Bach Bibliography Search Result

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Type	List	Title [further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	Aspekte der Bach-Rezeption in Japan.	[ce]BeitrBReception1945-2005			2007	35-58
	2.	Atarashii Bach Zo towa nani ka? [The New Bach: What is an 'Image'?]	OngakuGeijutsu	21	10	1963	6-13
	3.	A Taxonomy for Teaching Music Theory: J. S. Bach and Lessons in Invertible Counterpoint. Roundtable: Bach in the Music Theory Classroom	Bach	49	2	2018	365-387
	4.	Bach Collegium and Kantorei Stuttgart. Debuts & Reappearances.	HiFiMAmer	19	1	Jan 1969	11f
	5.	Bach Kenkyu Noto. Sakkyoku Nendai o megutte. [Bach Research Notebook on the chronology of his compositions] Tokyo: Ongaku no tomo sha, 1981. 222p. ISBN: 4276222311.				1981	222p
	6.	Bach no 4tsu no 'Sho-Misakyoku' ni tsuite. [On Bach's 4 Missa Brevis.] Sosetsu: Akademie Conert de no 'Sho Misa Kyoku' no Rikai no tame ni 1 [General Commentary / Translation: for the understanding of 'Missa brevis' at the Academy Concert 1]	BachAkadJapan			1984	86-89
	7.	Bach no Kyosokyoku Keishiki -- Brandenburg Kyosokyoku o Chushin ni. [Bach's concerto form - focusing on Brandenburg concertos]	OngakuGaku	2		Jan 1960
	8.	Bach no Parody ni tsuite -- Sakkyokuka Kenkyu. [On Bach's Parody]	OngakuGeijutsu	22	3	1964	10-13
	9.	Bach no Ryuto Sakuhin o Megutte -- BWV 1006a no Jihitsufu ni hasshite. [On Bach's Lute music - a study on Bach's autograph of BWV 1006a]	BulMusashinoAcadM	10		1976	27-63
	10.	Bach no Sakkyoku Nendai Kenkyu no Genjo to Mondai. [The present state and problems in the chronology of Bach's compositions]	OngakuGaku	8		Feb 1963
	11.	Bach no Shogai. [Bach's life] by Ichiro Sumikura (planning) and Seiichi Tokawa (essay)	BessatsuTaiyo			1984	50-55, 58-61, 64-67, 70-73
	12.	Bach no subete. Johann Sebastian Bach, Werk und Wirkung. [Everything on Bach] Tokyo, et.al.: Yomiuri-shinbun sha, 1986. viii, 174p. ISBN: 4643622202. (Suntry ongaku bunkaten '85 Bach seitan 300nen kinen)	[ce]Bach_no_subete			1985	174p
	13.	Bach o torimaku Kenbangakki. Pictorial J. S. Bach. [Keyboard instruments surrounding Bach]	BachZenshu	11		Jul 1996	101-108
	14.	Bach o yomu. [Um Bach zu lesen... Ein Gespräch]	[ce]Bach_no_subete			1985	116-129
	15.	Bach to 'Heikinritsu'. [Bach and '(equal) temperament']	BachZenshu	12		Jul 1998	28-49
	16.	Bach to Vivaldi. [Bach and Vivaldi]	BCJ		2	Jul 1992
	17.	Bach und Schostakowitsch.	MgesMittOstEurop	5		1999	85-98
	18.	Fugue in context: a Schenkerian approach to select works by J. S. Bach and Dmitri Shostakovich. PhD diss., University of Rochester, 2013. xiv, 199p.	diss.			2013	xiv, 199p
	19.	'Fukkatsusai Oratorio' Osteroratorium 'Kommt, eilet und laufet' BWV 249 [Oratorio towa; Bach no Oratorio; Bach no Oratorio to Reihai; 'Fukkatsu Oratorio' no Hasseishi (What is oratorio?; Bach's Oratorio; Bach's Oratorio and Liturgy; Genesis of Easter Oratorio)] Kaisetsu [Commentary]	BachAkadJapan			1984	56-61
	20.	Gendai no Bach Kenkyu -10- Bach Enso no Chihei to Tenbo. [Modern Bach research -10- The horizon and prospect of Bach performances]	OngakuGeijutsu	43	12	1985	79-86
	21.	Gendai no Bach Kenkyu -2- Atarashii Nendai Kenkyu to sonogo -- Kyokai Kantata o Chushin ni. [Modern Bach research -2- new chronology research and aftermath - viewing from church cantatas.]	OngakuGeijutsu	43	4	1985	90-99
	22.	Invention to Sinfonia. Gakushu e no Tebiki / Bach. [Bach. Inventions and Sinfonias. Edition and Commentary] Hiroshima: Keisuisha, 4/1982, 121p. [BWV 772-801]				1982	121p
	23.	J.S. Bach no Orugan Koraru to sono Rekishiteki Ichi. [J.S. Bach's Organ Chorale and its historical position]	OngakuGeijutsu	20	4	1962
