Type | List | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | 20-Seiki no Bach Kenkyu. [Bach Research in the 20th Century] |
BulFacMTokyoGeijutsuDaigaku |
26 | | Mar 2001 |
47-65 |
|
| 2. | Bach no ongaku wa Shizen ka: Shaibe no Bach Hihan to Birunbaumu no Hanron o tooshite. [Is Bach's music natural?: Through Scheibe's criticism of Bach and Birnbaum's objection] |
BulFacMTokyoGeijutsuDaigaku |
27 | | Mar 2002 |
43-60 |
|
| 3. | C.P.E. Bach aruiwa J.S. Bach? Sakuhin no Shingi o megitte. [C.P.E. Bach or J.S. Bach?: A Study on the Authenticity of Works] |
BulFacMTokyoGeijutsuDaigaku |
25 | | Mar 2000 |
61-79 |
|
| 4. | Doitsu Keimoshugi no Ongaku Bigaku. Scheibe to 1750-Nen Zengo ni okeru 'Kanseigaku' to shite no Ongaku Bigaku no Shomondai. [Musikäthetik der deutschen Aufklärung: J.A. Scheibe und Probleme der Musikästhetik um 1750.] |
BulFacMTokyoGeijutsuDaigaku |
9 | | Mar 1983 |
29-53 |
|
| 5. | Ferdinand David no Esutonia Jidai. [Ferdinand David's Estornia period] |
BulFacMTokyoGeijutsuDaigaku |
24 | | Mar 1999 |
29-51, 84-85 |
|
| 6. | Harmonia no Katari o koete. Ongakugaku no Seiritsu to Hensen o meguru Shosatsu. [Über die Narrative der harmonia hinaus: Einige Gedanken zu Entstehung und Wandel der Musikwissenachaft] Japanese pp.1-18; summary in German, pp.119-120. |
BulFacMTokyoGeijutsuDaigaku |
30 | | 2004 |
1-18; 119-120 |
|
| 7. | J. S. Bach 'Mubanso Chello Kumikyoku' (BWV 1007-1012) no Rekishiteki Jokyo ni tsuite. [A Historical Study of the 'Six Suites for Unaccompanied Cello' by J. S. Bach] |
BulFacMTokyoGeijutsuDaigaku |
14 | | Mar 1988 |
1-25 |
|
| 8. | J.S. Bach to Furuto: Yoho to Shinjunsei Mondai o megutte. [Johann Sebastian Bach und die Flote: Verwendungsweise und Echtheitsfragen] [BWV 1020 (= H. 542.5), 1031 and 1033] |
BulFacMTokyoGeijutsuDaigaku |
24 | | Mar 1999 |
53-72 |
|