Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Hartinger, Anselm | 'A really correct copy of the Mass'? Mendelssohn's score of the B-minor Mass as a document of the Romantics' view on matters of performance practice and source criticism. Part IV: reception. |
[ce]ExploringBMM |
| | 2013 |
244-266 |
|
| 2. | Smaczny, Jan | Bach's B-minor Mass: an incarnation in Prague in the 1860s and its consequences. Part IV: reception. |
[ce]ExploringBMM |
| | 2013 |
287-297 |
|
| 3. | Leaver, Robin A. | Bach's Mass: 'Catholic' or 'Lutheran'? Part I: historical background and contexts. |
[ce]ExploringBMM |
| | 2013 |
21-38 |
|
| 4. | Stockigt, Janice B. | Bach's Missa BWV 232I in the context of Catholic Mass settings in Dresden, 1729-1733. Part I: historical background and contexts. |
[ce]ExploringBMM |
| | 2013 |
39-53 |
|
| 5. | Unger, Melvin P. | Chiastic reflection in the B-minor Mass: lament's paradoxical mirror Part II: structure and proportion. |
[ce]ExploringBMM |
| | 2013 |
125-141 |
|
| 6. | Tomita, Yo; Leaver, Robin A.; Smaczny, Jan (eds.) | Exploring Bach's B-minor Mass. Edited by Yo Tomita, Robin A. Leaver and Jan Smaczny. - Cambridge University Press, 2013. xxix, 314p. ISBN 978-1-107-00790-1. |
[ce]ExploringBMM |
| | 2013 |
xxix, 314p |
|
| 7. | Leisinger, Ulrich | Haydn's copy of the B-minor Mass and Mozart's Mass in C minor: Viennese traditions of the B-minor Mass Part IV: reception. |
[ce]ExploringBMM |
| | 2013 |
217-243 |
|
| 8. | Shabalina, Tatiana | Manuscript score No. 4500 in St Petersburg: a new source of the B-minor Mass. Part III: sources. |
[ce]ExploringBMM |
| | 2013 |
186-214 |
|
| 9. | Wolf, Uwe | Many problems, various solutions: editing Bach's B-minor Mass. Part III: sources. |
[ce]ExploringBMM |
| | 2013 |
165-185 |
|
| 10. | Tatlow, Ruth | Parallel proportions, numerical structures and Harmonie in Bach's autograph score. Part II: structure and proportion. |
[ce]ExploringBMM |
| | 2013 |
142-162 |
|
| 11. | Wolff, Christoph | Past, present and future perspectives on Bach's B-minor Mass. Part I: historical background and contexts. |
[ce]ExploringBMM |
| | 2013 |
3-20 |
|
| 12. | Siegele, Ulrich | Some observations on the formal design of Bach's B-minor Mass. Part II: structure and proportion. |
[ce]ExploringBMM |
| | 2013 |
107-124 |
|
| 13. | Pardee, Katharine | The B-minor Mass in nineteenth-century England. Part IV: reception. |
[ce]ExploringBMM |
| | 2013 |
267-286 |
|
| 14. | Maul, Michael | 'The Great Catholic Mass': Bach, Count Questenberg and the Musicalische Congregation in Vienna. Part I: historical background and contexts. Trans. Alison Dunlop. |
[ce]ExploringBMM |
| | 2013 |
84-104 |
|
| 15. | Paczkowski, Szymon | The role and significance of the polonaise in the 'Quoniam' of the B-minor Mass. Part I: historical background and contexts. |
[ce]ExploringBMM |
| | 2013 |
54-83 |
|