Bach Bibliography
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Series : ^[cr]NewYork1961$
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1. Assumptions underlying the new Bach chronology. [cr]NewYork1961 2 1962 130-131
2. Bach as 'conservator' vs. Bach as 'pathbreaker'. [cr]NewYork1961 2 1962 131
3. Bach-Probleme. [cr]NewYork1961 1 1961 236-249
4. Bach Problems. [cr]NewYork1961 2 1962 127-131
5. Bach's relation to his texts. [cr]NewYork1961 2 1962 130
6. Bach's work-cycle. [cr]NewYork1961 2 1962 129-130
7. Des manières d'exécuter la musique aux XVIIe et XVIIIe siècles. [cr]NewYork1961 1 1961 220-231
8. Evidence and Explanation. [cr]NewYork1961 2 1962 3-18
9. International Musicological Society. Report of the Eighth Congress, New York 1961. Volume II -- Reports. [cr]NewYork1961 2 1962 xv, 184p
10. International Musicological Society. Report of the Eighth Congress, New York 1961. Volume I -- Papers. [cr]NewYork1961 1 1961 xi, 472p
11. On Evidence of Derivation. [cr]NewYork1961 1 1961 249-252
12. Origins and National Aspects of the Quodlibet. [cr]NewYork1961 2 1962 53-57
13. Parodies among the Leipzig Arias. [cr]NewYork1961 2 1962 128-129
14. Performance Practice in the 17th and 18th Centuries. [cr]NewYork1961 2 1962 122-126
15. Performance Practice in the 17th and 18th centuries. Six Problems in Instrumental Music. [cr]NewYork1961 1 1961 231-235
16. Problems of Editing and Publishing Old Music. [cr]NewYork1961 1 1961 150-158
17. Problems of Editing and Publishing Old Music. [cr]NewYork1961 2 1962 101-104
18. The Chronology of the Orchestral Suites BWV, 1066-1069, considered from the points of view of (1) recently developed chronological criteria, and (2) the instrumental resources necessary for their performance. [cr]NewYork1961 2 1962 127-128
19. The Role of Improvised and Written Ornamentation in the Evolution of Musical Language. [cr]NewYork1961 2 1962 166-171
20. Ursprünge und nationale Aspekte des Quodlibets. [cr]NewYork1961 1 1961 30-43

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