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Type | List | Title [further info] | Series | Vol | No | Year | Pages | Status |
---|---|---|---|---|---|---|---|---|
1. | 100 chorals / Joh. Seb. Bach. | EdBreitkopf | 2121-4 | 35, 35, 35, 35p | ||||
2. | 10. Aachener Bachtage. | MKirche | 54 | 5 | 252-253 | |||
3. | 10 Jahre Frankfurter Bachstunden. | MKirche | 20 | 2 | 75-77 | |||
4. | 10. und 11. Kölner Bachwochen und Kölner Orgeltage. | MKirche | 62 | 4 | 231-233 | |||
5. | 125 Jahre Berufsverbände des Musikalienhandels. | BörsenBlDBuchhandel | 10 | 370-373 | ||||
6. | 128 Choralsätze von Johann Sebastian Bach. | 85p | ||||||
7. | 12 melodische Inventionen zur Uebung des polyphonen Klavierspiels u. als Vorbereitung f. das Studium der Joh. Seb. Bach'schen Inventionen. Op. 150. | 27p | ||||||
8. | 14. | TheoriaZagreb | 14 | 3-5 | ||||
9. | 14 canons BWV 1087 sur la basse Goldberg / J. S. Bach ; version 3(a) en sextuor à cordes. | 8p | ||||||
10. | 14 canons BWV 1087 sur la basse Goldberg / J. S. Bach ; version 3(b) pour deux claviers. | 12p | ||||||
11. | 14 canons BWV 1087 sur la basse Goldberg / J. S. Bach ; version 3(c) pour trio à cordes et clavier. | 8p | ||||||
12. | 14 canons BWV 1087 sur la basse Goldberg / texte original J. S. Bach ; et réalisation Olivier Alain. | 9p | ||||||
13. | 14 canons sur la basse Goldberg ; BWV 1087 / J. S. Bach. | 12p | ||||||
14. | 15 DUETS for Violin and Viola / J. S. Bach. | 11, 9p | ||||||
15. | 15 Inventions à 2 voix: Oeuvres originales / J. S. Bach. | NEdFrancMClassique | 117-120 | |||||
16. | 15 Inventions à 3 voix: Oeuvres originales / J. S. Bach. | NEdFrancMClassique | 227-230 | |||||
17. | 1750 - het laatste jaar van Johann Sebastian Bach. | 102p | ||||||
18. | 1. Johann Sebastian Bach. Von C. H. Bitter. -- Zwei Bände im Verlage von Ferdinand Schneider in Berlin. / 2. J. S. Bach's Werke, herausgegeben von der Bach-Gesellschaft im Verlage von Breitkopf und Härtel in Leipzig. I.-XIII. Band. | MsTheaterM | 11 | 31 f | 484-487 f | |||
19. | 20 leichte Stücke aus dem Notenbuch der Anna Magdalena Bach / komponiert von Joh. Seb. Bach. | EdPeters | 3829 | 19p | ||||
20. | 24 Präludien und Fugen für Gitarre: Idee, Konzeption, musikalische Umsetzung. | [fs]Teuchert80 | 273-278 | |||||
21. | 25 Jahr Stiftung Preußischer Kulturbesitz. | JbPreussKulturbesitz | 23 | 27-39 | ||||
22. | 27. Bachwochen Thun, Schweiz, 12. August - 14. September 2014. | MtblNBG | 74 | 63-64 | ||||
23. | 2e Sonate en La: piano et violon / J. S. Bach. | NEdFrancMClassique | 74-76 | 7, 5p; 2, 2p | ||||
24. | 2 Gavotten. No. 1. D-moll. No. 2. G-moll. [Deux gavottes en Ré-mineur et Sol-mineur (d-Moll und g-Moll)] | OeuvChoisiesPiano | 4 | 8p | ||||
25. | 2 Gavottes favorites, en Sol et Ré / J. S. Bach. | NEdFrancMClassique | 23 | |||||
26. | 2hlasé invence a 3hlasé symfonie: piano / Johann Sebastian Bach. | 63p | ||||||
27. | [2 Menuette f. Pfte u. Harm. / J.S. Bach] | |||||||
28. | 32:3=14. | TheoriaZagreb | 14 | 5-8 | ||||
29. | [33 Cembalostücken von François Couperin] | |||||||
