Bach Bibliography Search Result |
Series : ^Bach$Your search has generated the following results ...
Show full details : ON
Max number of results shown : 300
Plain text output format : author: jones, richard d. p
Output sorted : by Title (table)
Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
---|---|---|---|---|---|---|---|---|---|
1. | Buelow, George J. | A Bach Borrowing by Gluck: Another Frontier. | Bach | 22 | 1 | 43-61 | |||
2. | Herz, Gerhard | A Bach Signature in the Possession of Gerhard Herz. | Bach | 9 | 4 | 23-24 | |||
3. | Harriss, Ernest | A Chronology of the Works of Johann Sebastian Bach. Part I. | Bach | 11 | 2 | 2-20 | |||
4. | Harriss, Ernest | A Chronology of the Works of Johann Sebastian Bach. Part II. | Bach | 11 | 3 | 2-8 | |||
5. | Harriss, Ernest | A Chronology of the Works of Johann Sebastian Bach. Part III. | Bach | 11 | 4 | 3-7 | |||
6. | Heinrich, Adel | A Collation of the Expositions in Die Kunst der Fuge of J. S. Bach. | Bach | 12 | 2 | 28-40 | |||
7. | Ebert, Robert R. | A Comparison of the Prices of Organs in Bach's Time and the 1980's. | Bach | 19 | 1 | 28-45 | |||
8. | Peters, Mark A. | Adapting Bach's final Weimar Cantata for Performance in Leipzig: Liturgical and Musical Considerations in Cantata 147. [BWV 147] | Bach | 31 | 1 | 58-73 | |||
9. | Smith, Mark M. | A Deceptive Edition of the Bach 'Cello Suites. | Bach | 9 | 1 | 26-29 | |||
10. | Rathey, Markus | A Divided Country - A Divided Bach: The Cantor-Kapellmeister Controversy and the Cold War. | Bach | 47 | 2 | 1-26 | |||
11. | Mann, Alfred | A Document from the Hand of Arthur Mendel: Introduction and Commentary. | Bach | 20 | 3 | 4-5(-14) | |||
12. | Barber, Elinore | Albert Riemenschneider: A Portrait of the Founder of Baldwin-Wallace College's Conservatory of the Occasion of its 100th Anniversary. | Bach | 29 | 2 | 1-7 | |||
13. | Schweitzer, Albert | Albert Schweitzer writes to Elinore Barber concerning his condition, his work, his fight against atomic weapons. | Bach | 3 | 4 | 25-27 | |||
14. | Unger, Melvin P. | Alfred Mann. | Bach | 37 | 2 | 119 | |||
15. | Glöckner, Andreas | Alumni and Externals in the Choirs of the Thomas School during Bach's Time. Trans. Sabine Thomas | Bach | 40 | 1 | 1-34 | |||
16. | Kellner, Herbert Anton | A Mathematical Approach Reconstituting J. S. Bach's Keyboard-Temperament. Dedicated to the composer Bernard Schulé of Geneva on the occasion of his 70th birthday. | Bach | 10 | 4 | 2-8 | |||
17. | Kellner, Herbert Anton | A Mathematical Approach Reconstructing J. S. Bach's Keyboard Temperament. [repr. of Bach x/4 (Oct 1979) with a slightly modified title.] | Bach | 30 | 1 | 1-9 | |||
18. | Lim Bing Nan, Mick | A Mystery Unraveled: Who Composed the Gutenberg 300th Anniversary Cantata? | Bach | 49 | 2 | 402-424 | |||
19. | Corlis, Timothy | Analysis of Spectra in J. S. Bach's Prelude and Fugue, BWV 552. | Bach | 37 | 1 | 26-49 | |||
20. | Cypess, Rebecca | Ancient Poetry, Modern Music, and the Wechselgesang der Mirjam und Debora: The Meanings of Song in the Itzig Circle. | Bach | 47 | 1 | 21-65 | |||
21. | Currie, Randolph N. | A Neglected Guide to Bach's Use of Number Symbolism -- Part I. [Headings: The Controversy; Bach's Overt Gesture; Symbolic Associations of '84'; The Central Position of the Word factorem] | Bach | 5 | 1 | 23-32 | |||
22. | Currie, Randolph N. | A Neglected Guide to Bach's Use of Number Symbolism -- Part II. Notizbuch für Studenten. | Bach | 5 | 2 | 36-49 | |||
23. | Currie, Randolph N. | A Neglected Guide to Bach's Use of Number Symbolism -- Part III. | Bach | 5 | 3 | 3-12 | |||
24. | Currie, Randolph N. | A Neglected Guide to Bach's Use of Number Symbolism -- Part IV. | Bach | 5 | 4 | 3-8 | |||
25. | Schulenberg, David | An Enigmatic Legacy: Two Instrumental Works Attributed to Wilhelm Friedemann Bach. | Bach | 41 | 2 | 24-60 | |||
26. | Pisk, Paul A. | A New Look at the 'Great 48'. [Review of Hermann Keller's The Well-Tempered Clavier by Johann Sebastian Bach, 1976] | Bach | 8 | 2 | 23-25 | |||
27. | Butler, H. Joseph | A Newly Discovered Work of Charles Theodore Pachelbel. | Bach | 28 | 1-2 | 126-144 | |||
28. | Stinson, Russell | An Introduction to Beiträge zur Bachforschung. | Bach | 18 | 1 | 22-24 | |||
29. | Radice, Mark A. | An Inventory of Bach's Musical Offering. | Bach | 6 | 1 | 12-16 | |||
30. | Smithers, Don L. | Anomalies of Tonart and Stimmton in the first version of Bach's Magnificat (BWV 243a). | Bach | 27 | 2 | 1-59 | |||
31. | Ambrose, Z. Philip | Another Lament in Weinen, Klagen, Sorgen, Zagen. | Bach | 13 | 3 | 20-22 | |||
32. | Broman, Per F. | Another Woody: J. S. Bach in Dixieland. Bach on Screen. | Bach | 50 | 2 | 254-274 | |||
33. | Posell, Jacques | A Philatelic Visit with J. S. Bach. | Bach | 7 | 2 | 23-28 | |||
34. | Morgan, Emerson | A Previously Unknown Source for the Orgelbüchlein: Yale Misc. Ms. 545. | Bach | 42 | 2 | 64-73 | |||
35. | Flindell, E. Frederick | Apropos Bach's Inventions [Part I] A. Forkel's report | Bach | 14 | 4 | 3-14 | |||
36. | Flindell, E. Frederick | Apropos Bach's Inventions, Part II. B. Athanasius Kircher, Christoph Bernhard, and J. G. Walther. Errata in Bach xv/4, p. 36. | Bach | 15 | 1 | 3-16 | |||
