Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Seo, Fumiko | 18-Seiki Kohan no Protestant Junan Ongaku no Ruikeigaku-teki Tekisuto Bunseki -- Johann Ernst Bach no Junan Oratorio (1764) o Jirei ni. [Johann Ernst Bach's Passion Oratorio (1764): A Case Study for Typological Analysis of the Passion Music Librettos in 1750-1800] |
OngakuGaku |
54 | 1 | Oct 2008 |
48-60 |
|
| 2. | Nomura, Yasuhira | 4-seitai Koraru 'Watashi wa aware na Ningen' (BWV 179/6) ni taisuru arata na Kaishaku. [A new interpretation on the 4-part chorale 'Ich armer Mensch' (BWV 179/6)] Study and Reports. |
OngakuGaku |
52 | 1 | 2006 |
79-80 |
|
| 3. | Higuchi, Ryuichi | 'Actus Tragicus' - sono Densho to Juyo. ['Actus Tragicus' BWV 106 - seine Überlieferung und Rezeption.] |
OngakuGaku |
27 | 1 | 1981 |
48-56 |
|
| 4. | Higuchi, Ryuichi | Anhalt-Köthen Ko Leopold no tame no Soso Ongaku BWV 244a no Seiritsu to Parody no Shomondai. [Problems on the origin and parody in the funeral music (BWV 244a) for Prince Leopold of Anhalt-Köthen] |
OngakuGaku |
20 | 2 | 1974 |
98-116 |
|
| 5. | Hattori, Kozo; Sumikura, Ichiro | Bach Jihitsufu no Shinhakken ni tsuite. [On the newly discovered Bach's autograph manuscript] |
OngakuGaku |
12 | 4 | 1966 |
234-235 |
|
| 6. | Tomita, Yo | Bach Kenkyu no atarashii Keiko to Shorai ni kanshite no Ichikosatsu. [A consideration on the new trend and future of Bach research] [Summary of paper read at 56th annual meeting of the Musicological Society of Japan at Meijigakuin Daigaku, Tokyo Japan on 22-23 October 2005] |
OngakuGaku |
51 | 3 | 2005 |
234 |
|
| 7. | Sumikura, Ichiro | Bach no Henkyoku ni kansu ru Jakkan no Mondai. [Some problems associated with Bach's transcriptions] |
OngakuGaku |
12 | 4 | 1967 |
253-254 |
|
| 8. | Sato, Nozomi | Bach no Jidai Kenkyu no arata na Kanosei ni tsuite. [On the new possibility of research into Bach's time] [Summary of paper read at 56th annual meeting of the Musicological Society of Japan at Meijigakuin Daigaku, Tokyo Japan on 22-23 October 2005] |
OngakuGaku |
51 | 3 | 2005 |
234-235 |
|
| 9. | Tokawa, Seiichi | Bach no Kyosokyoku Keishiki -- Brandenburg Kyosokyoku o Chushin ni. [Bach's concerto form - focusing on Brandenburg concertos] |
OngakuGaku |
2 | | Jan 1960 |
|
|
| 10. | Tokawa, Seiichi | Bach no Sakkyoku Nendai Kenkyu no Genjo to Mondai. [The present state and problems in the chronology of Bach's compositions] |
OngakuGaku |
8 | | Feb 1963 |
|
|
| 11. | Kobayashi, Yoshitake | Bach o meguru Shinpyosei no Mondai ni tsuite. [On the credibility of attributions to Bach] [Summary of paper read at 56th annual meeting of the Musicological Society of Japan at Meijigakuin Daigaku, Tokyo Japan on 22-23 October 2005] |
OngakuGaku |
51 | 3 | 2005 |
233 |
|
| 12. | Sumikura, Ichiro | Brandenburg Kyosokyoku no Iko ni tsuite. [On the different version of Brandenburg Concerti] |
OngakuGaku |
13 | 3 | 1967 |
155-158 |
|
| 13. | Kubota, Keiichi | C.P.E. Bach no Kaitei ni tsuite. |
OngakuGaku |
45 | 2 | 2000 |
130-142 |
|
| 14. | Kada, Mariko | C. Ph. E. Bach no Chenbaro Kyosokyoku. [C.P.E. Bach's harpsichord concertos] |
OngakuGaku |
14 | 1-2 | 1968 |
65-75 |
|
| 15. | Arakawa, Tsuneko | Doitsu ni okeru 17-Seiki Zenhan no Tsuso Teion Soho ni kansuru Shiron: Luther-ha no Shukyoteki Seigaku Sakuhin no Baai. [A theory on the early 17th-century thorough-bass methods in Germany in the sacred vocal works of the Lutheran school] |
OngakuGaku |
44 | 1 | 1998 |
1-15 |
|
| 16. | Koishi, Katsura | Felix Mendelssohn Bartholdy und seine musikalischen Tätigkeiten in London. |
OngakuGaku |
53 | 1 | 2007 |
19-36 |
|
| 17. | Kiso, Akiko | J. J. Fux no Guradus ado Parunassumu ni okeru Fuga Riron no Shiteki Kosatsu. [A historical study of fugue in J.J. Fux's Gradus ad Parnassum] |
Ongakugaku |
43 | 1 | Mar 1998 |
15-27 |
|
