Bach Bibliography Search Result

Author : W. R.
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Type	List	Author	Title [further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Tatlow, Ruth	A Glorious Summer Meeting: the 2015 Dialogue Report. Reports. http://bachnetwork.co.uk/ub11/ub11-tatlow_dr.pdf	UnderstandingBach	11		2016	149-152
	2.	Blackburn, Philip W. R.	A Hitherto unpublished Cantata of J. S. Bach.	[fs]Rosenthal			1984	11-16
	3.	Tatlow, Ruth	A Lutheran Theology of Proportions and Bach's Response. A paper read at the biennial meeting of the American Bach Society 'J. S. Bach and the Confessional Landscape of His Time' held at University of Notre Dame (South Bend, IN), April 7-10, 2016.	[p]ABS_SouthBend			Apr 2016
	4.	Tatlow, Ruth	A Missed Opportunity: Reflections on Written by Mrs Bach. Current Concerns. http://bachnetwork.co.uk/ub10/ub10-tatlow-wbmb.pdf	UnderstandingBach	10		2015	141-157
	5.	Kunow, Rosemarie	Aufführung der h-Moll Messe von Johann Sebastian Bach am Freitag, den 16. November 2007 in der Kathedrale Saint-Clodoald/St.Cloud. Berichte und Mitteilungen.	MtblNBG		61	Winter 2007-08	32-33
	6.	Tatlow, Ruth	Bach: Advent Cantatas BWV 61, 36, 62. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 588-2(5) (October 2000)				2000
	7.	Fr. W. R--ch.	[Bach als Orgelspieler] ... Man kann sich kaum denken, daß, wenn S. Bach immer so gespielt haben sollte, wie Er geschrieben hat, ganze Gemeinden (also das Volk) hingerissen worden seien. Aber wir lesen ja, daß Bach später selten beim Gottesdienste Orgel gespielt, sondern mehr gelegentlich in Phantasien und gelehrten Ausführungen sich ergangen habe. Die zuweilen sich zeigende blinde Nachahmungssucht hat wohl Veranlassung gegeben, daß einst von 'Bachomanie' geschrieben wurde. Hohe Achtung vor diesem Genius, dem Vater des Orgelspiels: aber nur nicht Mißbrauch mit seinem Werken!	Urania(Erfurt)	5	7	1848	111-112
	8.	Tatlow, Ruth	Bach and Numbers.	BachCantataPilgrimage	2		2000	97-102
	9.	Tatlow, Ruth	Bach and the Riddle of the Number Alphabet. Cambridge University Press, 1991. 186p				1991	186p
	10.	Tatlow, Ruth	Bach: Ascension Cantatas BWV 11, 128, 37, 43. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 583-2(0) (May 2000)				2000
	11.	Tatlow, Ruth	Bach: Cantatas 3rd Sunday after Epiphany BWV 72, 73, 111, 156. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 582-2(2) (April 2000)				2000
	12.	Tatlow, Ruth	Bach: Cantatas for 11th Sunday after Trinity BWV 113, 179, 199. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 591-2(9) (November 2000)				2000
	13.	Tatlow, Ruth	Bach: Cantatas for 9th Sunday after Trinity BWV 105, 94, 168. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 590-2. (November 2000)				2000
	14.	Tatlow, Ruth	Bach: Cantatas for the New Year and for 21st and 23rd Sundays after Trinity BWV 16, 98, 139. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 586-2(7) (September 2000)				2000
	15.	Tatlow, Ruth	Bach: Cantatas for the Visitation of Mary and 27the Sunday after Trinity BWV 140, 147. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 587-2(6) (September 2000)				2000
	16.	Tatlow, Ruth	Bach: Christmas Cantatas BWV 63, 64, 121, 133. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 589-2(4) (October 2000)				2000
