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Bach Bibliography Search Result |
Author : W., S.Your search has generated the following results ...
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| Type | List | Author  | Title [further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|---|
 | 1. | Itō, Seiko; Koiwa, Shinji | Aspekte der Bach-Rezeption in Japan. | [ce]BeitrBReception1945-2005 | 35-58 | ||||
| | 2. | Tokawa, Seiichi | Atarashii Bach Zo towa nani ka? | OngakuGeijutsu | 21 | 10 | 6-13 | ||
| | 3. | Marlowe, Sarah | A Taxonomy for Teaching Music Theory: J. S. Bach and Lessons in Invertible Counterpoint. | Bach | 49 | 2 | 365-387 | ||
 | 4. | Lowe, Steven | Bach Collegium and Kantorei Stuttgart. | HiFiMAmer | 19 | 1 | 11f | ||
 | 5. | Tokawa, Seiichi | Bach Kenkyu Noto. Sakkyoku Nendai o megutte. | 222p | |||||
| | 6. | Tokawa, Seiichi | Bach no 4tsu no 'Sho-Misakyoku' ni tsuite. | BachAkadJapan | 86-89 | ||||
| | 7. | Tokawa, Seiichi | Bach no Kyosokyoku Keishiki -- Brandenburg Kyosokyoku o Chushin ni. | OngakuGaku | 2 | ||||
| | 8. | Tokawa, Seiichi | Bach no Parody ni tsuite -- Sakkyokuka Kenkyu. | OngakuGeijutsu | 22 | 3 | 10-13 | ||
| | 9. | Tokawa, Seiichi | Bach no Ryuto Sakuhin o Megutte -- BWV 1006a no Jihitsufu ni hasshite. | BulMusashinoAcadM | 10 | 27-63 | |||
| | 10. | Tokawa, Seiichi | Bach no Sakkyoku Nendai Kenkyu no Genjo to Mondai. | OngakuGaku | 8 | ||||
| | 11. | Sumikura, Ichiro; Tokawa, Seiichi | Bach no Shogai. | BessatsuTaiyo | 50-55, 58-61, 64-67, 70-73 | ||||
| | 12. | Higuchi, Ryuichi; Ichikawa, Shin'ichiro (eds.) | Bach no subete. Johann Sebastian Bach, Werk und Wirkung. | [ce]Bach_no_subete | 174p | ||||
| | 13. | Ichikawa, Shin'ichiro | Bach o torimaku Kenbangakki. | BachZenshu | 11 | 101-108 | |||
| | 14. | Sumikura, Ichiro; Tokawa, Seiichi; Higuchi, Ryuichi; Monma, Naomi | Bach o yomu. | [ce]Bach_no_subete | 116-129 | ||||
| | 15. | Tokawa, Seiichi | Bach to 'Heikinritsu'. | BachZenshu | 12 | 28-49 | |||
| | 16. | Ichikawa, Shin'ichiro | Bach to Vivaldi. | BCJ | 2 | ||||
| | 17. | Chentowa, Sofia | Bach und Schostakowitsch. | MgesMittOstEurop | 5 | 85-98 | |||
 | 18. | Marlowe, Sarah Rose | Fugue in context: a Schenkerian approach to select works by J. S. Bach and Dmitri Shostakovich. | diss. | xiv, 199p | ||||
| | 19. | Tokawa, Seiichi | 'Fukkatsusai Oratorio' Osteroratorium 'Kommt, eilet und laufet' BWV 249 | BachAkadJapan | 56-61 | ||||
| | 20. | Ichikawa, Shin'ichiro | Gendai no Bach Kenkyu -10- Bach Enso no Chihei to Tenbo. | OngakuGeijutsu | 43 | 12 | 79-86 | ||
| | 21. | Tokawa, Seiichi | Gendai no Bach Kenkyu -2- Atarashii Nendai Kenkyu to sonogo -- Kyokai Kantata o Chushin ni. | OngakuGeijutsu | 43 | 4 | 90-99 | ||
 | 22. | Ishikawa, Shoji | Invention to Sinfonia. Gakushu e no Tebiki / Bach. | 121p | |||||
| | 23. | Tokawa, Seiichi | J.S. Bach no Orugan Koraru to sono Rekishiteki Ichi. | OngakuGeijutsu | 20 | 4 | |||
| | 24. | Tokawa, Seiichi | Kaitakusha to shite no Bach -- Besseler no Kenkyu o Chushin ni. [1] | OngakuGeijutsu | 19 | 11 | |||
| | 25. | Tokawa, Seiichi | Kaitakusha to shite no Bach -- Besseler no Kenkyu o Chushin ni -2-. | OngakuGeijutsu | 20 | 2 | |||
| | 26. | Tokawa, Seiichi | Kaitakusha to shite no Bach -- Besseler no Kenkyu o Chushin ni -3(kan)-. | OngakuGeijutsu | 20 | 3 | |||
| | 27. | Tokawa, Seiichi | Kogaku no Onritsu. | 288p | |||||
| | 28. | Tokawa, Seiichi | 'Manifikato' Ni-Chocho. Magnificat D dur BWV 243. | BachAkadJapan | 64-70 | ||||
| | 29. | Town, Stephen | Mendelssohn's Lobgesang: A fusion of forms and textures. | ChoralJ | 33 | 4 | 19-26 | ||
| | 30. | Miyazawa, Sosuke (ed.) | Nanki ongaku toshokan shozo kamingusu bunko ni tsuite. | [ce]NankiOngakuToshokan | 80, 83p | ||||
| | 31. | Sunagawa, Shigehisa | Noboritsumetara Dai-Bach. | 149p | |||||
| | 32. | Tokawa, Seiichi | Ongakuka no Jijoden: Quantz, Benda, E. Bach, Czerny. | 252p | |||||
| | 33. | Tokawa, Seiichi | Ongakushi-jo no Bach. | RekodoGeijutsu | 16 | 13 | 244-247 | ||
| | 34. | Tsugawa, Shuichi (ed.) | Orugan Dokuso Kyokushu / Bach Kyoku = Orgelwerke bear. für Harmonium / J. S. Bach. | ||||||
| | 35. | Town, Stephen | Sechs Lieder von Christian Fürchtegott Gellert (1715-1769) as set by Carl Philipp Emanuel Bach and Ludwig van Beethoven: a comparative analysis. | NATSBul | 36 | 5 | 30-36 | ||
| | 36. | Tokawa, Seiichi | Senpo-ron. Gakuri no Kenkyu. | 174p | |||||
| | 37. | Tokawa, Seiichi | Shin Bach Zenshu ni tsuite. | TokyoGakugeiDaigakuKiyo | 2 | 24 | 35-45 | ||
| | 38. | Tokawa, Seiichi | Taiiho no Hendo; Shin-Ongaku no Taido: Renaissance kara Baroque e Tenkanki no Ongaku Riron. | 256p | |||||
| | 39. | Town, Stephen | Toward an understanding of fugue and fugato in the Masses of Joseph Haydn. | JMcolResearch | 6 | 4 | 311-351 | ||
| | 40. | Brown, Sebastian | Well-Tempered Integrations: A new approach to prelude-fugue relationship. | PianoJ | 20 | 58 | 10-12 | ||
| | 41. | W., S. | Wien (Drittes Gesellschaftsconcert -- Siebentes und achtes Concert der Philharmoniker). | AllgMlZ(3) | 8 | 16 | 252-254 |