37. | Flindell, E. Frederick | Apropos Bach's Inventions, Part III. C. J.A. Reincken, Andreas Werckmeister, and Meinrad Spiess. | Bach | 15 | 2 | 3-17 | |||
38. | Peters, Mark A. | A Reconsideration of Bach's Role as Text Redactor in the Ziegler Cantatas. | Bach | 36 | 1 | 25-66 | |||
39. | Gleason, Harold | A Seventeenth-Century Organ Instruction Book. | Bach | 3 | 1 | 3-12 | |||
40. | Gleason, Harold | A Seventeenth-Century Organ Instruction Book. [Wegweiser die Kunst die Orgel] [repr. of Bach iii/1 (Jan 1972)] | Bach | 12 | 3 | 11-20 | |||
41. | Gleason, Harold | A seventeenth-century Organ Instruction Book. [Wegweiser die Kunst die Orgel recht zu schlagen] [repr. of Bach iii/1 (Jan 1972), again repr. of Bach xii/3 (Jul 1981) with added facsimile images.] | Bach | 27 | 2 | 60-83 | |||
42. | Marlowe, Sarah | A Taxonomy for Teaching Music Theory: J. S. Bach and Lessons in Invertible Counterpoint. Roundtable: Bach in the Music Theory Classroom | Bach | 49 | 2 | 365-387 | |||
43. | Getz, Christine Suzanne | A Telemann Concerto for Violin and Strings?: Some Hints on the Reconstruction of an Unidentified Concerto. | Bach | 19 | 2 | 3-24 | |||
44. | Author-Title-Subject: Cumulative Index 1970-2000 | Bach | 31 | 2 | 1-67 | ||||
45. | Maul, Michael | A Weimar Commemorative Album and Bach's Canon BWV 1073. Trans. Mary Greer. | Bach | 46 | 1 | 49-73 | |||
46. | Barber, Elinore | Bach Adds a Tempo Mark? | Bach | 1 | 2 | 3-5 | |||
47. | David, Hans T. | Bach Analyses: J. S. Bach's Fugue in E minor from The Well-tempered Clavier, Book I. | Bach | 2 | 3 | 15-16 | |||
48. | David, Hans T. | Bach Analyses. J. S. Bach's Prelude in E minor from The Well-tempered Clavier, Book 1. | Bach | 2 | 2 | 18-19 | |||
49. | Collins, Denis | Bach and Approaches to Canonic Composition in Early Eighteenth-Century Theoretical and Chamber Music Sources. | Bach | 30 | 2 | 27-48 | |||
50. | Tomita, Yo | Bach and His Early Drafts: Some Observations on Little Known Early Versions of Well-Tempered Clavier II and the Goldberg Variations from the Manfred Gorke Collection. | Bach | 30 | 2 | 49-72 | |||
51. | Leaver, Robin A. | Bach and Luther. | Bach | 9 | 3 | 9-12; 25-32 | |||
52. | Marshall, Robert L. | Bach and Mozart: Styles of Musical Genius. | Bach | 22 | 1 | 16-32 | |||
53. | Barber, Elinore | Bach and the B-A-C-H Motive. | Bach | 2 | 2 | 3-5 | |||
54. | Schenkman, Walter | Bach and the Beer Fiddlers. | Bach | 26 | 1-2 | 48-56 | |||
55. | Flindell, E. Frederick | Bach and the Middle Ages. | Bach | 36 | 2 | 1-119 | |||
56. | Paczkowski, Szymon | Bach and the Story of an 'Aria Tempo di Polonaise' for Joachim Friedrich Flemming. [BWV 210a, 30a, 210] | Bach | 38 | 2 | 64-98 | |||
57. | Petzoldt, Martin | Bach as Cantor of St. Thomas in Leipzig, 1723-1750. | Bach | 46 | 2 | 7-21 | |||
58. | Plank, Steven E. | BACH at 50: Some Anniversary Thoughts. BACH and the Riemenschneider Bach Institute. | Bach | 51 | 2 | 177-185 | |||
59. | Marshall, Robert L. | Bach at Mid-Life: The Christmas Oratorio and the Search for New Paths. | Bach | 43 | 1 | 1-28 | |||
60. | Leaver, Robin A. | Bach Cantatas: in Print and Recordings. | Bach | 48 | 1 | 93-114 | |||
61. | Marshall, Robert L.; Marshall, Traute M. | Bach Family Sites. | Bach | 51 | 1 | 70-121 | |||
62. | David, Hans T. | Bach Form -- A Letter and Ground-Plan. | Bach | 1 | 2 | 14-17 | |||
63. | David, Hans T. | Bach Form: Ground Plans by the Late Professor Hans T. David. Aria mit 30 Variationen (Goldberg Variations) -- J. S. Bach [1742]. | Bach | 1 | 1 | 15-16 | |||
64. | Lenneberg, Hans | Bach, Handel, and Relative Success, Part I. | Bach | 12 | 4 | 22-27 | |||
65. | Lenneberg, Hans | Bach, Handel, and Relative Success, Part II. | Bach | 13 | 2 | 17-22 | |||
66. | Pisk, Paul A. | Bach in Our Time. | Bach | 4 | 3 | 13-17 | |||
67. | Linton, Michael | Bach, Luther, and the Magnificat. | Bach | 17 | 2 | 3-15 | |||
68. | Markevitch, Dimitry | Bach's Cello Suites Revisited: The Manuscripts of the Bach Cello Suites, an Inextricable Labyrinth for Cellists? [A Reader's Response] | Bach | 30 | 1 | 66-69 | |||
69. | Trautmann, Christoph | Bach's Clavierübung: III. | Bach | 15 | 3 | 3-11 | |||
70. | Cox, Howard H. | Bach's Conception of His Office. | Bach | 20 | 1 | 22-30 | |||
71. | Whaples, Miriam K. | Bach's Earliest Arias. | Bach | 20 | 1 | 31-54 | |||
72. | Unger, Melvin P. | Bach's First Two Leipzig Cantatas: The Question of Meaning Revisited. | Bach | 28 | 1-2 | 87-125 | |||
73. | Barber, Elinore | Bach's 'Incomplete' Quadruple Fugue from Die Kunst der Fuge (1752-Edition Print Held by the Riemenschneider Bach Institute.) | Bach | 17 | 4 | 24-29 | |||
74. | Jerold, Beverly | Bach's Lament about Leipzig's Professional Instrumentalists. | Bach | 36 | 1 | 67-96 | |||
75. | Herford, Julius | Bach's Models of 'Good Inventiones' -- How to Develop the Same Well. [Headings are: Overall Form; Dove-tailed Cadences; Consistent Sixteenth-Note Motion; Inner Cadences; Harmonic Rhythm] | Bach | 4 | 1 | 16-20 | |||
76. | Herford, Julius | Bach's Models of 'Good Inventiones'. [Part I]. | Bach | 2 | 4 | 10-14 | |||
77. | Herford, Julius | Bach's Models of 'Good Inventiones'. Part II. | Bach | 3 | 1 | 27-30 | |||
78. | Herford, Julius | Bach's Models of 'Good Inventiones'. Part III. | Bach | 3 | 2 | 28-30 | |||
