Bach Bibliography Search Result

Series : ^EastmanStudM$
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Type	List	Title [further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	A letter about the C-major fugue from The well-tempered clavier, Book I.	EastmanStudM	136		2016	3-11
	2.	Aspects of Unity in J. S. Bach's Partitas and Suites: An Analytical Study.	EastmanStudM	33		2005	xiii, 92p
	3.	A Treatise on Liturgical Text Settings (1710).	EastmanStudM	37		2006	219-226
	4.	August Halm: A critical and creative life in music.	EastmanStudM	68		2009	xix, 293p
	5.	Bach and keyboard instruments.	EastmanStudM	140		2017	121-129
	6.	Bach and Mozart for violin and harpsichord (ca. 1944)	EastmanStudM	140		2017	110-142
	7.	Bach and the pedal clavichord: an organist's guide.	EastmanStudM	26		2004	280p
	8.	Bach and the violin.	EastmanStudM	135		2016	95-122
	9.	Bach in the Midst of Religious Transition.	EastmanStudM	37		2006	108-126
	10.	Bach's Changing World: Voices in the Community.	EastmanStudM	37		2006	xvi, 264p
	11.	Bach's Situation in the Cultural Politics of Contemporary Leipzig.	EastmanStudM	37		2006	127-173
	12.	Bach to Brahms: Essays on musical design and structure.	EastmanStudM	122		2015	326p
	13.	Beyond The art of finger dexterity: Reassessing Carl Czerny.	EastmanStudM	53		2008	xiii, 280p
	14.	Carl Philipp Emanuel Bach and the Aesthetics of Patricide.	EastmanStudM	28		2004	121-142
	15.	Czerny and the keyboard fantasy: Traditions, innovations, legacy.	EastmanStudM	53		2008	202-228
	16.	Duets in the collection of Sara Levy and the ideal of 'unity in multiplicity'.	EastmanStudM	145		2018	181-204
	17.	Ernst Oster's vision of hidden repetitions and motivic enlargements in J.S. Bach's short keyboard works.	EastmanStudM	122		2015	157-170
	18.	Explorations in Schenkerian analysis.	EastmanStudM	136		2016	xii, 359p
	19.	Family Values and Dysfunctional Families: Home Life in the Moral Weeklies and Comedies of Bach's Leipzig.	EastmanStudM	37		2006	86-107
	20.	From Salon to Kaffeekranz: Gender Wars and the Coffee Cantata in Bach's Leipzig.	EastmanStudM	37		2006	190-218
	21.	Fugue and its discontents.	EastmanStudM	58		2008	5-13
	22.	Fugues, form, and fingering: Sonata style in Bach's preludes and fugues.	EastmanStudM	58		2008	14-23
	23.	'He ought to have a statue': Mendelssohn, Gauntlett, and the English organ reform.	EastmanStudM	118		2014	122-140
	24.	Historical Musicology: Sources, Methods, Interpretations. Festschrift for Robert L. Marshall.	EastmanStudM	28		2004	448p
	25.	Historical Theology and Hymnology as Tools for Interpreting Bach's Church Cantatas: The Case of Ich elender Mensch, wer wird mich erlösen, BWV 48.	EastmanStudM	28		2004	57-84
	26.	Lessing and the limits of enlightenment.	EastmanStudM	145		2018	99-121
	27.	Longing for the sublime: Jewish self-consciousness and the 'St. Matthew Passion' in Biedermeier Berlin.	EastmanStudM	145		2018	147-177
	28.	Mendelssohn and the contrapuntal tradition.	EastmanStudM	118		2014	15-39
	29.	Mendelssohn and the legacy of Beethoven's ninth: Vocality in the 'Reformation' symphony.	EastmanStudM	118		2014	61-88
	30.	Mendelssohn and the Organ.	EastmanStudM	118		2014	91-110
	31.	Mendelssohn, Goethe, and the Walpurgis night: The Heathen Muse in European Culture, 1700 - 1850.	EastmanStudM	43		2007	xvi, 284p
	32.	Mendelssohn's sonatas, op. 65, and the Craighead-Saunders organ at the Eastman School of Music: Aspects of performance practice and context.	EastmanStudM	118		2014	141-210
	33.	Mendelssohn, the organ, and the music of the past: Constructing historical legacies.	EastmanStudM	118		2014	x,339p
	34.	New Perspectives on Bach's Great Eighteen Chorales.	EastmanStudM	28		2004	40-56
	35.	On editing Bach's Goldberg variations: For Arthur Mendel (March 31, 1973)	EastmanStudM	140		2017	99-101
	36.	Performance Practice Issues That Affect Meaning in Two Bach Instrumental Works.	EastmanStudM	28		2004	85-94
	37.	Poetry, music, and the limits of harmony: Mendelssohn's aesthetic critique of christianity.	EastmanStudM	145		2018	122-146
	38.	Random Thoughts About Church Music in Our Day (1721).	EastmanStudM	37		2006	227-249
	39.	Recurrence and fantasy in C.P.E. Bach's rondo in G major.	EastmanStudM	136		2016	26-41
	40.	Reflections of an American harpsichordist: Unpublished memoirs, essays, and lectures of Ralph Kirkpatrick.	EastmanStudM	140		2016	x, 199p
	41.	Sara Levy's world: gender, Judaism, and the Bach tradition in Enlightenment Berlin.	EastmanStudM	145		2018	x, 292p
	42.	Scholarly Inquiry in Historical Musicology: Sources, Methods, Interpretations.	EastmanStudM	28		2004	1-7
	43.	Some observations on Mendelssohn's Bach recital.	EastmanStudM	118		2014	111-121
	44.	Text, voice, and genre in 'Nun ist der Herr zur Ruh gebracht' BWV 244/67.	EastmanStudM	102		2013	111-135
	45.	The Art of Musical Phrasing in the Eighteenth Century. Punctuating the Classical 'Period'.	EastmanStudM	55		2008	xvi, 358p
	46.	The Bach tradition among the Mendelssohn ancestry.	EastmanStudM	118		2014	213-223
	47.	The Music of Carl Philipp Emanuel Bach.	EastmanStudM	114		2014	xv, 416p
	48.	The Music of Wilhelm Friedemann Bach	EastmanStudM	79		2010	354p
	49.	The opening tonal complex of Bach's St. Matthew passion: A linear view.	EastmanStudM	136		2016	12-25
	50.	Theories of Fugue from the Age of Josquin to the Age of Bach.	EastmanStudM	13		2000	485p
	51.	The reception of the Cantata during Leipzig Church Services, 1700-1750.	EastmanStudM	37		2006	174-189
	52.	The violin.	EastmanStudM	135		2016	xviii, 306p
	53.	Transitions, Transformations, Reversals: Rethinking Bach's World.	EastmanStudM	37		2006	1-34
	54.	Tumultuous Philosophers, Pious Rebels, Revolutionary Teachers, Pedantic Clerics, Vengeful Bureaucrats, Threatened Tyrants, Worldly Mystics: The Religious World Bach Inherited.	EastmanStudM	37		2006	35-85
	55.	Variations on the canon: Essays on music from Bach to Boulez in honor of Charles Rosen on his eightieth birthday.	EastmanStudM	58		2008	x, 375p
	56.	What was the Berlin Jewish salon around 1800?	EastmanStudM	145		2018	21-38
	57.	Word, image, and song, Vol. 2: Essays on musical voices.	EastmanStudM	102		2013	288p