Type | List | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Aspects of early keyboard technique: Hand and finger positions, as seen in early treatises and iconographical documents. II. |
JAmerMInstrSoc |
20 | | 1994 |
90-110 |
|
| 2. | Johann Sebastian Bach's Pitch Standards: The Woodwind Perspective. |
JAmerMInstrSoc |
11 | | 1985 |
55-114 |
|
| 3. | Organological Questions and their Significance in J. S. Bach's Fourth Brandenburg Concerto. |
JAmerMInstrSoc |
17 | | 1991 |
5-52 |
|
| 4. | Questions of Tonality in Bach's Cantatas: The Woodwind Perspective. |
JAmerMInstrSoc |
12 | | 1986 |
40-67 |
|
| 5. | Recorders in Bach Cantata 161, Komm, du süsse Todesstunde. |
JAmerMInstrSoc |
17 | | 1991 |
83-84 |
|
| 6. | Was Johann Sebastian Bach an Organ Expert or an Acquisitive Reader of Andreas Werckmeister? |
JAmerMInstrSoc |
11 | | 1985 |
38-54 |
|