	24.	Kaitakusha to shite no Bach -- Besseler no Kenkyu o Chushin ni. [1] [Bach als Wegbereiter von Heinrich Besseler]	OngakuGeijutsu	19	11	1961
	25.	Kaitakusha to shite no Bach -- Besseler no Kenkyu o Chushin ni -2-. [Bach als Wegbereiter von Heinrich Besseler, 2]	OngakuGeijutsu	20	2	1962
	26.	Kaitakusha to shite no Bach -- Besseler no Kenkyu o Chushin ni -3(kan)-. [Bach als Wegbereiter von Heinrich Besseler, 3 (Schluß)]	OngakuGeijutsu	20	3	1962
	27.	Kogaku no Onritsu. Tokyo: Shunju sha, 2001. 288p. ISBN: 4393930142.				2001	288p
	28.	'Manifikato' Ni-Chocho. Magnificat D dur BWV 243. [Manifikato towa; Manifikato to Reihai; Bach no Manifikato o megutte; 'Manifikato' Ni-Chocho (BWV 243) no Hasseishi (What is Magnificat?; Magnificat and Liturgy; On Bach's Magnificat; Genesis of the D-major Magnificat BWV 243)] Kaisetsu [Commentary]	BachAkadJapan			1984	64-70
	29.	Mendelssohn's Lobgesang: A fusion of forms and textures.	ChoralJ	33	4	Nov 1992	19-26
	30.	Nanki ongaku toshokan shozo kamingusu bunko ni tsuite. [On Cummings' collection in the Nanki Music Library] - Tokyo: Nanki Ongaku Toshokan, 1926. 80, 83p. [consists of articles by Kiyosuke Kanetsune on 'Ongaku ni kansuru Chosho oyobi Gakki no Fu ni tsuite' (On the literature and printed music) and Shoichi Tsuji on 'Seigakukyokufu ni tsuite' (On printed music of vocal works)]	[ce]NankiOngakuToshokan			1926	80, 83p
	31.	Noboritsumetara Dai-Bach. [At the acme was the Great Bach] Tokyo: Tokyo Shoseki, 1993. 149p. ISBN: 4487753856.				1993	149p
	32.	Ongakuka no Jijoden: Quantz, Benda, E. Bach, Czerny. [Autobiography of musicians: Quantz, Benda, E. Bach, Czerny; trans. from DocumentaMcol i/19: Charles Burney, Tagebuch einer musikalischen Reise, S.198-209] Tokyo: Shunju sha, 2003. 252p. ISBN: 4-393-93164-5; 978-4-393-93164-6.				2003	252p
	33.	Ongakushi-jo no Bach. [Bach in the history of music]	RekodoGeijutsu	16	13	1967	244-247
	34.	Orugan Dokuso Kyokushu / Bach Kyoku = Orgelwerke bear. für Harmonium / J. S. Bach. [Ed. Shuichi Tsugawa] - Tokyo: Kyokai Ongaku Sha, 1941 (Showa 16). (= Orugan Ongaku, no. 9)				1941
	35.	Sechs Lieder von Christian Fürchtegott Gellert (1715-1769) as set by Carl Philipp Emanuel Bach and Ludwig van Beethoven: a comparative analysis.	NATSBul	36	5	1980	30-36
	36.	Senpo-ron. Gakuri no Kenkyu. [On Church Modes - A Study of Music Theory] Tokyo: Shunju sha, 2010. 174p. ISBN: 4393930266; 978-4393930267.				2010	174p
	37.	Shin Bach Zenshu ni tsuite.	TokyoGakugeiDaigakuKiyo	2	24	Feb 1973	35-45
	38.	Taiiho no Hendo; Shin-Ongaku no Taido: Renaissance kara Baroque e Tenkanki no Ongaku Riron. [Changes in counterpoint; the emergence of new music: music theory in transition from Renaissance to Baroque] Tokyo: Shunju sha, 2008. 256p. ISBN: 978-4-393-93024-3.				2008	256p
	39.	Toward an understanding of fugue and fugato in the Masses of Joseph Haydn.	JMcolResearch	6	4	1986	311-351
	40.	Well-Tempered Integrations: A new approach to prelude-fugue relationship.	PianoJ	20	58	Spring 1999	10-12
	41.	Wien (Drittes Gesellschaftsconcert -- Siebentes und achtes Concert der Philharmoniker). Berichte. Nachrichten und Bemerkungen. [Drittes Gesellschaftsconcert: J. S. Bach, Cantate 'Christ lag in Todesbanden', Beethoven, Chor aus dem Festspiele 'Die Weihe des Hauses' (bisher ungedruckt), Haydn, Symphonie in C-dur; Johannes Brahms (Dirigent). Siebentes philharmonisches Concert: N. W. Gade, Symphonie in B-dur, Schubert, 'Trauermarsch' (instrumentirt von Liszt), Hermann Grädener, Capriccio für Orchester. Achtes philharmonisches Concert: Hr. Breitner, Herr Gustav Walter, Liszt, 'Mephisto-Walzer']	AllgMlZ(3)	8	16	16 Apr 1873	252-254