Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Chobanian, Loris Ohannes (ed.) | FANTASIA For Organ Duo / 'Bach - Riemenschneider' [Special insert] |
Bach |
44 | 2 | 2013 |
21p |
|
| 2. | Butler, Lynn Edwards | Four Sources Relating to Bach, Organ Builder Johann Scheibe, and the Organs in Zschortau and Stötteritz. |
Bach |
44 | 2 | 2013 |
1-5 |
|
| 3. | Kennelly, Laura | In Memoriam: Elinore Louise Barber (June 3, 1919-March 26, 2013) |
Bach |
44 | 1 | 2013 |
134 |
|
| 4. | Ishii, Akira | Johann Sebastian Bach, Carl Philipp Emanuel Bach, and Johann Jacob Froberger: The Dissemination of Froberger's Contrapuntal Works in Late Eighteenth-Century Berlin. |
Bach |
44 | 1 | 2013 |
46-133 |
|
| 5. | Ebata, Nobuaki; Tomita, Yo; Mills, Ian | Mendelssohn and The Schübler Chorales (BWV 645-650): A New Source found in the Riemenschneider Bach Institute Collection. In Memory of Yoshitake Kobayashi. |
Bach |
44 | 1 | 2013 |
1-45 |
|
| 6. | Serebrennikov, Maxim | Once Again on the Authorship of BWV 907 and BWV 908. |
Bach |
44 | 2 | 2013 |
52-66 |
|
| 7. | Grant, Jason B. | The Origins of the Aria 'Ich folge dir, verklärter Held' and the Recurring Chorus 'Triumph!' from the Oratorio Die Auferstehung und Himmelfahrt Jesu by Carl Philipp Emanuel Bach. Errata in Bach xlv/1 (2014), pp.101-103 |
Bach |
44 | 2 | 2013 |
6-24 |
|
| 8. | Lee, Kayoung | The Reception of Bach's Music in Korea from 1900 to 1945. |
Bach |
44 | 2 | 2013 |
25-51 |
|