Type | List | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Bach '18 Choral' o meguru Shomondai. Kiko. [Various problems surrounding Bach's 'Great Eighteen Chorales' (Contribution)] |
OruganKenkyu |
28 | | 2000 |
1-14 |
|
| 2. | Bach Jidai no Orugan. Tokubetsu Koen Yoshi. [The organs in Bach's time. (Summary of Special Lecture)] |
OruganKenkyu |
13 | | 1985 |
74-79 |
|
| 3. | Bach Jidai no Pedalling ni tsuite. [On the Pedalling of Bach's time] |
OruganKenkyu |
13 | | 1985 |
41-48 |
|
| 4. | Bach ni okeru Kakato Shiyo no Shoko. [Evidence of the Toe-Heel Pedalling in J. S. Bach's Organ Works.] |
OruganKenkyu |
7 | | 1979 |
16-28 |
|
| 5. | Bach no Kenban Giho to Gendai Orugan. Tokubetsu Koen Yoshi. [Bach's Clavier techniques and the modern organ. (Summary of Special Lecture)] |
OruganKenkyu |
13 | | 1985 |
80-88 |
|
| 6. | Bach no Riso no Orugan Saiko. [Revisiting on Bach's ideal organ] |
OruganKenkyu |
17 | | 1989 |
51-65 |
|
| 7. | Bach no Soshoku Kigo ni tsuiteno Ichikosatsu. Orugan Sakuhin no Jitsurei o Chushin to shite. [A study on Bach's ornaments: focusing on the examples from his organ works] |
OruganKenkyu |
17 | | 1989 |
1-20 |
|
| 8. | Bach Orugan Ongaku no Densho. Tokubetsu Koen. [The transmission of Bach's organ music. (Special Lecture)] |
OruganKenkyu |
24 | | 1996 |
45-54 |
|
| 9. | 'Bach Orugan Ongaku no Densho' to Enso. 11-Gatsu Reikai Tokubetsu Koenkai ['Transmission of Bach's Organ Music' and performance (November Symposium, Special lecture)] |
OruganKenkyu |
24 | | 1996 |
90 |
|
| 10. | 'Bach Orugan Tour 2001' ni sankashite. ['Bach Organ Tour 2001': a review] |
OruganKenkyu |
29 | | 2001 |
47-50 |
|
| 11. | Carl Philipp Emanuel Bach no Bigaku - Sono Sakuhin ni tsuite. [Aesthetics of Carl Philipp Emanuel Bach] |
OruganKenkyu |
20 | | 1992 |
47-78 |
|
| 12. | Charles Tourmenire no 'Shinpiteki Orugan' [L'orgue mystique by Charles Tourmenire] |
OruganKenkyu |
26 | | 1999 |
34-47 |
|
| 13. | C. Ph. E. Bach no Organ Sonata: sono Gakufu ni kansuru Kenkyu Hokoku. [C. Ph. E. Bach's Organ Sonata: research report on the score] |
OruganKenkyu |
42 | | 2014 |
|
|
| 14. | D. Buxtehude to J. S. Bach no 'Soshoku Koraru'. [D. Buxtehude and J. S. Bach's Ornamental Chorales] |
OruganKenkyu |
19 | | 1991 |
1-18 |
|
| 15. | Hubert Parry no Orugan Koraru: 20-Seiki Shoki Eikoku ni okeru 'Bach-Teki' Ongaku Goho no Eikyo to sono Juyo. [Hubert Parry's Organ Chorale: The Influence and Reception of Bachian Musical Idioms in Early Twentieth-Century Britain] |
OruganKenkyu |
40 | | 2012 |
60-74 |
|
| 16. | Jean-Claude Zehnder 'Johann Sebastian Bach no Shoki Sakuhin': Yoshiki Nendai Kenkyuu Sakkyoku Gihou. [Jean-Claude Zehnder, 'Die frühen Werke Johann Sebastian Bachs: Stil - Chronologie - Satztechnik'] |
OruganKenkyu |
41 | | 2013 |
71-76 |
|
| 17. | Johann Sebastian Bach 'Organ Sakuhin Zenshu'. [Johann Sebastian Bach: Complete Organ Works.] |
OruganKenkyu |
40 | | 2012 |
75-79 |
|
