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Bach Bibliography Search Result |
Series : ^[p]AMS_PacificNorthwest$Your search has generated the following results ...
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Type | List | Title [further info![]() ![]() | Series![]() | Vol | No | Year![]() | Pages | Status |
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![]() | 1. | Bach and the Eroica. | [p]AMS_PacificNorthwest | |||||
![]() | 2. | Bach's C-minor Passacaglia: A Study in Structure and Symmetry. | [p]AMS_PacificNorthwest | |||||
![]() | 3. | Bach's Sonata in D Major, BWV 963. | [p]AMS_PacificNorthwest | |||||
![]() | 4. | Bach's Three Settings of Nun komm der Heiden Heiland in the Seventeen Leipzig Chorales. | [p]AMS_PacificNorthwest | |||||
![]() | 5. | Borrowings in J. S. Bach's Klavierübung III. | [p]AMS_PacificNorthwest | |||||
![]() | 6. | J. S. Bach and the Schemelli Gesangbuch Revisited. | [p]AMS_PacificNorthwest | |||||
![]() | 7. | J. S. Bach's Gloria in Excelsis Deo (BWV 191): Music for a Leipzig Dankfest. | [p]AMS_PacificNorthwest | |||||
![]() | 8. | J. S. Bach's Klavierübung III: Aspects of its Evolution as Revealed in the Original Print. | [p]AMS_PacificNorthwest | |||||
![]() | 9. | J. S. Bach's Ouverture in G Minor, BWV 821: The Earliest Keyboard Suite? | [p]AMS_PacificNorthwest | |||||
![]() | 10. | Konrad Friedrich Hurlebusch and His Influence on J. S. Bach. | [p]AMS_PacificNorthwest | |||||
![]() | 11. | Occasional Music at the Court of Anhalt-Zerbst: J. S. Bach and J. F. Fasch as Composers of the Geburtstagsmusiken. | [p]AMS_PacificNorthwest | |||||
![]() | 12. | Pictorialism and Symbolism in the Music of Bach. | [p]AMS_PacificNorthwest | |||||
![]() | 13. | Subjectivity, Objectivity, and Authenticity in Nineteenth-Century Bach Interpretation. | [p]AMS_PacificNorthwest | |||||
![]() | 14. | The BACH Ostinato Motive in Anton Webern's String Quartet, Op. 28. | [p]AMS_PacificNorthwest | |||||
![]() | 15. | The bassi cifrati Falsely Attributed to J. S. Bach. | [p]AMS_PacificNorthwest | |||||
![]() | 16. | The Conundrum of Music Manuscript Bach P 778. | [p]AMS_PacificNorthwest | |||||
![]() | 17. | The Dona nobis of J. S. Bach's B-Minor Mass: Discussion of the Added Significance of Musical Parody. | [p]AMS_PacificNorthwest | |||||
![]() | 18. | The Golden Section as a Source of Musical Structure in the Works of J. S. Bach. | [p]AMS_PacificNorthwest | |||||
![]() | 19. | Theological Allegory in the Cantatas of J. S. Bach. | [p]AMS_PacificNorthwest | |||||
![]() | 20. | The Rebirth of Bach in the Spirit of Wagner: Max Reger's Phantasie und Fuge über Namen BACH, Op. 46 (1900). | [p]AMS_PacificNorthwest | |||||
![]() | 21. | The Structure and Performance of Bach's C Major Prelude, BWV 846. | [p]AMS_PacificNorthwest | |||||
![]() | 22. | Two Harpsichord Concertos by C. P. E. Bach. | [p]AMS_PacificNorthwest | |||||
![]() | 23. | Two Keyboard Concertos of C. P. E. Bach: Form and Style in the Service of Expression. | [p]AMS_PacificNorthwest | |||||
![]() | 24. | Using Chronological Markers to Establish Connexes of Bach's Concerto Movements. | [p]AMS_PacificNorthwest |