Bach Bibliography
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TypeListAuthor Title [further info]SeriesVolNoYearPagesStatus
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1. Steblin, RitaA History of Key Characteristics in the 18th and early 19th centuries. StudMcol 67 1983 xii, 396p
2. [Cox, Howard H.]A Literary Analysis of the Intelligible Entries from the Total Sample. StudMcol 92 1985 12-30
3. Neumann, FrederickAn Answer to Donington's Critique. StudMcol 58 1982 55-58
4. Neumann, FrederickA New Look at Bach's Ornamentation. StudMcol 58 1982 197-215, 304-305
5. Neumann, FrederickBach: Progressive or Conservative and the Authorship of the Goldberg Aria. StudMcol 108 1989 195-208
6. Herz, GerhardBWV 131: Bach's First Cantata (1970). StudMcol 73 1985 127-148
7. Hosler, BellamyChanging Aesthetic Views of Instrumental Music in Eighteenth-Century Germany. StudMcol 42 1981 xxiv, 295p
8. Neumann, FrederickConflicting Binary and Ternary Rhythms: From the Theory of Mensural notation to the Music of J. S. Bach. StudMcol 108 1989 35-64
9. Neumann, FrederickCouperin and the Downbeat Doctrine for Appoggiaturas. StudMcol 58 1982 227-241, 306-309
10. Neumann, FrederickDonington's 'A Performer's Guide to Baroque Music' -- A Review. StudMcol 58 1982 11-15, 274
11. Grant, Kerry ScottDr. Burney as critic and historian of music. StudMcol 62 1983 xiv, 381p
12. Neumann, FrederickEssays in Performance Practice. StudMcol 58 1982 xii, 321p
13. Herz, GerhardEssays on J. S. Bach. StudMcol 73 1985 xxxi, 276p
14. Neumann, FrederickExternal Evidence and Uneven Notes. StudMcol 58 1982 59-72, 285-288
15. Neumann, FrederickFacts and Fiction about Overdotting (FN3). StudMcol 58 1982 111-135, 291-294
16. Gustafson, BruceFrench harpsichord music of the 17th century. A thematic catalog of the sources with commentary. StudMcol 11 1979 xlv, 394p
17. Rivera, Benito V.German Music Theory in the Early 17th Century: The Treatises of Johannes Lippius. StudMcol 17 1980 265p
18. Neumann, FrederickGraham Pont's 'Paradigm of Inconsistency' and the Interpretation of Handel's Overtures. StudMcol 108 1989 77-84
19. Neumann, FrederickInterpretation Problems of Ornament Symbols and Two Recent Case Histories: Hans Klotz on Bach, Faye Ferguson on Mozart. StudMcol 108 1989 121-153
20. Harriss, Ernest C.Johann Mattheson's Der vollkommene Capellmeister [1739]: a revised translation with critical commentary. StudMcol 21 1981 920p
21. Herz, GerhardJohann Sebastian Bach in the Early Romantic Period. StudMcol 73 1985 67-110
22. Herz, GerhardJ. S. Bach and the Church Music of the Age of Rationalism: A Style-Critical Comparison of Bach's St. Matthew Passion and C. H. Graun's Tod Jesu. StudMcol 73 1985 51-66
23. Herz, GerhardJ. S. Bach's Impact on the World Around Him. StudMcol 73 1985 1-18
24. Herz, GerhardLombard Rhythm in Bach's Vocal Music (1978). StudMcol 73 1985 233-268
25. Herz, GerhardLombard Rhythm in the Domine Deus of Bach's B Minor Mass (1974) StudMcol 73 1985 221-229
26. Neumann, FrederickMisconceptions About the French Trill in the 17th and 18th Centuries. StudMcol 58 1982 183-196, 300-304
27. Neumann, FrederickNew Essays on Performance Practice. StudMcol 108 1989 x, 257p
28. Neumann, FrederickNotes on 'Melodic' and 'Harmonic' Ornaments. StudMcol 58 1982 217-225, 305-306
29. Neumann, FrederickNotes on the Violin Sonatas of Bach and Handel. StudMcol 108 1989 221-225
30. Neumann, FrederickOnce More: The 'French Overture Style' (FN4). StudMcol 58 1982 137-150, 295
31. Neumann, FrederickOrnament and Structure. StudMcol 58 1982 243-250, 309-310
32. Hudson, Richard AlbertPassacaglio and ciaccona: from guitar music to Italian keyboard variations in the 17th century. StudMcol 37 1981 xi, 314p
33. Kusko, BruceProton Milloprobe Analysis of the Hand-Penned Annotations in Bach's Calov Bible. StudMcol 92 1985 31-106
34. Neumann, FrederickRhythm in the Two Versions of Bach's French Overture, BWV 831 (FN2). StudMcol 58 1982 99-110, 289-291
35. Herz, GerhardSebastian Bach's Survival in the Age of Rationalism. StudMcol 73 1985 19-50
36. Neumann, FrederickSome Controversial Aspects of the Authenticity School. StudMcol 108 1989 17-31
37. Archbold, LawrenceStyle and Structure in the Praeludia of Dietrich Buxtehude. StudMcol 82 1985 vi, 349p
38. [Cox, Howard H.]The Authentification of the Hand-Penned Material in Bach's Calov Bible. StudMcol 92 1985 3-11
39. Cox, Howard H. (ed.)The Calov Bible of J. S. Bach. StudMcol 92 1985 x, 460p
40. Samuel, Harold E.The Cantata in Nuremberg during the seventeenth Century. StudMcol 56 1982 xii, 536p
41. Neumann, FrederickThe Dotted Note and the So-Called French Style (FN1) StudMcol 58 1982 73-98, 288-289
42. Neumann, FrederickThe French 'Inégales', Quantz, and Bach. StudMcol 58 1982 17-54, 274-285
43. Schulenberg, DavidThe Instrumental Music of Carl Philipp Emanuel Bach. StudMcol 77 1984 192p
44. Wade, Rachel W.The keyboard concertos of Carl Philipp Emanuel Bach. StudMcol 48 1981 xvii, 360p
45. Neumann, FrederickThe 'Notes Inégales' Revisited. StudMcol 108 1989 65-76
46. Stauffer, George BoyerThe Organ Preludes of Johann Sebastian Bach. StudMcol 27 1980 xi, 261p
47. Berger, KarolTheories of Chromatic and Enharmonic Music in late Sixteenth-Century Italy. StudMcol 10 1980 vii, 179p
48. Neumann, FrederickThe Overdotting Syndrome: Anatomy of a Delusion (FN5). StudMcol 58 1982 151-182, 296-300
49. Herz, GerhardThe Performance History of Bach's B Minor Mass (1973). StudMcol 73 1985 187-204
50. Borgir, TharaldThe performance of the basso continuo in Italian Baroque music. StudMcol 90 1987 180p
51. Neumann, FrederickThe Rise of the Early Music Movement. StudMcol 108 1989 3-16
52. Neumann, FrederickThe Use of Baroque Treatises on Musical Performance. StudMcol 58 1982 1-9, 173-174
53. Buelow, George J. (ed.)Thorough-Bass Accompaniment According to Johann David Heinichen. StudMcol 84 1986 xvi, 462p
54. Herz, GerhardThoughts on the First Movement of Johann Sebastian Bach's Cantata No.77 (1974). StudMcol 73 1985 205-220
55. Herz, GerhardToward a New Image of Bach (1970/71). StudMcol 73 1985 149-186

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