79. | Currie, Randolph N. | Bach's Newly Discovered Canons in a First Edition: Some Observations. | Bach | 8 | 2 | 15-22 | |||
80. | Currie, Randolph N. | Bach's Newly Discovered Canons in a First Edition: Some Observations, Part II. | Bach | 8 | 3 | 3-12 | |||
81. | Currie, Randolph N. | Bach's Newly Discovered Canons in a First Edition: Some Observations, Part III. | Bach | 8 | 4 | 3-9 | |||
82. | Collins, Denis | Bach's Occasional Canon BWV 1073 and 'Stacked' Canonic Procedure in the Eighteenth Century. | Bach | 33 | 2 | 15-34 | |||
83. | Mulbury, David | Bach's 'Passacaglia' in c minor. Notes Regarding Its Background, Essence, and Performance. [Part I.] I - Introduction; II - Historical Background | Bach | 3 | 2 | 14-27 | |||
84. | Mulbury, David | Bach's 'Passacaglia' in C minor. Notes Regarding Its Background, Essence, and Performance. Part II. III Structure and Symmetry; IV Performance. | Bach | 3 | 3 | 12-20 | |||
85. | Mulbury, David | Bach's 'Passacaglia' in C minor. Notes Regarding Its Background, Essence, and Performance -- Part III. Organ, Harpsichord, or Clavichord?; Registration; Summary | Bach | 3 | 4 | 17-24 | |||
86. | Barber, Elinore | Bach's Portrait in Gerber's Lexicon. | Bach | 2 | 1 | 3-6 | |||
87. | David, Hans T. | Bach's Problems and Artistic Creed. | Bach | 1 | 2 | 6-13 | |||
88. | Schulze, Hans-Joachim | Bach's Secular Cantatas - A New Look at the Sources. | Bach | 21 | 1 | 26-41 | |||
89. | Rilling, Helmuth | Bach's Significance. | Bach | 16 | 3 | 2-16 | |||
90. | Morgan, Wesley K. | Bach's Singet dem Herrn ein neues Lied: an Old Problem. | Bach | 11 | 4 | 8-23 | |||
91. | Morgan, Wesley K. | Bach's Singet dem Herrn ein neues Lied: an Old Problem. Part II. | Bach | 12 | 1 | 2-12 | |||
92. | Sevier, Zay David | Bach's Solo Violin Sonatas and Partitas: The First Century and a Half, Part 1. | Bach | 12 | 2 | 11-19 | |||
93. | Sevier, Zay David | Bach's Solo Violin Sonatas and Partitas: The First Century and a Half, Part 2. | Bach | 12 | 3 | 21-29 | |||
94. | Konecni, Vladimir J.; [Koneèni] | Bach's St. Matthew Passion: A Rudimentary Psychological Analysis, Part I. | Bach | 17 | 3 | 10-21 | Latin 2 | ||
95. | Konecni, Vladimir J.; [Koneèni] | Bach's St. Matthew Passion: A Rudimentary Psychological Analysis, Part II. | Bach | 17 | 4 | 3-16 | Latin 2 | ||
96. | Flindell, E. Frederick | Bach's Tempos and Rhetorical Applications. Errata is published in Bach, xxx/1 (1999), p.74. | Bach | 28 | 1-2 | 151-236 | |||
97. | Stinson, Russell | Bach's Tercentenary Issues of Periodicals: A Selected Bibliography. | Bach | 17 | 4 | 17-23 | |||
98. | Leaver, Robin A. | Bach's Understanding and Use of the Epistles and Gospels of the Church Year. | Bach | 6 | 4 | 4-13 | |||
99. | Jenne, Natalie | Bach's Use of Dance Rhythms in Fugues. [I] | Bach | 4 | 4 | 18-26 | |||
100. | Jenne, Natalie | Bach's Use of Dance Rhythms in Fugues. Part II. | Bach | 5 | 1 | 3-8 | |||
101. | Jenne, Natalie | Bach's Use of Dance Rhythms in Fugues: Part III. | Bach | 5 | 2 | 3-21 | |||
102. | Wolff, Christoph | Bach the Cantor, the Capellmeister, and the Musical Scholar: Aspects of the B-Minor Mass. | Bach | 20 | 1 | 55-64 | |||
103. | Crist, Stephen A. | Bach, Theology, and Harmony: A New Look at the Arias. | Bach | 27 | 1 | 1-30 | |||
104. | Unmack, Susan; Hartwell, Robert | Baroque Ideals of Text Declamation and Their Relevance to the Falsobordone Genre. | Bach | 14 | 4 | 15-24 | |||
105. | Barber, Elinore | Beethoven and Bach. | Bach | 1 | 4 | 4-5 | |||
106. | Barber, Elinore | Beethoven on Bach. Excerpts from Letters. | Bach | 1 | 4 | 6-8 | |||
107. | Doll, Christopher | Beginnings for Beginners: A Pedagogy for Starting a Prelude. Roundtable: Bach in the Music Theory Classroom | Bach | 49 | 2 | 248-265 | |||
108. | Wollny, Peter | 'Bekennen will ich seinen Namen': Authenticity, Purpose and Context for the Aria BWV 200. Observations on Johann Sebastian Bach's Reception of Works by Gottfried Heinrich Stölzel. Trans. James Brokaw, II. [Originally published in German in Bach-Jarhbuch 94 (2008)] | Bach | 48 | 1 | 36-75 | |||
109. | Barber, Elinore | Butter, Guns, and Bach? | Bach | 1 | 3 | 3-4 | |||
110. | McLean, Hugh J. | BWV 551, A Bachian Orphan. | Bach | 24 | 1 | 35-42 | |||
111. | White, H. M. | Canon in the Baroque Era: Some Precedents for the Musical Offering. | Bach | 15 | 4 | 4-15 | |||
112. | Mayerovitch, Robert | CD Review: Johann Sebastian Bach. Art of Fugue. Peter Elyakim Taussig, piano solo. MS 102 Crystal Music Records, 2001. Recorded on the Yamaha Disklavier PRO(R)piano. | Bach | 33 | 2 | 71-76 | |||
113. | Stinson, Russell | Clara Schumann's Bach Book: A Neglected Document of the Bach Revival. | Bach | 39 | 1 | 1-66 | |||
114. | Korsyn, Kevin | Composition Lessons with Bach. Roundtable: Bach in the Music Theory Classroom | Bach | 49 | 2 | 227-247 | |||
115. | Radice, Mark A. | Concerning the Dating of Reinhard Keiser's St. Mark Passion. | Bach | 24 | 1 | 15-20 | |||
116. | Kellner, Herbert Anton | Considering the Tempering Tonality B-Major in Well-Tempered Clavier II. | Bach | 30 | 1 | 10-25 | |||
117. | Schulenberg, David | C.P.E. Bach and Handel: A Son of Bach Confronts Music History and Criticism. | Bach | 23 | 2 | 5-30 | |||