	17.	Tatlow, Ruth	Bach: Easter Cantatas BWV 6 and 66. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 580-2(3) (February 2000).				2000
	18.	Tatlow, Ruth	Bach: Feast of the Purification of the Blessed Virgin Mary BWV 82, 83, 125, 200. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 585-2(8) (July 2000)				2000
	19.	Erickson, Raymond; Tatlow, Ruth; Melamed, Daniel R.	Bach & Friends: Three Reviews of Michael Lawrence's New Film. http://www.americanbachsociety.org/Newsletters/BachNotes13.pdf	BachNotesABS		13	Fall 2010	1-4
	20.	Tatlow, Ruth	Bach: Funeral Cantatas BWV 106, 118, 198. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 581-2(2) (March 2000)				2000
	21.	Strohm, Reinhard; Butt, John; Dreyfus, Laurence; Tatlow, Ruth	Bach Network UK -- latest report: New Directions in Bach Studies: Second J S Bach Dialogue Meeting [9-10 December 2006 in Oxford]	BachNotesLBS			Mar 2007	[5]
	22.	Tatlow, Ruth	Bach no Ango: Kazu to Sozo no Himitsu. [Bach's Secret Codes: Secret of Number and Creation] Trans. (of 'Bach and the Riddle of the Number Alphabet') by Natsuki Mori. - Tokyo: Seidosha, 2011. 311, 63p. ISBN 978-4-7917-6587-4.				2011	311, 63p
	23.	Tatlow, Ruth	Bach's numbers: compositional proportion and significance. New York: Cambridge University Press, 2015. xviii, 411p. ISBN: 978-1-107-08860-3.				2015	xviii, 411p
	24.	Tatlow, Ruth	Bach's Numbers? Proportional parallelism and its implications for musicology. A paper read at the Annual meetings of American Musicological Society and the Society for Music Theory in Nashville, 6-9 November 2008.	[p]AMS_Nashville			Nov 2008		AbstractsPapersAMSoc pp.155-6
	25.	Tatlow, Ruth	Bach's Numbers: Sources, Exegesis, Illustrations. Session presented with Joel Speerstra at GoART, Gothenburg, 21 March 2013.				2013
	26.	Tatlow, Ruth	Bach's Numbers: Sources, Exegesis, Illustrations. A dialogue session presented at the Six J. S. Bach Dialogue Meeting at University of Warsaw, 3-7 July 2013. Moderated by Michael Marissen.	[p]BNUK_Warsaw			Jul 2013
	27.	Tatlow, Ruth	Bach's parallel proportions and their implications, illustrated by the Six solos for violin, the Leipzig organ chorales and the Musical Offering. A Paper read at the Biennial Meeting of the American Bach Society 'BACH AND THE ORATORIO TRADITION', May 8-11, 2008, Lehigh University, Bethlehem, Pennsylvania	[p]ABS_Bethlehem			May 2008
	28.	Tatlow, Ruth	Bach's Parallel Proportions and the Qualities of the Authentic Bachian Collection.	DortmundBachF	8		2009	135-155	[cr]Dortmund2004
	29.	W. R. A.	Bach's 'St. John' Passion.	MTimes	75	1095	May 1934	458-459
	30.	Tatlow, Ruth	Bach: Whitsun Cantatas BWV 34, 59, 74, 172. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 584-2(9) (June 2000)				2000
	31.	Grunow, Rudolf (ed.)	Begegnungen mit Bach. Ausgewählte Erzählungen über Johann Sebastian Bach und seine Musik. Berlin: Evangelische Verlagsanstalt 1964. 183p. - 2. Aufl. 1966. - 3. stark erw. Aufl. 1978. 369p. - 1984. 372p; 1990, 369p				1964	183p
	32.	Tatlow, Ruth	Buttstett-Mattheson dispute and its implication for Bach Studies. A paper read at the Fourth International J. S. Bach Dialogue Meeting 'New Directions in Bach Studies' at Faculty of Music, University of Oxford, 3-4 January 2009.	[p]BNUK_Oxford			Jan 2009
	33.	Tatlow, Ruth	Challenging Virtuality: A Personal Reflection. http://www.americanbachsociety.org/Newsletters/BachNotes16.6.pdf	BachNotesABS		16	Spring 2012	5-6
