Bach Bibliography
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1. An aspect of harmony in music of Johann Sebastian Bach. A paper read at Fifth International Symposium 'Understanding Bach through Science, Art and Criticism', Oxford, 17-18 December 2001 organised by Tureck Bach Research Foundation, Faculty of Music, Oxford University [p]IS_Oxford Dec 2001
2. Bach and the Dance. A paper read at Fifth International Symposium 'Understanding Bach through Science, Art and Criticism', Oxford, 17-18 December 2001 organised by Tureck Bach Research Foundation, Faculty of Music, Oxford University. [p]IS_Oxford Dec 2001
3. Bach: Forerunner of the Future through Exploration of the Potential of Learned and Natural Schemata. A paper read at Fifth International Symposium Understanding Bach through Science, Art and Criticism', Oxford, 17-18 December 2001 organised by Tureck Bach Research Foundation, Faculty of Music, Oxford University. [p]IS_Oxford Dec 2001
4. Bach in mind. A paper read at Fifth International Symposium 'Understanding Bach through Science, Art and Criticism', Oxford, 17-18 December 2001 organised by Tureck Bach Research Foundation, Faculty of Music, Oxford University. [p]IS_Oxford Dec 2001
5. Bach's Musical Complexity Viewed from a Lieterary Perspective. A paper read at Fifth International Symposium 'Understanding Bach through Science, Art and Criticism', Oxford, 17-18 December 2001 organised by Tureck Bach Research Foundation, Faculty of Music, Oxford University. [p]IS_Oxford Dec 2001
6. Bach's Music and Newtonian Science: Historical Observations and Analytical Explanations. A paper read at Fifth International Symposium 'Understanding Bach through Science, Art and Criticism', Oxford, 17-18 December 2001 organised by Tureck Bach Research Foundation, Faculty of Music, Oxford University. [p]IS_Oxford Dec 2001
7. Bach, the Postmodern Mindset and Scholarship Today. A paper read at Fifth International Symposium 'Understanding Bach through Science, Art and Criticism', Oxford, 17-18 December 2001 organised by Tureck Bach Research Foundation, Faculty of Music, Oxford University. [p]IS_Oxford Dec 2001
8. Big boys do cry: The lachrymose in J. S. Bach. A paper read at Fifth International Symposium 'Understanding Bach through Science, Art and Criticism', Oxford, 17-18 December 2001 organised by Tureck Bach Research Foundation, Faculty of Music, Oxford University. [p]IS_Oxford Dec 2001
9. Computational creativity and the study of musical composition. A paper read at Fifth International Symposium 'Understanding Bach through Science, Art and Criticism', Oxford, 17-18 December 2001 organised by Tureck Bach Research Foundation, Faculty of Music, Oxford University. [p]IS_Oxford Dec 2001
10. Discovery and Invention in Science and Music. A paper read at Fifth International Symposium 'Understanding Bach through Science, Art and Criticism', Oxford, 17-18 December 2001 organised by Tureck Bach Research Foundation, Faculty of Music, Oxford University. [p]IS_Oxford Dec 2001
11. Empirical approaches to the study of (Bach) performance. A paper read at Fifth International Symposium 'Understanding Bach through Science, Art and Criticism', Oxford, 17-18 December 2001 organised by Tureck Bach Research Foundation, Faculty of Music, Oxford University. [p]IS_Oxford Dec 2001
12. Motion in Music: Perspectives of Movement and Time in Musical Interpretation. A paper read at Fifth International Symposium 'Understanding Bach through Science, Art and Criticism', Oxford, 17-18 December 2001 organised by Tureck Bach Research Foundation, Faculty of Music, Oxford University. [p]IS_Oxford Dec 2001
13. Pre-compositional ordering in Bach's B Minor Mass. a paper given at the colloquium 'Bach's B Minor Mass: Perspectives on its music and history' in the Holywell Music Room, Oxford, 19 December 2000 [p]IS_Oxford Dec 2000
14. The Impossible Text: A Postmodern Edition of the B minor Mass? A paper read at Fifth International Symposium 'Understanding Bach through Science, Art and Criticism', Oxford, 17-18 December 2001 organised by Tureck Bach Research Foundation, Faculty of Music, Oxford University. [p]IS_Oxford Dec 2001
15. The Use and Abuse of the Fibonacci Sequence, The Golden Section and The Divine Proportion in Musicology Today: With particular application to Bach Studies. A paper read at Fifth International Symposium 'Understanding Bach through Science, Art and Criticism', Oxford, 17-18 December 2001 organised by Tureck Bach Research Foundation, Faculty of Music, Oxford University. [p]IS_Oxford Dec 2001

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