Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Rothgeb, John; Schenker, Heinrich | A counter-example: Max Reger's variatons and fugue on a theme by Bach, op. 81, for piano. |
CambridgeStudMTheoryAnalysis |
8 | | 1996 |
106-117 |
|
| 2. | Rothfarb, Lee A. (ed.) | Ernst Kurth: Selected writings. Edited and translated by Lee A. Rothfarb. - Cambridge: Cambridge University Press, 1991. xvii, 235p. (= Cambridge studies in music theory and analysis, 2) |
CambridgeStudMTheoryAnalysis |
2 | | 1991 |
xvii, 235p |
|
| 3. | Kurth, Ernst | Grundlagen des linearen Kontrapunkts (Foundations of linear counterpoint). |
CambridgeStudMTheoryAnalysis |
2 | | 1991 |
35-95 |
|
| 4. | Rothfarb, Lee A. | Introduction. |
CambridgeStudMTheoryAnalysis |
2 | | 1991 |
1-33 |
|
| 5. | Schenker, Heinrich | The masterwork in music: A yearbook. II (1926). Edited by William Drabkin; translated by Ian Bent ... [et al.]. Cambridge: Cambridge University Press, 1996. xvii, 133p. ISBN: 0-521-45542-1. (= Cambridge studies in music theory and analysis, 8) |
CambridgeStudMTheoryAnalysis |
8 | | 1996 |
xvii, 133p |
|
| 6. | Schenker, Heinrich; Siegel, Hedi | The organic nature of fugue as demonstrated in the C minor fugue from Bach's Well-tempered clavier, book I. |
CambridgeStudMTheoryAnalysis |
8 | | 1996 |
31-54 |
|
| 7. | Schenker, Heinrich | The sarabande of Bach's suite no 3. for solo violoncello [BWV 1009]. |
CambridgeStudMTheoryAnalysis |
8 | | 1996 |
55-58 |
|