30. | 350 Jaar Arp Schnitger. | PubStichtGroningenOrgLand | 24 | 51p | ||||
31. | 3 Duos / Johann Sebastian Bach. | 3p | ||||||
32. | 3e livre d'orgue des huit tons de l'église... | 123p | ||||||
33. | 3 Fugenskizzen nach Fugen aus dem "Wohltemperierten Klavier" J. S. Bachs | 3p | ||||||
34. | 3 morceaux en forme de suite [in A major]: Oeuvres originales / J. S. Bach. | NEdFrancMClassique | 279 | 5p | ||||
35. | [3 String Trios by Bach, arranged after instrumental sonatas' by Arnold Trowell (Augener)] | MTimes | 65 | 978 | 716 | |||
36. | 40 Jahre Bach-Chor und Kaiser-Wilhelm-Gedächtnis-Kirche Berlin - Verabschiedung von Karl Hochreither. | MtblNBG | 49 | 11-12 | ||||
37. | 48 choralartige Orgel-Vorspiele zum gottesdienstlichen Gebrauch bestimmt, zunächst für Organisten in kleinen Städten und auf dem Lande nebst einer vollständigen Anleitung zum Gebrauch derselben, sowie auch einem Anhange: Zwei figurirte Choral-Vorspiele und ein Postludium bestehend aus einer fünfstimmigen Fuge von Seb. Bach mit einem Präludium von E. D. Wagner. Op. 16. | |||||||
38. | 48 choralartige Orge-Vorspiele zum gottesdienstlichen Gebrauch bestimmt, zunächst für Organisten in kleinen Städten und auf dem Lande nebst einer vollständigen Anleitung zum Gebrauch derselben, sowie auch einem Anhange: Zwei figurirte Choral-Vorspiele und ein Postludium, bestehend aus einer fünfstimmigen Fuge von Seb. Bach mit einem Präludium von E. D. Wagner. Op. 16. Berlin 1847. Trautweinsche Buch- und Musikalienhandlung. | Urania(Erfurt) | 9 | 8-9 | 116-118 | |||
39. | 49. Bachfest in Frankfurt/Oder. | MKirche | 44 | 6 | 298-299 | |||
40. | 50 Jahre Bach-Kantaten in Berlin. | MKirche | 67 | 4 | 268-269 | |||
41. | 50 Jahre Bach-Kantaten in Berlin. | MtblNBG | 41 | 26-27 | ||||
42. | 50 Jahre Musikinstrumenten-Museum Leipzig. | MGesellschaft | 29 | 11 | 675-676 | |||
43. | 54. Bachov festival pod¾a úsudku hostí. | HudobnyZivot | 11 | 24 | 8 | |||
44. | 5me Sonate en Fa: piano et violon / J. S. Bach. | NEdFrancMClassique | 171-173 | 5, 5, 7p + St | ||||
45. | 60 ausgewählte Klavier-Etüden von J. B. Cramer. | 141, 63p | ||||||
46. | 6e suite française: Oeuvres originales / J. S. Bach. | NEdFrancMClassique | 277-278 | 9p | ||||
47. | 6 Partitas / J.S. Bach. | EdNMClassique | 5022 | 80p | ||||
48. | 6 Petits Préludes: Oeuvres originales / J. S. Bach. | NEdFrancMClassique | 115-116 | |||||
49. | 6 Petits Préludes pour les commençants / J. S. Bach. | NEdFrancMClassique | 24 | 7p | ||||
50. | 6 solo sonatas for violin / Joh. Seb. Bach. | AugenerEd | 7943 | 51p | ||||
51. | 6 Sonatatas and Partitas for Violin Solo / J. S. Bach. | 66, 44p | ||||||
52. | 6 suites a violoncello solo senza basso, BWV 1007-1012 / Johann Sebastian Bach | 53p | ||||||
53. | 6 Suites for solo cello (BWV 1007-12) / J. S. Bach. | xii, 59p | ||||||
54. | 6 Suites (sonatas) for Violoncello Solo / J. S. Bach. | AugenerEd | 7921 | 40p | ||||
55. | 6 Violoncell-Sonaten (Suiten) für Violine solo als Vorstudien zu den grossen Violinsonaten / Joh. Seb. Bach. | EdBreitkopf | 1953 | 40p | ||||
