Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Schulze, Hans-Joachim | Bach at the turn of the twenty-first century. Trans. Raymond Erickson. |
IrishMStud |
8 | | 2004 |
247-260 |
|
| 2. | Elste, Martin | Bach in North America during the shellac era (1900-50): early sound documents of art and commerce. |
IrishMStud |
8 | | 2004 |
161-178 |
|
| 3. | Butt, John | Bach in the twenty-first century: re-evaluating him from the perspective of performance. |
IrishMStud |
8 | | 2004 |
191-204 |
|
| 4. | Fabian, Dorottya | Bach performance practice in the twentieth century: recordings, reviews and reception. |
IrishMStud |
8 | | 2004 |
179-189 |
|
| 5. | Tomita, Yo | Bach's Credo in England: an early history. |
IrishMStud |
8 | | 2004 |
205-227 |
|
| 6. | Stephen, J. Drew | Bach's horn parts: alternatives to nodal venting and hand stopping. |
IrishMStud |
8 | | 2004 |
149-160 |
|
| 7. | Willner, Channan | Bach's Periodicities Re-Examined. |
IrishMStud |
4 | | 1996 |
86-101 |
|
| 8. | Leahy, Anne; Tomita, Yo (eds.) | Bach Studies from Dublin: Selected papers presented at the ninth biennial conference on Baroque music, held at Trinity College Dublin from 12th to 16th July 2000. Dublin: Four Courts Press, 2004. 270p. ISBN: 1-85182-857-5. (= Irish Musical Studies, 8) |
IrishMStud |
8 | | 2004 |
270p |
|
| 9. | Franklin, Don O. | Composing in time: Bach's temporal design for the Goldberg Variations. |
IrishMStud |
8 | | 2004 |
103-128 |
|
| 10. | Kent, Christopher | Elgar and J.S. Bach: A Wider Perspective. |
IrishMStud |
5 | | 1996 |
179-190 |
|
| 11. | Leaver, Robin A. | Eschatology, theology and music: death and beyond in Bach's vocal music. |
IrishMStud |
8 | | 2004 |
129-147 |
|
| 12. | White, Harry | Johann Joseph Fux and the question of Einbau technique. |
IrishMStud |
8 | | 2004 |
29-48 |
|
| 13. | Crist, Stephen A. | J. S. Bach and the Conventions of the Da Capo Aria, or How Original was Bach? |
IrishMStud |
4 | | 1996 |
71-85 |
|
| 14. | Abravaya, Ido | The Baroque upbeat: outline of its typology and evolution. |
IrishMStud |
8 | | 2004 |
17-28 |
|
| 15. | Devine, Patrick F.; White, Harry (eds.) | The Maynooth International Musicological Conference 1995. Selected Proceedings: Part One. Dublin: Four Courts Press, 1996. 444p. (= Irish Musical Studies, 4) |
IrishMStud |
4 | | 1996 |
444p |
|
| 16. | Devine, Patrick F.; White, Harry (eds.) | The Maynooth International Musicological Conference 1995. Selected Proceedings: Part Two. Dublin: Four Courts Press, 1996. 409p (= Irish Musical Studies, 5) |
IrishMStud |
5 | | 1996 |
409p |
|
| 17. | Butler, Gregory G. | The prelude to the third English Suite BWV 808: an allegro concerto movement in ritornello form. [BWV 592-597; 972-987, 808, 1050] |
IrishMStud |
8 | | 2004 |
93-101 |
|
| 18. | Stockigt, Janice B. | The royal Polish and electoral Saxon court and state calendars, 1728-50. |
IrishMStud |
8 | | 2004 |
49-64 |
|
| 19. | Olleson, Philip | The Samuel Wesley letters edition: A report of work in progress. |
IrishMStud |
5 | | 1996 |
321-335 |
|
| 20. | Boydell, Barra | 'This most crabbed of all earthly music': the performance and reception of Bach's vocal music in Dublin in the nineteenth and early twentieth centuries. |
IrishMStud |
8 | | 2004 |
229-246 |
|
| 21. | Kan, Rebecca | Vivaldi, Bach and their concerto slow movements. |
IrishMStud |
8 | | 2004 |
65-91 |
|