| 18. | Arakawa, Tsuneko | J.P. Kirnberger no Ongaku Riron -- 'Die Kunst des reinen Satzes in der Musik' o Chushin ni. [J.P. Kirnberger and his music theory--concerning his Die Kunst des reinen Satzes in der Musik.] |
OngakuGaku |
19 | 1 | 1973 |
1-12 |
|
| 19. | Wakabayashi, Kazuko | J. S. Bach no kenbangakki fuga no kenkyu. [A study on Bach's keyboard fugues] |
OngakuGaku |
21 | 4 | 1975 |
242-255 |
|
| 20. | Kimura, Sachiko | J. S. Bach no Korarutekusuto Kantata: Chukan Gakusho no Koseiho o Chushin ni. [Choral-text cantatas of J. S. Bach: focusing on the organisation of the middle movements] [BWV 4, 97, 100, 107, 112, 117, 129, 137, 177, 192] |
OngakuGaku |
43 | 2 | 1997 |
65-80 |
|
| 21. | Oyama, Mayumi | J. S. Bach no Senritsu Gakki to obligato cembalo no tame no Sonata. [J. S. Bach's Sonatas for melodic instruments and obbligato harpsichord] |
OngakuGaku |
29 | 2 | 1983 |
186-198 |
|
| 22. | Murata, Kayo | J. S. Bach no Shoki Fuga Sosaku Saiko: Organist ni yoru Sokkyo Jissen no Kanten kara. Reconsidering the Early Fugues of Johann Sebastian Bach: In the Light of Improvised Fugues by Organists. [English abstract p.154] |
Ongakugaku |
60 | 2 | 2014 |
154-168 |
|
| 23. | Nakayama, Akiyoshi | J. S. Bach no Shoki Kantata Yoshiki ni tsuite. [On the style of Bach's early cantatas] |
OngakuGaku |
13 | 4 | 1967 |
219-233 |
|
| 24. | Kato, Hiroko | Leipzig no Collegium Musicum: 18-Seiki Zenhan no Ikutsuka no Collegium Musicum o Chushin ni. [Über die Tätigkeiten der Collegia Musica in Leipzig in der ersten Hälfte des 18. Jahrhunderts.] |
OngakuGaku |
35 | 3 | 1989 |
181-191 |
|
| 25. | Asayama, Natsuko | Mittsu no 'Denkumäler' ni miru Doitsu Ongakushi. [A view of German music history in three Denkmäler] |
Ongakugaku |
53 | 2 | Mar 2008 |
93-107 |
|
| 26. | Isoyama, Tadashi | Nihonjin no Shiten ni yoru Kenkyu o. [Research from the viewpoint of Japanese person] [Summary of paper read at 56th annual meeting of the Musicological Society of Japan at Meijigakuin Daigaku, Tokyo Japan on 22-23 October 2005] |
OngakuGaku |
51 | 3 | 2005 |
234-235 |
|
| 27. | Koga, Ruiko | 'Ongaku no Sasagemono' no Joretsu no Mondai: Saibannen no Bach Ongaku Rikai no tame ni. On the ordering in The Musical Offering: A way to understand the late music of Bach. |
OngakuGaku |
13 | 1-2 | 1967 |
20-25 |
|
| 28. | Isoyama, Tadashi | Ongaku to Gelehrsamkeit -- Mattheson o Chushin ni. [Music and Gelehrsamkeit viewing from Mattheson] |
OngakuGaku |
20 | | 1974 |
129-143 |
|
| 29. | Higuchi, Ryuichi; Kobayashi, Yoshitake; Beißwenger, Kirsten; Tomita, Yo; Sato, Nozomi; Isoyama, Tadashi | Roundtable 1: Bach Kenkyu to 21 Seiki. [Roundtable: Bach Research and the 21st Century] [Summary of papers and discussion at 56th annual meeting of the Musicological Society of Japan at Meijigakuin Daigaku, Tokyo Japan on 22-23 October 2005] |
OngakuGaku |
51 | 3 | 2005 |
233-235 |
|
| 30. | Isoyama, Tadashi | Roundtable IV: J. S. Bach to C. P. E. Bach. Densho to Sozoteki Juyo o megutte. [Roundtable IV: J.S. Bach and C. P. E. Bach -- on transmission and creative reception] [Summary of roundtable staged at the 59th Annual Meeting of Musicological Society of Japan from 24 to 25 October 2008 at Kunitachi College of Music, Tokyo.] |
OngakuGaku |
54 | 2 | 2008 |
146-147 |
|
| 31. | Beißwenger, Kirsten | Singakademie Zosho no Kikan to Weimar ni okeru Jihitsufu Hakken. [The return of Singakademie collection and the discovery of the autograph in Weimar] [Summary of paper read at 56th annual meeting of the Musicological Society of Japan at Meijigakuin Daigaku, Tokyo Japan on 22-23 October 2005] |
OngakuGaku |
51 | 3 | 2005 |
233-234 |
|
| 32. | Higuchi, Ryuichi [et al] | Tsuso Teion no Shomondai - Zoku. (Panel discussion) [Basso continuo and various problems. cont.] |
OngakuGaku |
28 | 1 | 1982 |
75-81 |
|