Type | List | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Bach's Numbers? Proportional parallelism and its implications for musicology. A paper read at the Annual meetings of American Musicological Society and the Society for Music Theory in Nashville, 6-9 November 2008. |
[p]AMS_Nashville |
| | Nov 2008 |
|
AbstractsPapersAMSoc pp.155-6 |
| 2. | Editorial Decisions and their Analytical Implications in the 'Corrente' from Bach's First Violin Partita. A paper read at the Annual meetings of American Musicological Society and the Society for Music Theory in Nashville, 6-9 November 2008. |
[p]AMS_Nashville |
| | Nov 2008 |
|
AbstractsPapersAMSoc pp.107-8 |
| 3. | The Rhythms of Counterpoint and the Representation of Time: Bach, Haydn, and the Et vitam venturi Fugue in the Missa in tempore belli. A paper read at the Annual meetings of American Musicological Society and the Society for Music Theory in Nashville, 6-9 November 2008. |
[p]AMS_Nashville |
| | Nov 2008 |
|
AbstractsPapersAMSoc p.105 |
| 4. | The Violoncello da Spalla and the Eccentricities of Historical Performance Practice. A paper read at the Annual meetings of American Musicological Society and the Society for Music Theory in Nashville, 6-9 November 2008. |
[p]AMS_Nashville |
| | Nov 2008 |
|
AbstractsPapersAMSoc pp.85-6 |