118. | Corrao, Timothy | C. P. E. Bach's Clavier Quartet in A Minor, Wotquenne 93, Part I. | Bach | 12 | 4 | 17-21 | |||
119. | Corrao, Timothy | C. P. E. Bach's Clavier Quartet in A Minor, Wotquenne 93, Part II. | Bach | 13 | 2 | 23-27 | |||
120. | Corneilson, Paul | C. P. E. Bach's Evangelist: Johann Heinrich Michel. | Bach | 41 | 2 | 1-23 | |||
121. | Baumgartner, Nicholas | Currents in Bach Interpretation in Contemporary Germany. | Bach | 30 | 2 | 1-26 | |||
122. | Currie, Randolph N. | Cyclic Unity in Bach's Sechs Chorale: A New Look at the 'Schüblers,' Part I. Notizbuch für studenten. | Bach | 4 | 1 | 26-38 | |||
123. | Currie, Randolph N. | Cyclic Unity in Bach's Sechs Chorale: A New Look at the 'Schüblers,' Part II. Notizbuch für Studenten. | Bach | 4 | 2 | 25-39 | |||
124. | David, Hans T. | Deceptive Performance Traditions. (1926) (English Translation by Alfred Mann.) [repr. of Bach xxi/2 (Summer 1990)] | Bach | 25 | 2 | 36-53 | |||
125. | David, Hans T. | Deceptive Performance Traditions. (1926) English Translation by Alfred Mann. | Bach | 21 | 2 | 15-22 | |||
126. | Greer, Mary | 'Denn er ist unser Friede' ['For He is our peace']: The Significance of the Marking 'Due Chori in unisono' in the Autograph Score of J. S. Bach's St. Matthew Passion. | Bach | 45 | 1 | 44-89 | |||
127. | Steiger, Renate | Dialogue Structures in J. S. Bach's Cantatas: The Basic Form of Worship as a Model for Artistic Shaping. Trans. by Greta Konradt. | Bach | 33 | 2 | 35-70 | |||
128. | Badura-Skoda, Eva | Did J. S. Bach Compose 'Pianoforte Concertos'? | Bach | 31 | 1 | 1-16 | |||
129. | Varwig, Bettina | Distributed Listening: Aural Encounters with J. S. Bach's Sacred Cantatas. Listening to and Performing Bach. | Bach | 51 | 2 | 210-240 | |||
130. | Cortens, Evan | 'Durch die Music gleichsam lebendig vorgestellet': Graupner, Bach, and Mein Herz schwimmt im Blut. | Bach | 46 | 1 | 74-110 | |||
131. | Music, David W. | Early Bach Publications in United States: Tune Books and Hymnals. | Bach | 47 | 2 | 47-76 | |||
132. | Jerold, Beverly | Editorial Decisions for Ornaments in Bach's Works. | Bach | 33 | 2 | 1-14 | |||
133. | Fuhrmann, Christina | Editorial: Tribute to Dr. Elinore L. Barber. | Bach | 51 | 1 | 1-4 | |||
134. | Greer, Mary | Embracing Faith: The Duet as Metaphor in Selected Sacred Cantatas by J. S. Bach. | Bach | 34 | 1 | 1-71 | |||
135. | Baumgartner, Nicholas | European Bach Interpretation at the Turn of the Millennium. | Bach | 33 | 1 | 1-56 | |||
136. | Schulze, Hans-Joachim | Ey! How Sweet the Coffee Tastes: Johann Sebastian Bach's Coffee Cantata in its Time. Trans. by Alfred Mann. [BWV 211] | Bach | 32 | 2 | 1-34 | |||
137. | Schulze, Hans-Joachim | 'Ey! Wie schmeckt der Coffee süsse': Johann Sebastian Bachs Kaffee-Kantate in ihrer Zeit. Facsimile reproduction - Leipzig: Verlag für die Frau, 1985. [BWV 211] | Bach | 32 | 2 | 36-117 | |||
138. | Barber, Elinore | [Facsimile of biographical entry of H. N. Gerber in his son's Historisch-Biographisches Lexicon der Tonkunstler, 1790] | Bach | 15 | 1 | 28-34 | |||
139. | Chobanian, Loris Ohannes (ed.) | FANTASIA For Organ Duo / 'Bach - Riemenschneider' [Special insert] | Bach | 44 | 2 | 21p | |||
140. | Jerold, Beverly | Fasch and the Beginning of Modern Artistic Choral Singing. | Bach | 35 | 1 | 61-86 | |||
141. | Wissner, Reba A. | First Mathematics, Then Music: J. S. Bach, Glenn Gould, and the Evolutionary Supergenius in The Outer Limits' 'The Sixth Finger' (1963). Bach on Screen. | Bach | 50 | 1 | 63-80 | |||
142. | Oleskiewicz, Mary | 'For the Church as Well as For the Orchestra': J.S. Bach, the Missa, and the Dresden Court, 1700-1750. | Bach | 38 | 2 | 1-38 | |||
143. | Rogal, Samuel J. | For the Love of Bach: The Charles Burney - Samuel Wesley Correspondence. | Bach | 23 | 1 | 31-37 | |||
144. | Butler, Lynn Edwards | Four Sources Relating to Bach, Organ Builder Johann Scheibe, and the Organs in Zschortau and Stötteritz. | Bach | 44 | 2 | 1-5 | |||
145. | Dadelsen, Georg von | Friedrich Smend's Edition of the B-minor Mass by J. S. Bach. Trans. by James A. Brokaw II. | Bach | 20 | 2 | 49-74 | |||
146. | Collins, Denis | From Bull to Bach: In Search of Precedents for the 'Complete' Version of the Canon by Augmentation and Contrary Motion in J. S. Bach's Musical Offering. | Bach | 38 | 2 | 39-63 | |||
147. | Botwinick, Sara | From Ohrdruf to Mühlhausen: A Subversive Reading of Bach's Relationship to Authority. Errata in Bach xxxvi/2 (2005), p.123. | Bach | 35 | 2 | 1-59 | |||
148. | Serebrennikov, Maxim | From Partimento Fugue to Thoroughbass Fugue: New Perspectives. | Bach | 40 | 2 | 22-43 | |||
149. | Plank, Dana | From the Concert Hall to the Console: Three 8-Bit Translations of the Toccata and Fugue in D Minor. Bach on Screen. [BWV 565] | Bach | 50 | 1 | 32-62 | |||
150. | Smith, Timothy A. | Fugues Without Words: A Hearing of Four Fugues from The Well-Tempered Clavier as Passion Music. | Bach | 40 | 2 | 44-65 | |||
151. | Boe, John | Fully Notated Articulation in Bach's Mature Keyboard Music. | Bach | 7 | 1 | 12-19 | |||
152. | Boe, John | Fully Notated Articulation in Bach's Mature Keyboard Music -- Part II. | Bach | 7 | 2 | 14-22 | |||
153. | Leaver, Robin A. | Further Thoughts on B-A-C-H. | Bach | 2 | 4 | 36-37 | |||