	34.	Tatlow, Ruth	Challenging Virtuality: A Personal Reflection. Current Concerns. [Repr. of BachNotesABS 16, 2012, with footnotes] http://www.bachnetwork.co.uk/ub7/UB7_Tatlow.pdf	UnderstandingBach	7		2012	57-60
	35.	Tatlow, Ruth	Collections, bars and numbers: Analytical coincidence or Bach's design? http://www.bachnetwork.co.uk/ub2/tatlow.pdf	UnderstandingBach	2		2007	37-58
	36.	Tatlow, Ruth	Collections, bars and numbers: Analytical coincidence or Bach's design? A paper read at the Second J. S. Bach Dialogue Meeting 'New Directions in Bach Studies' at Faculty of Music, University of Oxford, 9-10 December 2006.	[p]BNUK_Oxford			Dec 2006
	37.	Tatlow, Ruth	Demystifying Myths: Bach and his Use of Numbers. A paper read at the 13th biennial international conference on Baroque music, held at University of Leeds from 2 to 6 July 2008.	[p]BICB_Leeds			Jul 2008
	38.	Tatlow, Ruth Mary	Der literarische Gebrauch der Alphabetzahlen zur Zeit Bachs.	BulTheolBachF	1		1988	157-180
	39.	Tatlow, Ruth	Discovering New and Recovering Old Methods for Bach Studies. A paper read at the Fifth Johann Sebastian Bach Dialogue Meeting at Loretto and Edinburgh, 12-14 August 2011.	[p]BNUK_Edinburgh			Aug 2011
	40.	Schmidt, Johann W. R. (arr.)	D moll-Konzert für Pianoforte von Joh. Seb. Bach. Mit Fingersatz vers. von Richard Schmidt. - Leipzig: Peters, [1885; R/c.1910]. 26p. Best.-Nr. Edition Peters 2194. Pl.-Nr. 6868. [BWV 1052]	EdPeters	2194		1885	26p
	41.	Löw, Rudolf	Ein Gang durch J. Seb. Bachs Werke. In: Musikalische Vorträge: mit einer biographischen Skizze. Basel: Reich, 1898. xxv, 204p.; pp. 22-45.				1898	22-45
	42.	Tann, W. R. B. (arr.)	Fugue in C major / Bach. Arrangements of favourite movements from the works of the great masters together with a few original compositions; the whole selected, arranged and registered with pedal obbligato by W. R. B. Tann. - London: Bayley & Ferguson, [c.1900]. Best.-Nr.: B & F.O.A.1. (= Gems for the organ: a collection of favourite original compositions for the organ, together with transcriptions of many classical works. No.1)	GemsOrg		1	c 1900
	43.	Tann, W. R. B. (arr.)	Fugue in G minor (16 of the 48) / Bach. Arrangements of favourite movements from the works of the great masters together with a few original compositions; the whole selected, arranged and registered with pedal obbligato by W. R. B. Tann. - London: Bayley & Ferguson, [c.1900]. Best.-Nr.: B & F.O.A.1. (= Gems for the organ: a collection of favourite original compositions for the organ, together with transcriptions of many classical works. No.1) [BWV 861/2]	GemsOrg		1	c 1900
	44.	Grunow, Richard	Jesu meine Freude. Eine Betrachtung zu J. S. Bach's gleichnamiger Motette.	WürttembergBlKm	23		1956	4-7
	45.	Tatlow, Ruth	J. S. Bach and the Baroque Paragram: A Reappraisal of Friedrich Smend's Number-Alphabet Theory. (c) Oxford University Press 1989. With amendments from Music and Letters, Vol.70, No. 2 (May 1989), pp. 191-205.	Bach	20	3	Fall 1989	15-33
	46.	Tatlow, Ruth	J. S. Bach and the Baroque Paragram: A Reappraisal of Friedrich Smend's Number Alphabet Theory.	MLetters	70	2	Apr 1989	191-205
	47.	Löw, R.	J. S. Bach und die Orgel.	SchweizerischeMzSängerBl	43	18	1903
