Type | List | Title [further info![Display full bibliographical information](http://homepages.bw.edu/bachbib/images/expand.gif) ] | Series![Reorder serially](http://homepages.bw.edu/bachbib/images/sort.gif) | Vol | No | Year![Reorder chronologically](http://homepages.bw.edu/bachbib/images/sort.gif) | Pages | Status |
| 1. | A conspiracy of composers: J.C. Bach and C.F. Abel vs. Longman & Lukey. |
[p]IMS_Leuven |
| | Aug 2002 |
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| 2. | Bach Studies in China. |
[p]IMS_Leuven |
| | Aug 2002 |
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| 3. | Compositional procedures in C.P.E. Bach's Hamburg passions. |
[p]IMS_Leuven |
| | Aug 2002 |
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| 4. | C.P.E. Bach's 'Heilig' in various contexts. |
[p]IMS_Leuven |
| | Aug 2002 |
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| 5. | C.P.E. Bach's instrumental ensemble music. |
[p]IMS_Leuven |
| | Aug 2002 |
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| 6. | C.P.E. Bach's Polyhymnia -- An unpublished song collection of the 1770s. |
[p]IMS_Leuven |
| | Aug 2002 |
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| 7. | C.P.E. Bach's Solo keyboard works in the Berlin Sing-Akademie. |
[p]IMS_Leuven |
| | Aug 2002 |
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| 8. | Deconstructing a Bach fugue. |
[p]IMS_Leuven |
| | Aug 2002 |
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| 9. | Ecouter, c'est refaire ce qu'on écoute: comment musiciens, critiques, amateurs et public ont créé leur Bach, en France au XIXe siècle? |
[p]IMS_Leuven |
| | Aug 2002 |
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| 10. | Expressive intonation in cello performance: Bach's C major Sarabande BWV 1009. |
[p]IMS_Leuven |
| | Aug 2002 |
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| 11. | Genres musical et littéraire en miroir: canons-devises et emblèmes. |
[p]IMS_Leuven |
| | Aug 2002 |
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| 12. | Globalizing Bach: classical music, commerce, the media, and blind ownership. |
[p]IMS_Leuven |
| | Aug 2002 |
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| 13. | Inventio and aemulatio: The Two-Part Inventions of Bach's Pupil Heinrich Nicolaus Gerber. |
[p]IMS_Leuven |
| | Aug 2002 |
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| 14. | Managing a text-critical database of J.S. Bach's 'Well-Tempered Clavier II' with XML and a relational database. |
[p]IMS_Leuven |
| | Aug 2002 |
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| 15. | Mediating conceptual metaphor and poetics: how to hear imagery in Bach. |
[p]IMS_Leuven |
| | Aug 2002 |
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| 16. | Von der frühesten Version des Wohltemperierten Klaviers Bachs zum Bewusstwerden der Fuge als Allzweckform. |
[p]IMS_Leuven |
| | Aug 2002 |
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| 17. | 'Welcher Fantast ich war': C.P.E. Bach's composed improvisations. |
[p]IMS_Leuven |
| | Aug 2002 |
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