Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Kovacevic, Tanja; [Kovačević] | A New Source of Bach's Violin Solos from Vienna. A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on pp. 93-94. |
[p]BICB_Canterbury |
| | Jul 2016 |
|
Latin 2 |
| 2. | Markovska, Nadya | Bach's Suites for Solo Cello (BWV 1007-1012): Textuality and Beyond in the Search for 'Truth'. A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on pp. 106-107. |
[p]BICB_Canterbury |
| | Jul 2016 |
|
|
| 3. | Fazekas, Gergely | Formal deviation in the Kyrie of the Mass in B Minor. A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on pp. 61-62. |
[p]BICB_Canterbury |
| | Jul 2016 |
|
|
| 4. | Heber, Noelle | Freelance Musician and Entrepreneur: How J.S. Bach Supplemented his Income in Leipzig from 1723 to 1750. A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on p. 79. |
[p]BICB_Canterbury |
| | Jul 2016 |
|
|
| 5. | Guido, Massimiliano | From Affects to Individual Sensibility: Emotions and subjectivity from Frescobaldi to Carl Philipp Emanuel Bach. A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on pp. 75-76. |
[p]BICB_Canterbury |
| | Jul 2016 |
|
|
| 6. | Tatlow, Ruth | Magnificent Measurements: Significance in the Structure of C. P. E. Bach's Magnificat. A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on pp. 137-138. |
[p]BICB_Canterbury |
| | Jul 2016 |
|
|
| 7. | Alevizos, Konstantinos | Re-ordering 'The Art of Fugue'? A new, analytical point of view. A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on p. 31. |
[p]BICB_Canterbury |
| | Jul 2016 |
|
|
| 8. | Janz, Tim | Resonant Tempo, tonality and tempo relationships in J.S. Bach's Orchestral Suite No 2 in B minor. A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on pp. 89-90. |
[p]BICB_Canterbury |
| | Jul 2016 |
|
|
| 9. | Fiaminghi, Luiz Henrique | Rhythmic ambiguity in Bach's Presto of the Sonata I a Violino Solo senza Basso (BWV 1001). A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on p. 64. |
[p]BICB_Canterbury |
| | Jul 2016 |
|
|
| 10. | Davis, Stacey | The Analysis and Performance of Implied Polyphony in Solo Bach. A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on p. 51. |
[p]BICB_Canterbury |
| | Jul 2016 |
|
|
| 11. | Tomita, Yo | Towards the accurate understanding of J. C. Altnickol's copies of Bach's works. A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on p. 141. |
[p]BICB_Canterbury |
| | Jul 2016 |
|
|
| 12. | Molinaro, Lawrence | Variations in Practice: The Minuets from the Notenbuch dal Signor Kittell (1789). A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on pp. 107-108. |
[p]BICB_Canterbury |
| | Jul 2016 |
|
|