154. | Dirksen, Pieter | Georg Böhm's Keyboard Music> Questions of Authorship and Connections with the Music of J. S. Bach. | Bach | 48 | 2 and 49/1 | 93-115 | |||
155. | George Kochevitsky Speaks Concerning the Performance of Early Music. (1972-1976) | Bach | 25 | 2 | 54-58 | ||||
156. | Mann, Alfred | Gerhard Herz (September 24, 1911--September 3, 2000). | Bach | 32 | 1 | 77-78 | |||
157. | Crean, Elise | G. H. Stölzel's Practischer Beweiss: A Hitherto Unconsidered Source for J. S. Bach's Fourteen Canons. | Bach | 40 | 2 | 1-21 | |||
158. | Kupfer, Peter | 'Good Hands': The Music of J. S. Bach in Television Commercials. Bach on Screen. | Bach | 50 | 2 | 275-302 | |||
159. | Collins, Timothy A. | Gottfried Reiche: A More Complete Biography. | Bach | 19 | 3 | 4-18 | |||
160. | Koopman, Ton | Gustav Leonhardt as a Teacher. | Bach | 48 | 2 and 49/1 | 44-47 | |||
161. | Barber, Elinore | Hans Theodore David: 'A Portrait in Outline'. | Bach | 1 | 3 | 25-29 | |||
162. | Carrier-McClimon, Carolyn | Hearing the 'Töne eines Passionliedes' in J. S. Bach's Christmas Oratorio: The Nineteenth-Century Critical Reception of BWV 248. | Bach | 45 | 2 | 34-67 | |||
163. | David, Hans T. | Hebrew Letters in Polyphonic Settings by Christian Composers. | Bach | 2 | 2 | 6-17 | |||
164. | Öhm-Kühnle, Christoph | Heinrich Nikolaus Gerber's Rediscovered Manuscript of Johann Sebastian Bach's Suite in E Minor (BWV 996): A Copy of Bach's Hitherto Unknown Revised Version. [An expanded English translation of 'Zum Notentext der Suite e-Moll (BWV 996)--Eine textkritische Untersuchung der Abschrift von Heinrich Nikolaus Gerber,' BachJb xcii (2006), pp.295-302] | Bach | 38 | 1 | 45-66 | |||
165. | Radice, Mark A. | Heinrich Schütz and the Foundations of the Stile Recitativo in Germany. | Bach | 16 | 4 | 9-23 | |||
166. | Leaver, Robin A. | Heinrich Schütz as a Biblical Interpreter. [repr. of Bach iv/3 (Jul 1973)] | Bach | 16 | 4 | 4-8 | |||
167. | Leaver, Robin A. | Heinrich Schütz as a Biblical Interpreter. | Bach | 4 | 3 | 3-8 | |||
168. | Heinrich, Adel | Heretofore Unpublished Conclusions for the 'Incomplete' Quadruple Fugue (Die Kunst der Fuge) Project. Part I: Adel Heinrich's 1986 Contribution. | Bach | 17 | 4 | 30-41 | |||
169. | Collins, Denis | Historical Precedents for Bach's Evolutio Canon BWV 1087/10. | Bach | 24 | 1 | 5-14 | |||
170. | Leaver, Robin A. | History Past and Present: Celebrating Two Milestones of the Bach Choir of Bethlehem. | Bach | 51 | 1 | 122-138 | |||
171. | Siegele, Ulrich | 'I had to be industrious...'. Thoughts about the relationship between Bach's social and musical character. (Translated by Gerhard Herz) | Bach | 22 | 2 | 5-12 | |||
172. | Sorrell, Jeannette | Imagination on Fire: A Remembrance of Gustav Leonhardt. | Bach | 48 | 2 and 49/1 | 13-20 | |||
173. | Cole, Warwick | Improvisation as a Stimulus to Composition in Bach's Partita II. [BWV 826] | Bach | 31 | 1 | 96-112 | |||
174. | Kennelly, Laura | In Memoriam: Elinore Louise Barber (June 3, 1919-March 26, 2013) | Bach | 44 | 1 | 134 | |||
175. | Franklin, Don O. | In Memoriam: Martin Petzoldt (13 April 1946--13 March 2015). | Bach | 46 | 1 | 1 | |||
176. | Goldstein, Michael | In Tokyo: A Little-Known Bach Autograph. [BWV 1006a] (Translated from the German by George A. Kochevitsky of New York City.) | Bach | 9 | 2 | 33-36 | |||
177. | Fülöp, Rebecca | Introduction. Bach on Screen. | Bach | 50 | 1 | 1-4 | |||
178. | Inman, Samantha M. | Introduction to Graduate Theory: Teaching Tonal Hierarchy through Bach. Roundtable: Bach in the Music Theory Classroom | Bach | 49 | 2 | 345-364 | |||
179. | Fairleigh, James P. | Italian Prototypes of the Baroque Ritornello. | Bach | 14 | 3 | 2-11 | |||
180. | Faulkner, Quentin | Jacob Adlung's 'Musica Mechanica Organoedi' and the 'Bach Organ'. | Bach | 21 | 1 | 42-59 | |||
181. | Harriss, Ernest C. | J. F. Agricola's Anleitung zur Singkunst: A Rich Source by a Pupil of J. S. Bach. | Bach | 9 | 3 | 2-8 | |||
182. | Butler, Lynn Edwards | Johann Christoph Bach's New Organ for Eisenach's Georgenkirche. | Bach | 35 | 1 | 42-60 | |||
183. | Radice, Mark A. | Johann Mattheson and the Stylus Narrativus. | Bach | 18 | 3 | 3-9 | |||
184. | Schenkman, Walter | Johann Mattheson's Organisten-Probe: Erlaeuterungen, A Translation, Part I. | Bach | 12 | 4 | 10-16 | |||
185. | Braunlich, Helmut | Johann Peter Kellner's Copy of the Sonatas and Partitas for Violin Solo by J. S. Bach. | Bach | 12 | 2 | 2-10 | |||
186. | Crist, Stephen A. | Johann Philipp Bach and the Aria Scotese con Variazzione: Twilight of the Bach Dynasty? BACH and the Riemenschneider Bach Institute. | Bach | 51 | 2 | 186-209 | |||
187. | Jerold, Beverly | Johann Philipp Kirnberger and the Bach Chorale Settings. | Bach | 45 | 1 | 34-43 | |||
188. | Ahrens, Christian | Johann Sebastian Bach and The 'New Gusto' In Music Around 1740. Trans. by Sabine Thomas and Melvin Unger. | Bach | 33 | 1 | 69-83 | |||
189. | Ishii, Akira | Johann Sebastian Bach, Carl Philipp Emanuel Bach, and Johann Jacob Froberger: The Dissemination of Froberger's Contrapuntal Works in Late Eighteenth-Century Berlin. | Bach | 44 | 1 | 46-133 | |||
190. | Kroeger, Karl | Johann Sebastian Bach in Nineteenth-Century America. | Bach | 22 | 1 | 33-42 | |||
