgUArts |
10 | 2 | 2020 |
210-229 |
|
| 13. | Tempy tancev dlja penija v traktate Mišelja L'Affijjara (pariž, 1705). [The tempos of danses chantées in Michel L’Affillard’s treatise (Paris, 1705)] |
VestnikStPetersburgUArts |
4 | 2 | 2014 |
6-41 |
|