	48.	Tatlow, Ruth Mary	LUSUS POETICUS VEL MUSICUS. Johann Sebastian Bach. The Baroque Paragram and Frederich Smend's theory of a musical Number Alphabet. PhD diss., London U., King's Col. 1987.	diss.			1987
	49.	Tatlow, Ruth	Magnificent Measurements: Significance in the Structure of C. P. E. Bach's Magnificat. A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on pp. 137-138.	[p]BICB_Canterbury			Jul 2016
	50.	Tatlow, Ruth	Metaphor or Reality: Harmonic Proportions, Canons and Compositions in Heaven. A Paper read at the 16th Biennial International Conference on Baroque Music held at University Mozarteum Salzburg, 9-13 July 2014.	[p]BICB_Salzburg			Jul 2014
	51.	W. R.	Musikwissenschaft: Der erste Bach-Biograph.	Anbruch	17	10	1935	288
	52.	Tatlow, Ruth	Narratives of Number in the Neumeister Chorales. A Paper read at the 15th Biennial International Conference on Baroque Music held at Southampton University, 11-15 July 2012.	[p]BICB_Southampton			Jul 2012
	53.	Tatlow, Ruth	N för Numerologi.	TidigMusik		3	2007	18-19
	54.	Tatlow, Ruth	N is for 'Numerology'. http://www.bbc.co.uk/radio3/bach/bachatozn.shtml				2005
	55.	Tatlow, Ruth	Numerical Ordering in Bach's B-minor Mass. Unpublished and revised paper given at the colloquium 'Bach's B Minor Mass: Perspectives on its music and history' in Oxford on 19 December 2000, with author's postscript.	[cr]Belfast2007	2		2007	435-445
	56.	Tatlow, Ruth	Numerical ordering in Bach's church cantatas. Papers read at 'Musical Intersections': American Musicological Society at University of Toronto on 3 November 2000.	[p]AMS_Toronto			Nov 2000
	57.	Tatlow, Ruth	Parallel Proportions, Final Revisions and the Status of Manuscript P 180.	[cr]Belfast2007	1		2007	118-136
	58.	Tatlow, Ruth	Parallel proportions, numerical structures and Harmonie in Bach's autograph score. Part II: structure and proportion.	[ce]ExploringBMM			2013	142-162
	59.	Tann, W. R. B. (arr.)	Pastorale in F / Bach. Arrangements of favourite movements from the works of the great masters together with a few original compositions; the whole selected, arranged and registered with pedal obbligato by W. R. B. Tann. - London: Bayley & Ferguson, [c.1900]. Best.-Nr.: B & F.O.A.1. (= Gems for the organ: a collection of favourite original compositions for the organ, together with transcriptions of many classical works. No.1)	GemsOrg		1	c 1900
	60.	Tatlow, Ruth	Pre-compositional ordering in Bach's B Minor Mass. a paper given at the colloquium 'Bach's B Minor Mass: Perspectives on its music and history' in the Holywell Music Room, Oxford, 19 December 2000	[p]IS_Oxford			Dec 2000
	61.	[Leaver, Robin A.; Tatlow, Ruth]	Report of the 14th Biennial Conference on Baroque Music. http://www.bachnetwork.co.uk/ub5/report.pdf	UnderstandingBach	5		2010	99-103
	62.	Tatlow, Ruth	Report on the Fifth Johann Sebastian Bach Dialogue Meeting. Reports. http://www.bachnetwork.co.uk/ub6/DM5-Report%20UB6.pdf	UnderstandingBach	6		2011	61-65
	63.	Tatlow, Ruth	Report on the Third J. S. Bach Dialogue Meeting: New Directions in Bach Studies. http://www.bachnetwork.co.uk/ub3/DIALOGUE REPORT.pdf	UnderstandingBach	3		2008	109-111