191. | Hirsch, Artur | Johann Sebastian Bach's Cantatas in Chronological Order. See also 'A Clarification' in Bach iv/4 (1973), p.36. | Bach | 4 | 3 | 18-35 | |||
192. | David, Hans T. | Johann Sebastian Bach's Great Mass. A Brief Introduction to the Ground Plan Charts and Illustrations. | Bach | 2 | 1 | 29-32 | |||
193. | Rathey, Markus | Johann Sebastian Bach's Passions: Recent Publications and Trends in Current Scholarship. | Bach | 43 | 1 | 65-83 | |||
194. | Leaver, Robin A. | Johann Sebastian Bach: Theological Musician and Musical Theologian. | Bach | 31 | 1 | 17-33 | |||
195. | Tatlow, Ruth | J. S. Bach and the Baroque Paragram: A Reappraisal of Friedrich Smend's Number-Alphabet Theory. (c) Oxford University Press 1989. With amendments from Music and Letters, Vol.70, No. 2 (May 1989), pp. 191-205. | Bach | 20 | 3 | 15-33 | |||
196. | Appel, Richard G. | J. S. Bach and the Bay Psalm Book. | Bach | 1 | 3 | 22-24 | |||
197. | Barber, Elinore | J. S. Bach and The Critics. | Bach | 2 | 3 | 4-6 | |||
198. | Barber, Elinore | J. S. Bach in the Year of the Moon. | Bach | 1 | 1 | 3-5 | |||
199. | Baumgartner, Michael | J. S. Bach, Jean-Luc Godard, and the Reimagining of the Immaculate Conception in Hail Mary (1985). Bach on Screen. | Bach | 50 | 2 | 175-219 | |||
200. | Leaver, Robin A.; Remeš, Derek | J. S. Bach's Chorale-Based Pedagogy: Origins and Continuity. | Bach | 48 | 2 and 49/1 | 116-150 | |||
201. | Butler, Gregory G. | J. S. Bach's Einige Canonische Veraenderungen: The View from the Original Print. | Bach | 20 | 2 | 4-37 | |||
202. | Bates, William H. | J. S. Bach's Fantasy and Fugue in G Minor, BWV 542: A Source Study for Organists. | Bach | 39 | 2 | 1-89 | |||
203. | Herford, Julius | J. S. Bach's Fugue II in C Minor (The Well-Tempered Clavier, Book 1): An Analysis. [Headings: The Fugue Theme; The Form as a Whole; Ternary Devision; Binary Division; The Metrical Structure of the Whole] | Bach | 4 | 3 | 36-40 | |||
204. | Butler, Gregory G. | J. S. Bach's 'Hudemann' Canon, BWV 1074: A Note on the Engraving and Printing History. | Bach | 25 | 1 | 5-10 | |||
205. | Peters, Mark A. | J. S. Bach's Meine Seel' erhebt den Herren (BWV 10) as Chorale Cantata and Magnificat Paraphrase. | Bach | 43 | 1 | 29-65 | |||
206. | Barber, Elinore | J. S. Bach: Suite 4 à Violoncello Solo -- A Manuscript Copy in the Hand of Anna Magdalena Bach; Doris Ornstein's Harpsichord Transcription of BWV 1010. Errata is published in Bach xxx/1 (1999), 65-66. | Bach | 29 | 1 | 38-76 | |||
207. | Kellner, Herbert Anton | Kepler, Bach, and Gauss: The Celestial Harmony of the Earth's Motion. | Bach | 25 | 1 | 46-56 | |||
208. | Leaver, Robin A. | Leipzig's Rejection of J. S. Bach, Part I. | Bach | 3 | 3 | 27-39 | |||
209. | Leaver, Robin A. | Leipzig's Rejection of J. S. Bach, Part II. | Bach | 3 | 4 | 3-7 | |||
210. | Butt, John | Leonhardt's Role in the Invention of Historically Informed Performance. | Bach | 48 | 2 and 49/1 | 9-12 | |||
211. | Leaver, Robin A. | Letter Codes Relating to Pitch and Key for Chorale Melodies and Bach's Contributions to the Schemelli Gesangbuch. | Bach | 45 | 1 | 15-33 | |||
212. | Leaver, Robin A. | List of the Settings of Bible Texts in the Works of Heinrich Schütz. | Bach | 4 | 3 | 8-12 | |||
213. | Leaver, Robin A. | List of the Settings of Bible Texts in the Works of Heinrich Schütz. [repr. of Bach iv/3 (Jul 1973)] | Bach | 16 | 4 | 24-31 | |||
214. | Schweitzer, Albert | Litterae ab musicis. [Letter to Elinore Barber] | Bach | 2 | 2 | 20-21 | |||
215. | David, Hans T. | Litterae ab musicis. Hans David Disclaims the Authenticity of a 'Bach Holograph'. | Bach | 1 | 4 | 31-32 | |||
216. | David, Hans T. | Litterae ab musicis: Hans T. David Writes Concerning The Editing of Early Music. | Bach | 2 | 3 | 17-20 | |||
217. | David, Hans T. | Litterae ab musicis. [Letter to Alfred Einstein] [BWV 1079, 1080] | Bach | 2 | 1 | 33-34 | |||
218. | Spitta, Philipp | Litterae ab musicis. [Letter to an unnamed addressee in Vienna dated 2 Feb.1871] Trans. by Walter Winzenburg. | Bach | 3 | 1 | 22-26 | check pp | ||
219. | Dupré, Marcel | Litterae ab musicis. Marcel Dupre Writes to Albert Riemenschneider. | Bach | 3 | 2 | 31-32 | |||
220. | Herz, Gerhard | Lombard Rhythm in the Domine Deus of Bach's B minor Mass: An Old Controversy Resolved. | Bach | 8 | 1 | 3-11 | |||
221. | Sanchez-Behar, Alexander | Looking Forward, Looking Back: Reconsidering the Study of J. S. Bach's Chorales in the Undergraduate Curriculum. Roundtable: Bach in the Music Theory Classroom | Bach | 49 | 2 | 330-344 | |||
222. | Ambrose, Jane | Madness and Music: Handel's Porphyric Patron, George III. | Bach | 27 | 1 | 57-65 | |||
223. | Greer, Mary | Masonic Allusions in the Dedications of two Canons by J. S. Bach: BWV 1078 and 1075. | Bach | 43 | 2 | 1-45 | |||
224. | Rathey, Markus | Memory, Morals, and Contemplation in Leipzig Passion Texts from the 1720s: A New Perspective on J. S. Bach's St. John Passion from 1724. | Bach | 51 | 1 | 44-69 | |||
225. | Ebata, Nobuaki; Tomita, Yo; Mills, Ian | Mendelssohn and The Schübler Chorales (BWV 645-650): A New Source found in the Riemenschneider Bach Institute Collection. In Memory of Yoshitake Kobayashi. | Bach | 44 | 1 | 1-45 | |||