56. | 8 kleine Präludien und Fugen für Orgel: Heft II [nos.5-8]. / J.S. Bach | 17p | ||||||
57. | 8 kleine Präludien und Fugen für Orgel: Heft I [nos.1-4]. / J.S. Bach | 17p | ||||||
58. | 8 miscellaneous compositions. | 36p | ||||||
59. | 8 Short Preludes and Fugues. | |||||||
60. | A 2019 Bach Anniversary: The First American Edition of the St. Matthew Passion. | BachNotesABS | 30 | 1-8 | ||||
61. | Aachener Bachtage 1990. | MKirche | 61 | 6 | 360 | |||
62. | A Bach Fugue Analyzed in Poetry. | JAMSoc | 11 | 2-3 | 251 | |||
63. | A Bach Manuscript Recovered: Berlin, Bibliothek der Hochschule der Künste, Spitta Ms. 1491. | 4p | ||||||
64. | A Bach Number (Zeitschrift für Musik, July, contents) | MTimes | 65 | 980 | 911 | |||
65. | A Bach organ book for students. | xiv, 68p | ||||||
66. | A Bach Pilgrimage. | Organ | 74 | 291 | 41-42 | |||
67. | A Bach Polyglot - The A Major Prelude & Fugue BWV 536. | OrganYb | 20 | 72-87 | ||||
68. | A Bach-rendszer. | Nepujsag | 16 | |||||
69. | A Bach Sarabande (From the Cello Suite Number Five). | JIDoubleReedSoc | 21 | 65-70 | ||||
70. | Abbe Voglers, gründliche Anleitung zum Clavierstimmen für die, welche gutes Gehör haben. Nebst einer neuen Anzeige, jedes Saiteninstrument vortheilhaft und richtig zu beziehen. | 16p | ||||||
71. | Abbé Vogler and the Bach Legacy. | 18cStud | 13 | 2 | 119-141 | |||
72. | Abbé Vogler and the Study of Fugue. | MTheorySpec | 1 | 43-66 | ||||
73. | Aboten Voglers Andra Lection til Choral-Eleven M. H. bestående. | 8p | ||||||
74. | Abschied der Musik: Ein Entwurf. | NZürcherZ | 213 | 254 | 70 | |||
75. | Absolute recognition of musical keys in non-absolute-pitch-possessors. | [cr]ESCOM_Keele | ||||||
76. | Abt Vogler's Choral-System. | 105p | ||||||
77. | Abt Voglers 'Verbesserungen' Bachscher Choräle. | [cr]Stuttgart1985 | i: 500-512 | |||||
78. | Academia musico-poetica bipartita. Oder: Hohe Schul der Musicalischen Composition In Zwez Theil eingetheilt. | 186p | ||||||
79. | Academy of Ancient Music's Bach at St John's. | MOpinion | 125 | 1428 | ||||
80. | A Case of Musical Symbolism in Bach's Christmas Oratorio. | [p]AMS_NorthernCalifornia | ||||||
81. | A catalog of the piano music, published by Oliver Ditson Company. Complete to January 1, 1915. | CatM(Ditson) | 156p | |||||
82. | A catalog of the vocal music (folio size) published by Oliver Ditson Company. Complete to April 1, 1913. | CatM(Ditson) | 184p | |||||
83. | A catalogue of a very valuable and celebrated collection of music, the whole being actually the property of William Knyvett, Esq. (Who is retiring from London,) comprising the most choice vocal and instrumental productions of the english and foreign schools, ancient and modern [...] which will be sold by auction, by Mr. W. P. Musgrave, [...] on Thursday 30th June, and Friday 1st July, 1825, [...] | 26p | ||||||
84. | A Catholic Hymnal for Use in Lutheran Leipzig: Catholisches Gesang-Buch (Leipzig, 1724). | BachPerspectives | 12 | 36-62 | ||||
85. | Accompanied keyboard music. | MQ | 60 | 2 | 222-245 | |||
