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Bach Bibliography Search Result |
Series : ^[ce]KeyboardInBaroqueEurope$Your search has generated the following results ...
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Type | List | Title [further info![]() ![]() | Series![]() | Vol | No | Year![]() | Pages | Status |
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![]() | 1. | Couperin, Marpurg and Roeser: a Germanic 'Art de Toucher le Clavecin', or a French 'Wahre Art'? | [ce]KeyboardInBaroqueEurope | 111-130 |
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![]() | 2. | Invention, composition and the improvement of nature: apropos Bach the teacher and practical philosopher. | [ce]KeyboardInBaroqueEurope | 133-139 |
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![]() | 3. | Is there an anxiety of influence discernible in J. S. Bach's 'Clavierübung I'? | [ce]KeyboardInBaroqueEurope | 140-156 |
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![]() | 4. | J. S. Bach: Keyboard Partita in A minor after BWV 1004. | [ce]KeyboardInBaroqueEurope | 218-236 |
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![]() | 5. | Mozart's non-metrical keyboard preludes. | [ce]KeyboardInBaroqueEurope | 198-216 |
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![]() | 6. | 'Schnellen': a quintessential articulation technique in eighteenth-century keyboard playing. | [ce]KeyboardInBaroqueEurope | 187-197 |
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![]() | 7. | The Keyboard in Baroque Europe. [Festschrift for Gustav Leonhardt on his 75th birthday 30 May 2003] - Cambridge: Cambridge University Press, 2003. xviii, 245p. ISBN: 0-521-81055-8. (= Musical Performance and Reception) | [ce]KeyboardInBaroqueEurope | xviii, 245p |
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![]() | 8. | Towards a genealogy of the keyboard concerto. | [ce]KeyboardInBaroqueEurope | 93-110 |
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![]() | 9. | 'Towards the most elegant taste': developments in keyboard accompaniment from J. S. to C. P. E. Bach. | [ce]KeyboardInBaroqueEurope | 157-168 |
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![]() | 10. | '... welche dem größten Concerte gleichen': the polonaises of Wilhelm Friedemann Bach. | [ce]KeyboardInBaroqueEurope | 169-183 |
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