	64.	Tann, W. R. B. (arr.)	Short prelude and fugue in A minor / Bach. Arrangements of favourite movements from the works of the great masters together with a few original compositions; the whole selected, arranged and registered with pedal obbligato by W. R. B. Tann. - London: Bayley & Ferguson, [c.1900]. Best.-Nr.: B & F.O.A.1. (= Gems for the organ: a collection of favourite original compositions for the organ, together with transcriptions of many classical works. No.1)	GemsOrg		1	c 1900
	65.	Tatlow, Ruth	Symmetry and a Template: Bach's Well-Tempered Clavier, and Chopin's Preludes, Op. 28. Abstract: pp.82-83 (pl), 84-85 (en).	[cr]Warsaw2017			2019	51-81
	66.	Tatlow, Ruth	Ten Years of Bach Network UK. Reports. [Repr. from 18cM 12/1 (2014) 121-148] http://bachnetwork.co.uk/ub10/ub10-tatlow-10y.pdf	UnderstandingBach	10		2015	175-177
	67.	Tatlow, Ruth	Text, the Number Alphabet and Numerical Ordering in Bach's Church Cantatas.	DortmundBachF	3		2002	121-133
	68.	Tatlow, Ruth	The Goblet of Anise: A Case Study. A Paper read at the 14th Biennial International Conference on Baroque Music held at Queen's University Belfast, 30 June-4 July 2010.	[p]BICB_Belfast			Jul 2010
	69.	Sragow, Ruth LaPorte	The harmonic circle-of-fifths technique in late-Baroque and Classic orchestral music: a comparison. MA diss., University of Maryland, 1970. 284p	diss.			1970	284p
	70.	Tatlow, Ruth	Theoretical Hope: A Vision for the Application of Historically Informed Theory. http://www.bachnetwork.co.uk/ub8/UB8_Tatlow.pdf	UnderstandingBach	8		2013	33-60
	71.	Tatlow, Ruth	The Use and Abuse of Fibonacci Numbers and the Golden Section in Baroque Music. A paper read at the 12th biennial international conference on Baroque music, held at Warsaw University from 26 to 30 July 2006.	[p]BICB_Warsaw			Jul 2006
	72.	Tatlow, Ruth	The Use and Abuse of Fibonacci Numbers and the Golden Section in Musicology Today. http://www.bachnetwork.co.uk/ub1/tatlow.pdf	UnderstandingBach	1		2006	69-85
	73.	Tatlow, Ruth	The Use and Abuse of the Fibonacci Sequence, The Golden Section and The Divine Proportion in Musicology Today: With particular application to Bach Studies. A paper read at Fifth International Symposium 'Understanding Bach through Science, Art and Criticism', Oxford, 17-18 December 2001 organised by Tureck Bach Research Foundation, Faculty of Music, Oxford University.	[p]IS_Oxford			Dec 2001
	74.	Tatlow, Ruth Mary	Towards a Theory of Bach's Pre-compositional Style.	DortmundBachF	2		1999	19-36
	75.	Tatlow, Ruth	Towards a theory of Bach's Pre-compositional Style. Paper read at the 2nd Dortmunder Bach-Symposions, 21-24 January 1998.	[p]BS_Dortmund			Jan 1998
	76.	Nosow, Robert (ed.)	Violoncello Concertos / Carl Philipp Emanuel Bach. Edited by Robert Nosow. - Los Altos, CA: Packard Humanities Institute, 2008. xxxii, 171p. ISBN: 978-1-933280-25-7. (= Carl Philipp Emanuel Bach: The Complete Works. Series III: Orchestral music, Volume 6) [Wq 170, 171, 172 - H. 432, 436, 439]	CPEBachCW	3	6	2008	xxxii, 171p
	77.	Tatlow, Ruth	When the Theorists are Silent: Mattheson, Bach and the Development of Historically Informed Analytical Techniques. In: What kind of theory is music theory? Epistemological Exercises in Music Theory and Analysis. (= Acta Universitatis Stockholmiensis. Stockholm; Studies in Musicology, 1). Stockholm: Stockholm University, 2007, pp.203-216.				2007	203-216
	78.	Löw, R.	Zu den beiden großen Messen von Bach und Beethoven. Eine das Confessionelle betreffende Parallele. Zürich 1888.	SchweizerischeMzSängerBl	28	14f	1888