86. | A Checklist of Music Manuscripts in Facsimile Edition. | Notes | 34 | 3 | 557-570 | |||
87. | A chronology of J. S. Bach's organ fugues by external and stylistic evidence. | diss. | 258p | |||||
88. | Acht Briefe von Lea Mendelssohn an den Verleger Schlesinger in Berlin. | StMges19Jh | 41 | 47-54 | ||||
89. | Acht Fugen und vier Praeludien aus Joh. Seb. Bach's Wohltemperirtem Clavier als Trios für Violine, Viola und Violoncell | 3 St | ||||||
90. | Acht kleine Klavierstücke von C.Ph.Em. Bach. | |||||||
91. | A clavichord from Peru in the period of the imperial vice-royalty. | DeClavicordio | 4 | 105-117 | ||||
92. | A cognitive neuropsychological analysis of melody recall. | ContempMReview | 9 | 97-111 | ||||
93. | A collection of organ music by pupils of J. S. Bach. | diss. | 102, 89p | |||||
94. | A collection of sacred music, as performed at the Royal Portuguese Chapel in London / composed, selected & arranged with a separate accompaniment for the organ or piano forte by V. Novello. | |||||||
95. | A collision of values: text, music, and nascent enlightenment in J. C. Gottsched's and J. S. Bach's Trauerode. | LessingYb | 63 | 9-33 | ||||
96. | A Companion to 'The Art of Fugue' (Die Kunst der Fuge). J. S. Bach. | 79p | ||||||
97. | A comparative study of registration practices in selected organ works of Johann Sebastian Bach (1685-1750) based on recordings made by Marie-Claire Alain and Jacques van Oortmerssen. | diss. | ||||||
98. | A comparative study of the use of ornamentation in two works by J.S. Bach in a South African context. | diss. | xi, 125p | |||||
99. | A comparison of selected Liszt and Schumann piano transcriptions of the Paganini violin caprices: a lecture recital, together with three recitals of selected works of Brahms, Mozart, J. S. Bach, von Weber, Dukas, Schoenberg, Rachmaninov and others. | diss. | x, 62p | |||||
100. | A conductor's guide to the E-flat 'Magnificat' of Johann Sebastian Bach. | diss. | 326p | |||||
101. | A conspiracy of composers: J.C. Bach and C.F. Abel vs. Longman & Lukey. | [p]IMS_Leuven | ||||||
102. | A csucspontok esztetikuma J.S. Bach passioiban. | Iskolakultura | 11-12 | 2-18 | ||||
103. | Actes du Colloque XVIIe, XIXe, XXIe siècles: Bruxelles--Carrefour européen de l'orgue. | [cr]Brussels2000 | x, 294p | |||||
104. | Actus tragicus, 'Gottes Zeit ist die allerbeste Zeit' ('God's time is the best'): Kirchenkantate no.106 / Johann Sebastian Bach | 49p | ||||||
105. | Actus tragicus (O tendre maitre). Contr. / J. S. Bach. | NEdFrancMClassique | 92 | 3p | ||||
106. | Adagio. | 3p | ||||||
107. | Adagio cantabile von Joh. Seb. Bach. | 6p + 2 St. | ||||||
108. | ADAGIO: From Cantata No. 146, 'Wir müssen durch viel Trübsal'. | 12Transcriptions(Grace) | 1 | 5 | 14-18 | |||
109. | Adagio. From the 1st Brandenburg Concerto. / J. S. Bach. | 10Transcriptions(Grace) | 2 | 9 | 26-29 | |||
110. | Adagio. From the 6th Brandenburg Concerto. / J. S. Bach. | 10Transcriptions(Grace) | 1 | 3 | 6-10 | |||
