Type | List | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Andreas Werckmeister's Musicalische Paradoxal-Discourse: A Well-Tempered Universe. |
ContextBachStud |
7 | | 2017 |
xv, 157p |
|
| 2. | Bach at the Boundaries of Music History: Preliminary Thoughts on the B-minor Mass and the Late Style Paradigm. |
ContextBachStud |
8 | | 2018 |
297-303 |
|
| 3. | Bach's Second Thoughts on the Christmas Oratorio: The Compositional Revisions to 'Bereite dich, Zion,' BWV 248/4. |
ContextBachStud |
8 | | 2018 |
215-224 |
|
| 4. | Bach's Testament: On the Philosophical and Theological Background of The Art of Fugue. |
ContextBachStud |
4 | | 2013 |
xvi, 178p |
|
| 5. | Compositional Choices and Meaning in the Vocal Music of J. S. Bach. |
ContextBachStud |
8 | | 2018 |
xxi, 328p |
|
| 6. | Death to Life, Sorrow to Joy: Martin Luther's Theology of the Cross and J. S. Bach's Eastertide Cantata Ihr werdet weinen und heulen (BWV 103) |
ContextBachStud |
8 | | 2018 |
51-73 |
|
| 7. | Foretastes of heaven in Lutheran church music tradition: Johann Mattheson and Christoph Raupach on music in time and eternity. |
ContextBachStud |
5 | | 2015 |
xlix, 162p |
|
| 8. | Formal and Motivic Design in the Opening Chorus of J. S. Bach's Magnificat. |
ContextBachStud |
8 | | 2018 |
121-137 |
|
| 9. | In Honor of God and the City: Strategies of Theological and Symbolic Communication in Bach's Cantata Gott ist mein König (BWV 71). |
ContextBachStud |
8 | | 2018 |
3-22 |
|
| 10. | J. S. Bach's Dresden Trip and His Earliest Serenatas for Köthen. |
ContextBachStud |
8 | | 2018 |
205-214 |
|
| 11. | J. S. Bach's 'Leipzig Chorale' Preludes: Music, Text, Theology. |
ContextBachStud |
3 | | 2011 |
xxviii, 297p |
|
| 12. | J. S. Bach's Parodies of Vocal Music: Conservation or Intensification? |
ContextBachStud |
8 | | 2018 |
177-203 |
|
| 13. | Mystical love in the German Baroque: theology, poetry, music. |
ContextBachStud |
2 | | 2009 |
xxvi, 357p |
|
| 14. | Parody and Text Quality in the Vocal Works of J. S. Bach. |
ContextBachStud |
8 | | 2018 |
167-176 |
|
| 15. | Polish style in the music of Johann Sebastian Bach. |
ContextBachStud |
6 | | 2017 |
xvi, 402p |
|
| 16. | The Christian Believer and the Sleep of Jesus: 'Mache dich, mein Herze, rein' from J. S. Bach's Matthew Passion. |
ContextBachStud |
8 | | 2018 |
153-164 |
|
| 17. | The Crucifixion in Music: An Analytical Survey of Settings of the Crucifixus between 1680 and 1800. |
ContextBachStud |
1 | | 2006 |
xxiv, 371p |
|
| 18. | The Leipzig Audiences of J. S. Bach's Matthew Passion to 1750. |
ContextBachStud |
8 | | 2018 |
245-259 |
|
| 19. | The Need for a New Music: J. S. Bach in Contemporary Context (1946). |
ContextBachStud |
8 | | 2018 |
281-295 |
|
| 20. | The Passions as a Source of Inspiration? A Hypothesis on the Origin and Musical Aim of Well-Tempered Clavier II. |
ContextBachStud |
8 | | 2018 |
225-242 |
|
| 21. | The Theological in Bach Research (2007). |
ContextBachStud |
8 | | 2018 |
103-118 |
|
| 22. | The Tonally Open Ritornello in J. S. Bach's Church Cantatas. |
ContextBachStud |
8 | | 2018 |
139-151 |
|
| 23. | The Vocal Music of the Bach Family in Carl Philipp Emanuel Bach: The Complete Works. |
ContextBachStud |
8 | | 2018 |
261-279 |
|
| 24. | Toward an Understanding of J. S. Bach's Use of Red Ink in the Autograph Score of the Matthew Passion. |
ContextBachStud |
8 | | 2018 |
75-102 |
|
| 25. | Two 'Johannine' Cantatas: Darzu ist erschienen der Sohn Gottes (BWV 40) and Sehet, welch eine Liebe (BWV 64). |
ContextBachStud |
8 | | 2018 |
23-50 |
|