Type | List | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Bach at the turn of the twenty-first century. |
IrishMStud |
8 | | 2004 |
247-260 |
|
| 2. | Bach in North America during the shellac era (1900-50): early sound documents of art and commerce. |
IrishMStud |
8 | | 2004 |
161-178 |
|
| 3. | Bach in the twenty-first century: re-evaluating him from the perspective of performance. |
IrishMStud |
8 | | 2004 |
191-204 |
|
| 4. | Bach performance practice in the twentieth century: recordings, reviews and reception. |
IrishMStud |
8 | | 2004 |
179-189 |
|
| 5. | Bach's Credo in England: an early history. |
IrishMStud |
8 | | 2004 |
205-227 |
|
| 6. | Bach's horn parts: alternatives to nodal venting and hand stopping. |
IrishMStud |
8 | | 2004 |
149-160 |
|
| 7. | Bach Studies from Dublin: Selected papers presented at the ninth biennial conference on Baroque music, held at Trinity College Dublin from 12th to 16th July 2000. |
IrishMStud |
8 | | 2004 |
270p |
|
| 8. | Composing in time: Bach's temporal design for the Goldberg Variations. |
IrishMStud |
8 | | 2004 |
103-128 |
|
| 9. | Eschatology, theology and music: death and beyond in Bach's vocal music. |
IrishMStud |
8 | | 2004 |
129-147 |
|
| 10. | Johann Joseph Fux and the question of Einbau technique. |
IrishMStud |
8 | | 2004 |
29-48 |
|
| 11. | The Baroque upbeat: outline of its typology and evolution. |
IrishMStud |
8 | | 2004 |
17-28 |
|
| 12. | The prelude to the third English Suite BWV 808: an allegro concerto movement in ritornello form. |
IrishMStud |
8 | | 2004 |
93-101 |
|
| 13. | The royal Polish and electoral Saxon court and state calendars, 1728-50. |
IrishMStud |
8 | | 2004 |
49-64 |
|
| 14. | 'This most crabbed of all earthly music': the performance and reception of Bach's vocal music in Dublin in the nineteenth and early twentieth centuries. |
IrishMStud |
8 | | 2004 |
229-246 |
|
| 15. | Vivaldi, Bach and their concerto slow movements. |
IrishMStud |
8 | | 2004 |
65-91 |
|