111. | Adagio. From the Goldberg Variations. / J. S. Bach. | 10Transcriptions(Grace) | 1 | 5 | 14-17 | |||
112. | Adagio from Toccata in C / J. S. Bach. | 4p | ||||||
113. | [Adagio (Hm.) aus dem Oster-Oratorium f. Pfte u. V.] | KlassischesModernes | 3 | 4 | ||||
114. | ADAGIO von J. S. BACH. | LyrischeStücke | 6 | 3, 1p | ||||
115. | A diagnostic and analytical model of score preparation: A clinical approach to musical morphology. | diss. | 189p | |||||
116. | Ad musicum: K 75-letiû so dnâ roždeniâ Ûriâ Nikolaevièa Holopova--Stat'i i vospominaniâ. | [fs]Holopov | 184p | |||||
117. | Adolf Scherbaum (1909-2000): Précurseur de la trompette classique en soliste. | BrassBul | 122 | 62-74 | ||||
118. | Adolph Hesses Erinnerung an seinen Aufenthalt bei Christian Heinrich Rinck in Darmstadt. | MtArbgMittRheinMges | 80 | 21-33 | ||||
119. | A dynamical systems perspective on music. | JMcol | 15 | 4 | 529-545 | |||
120. | Aesthetic and Stylistic Mediation in Telemann's VI Ouvertures à 4 ou 6. | [p]ABS_Wisconsin | ||||||
121. | Aesthetic Mediation and Tertiary Rhetoric. | BachPerspectives | 9 | 24-49 | ||||
122. | Afektová teorie a hudebnì rétorické figury. | diss. | 208p | |||||
123. | Affective discourse in German baroque textbased music. | TijdschrMtheorie | 9 | 3 | 217-236 | |||
124. | Affekt und Expression: Ästhetische Anmerkungen zum 18. Jahrhundert. | [ce]HamburgerBach | 193-205 | |||||
125. | A French overture revisited: another look at the two versions of BWV 831. | EarlyM | 25 | 1 | 47-58, 60-61 | |||
126. | Agnus Dei Composition of J. S. Bach: Some Liturgical and Theological Perspectives. | [cr]Amsterdam1993 | 233-249 | |||||
127. | A Graded Analysis of the Organ Preludes and Fugues of Johann Sebastian Bach for Teachers and Students Providing a Compendium of Increasingly Difficult Performance Problems. | diss. | 88p | |||||
128. | Air (auf der G-Saite) / J. S. Bach. | AlteMeister(Burmester/Lier) | 2 | 10 | 3p + St | |||
129. | Air (auf der G-Saite) / J. S. Bach | AlteMeister(Burmester/Leeuwen) | 2 | 10 | ||||
130. | AIR: BE THOU BUT NEAR = 'Bist du bei mir', from the 'Anna Magdalena Clavier Book' | 12Transcriptions(Grace) | 2 | 7 | 1-3 | |||
131. | Air & Bourrée from Suite no. 3 in D / Bach. | 5, 3p + St | ||||||
132. | Air dans la cantate de la pentecôte / J. S. Bach. | 5p | ||||||
133. | Air dans la sterbe cantate / traduction de Sylvain St. Étienne ; musique de Seb. Bach. | 3p | ||||||
134. | AIR de la CANTATE D'ÉGLISE 'O flamme éternelle' de J. S. BACH. | RepertoireClassique(Gevaert) | 344 | 7p | ||||
135. | Air de la Pentecôte / de J.S. Bach. | CollLitolff | 875 | 3-5p + St | ||||
136. | Air extrait de la cantate La Pentecôte de J. S. Bach. | |||||||
137. | Air. From the Suite in D for Orchestra. / J. S. Bach. | 10Transcriptions(Grace) | 1 | 4 | 11-13 | |||
138. | Air in C minor: from French suites no. 2 / J. S. Bach. | 3p | ||||||
139. | Air on the G string / J. S. Bach | |||||||
140. | Air on the G string. (Suite no. 3, D major) / J. S. Bach. | 4p | ||||||