| 18. | J. S. Bach '6tsu no Sonata' BWV 525-530: Seiritsu Katei to sono Mokuteki. [J. S. Bach 'Six Sonatas' BWV 525-530: Process of formation and its purpose] |
OruganKenkyu |
44 | | 2016 |
|
|
| 19. | J.S. Bach ni itaru Toccata no Hensen. The Transition of Toccata from A. Gabrieli to J. S. Bach. |
OruganKenkyu |
4 | | 1976 |
22-39 |
|
| 20. | J.S. Bach no Orugan Ongaku. Tokubetsu Koen Yoshi. / The Organ Music of J. S. Bach. Lectures. |
OruganKenkyu |
4 | | 1976 |
42-46 |
|
| 21. | J. S. Bach no Orugan sakuhin no Shingimondai ni kansuru ichikosatsu. 'Wir glauben all' an einen Gott, Vater' (BWV 740) o megutte. [Zur Echtheit des Orgelchorals 'Wir glauben all' an einen Gott, Vater' (BWV 740)] |
OruganKenkyu |
23 | | 1995 |
1-17 |
|
| 22. | J. S. Bach no Orugan Tsuso Teion - Rekishiteki Shiryo o Chushin ni. [J. S. Bach's organ continuo - fucusing on historical sources] |
OruganKenkyu |
32 | | 2004 |
14-29 |
|
| 23. | Kenban Enso ni okeru 'Kotoba no Genri' to 'Oto no Genri': Bach Jidai no Kenban Ongaku ni kansuru Rekishiteki Articulation-ron Saiko. ['Principle of Language' and 'Principle of Sound': Revisiting the historical articulation and the Clavier music of Bach's time] |
OruganKenkyu |
28 | | 2000 |
15-26 |
|
| 24. | Kenban Gakki no Rekishiteki Soho ni tsuite. An old method of playing keyboard instruments. |
OruganKenkyu |
1 | | 1973 |
13-24 |
|
| 25. | Klavier Renshukyokushu Dai-3-Kan ni okeru Shocho ni tsuite. Reikai Kenkyu Happyo Yoshi. / The symbolism in Bach's 'Clavierübung III Teil'. Summaries - Studies at regular meetings. |
OruganKenkyu |
1 | | 1973 |
38-41 |
|
| 26. | 'Neumeister-Sammlung' and 'Orgelbüchlein' (Hikaku Kenkyu) Reikai Hokoku [Comparative study (Report of symposium)] |
OruganKenkyu |
15 | | 1987 |
66-74 |
|
| 27. | Nitancho Toccata BWV 565 wa J. S. Bach no Orugan Kyoku ka. Peter Williams no Ronbun Shokai. [Is the D-minor Toccata BWV 565 BAch's Organ work? Introducing Peter Williams' article] |
OruganKenkyu |
9 | | 1981 |
33-46 |
|
| 28. | Orugan Enso ni okeru Hyogenho. Sono 2: Bach ni okeru Wasei to Dyunamiku o chushin to shite. [Expression in performing organ (part 2): Harmony and Dynamics with Bach.] |
OruganKenkyu |
10 | | 1982 |
163-171 |
|
| 29. | Ruisen no Energy - Bach no Onritsu wa 21seiki ni yomigaeru noka? [Spiral Energy - Will Bach's tuning be revived in the 21st century?] |
OruganKenkyu |
36 | | 2008 |
19-31 |
|
| 30. | Samuel Wesley to 19Seiki Shoki no Eikoku ni okeru Bach Revival. [Samuel Wesley and Bach Revival in England in the early 19th century] |
OruganKenkyu |
24 | | 1996 |
1-11 |
|
| 31. | Uchutentai no Harmony no Kyozo to shite no Ongaku: Bach no Sakuhin ni okeru sono Reisho. Kiko [Music as mirroring image of the harmony of universe as illustrated in Bach's works (Contribution)] |
OruganKenkyu |
31 | | 2003 |
29-53 |
|
| 32. | Wakaki Bach to Orugan Ongaku. 10-Gatsu Reikai Koenkai ['Young Bach and organ music' (Report of Lecture given at the October Symposium)] |
OruganKenkyu |
28 | | 2000 |
85 |
|