Type | List | Title [further info![Display full bibliographical information](http://homepages.bw.edu/bachbib/images/expand.gif) ] | Series![Reorder serially](http://homepages.bw.edu/bachbib/images/sort.gif) | Vol | No | Year![Reorder chronologically](http://homepages.bw.edu/bachbib/images/sort.gif) | Pages | Status |
| 1. | 'Most ingenious, most learned, and yet practicable work': The English Reception of Bach's Well-Tempered Clavier in the First Half of the Nineteenth Century seen through the Editions Published in London. |
[ce]Piano19CBritishCulture |
| | 2007 |
33-67 |
![English](http://homepages.bw.edu/bachbib/images/flags/United-Kingdom.gif) |
| 2. | The Piano in Nineteenth-Century British Culture. Instruments, Performers and Repertoire. Foreword by Nicholas Temperley. Aldershot: Ashgate, 2007. [xxv], 270p. ISBN-10: 0754661431; ISBN-13: 978-0754661436. |
[ce]Piano19CBritishCulture |
| | 2007 |
xxv, 270p |
![English](http://homepages.bw.edu/bachbib/images/flags/United-Kingdom.gif) |
| 3. | Victorian pianists as concert artists: The case of Arabella Goddard (1836-1922). |
[ce]Piano19CBritishCulture |
| | 2007 |
149-169 |
![English](http://homepages.bw.edu/bachbib/images/flags/United-Kingdom.gif) |