226. | Winzenburger, Walter P. | Meter and Tempo Indications in Music of the Early Baroque. | Bach | 3 | 1 | 13-21 | |||
227. | Mann, Alfred | Missa Brevis and Historia: Bach's A-Major Mass. | Bach | 16 | 1 | 6-11 | |||
228. | Smith, Timothy A. | More Evidence of Numeral-Logical Design in Bach's St.Matthew Passion. | Bach | 17 | 2 | 24-30 | |||
229. | Kochevitsky, George A. | More on Articulation in J. S. Bach's Keyboard Music. From Our Readers. | Bach | 8 | 1 | 25-29 | |||
230. | Espinosa, Alma | More on the Figured-bass Accompaniment in Bach's Time: Friedrich Erhard Niedt and The Musical Guide. | Bach | 12 | 1 | 13-22 | |||
231. | Marissen, Michael | More Source-Critical Research on J. S. Bach's Musical Offering. | Bach | 25 | 1 | 11-27 | |||
232. | Ellis, Mark | Motif and Structure in Bach's Fifth Prelude. | Bach | 37 | 1 | 1-25 | |||
233. | Wolff, Christoph | Musical Forms and Dramatic Structure in Bach's St. Matthew Passion. | Bach | 19 | 1 | 6-20 | |||
234. | Benitez, Vincent P. | Musical-Rhetorical Figures in the Orgelbüchlein of J. S. Bach. [BWV 606, 614, 615, 625, 637, 644] | Bach | 18 | 1 | 3-21 | |||
235. | Collins, Denis | Musical Terminology in the Canonic Works of Bach: An Historical Context. | Bach | 26 | 1-2 | 91-101 | |||
236. | Payne, Thomas B. | Musical Terminology in the Contrapuntal and Canonic Works of J. S. Bach. [BWV 769, 1087] | Bach | 17 | 1 | 18-35 | |||
237. | David, Hans T. | Music History - A Teaching, Learning, Performing Experience. Notizbuch für Studenten. | Bach | 2 | 3 | 28-32 | |||
238. | Leaver, Robin A. | New Light on the Pre-History of The Bach Choir of Bethlehem. | Bach | 22 | 2 | 24-34 | |||
239. | Franklin, Don O. | Notational and Performance Issues in J. S. Bach's Preludes and Fugues for Organ. Listening to and Performing Bach. | Bach | 51 | 2 | 241-258 | |||
240. | Ambrose, Jane | Notations on Mattheson's Der Brauchbare Virtuoso. | Bach | 17 | 3 | 3-9 | |||
241. | Ambrose, Jane | Notations on Mattheson's Der brauchbare Virtuoso. (1986) [repr. of Bach xvii/3 (Jul 1986)] | Bach | 25 | 2 | 91-98 | |||
242. | Noehren, Robert | Notes on Bach and the Organ of his Time. [updated repr. of Bach vi/2 (Apr 1975)] | Bach | 26 | 1-2 | 70-83 | |||
243. | Noehren, Robert | Notes on Bach and the organ of his Time. [repr. of Bach vi/2 (Apr 1975)] | Bach | 16 | 1 | 69-80 | |||
244. | Noehren, Robert | Notes on Bach and the Organ of his Time. | Bach | 6 | 2 | 3-14 | |||
245. | Livingstone, Ernest | Notes on the Art of Fugue: A Fragment. | Bach | 28 | 1-2 | 82-86 | |||
246. | Leaver, Robin A. | Number Associations in the Structure of Bach's Credo, BWV 232. | Bach | 7 | 3 | 17-24 | |||
247. | Hirsch, Artur | Number Symbolism in Bach's First Cantata Cycle: 1723-1724 -- Part I. | Bach | 6 | 3 | 11-19 | |||
248. | Hirsch, Artur | Number Symbolism in Bach's First Cantata Cycle: 1723-1724 -- Part II. | Bach | 6 | 4 | 14-19 | |||
249. | Hirsch, Artur | Number Symbolism in Bach's First Cantata Cycle: 1723-1724 -- Part III. | Bach | 7 | 1 | 27-32 | |||
250. | Boer, Bertil H. van, Jr. | Observations on Bach's Use of the Horn. | Bach | 11 | 3 | 9-23 | |||
251. | Boer, Bertil Herman van Jr. | Observations on Bach's Use of the Horn. | Bach | 11 | 2 | 21-28 | |||
252. | Wollny, Peter | Observations on the Autograph of the B-Minor Mass. Trans. James Brokaw, II. | Bach | 47 | 2 | 27-46 | |||
253. | Collins, Timothy | Observations on the Origins and Influences Leading to Bach's Idiomatic Writing for the Trumpet in Grosser Herr o starker König from the Christmas Oratorio. Notizbuch für Studenten. | Bach | 17 | 2 | 31-45 | |||
254. | Serebrennikov, Maxim | Once Again on the Authorship of BWV 907 and BWV 908. | Bach | 44 | 2 | 52-66 | |||
255. | Jerold, Beverly | [On Gertrud Schmeling Mara.] Letter to the Editor. | Bach | 36 | 2 | 120-122 | |||
256. | Marissen, Michael | On Linking Bach's F-Major Sinfonia and his Hunt Cantata. [BWV 208, 1046a] | Bach | 23 | 2 | 31-46 | |||
257. | Hoag, Melissa | On Relevance and Repertoire in the Eighteenth-Century Counterpoint Classroom Roundtable: Bach in the Music Theory Classroom | Bach | 49 | 2 | 388-401 | |||
258. | Clement, Albert | On the Inner Correlation of the Six Chorales BWV 645-650 and its Significance. | Bach | 34 | 2 | 1-62 | |||
259. | Jenne, Natalie | On the Performance of Keyboard Allemandes. | Bach | 10 | 2 | 13-30 | |||
260. | Paczkowski, Szymon | On the Problems of Parody and Style in the 'Et resurrexit' from the Mass in B minor by Johann Sebastian Bach. | Bach | 37 | 2 | 1-44 | |||
261. | Wentz, Jed | On the Protestant Roots of Gustav Leonhardt's Performance Style. | Bach | 48 | 2 and 49/1 | 48-92 | |||
262. | Adams, Courtney S. | Organization in the Two-Part Inventions of Johann Sebastian Bach, Part I. | Bach | 13 | 2 | 6-16 | |||
263. | Adams, Courtney S. | Organization in the Two-Part Inventions of Johann Sebastian Bach, Part II. | Bach | 13 | 3 | 12-19 | |||
264. | Leaver, Robin A. | Parody and Theological Consistency: Notes on Bach's A-Major Mass. | Bach | 21 | 3 | 30-43 | |||
265. | Krenek, Ernst | Parvula Corona Musicalis. | Bach | 2 | 4 | 18-31 | |||
266. | Parvula Corona Musicalis by Ernst Krenek: The Composer's Autograph Manuscript and Explanations. | Bach | 27 | 1 | 66-85 | ||||
