Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Dirst, Matthew | An Authenticity Grounded in Tradition: Czerny on Bach. A paper read at the Southeast Chapter of the American Musicological Society on 22-23 September 1995 at Appalachian State University. |
[p]AMS_Southeast |
| | Sep 1995 |
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| 2. | Ferris, David | C. P. E. Bach's Paragraph on Modulation: A Defense of Improvisational Style. A paper read at the Southeast Chapter of the American Musicological Society on 22-23 September 1995 at Appalachian State University. |
[p]AMS_Southeast |
| | Sep 1995 |
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| 3. | Richards, Annette | Fantastical Landscapes: C.P.E. Bach's Free Fantasias and the Musical Picturesque. A paper read at the Southeast Chapter of the American Musicological Society on 22-23 September 1995 at Appalachian State University. |
[p]AMS_Southeast |
| | Sep 1995 |
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| 4. | Mansure, Victor | J. S. Bach's Allemandes: Stylistic Norms, Variant Styles, and Possible Stylistic Chronology. A paper read at the Southeast Chapter of the American Musicological Society on 22-23 September 1995 at Appalachian State University. |
[p]AMS_Southeast |
| | Sep 1995 |
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| 5. | Beller-McKenna, Daniel | Musical Homage vs. Cultural Criticism: Brahms's Motet Warum ist das Licht gegeben?, op. 74, no.1, and Bach's Cantata Gottes Zeit ist die allerbeste Zeit, BWV 106. A paper read at the Southeast Chapter of the American Musicological Society on 22-23 September 1995 at Appalachian State University. |
[p]AMS_Southeast |
| | Sep 1995 |
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