Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Marshall, Robert L. | Bach at the Boundaries of Music History: Preliminary Thoughts on the B-minor Mass and the Late Style Paradigm. |
ContextBachStud |
8 | | 2018 |
297-303 |
|
| 2. | Saunders, Steven | Bach's Second Thoughts on the Christmas Oratorio: The Compositional Revisions to 'Bereite dich, Zion,' BWV 248/4. |
ContextBachStud |
8 | | 2018 |
215-224 |
|
| 3. | Peters, Mark A.; Sanders, Reginald L. (eds.) | Compositional Choices and Meaning in the Vocal Music of J. S. Bach. Edited by Mark A. Peters and Reginald L. Sanders. - Lanham: Lexington Books, 2018. xxi, 328p. ISBN: 978-1-4985-5495-4 (Hardback); 978-1-4985-5496-1 (eBook) |
ContextBachStud |
8 | | 2018 |
xxi, 328p |
|
| 4. | Peters, Mark A. | Death to Life, Sorrow to Joy: Martin Luther's Theology of the Cross and J. S. Bach's Eastertide Cantata Ihr werdet weinen und heulen (BWV 103) |
ContextBachStud |
8 | | 2018 |
51-73 |
|
| 5. | Sanders, Reginald L. | Formal and Motivic Design in the Opening Chorus of J. S. Bach's Magnificat. |
ContextBachStud |
8 | | 2018 |
121-137 |
|
| 6. | Rathey, Markus | In Honor of God and the City: Strategies of Theological and Symbolic Communication in Bach's Cantata Gott ist mein König (BWV 71). |
ContextBachStud |
8 | | 2018 |
3-22 |
|
| 7. | Butler, Gregory | J. S. Bach's Dresden Trip and His Earliest Serenatas for Köthen. |
ContextBachStud |
8 | | 2018 |
205-214 |
|
| 8. | Leaver, Robin A. | J. S. Bach's Parodies of Vocal Music: Conservation or Intensification? |
ContextBachStud |
8 | | 2018 |
177-203 |
|
| 9. | Schulze, Hans-Joachim | Parody and Text Quality in the Vocal Works of J. S. Bach. |
ContextBachStud |
8 | | 2018 |
167-176 |
|
| 10. | Allanbrook, Wye J. | The Christian Believer and the Sleep of Jesus: 'Mache dich, mein Herze, rein' from J. S. Bach's Matthew Passion. |
ContextBachStud |
8 | | 2018 |
153-164 |
|
| 11. | Kevorkian, Tanya | The Leipzig Audiences of J. S. Bach's Matthew Passion to 1750. |
ContextBachStud |
8 | | 2018 |
245-259 |
|
| 12. | Scheide, William H. | The Need for a New Music: J. S. Bach in Contemporary Context (1946). |
ContextBachStud |
8 | | 2018 |
281-295 |
|
| 13. | Tomita, Yo | The Passions as a Source of Inspiration? A Hypothesis on the Origin and Musical Aim of Well-Tempered Clavier II. |
ContextBachStud |
8 | | 2018 |
225-242 |
|
| 14. | Petzoldt, Martin | The Theological in Bach Research (2007). |
ContextBachStud |
8 | | 2018 |
103-118 |
|
| 15. | Lee, Kayoung | The Tonally Open Ritornello in J. S. Bach's Church Cantatas. |
ContextBachStud |
8 | | 2018 |
139-151 |
|
| 16. | Grant, Jason B. | The Vocal Music of the Bach Family in Carl Philipp Emanuel Bach: The Complete Works. |
ContextBachStud |
8 | | 2018 |
261-279 |
|
| 17. | Greer, Mary | Toward an Understanding of J. S. Bach's Use of Red Ink in the Autograph Score of the Matthew Passion. |
ContextBachStud |
8 | | 2018 |
75-102 |
|
| 18. | Chafe, Eric | Two 'Johannine' Cantatas: Darzu ist erschienen der Sohn Gottes (BWV 40) and Sehet, welch eine Liebe (BWV 64). |
ContextBachStud |
8 | | 2018 |
23-50 |
|