Bach Bibliography Search Result

Series : ^[ce]BaroqueComposers$
Year : 2011
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Type	List	Title [further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	Antwort von Friedrich Blume.	[ce]BaroqueComposers			2011	135-138
	2.	Bach.	[ce]BaroqueComposers			2011	xxxvii, 574p
	3.	Bach: Progressive or Conservative and the Authorship of the Goldberg Aria.	[ce]BaroqueComposers			2011	445-458
	4.	Bach's Chorale Cantatas.	[ce]BaroqueComposers			2011	175-184
	5.	Bach's Chorus: A preliminary report.	[ce]BaroqueComposers			2011	503-509
	6.	Bach the Progressive: Observations on His Later Works.	[ce]BaroqueComposers			2011	399-443
	7.	Bach und der Picander-Jahrgang - Eine Erwiderung.	[ce]BaroqueComposers			2011	257-261
	8.	Der Picander-Jahrgang.	[ce]BaroqueComposers			2011	213-256
	9.	Does 'Well-Tempered' mean 'Equal-Tempered'?	[ce]BaroqueComposers			2011	511-528
	10.	Eindeutigkeit und Mehrdeutigkeit in Picanders Kantatenjahrgangs-Vorbemerkung und im Werkverzeichnis des Nekrologs auf Johann Sebastian Bach.	[ce]BaroqueComposers			2011	271-275
	11.	'Et Incarnatus' and 'Crucifixus': The Earliest and Latest Settings of Bach's B-minor Mass.	[ce]BaroqueComposers			2011	295-305
	12.	Friedrich Smend's Edition of the B-minor Mass by J. S. Bach.	[ce]BaroqueComposers			2011	307-327
	13.	In Defence of J. A. Scheibe against J. S. Bach.	[ce]BaroqueComposers			2011	87-102
	14.	Introduction.	[ce]BaroqueComposers			2011	xv-xxxvii
	15.	Johann Christoph Bach (1671-1721), 'Organist und Schul Collega in Ohrdruf', Johann Sebastian Bachs erster Lehrer	[ce]BaroqueComposers			2011	3-29
	16.	Johann Sebastian Bach als Schüler der Partikularschule zu St. Michaelis in Lüneburg, oder Lüneburg eine Pflegstätte kirchlicher Musik.	[ce]BaroqueComposers			2011	31-74
	17.	J. S. Bach: new Light on His Faith.	[ce]BaroqueComposers			2011	103-114
	18.	Motive and Motif in the Church Music of Johann Sebastian Bach.	[ce]BaroqueComposers			2011	115-124
	19.	Neue 'Texte zur Leipziger Kirchen-Music'.	[ce]BaroqueComposers			2011	185-212
	20.	Parody and Theological Consistency: Notes on Bach's A-Major Mass.	[ce]BaroqueComposers			2011	385-398
	21.	Performance practice of Bach's cantatas: Original performance material; original rehearsals; original performance forces; original performance style, conclusions for modern performance.	[ce]BaroqueComposers			2011	495-502
	22.	Persönliches zur Geschichte der Jüngeren Bach-Forschung. ('A Personal Message Concerning the History of Recent Bach Scholarship').	[ce]BaroqueComposers			2011	139-147
	23.	Picander, der Textdichter von Bachs viertem Kantatenjahrgang. Ein neuer Hinweis.	[ce]BaroqueComposers			2011	263-269
	24.	Postscript [to 'Bach the Progressive']	[ce]BaroqueComposers			2011	459-463
	25.	Psalm and the Well-Tempered Clavier II: Revisiting the Old Question of Bach's Source of Inspiration.	[ce]BaroqueComposers			2011	465-491
	26.	Some Performance Problems of Bach's Unaccompanied Violin and Cello Works.	[ce]BaroqueComposers			2011	529-558
	27.	The Musician Versus the Grammarian: An Early Storm Warning.	[ce]BaroqueComposers			2011	75-86
	28.	The Parody Process in Bach's Music: An Old Problem Reconsidered.	[ce]BaroqueComposers			2011	369-383
	29.	Traces of the pre-history of Bach's St. John and St. Matthew Passions.	[ce]BaroqueComposers			2011	277-294
	30.	Universality in Bach's B Minor Mass: A Portrait of Bach in His Final Years.	[ce]BaroqueComposers			2011	329-345
	31.	Yoshitake Kobayashi's Article 'On the Chronology of the last phase of Bach's Work - Compositions and Performances: 1736 to 1750' - An Analysis with Translated Portions of the Original Text'.	[ce]BaroqueComposers			2011	149-171
	32.	Zum Wandel des Bach-Bildes. Zu Friedrich Blumes Mainzer Vortrag.	[ce]BaroqueComposers			2011	127-134
	33.	Zur Parodiefrage in Bachs h-Moll-Messe: Eine Bestandsaufnahme.	[ce]BaroqueComposers			2011	347-368