Bach Bibliography Search Result

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Type	List	Title [further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	An early version of the first movement of the Italian Concerto BWV 971 from the Scholz Collection?	BachStud	2		1995	1-19
	2.	Aria forms in the Cantatas from Bach's first Leipzig Jahrgang.	BachStud	1		1989	36-53
	3.	A thirty-six voice canon in the hand of C. P. E. Bach.	BachStud	2		1995	107-118
	4.	Bach in the eighteenth century.	BachStud	1		1989	281-296
	5.	Bach's parody technique and its frontiers.	BachStud	1		1989	115-124
	6.	Bach Studies. [1]	BachStud	1		1989	362p
	7.	Bach Studies 2.	BachStud	2		1995	xiv, 238p
	8.	Expressivity in the accompanied recitatives of Bach's cantatas.	BachStud	1		1989	18-35
	9.	Forms and functions of the choral movements in J. S. Bach's St. Matthew Passion.	BachStud	2		1995	70-84
	10.	French overture conventions in the hands of the young Bach and Handel.	BachStud	1		1989	183-193
	11.	J. S. Bach and G. F. Kauffmann: reflections on Bach's later style.	BachStud	2		1995	47-61
	12.	J. S. Bach and the legacy of the seventeenth century.	BachStud	2		1995	192-201
	13.	J. S. Bach's A major flute sonata BWV 1032 revisited.	BachStud	2		1995	154-174
	14.	J. S. Bach's reception of Tomaso Albinoni's mature concertos.	BachStud	2		1995	20-46
	15.	On the origin of Bach's Magnificat: a Lutheran composer's challenge.	BachStud	1		1989	3-17
	16.	Reconstructing the Urpartitur for WTC II: a study of the 'London Autograph' (BL Add. MS 35021).	BachStud	1		1989	240-278
	17.	Rhetoric, the ricercar, and J. S. Bach's Musical Offering.	BachStud	2		1995	175-191
	18.	Some questions of performance in J. S. Bach's Trauerode.	BachStud	2		1995	119-153
	19.	The four conceptual stages of the Fugue in C Minor, WTC I.	BachStud	1		1989	197-224
	20.	The genesis of the Prelude in C Major, BWV 870.	BachStud	1		1989	225-239
	21.	The human side of the American Bach sources.	BachStud	1		1989	323-350
	22.	The regulative and generative roles of verse in Bach's 'thematic' invention.	BachStud	1		1989	54-74
	23.	The St John Passion: theology and musical structure.	BachStud	1		1989	75-112
	24.	The theological character of J. S. Bach's Musical Offering.	BachStud	2		1995	85-106
	25.	The variation principle in J. S. Bach's Passacaglia in C minor BWV 582.	BachStud	2		1995	62-69
	26.	'This fantasia... never had its like': on the enigma and chronology of Bach's Chromatic Fantasia and Fugue in D Minor, BWV 903.	BachStud	1		1989	160-182
	27.	Three organ-trio transcriptions from the Bach circle: keys to a lost Bach chamber work.	BachStud	1		1989	125-159
	28.	Tradition as authority and provocation: Anton Webern's confrontation with Johann Sebastian Bach.	BachStud	1		1989	297-322
	29.	Wilhelm Friedemann Bach's Halle performances of cantatas by his father.	BachStud	2		1995	202-228