267. | Kochevitsky, George A. | Performing Bach's Keyboard Music: Articulation. See also 'A Correction', Bach iv/1 (1973), p.36. | Bach | 4 | 1 | 21-25 | |||
268. | Kochevitsky, George A. | Performing Bach's Keyboard Music: Dynamics. A Postscript. | Bach | 7 | 1 | 3-11 | |||
269. | Kochevitsky, George A. | Performing Bach's Keyboard Music -- Embellishments. Part I | Bach | 5 | 3 | 37-40 | |||
270. | Kochevitsky, George A. | Performing Bach's Keyboard Music -- Embellishments. Part I (Continued). [Headings: Bach's 'Table of Ornaments'; Ornamental Differences in Various Bach Editions] [Contents' page says 'Part II' instead of 'Part I (Continued)'] | Bach | 5 | 4 | 25-30 | |||
271. | Kochevitsky, George A. | Performing Bach's Keyboard Music -- Embellishments, Part III, The Trill. Errata in Bach vi/3 (July 1975), p.40. | Bach | 6 | 1 | 24-35 | |||
272. | Kochevitsky, George A. | Performing Bach's Keyboard Music -- Embellishments, Part IV, The Appoggiatura. | Bach | 6 | 2 | 27-40 | |||
273. | Kochevitsky, George A. | Performing Bach's Keyboard Music -- Embellishments, Part V, Acciaccaturas and Broken Chords. Part VI, Mordents and Inverted Mordents. | Bach | 6 | 3 | 20-35 | |||
274. | Kochevitsky, George A. | Performing Bach's Keyboard Music -- Embellishments, Part VII, The Turn and the Slide. Part VIII, Compound Ornaments. Part IX, Additional Remarks. | Bach | 6 | 4 | 23-29 | |||
275. | Kochevitsky, George A. | Performing Bach's Keyboard Music -- Notes Inégales: A Brief History and a Summary. [Headings: Origins and Definitions; Renewed Interest in the Problem; Bach and the Techniques of Inequality; Conclusions and Suggestions] | Bach | 4 | 4 | 27-35 | |||
276. | Kochevitsky, George A. | Performing Bach's Keyboard Music -- Phrasing. | Bach | 3 | 4 | 28-32 | |||
277. | Kochevitsky, George A. | Performing Bach's Keyboard Music: Tempo. | Bach | 4 | 2 | 22-24 | |||
278. | Kochevitsky, George A. | Performing Bach's Keyboard Music -- The Choice of an Instrument. | Bach | 3 | 2 | 33-37 | |||
279. | Mendel, Arthur | Persönliches zur Geschichte der Jüngeren Bach-Forschung. ('A Personal Message Concerning the History of Recent Bach Scholarship') | Bach | 20 | 3 | 6-14 | |||
280. | Jerold, Beverly | Pitch in the Vocal Works of J. S. Bach. | Bach | 31 | 1 | 74-95 | |||
281. | Sampsell, Gary | Popular Music in the Time of J. S. Bach: The Leipzig Mandora Manuscript. | Bach | 48 | 1 | 1-35 | |||
282. | Schenkman, Walter | Portrait of Mattheson, the Editor, Together with His Correspondents. (1978-1979) [repr. of Bach ix/4 (Oct 1978), x/1 (Jan 1979) and x/2 (Apr 1979)] | Bach | 25 | 2 | 63-90 | |||
283. | Schenkman, Walter | Portrait of Mattheson, the Editor, Together with His Correspondents, Part I. | Bach | 9 | 4 | 2-10 | |||
284. | Schenkman, Walter | Portrait of Mattheson, the Editor, Together with His Correspondents, Part II. | Bach | 10 | 1 | 3-12 | |||
285. | Schenkman, Walter | Portrait of Mattheson, the Editor, Together with His Correspondents, Part III. | Bach | 10 | 2 | 2-8 | |||
286. | Krenek, Ernst | Postscript to the 'Parvula Corona' | Bach | 3 | 3 | 21-26 | |||
287. | Szabó, Zoltán | Precarious Presumptions and the 'Minoritz Report': Revisiting the primary sources of the Bach Cello Suites. | Bach | 45 | 2 | 1-33 | |||
288. | Milka, Anatoly [Milka, Anatolij Pavloviè] | Preface to the Facsimile Reproduction of the Original Edition of Gottfried Kirchhoff's L'A.B.C. Musical: Contenant des Preludes et des Fugues les Tons Pour l'Orgue, ou le Clavecin Fort utile aux disciples pour aprendre a accompagner de la Basse Continue et a faire des Preludes et des Fugues. Amsterdam, c.1734. | Bach | 42 | 2 | 1-39 | Latin 2 | ||
289. | Ganz, Beatrice | Problems of Articulation in Baroque Keyboard Music (At the Piano or Organ). [A lecture in series 'Information and Experimentation' at the Basel Music Academy, January 18, 1975.] | Bach | 7 | 2 | 3-13 | |||
290. | Tomita, Yo | Psalm and the Well-Tempered Clavier II: Revisiting the Old Question of Bach's Source of Inspiration. | Bach | 32 | 1 | 17-43 | |||
291. | Barber, Elinore | Questions to the Editor. [BWV 620, 1003] | Bach | 2 | 2 | 24-26 | |||
292. | Barber, Elinore | Questions to the Editor. [BWV 201] | Bach | 2 | 1 | 38-41 | |||
293. | Barber, Elinore | Questions to the Editor. | Bach | 2 | 3 | 25-27 | |||
294. | Barber, Elinore | Questions to the Editor. [BWV 769] | Bach | 2 | 4 | 32-35 | |||
295. | Barber, Elinore | Questions to The Editor [Part I]. [WK1, BWV 244] | Bach | 1 | 1 | 19-22 | |||
296. | Barber, Elinore | Questions to the editor [Part II]. | Bach | 1 | 2 | 21-25 | |||
297. | Barber, Elinore | Questions to the Editor. [Part III]. | Bach | 1 | 3 | 45-47 | |||
298. | Barber, Elinore | Questions to the Editor. [Part IV.] | Bach | 1 | 4 | 35-40 | |||
299. | Franklin, Don O. | Reading Bachäs Notation: A Guide to the Temporal Structure of the 1733 Missa. | Bach | 48 | 1 | 76-92 | |||
300. | Brokaw, James A., II | Recent Research on the Sources and Genesis of Bach's Well-tempered Clavier, Book II. | Bach | 16 | 3 | 17-35 | |||
301. | Elferen, Isabella van | 'Recht bitter und doch süße': Textual and Musical Expression of Mystical Love in German Baroque Meditations of Christ's Passion. | Bach | 35 | 1 | 1-28 |
Search terminated at maximum, narrow your query!