Bach Bibliography Search Result

Series : ^OngakuKenkyu$
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Type	List	Author	Title [further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Kato, Ichiro	Bach Enso ni okeru Articulation no Hyogen Giho ni kansuru Kenkyu: Tempo ni ataeru Keikyo o toshite. [A Study on the Expression-Techniques for the Articulation in the Performance of Bach's Music: Focusing on their Influence on Tempo]	OngakuKenkyu	24		2012	1-16
	2.	Tsuji, Shoichi	Bach no Ongaku no Seishinshi-teki Haikei. [Spiritual Historical Background of Bach's music]	OngakuKenkyu	2		1977	139-166
	3.	Kato, Ichiro	Bach to Futen Rizumu: Furansu-fu Jokyoku Yoshiki ni okeru Rizumu no Eika ni kansuru Kenkyu. [Bach and the Dotted Rhythm: A Study of Overdotting in the French Overture Style]	OngakuKenkyu	22		2010	15-30
	4.	Kato, Takumi	Den Reinhard Keiser 'Maruko Junankyoku' (1707 izen) no Ongaku Goho. The musical expressions of so-called Reinhard Keiser's St. Mark Passion (before 1707).	OngakuKenkyu	15		2003	111-135
	5.	Kato, Takumi	Doitsu Junan Oratorio no Seiritsu to Reinhard Keiser no Junankyoku. [The Establishment of German Passion Oratorio and Reinhard Kaiser's Passions]	OngakuKenkyu	14		2002	143-176
	6.	Yamashita, Michiko	Doitsu no Kenban Kumikyoku ni fukumareru Allemande: Takuto-ron no Suii kara mita Yoshiki Bunseki no kokoromi. [Allemande contained in German Keyboard Suites: an attempt of style analysis from the transition of the Beat Theory]	OngakuKenkyu	4		1982	1-36
	7.	Kato, Ichiro	F. F. Chopin ni yoru J. S. Bach no Juyo ni kansuru Kenkyu: Poline Chazaren no Gakufu e no Chopin no Kakikomi no Bunseki o toshite. [A Study on the Reception of J.S.Bach's Music by F.F.Chopin: Focusing on the Analysis of the Annotations by Chopin to Poline Chazaren's Score]	OngakuKenkyu	26		2014	41-56
	8.	Hori, Tomohei	Johann Adolph Scheibe no 'Hihanteki Ongakuka' ni okeru 'Taikei' to 'Sugaku' no Ichizuke ni tsuite. [Johann Adolph Scheibe's Der critische Musicus: From the viewpoint of his stance on 'System' and the value of 'Mathematik']	OngakuKenkyu	17		2005	41-68
	9.	Hori, Tomohei	Johann Gottfried Walther no 'Sakkyoku no Tebiki' ni okeru 'Figura' ni tsuite: Doitsu Baroque Jidai no 'Figurenlehre' ni kansuru Ichikosatsu. ['Figuren' in Johann Gottfried Walther's Praecepta der musicalischen Composition (1708): An examination into the 'Figurenlehre' in German Baroque]	OngakuKenkyu	18		2006	157-179
	10.	Yamada, Eiko	J.S. Bach no Allmande ni tsuite. [On J. S. Bach's Allemande]	OngakuKenkyu	1		1975	109-138
	11.	Kojima, Fumiko	J.S. Bach no Kantata 'Mein Herze schwimmt im Blut' BWV 199 ni okeru 'Kuiaratame' no Gainen ni tsuite. Zum Begriff der 'Reue' in J.S.Bachs Kantate 'Mein Herze schwimmt im Blut' BWV 199.	OngakuKenkyu	21		2009	49-64
	12.	Kojima, Fumiko	J. S. Bach no Kantata Sakuhin ni okeru Soprano Seibu to sono Kasho no Ichikosatsu: Shoki Kyokai Kantata o Chushin to shite. [Über die Sopranstimme und ihre Aufführung in den Vokalen Werken von J. S. Bach, besonders in seinen frühen Kirchenkantaten]	OngakuKenkyu	26		2014	57-65
	13.	Kato, Takumi	Nihon ni okeru Bach 'Matai Junankyoku' no Shoen. The first documented performance of J. S. Bach's Matthäuspassion in Japan (1937).	OngakuKenkyu	16		2004	1-30