Type | List | Title [further info![Display full bibliographical information](http://homepages.bw.edu/bachbib/images/expand.gif) ] | Series![Reorder serially](http://homepages.bw.edu/bachbib/images/sort.gif) | Vol | No | Year![Reorder chronologically](http://homepages.bw.edu/bachbib/images/sort.gif) | Pages | Status |
| 1. | Bach's Debut at Leipzig: Observations on the Genesis of BWV 75 and 76. |
[p]AMS_Philadelphia |
| | Oct 1984 |
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| 2. | 'Cet art est la perfection du talent': Chordal Thoroughbass Realization, the Accompaniment of Recitative, and Improvised Solo Performance on the Viol and Cello in the Eighteenth Century. |
[p]AMS_Philadelphia |
| | Nov 2009 |
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| 3. | French Court Dancing in Germany at the Time of Johann Sebastian Bach. |
[p]AMS_Philadelphia |
| | Apr 1984 |
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| 4. | From 'Chorus Musicus' and 'Grosses Concert' to 'Stadt - und Kirchen Orchester': The Transformation and Modernization of Leipzig Musical Institutions between 1781 and 1843. |
[p]AMS_Philadelphia |
| | Nov 2009 |
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| 5. | Joseph Haydn and C.P.E. Bach: The Question of Influence. |
[p]AMS_Philadelphia |
| | Nov 1976 |
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| 6. | Problems of Text and Tempo in Bach's Well-Tempered Clavier II: A New Look at the Sources. |
[p]AMS_Philadelphia |
| | Nov 1976 |
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| 7. | Style and Authenticity in Two Early Suites Attributed to J. S. Bach, BWV 832 and 833. |
[p]AMS_Philadelphia |
| | Oct 1984 |
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