141. | Air von Joh. Seb. Bach, für Violoncello (Violine) mit Begleitung des Pianoforte oder der Orgel eingerichtet von Aug. Wilhelmj. ... | AllgMlZ(3) | 14 | 2 | 32 | |||
142. | Air von S. Bach | GottschalgsRepertorium | 3 | 29 | 58-59 | |||
143. | Aktual'nye voprosy iskusstvoznaniâ: Èelovek--tekst--kul'tura--Sbornik statej po materialam VII Vserossijskoj nauèno-praktièeskoj konferencii studentov i aspirantov. | [cr]Saratov2009 | [Aktualnye] | 182p | ||||
144. | Aktuelle problemer vedrørende interpretasjon av Johann Sebastian Bachs orgelverker. | NorskKm | 51 | 2 | 5-8 | |||
145. | A late-Romantic motet intabulation: Sigfrid Karg-Elert's organ transcription of J. S. Bach's Singet dem Herrn ein neues Lied. | [fs]Vogel65 | 161-189 | |||||
146. | Albert Schweitzer als Mensch und als Denker. | 373p | ||||||
147. | Albert Schweitzer als pleitbezorger van de orgelwerken van Johann Sebastian Bach in Nederland. | [ce]CatalogusExpositie | 15-22 | |||||
148. | Albert Schweitzer: Da Bach al rispetto per la vita. | ArteOrganariaOrganistica | 6 | 26 | 10-17 | |||
149. | Albert Schweitzer, el organista. | RadioClasica | 10 | 115 | 35-38 | |||
150. | Albert Schweitzer. Pionier an Bach & Fluss. | BachMag | 5 | 10-13 | ||||
151. | Albert Schweitzer -- The Man and His Mind. | 346p | ||||||
152. | Albert Schweitzer the man and the musician: a keen appraisal of one of the greatest personalities of the twentieth century. | Etude | 72 | 1 | 11, 63-64 | |||
153. | Albert Schweitzer zum 90. Geburtstag. | BörsenBlDBuchhandel | 132 | 4 | 2-3 | |||
154. | Alchemy and Counterpoint in an Age of Reason | JAMSoc | 51 | 2 | 201-243 | |||
155. | Aleksandr Naumoviè Dolžanskij: Sbornik statej k 100-letiû so dnâ roždeniâ. | [fs]Dolzanskij100 | 512p | |||||
156. | A Lesser Secret of J. S. Bach Uncovered. | JAMSoc | 14 | 2 | 199-223 | |||
157. | Alfred Dürr zum 70. Geburtstag. | MKirche | 59 | 1 | 48-49 | |||
158. | Alfred Dürr zum 85. Geburtstag. | MtblNBG | 52 | 24 | ||||
159. | Alfred Mann. | Bach | 37 | 2 | 119 | |||
160. | Algunes claus per descobrir Bach (I). | CatalunyaM | 17 | 188 | 6f | |||
161. | A Listener's Guide to 'Die Kunst der Fuge.' | [ce]Tovey MusicAnalysis | Chamber | 75-89 | ||||
162. | A List of Durations and Associated Data of Bach's Works. | MBook | 7 | 411-435 | ||||
163. | A Little More Muscle Please, Playing the Organ Before the 20th Century. | AmerOrganist(2) | 39 | 9 | 105-108 | |||
164. | Allegorija i emblema v kantate J. S. Bacha 'O Ewigkeit, du Donnerwort' Nr. 60. | [ce]ProblemyMusykalnogoStilja | 45-62 | |||||
165. | Allegro and Adagio Rhythmic Style in the Instrumental Works of J. S. Bach. | diss. | ||||||
166. | ALLEGRO: From the Secular Cantata 'Amore traditore'. | 12Transcriptions(Grace) | 1 | 6 | 19-23 | |||
167. | Alleluia. For Chorus of Women's (Men's) Voices ... | |||||||
168. | Alte Musik in neuer Zeit. | [ce]Dadelsen | 168-172 | |||||
169. | Alte Musik in neuer Zeit. | NZsfM(2) | 140 | 2 | 118-120 | |||
170. | Alte Musik. Praxis und Reflexion. | BaslerJbHistMpraxis | [Sonderband] | 411p | ||||
171. | Alter Stil und alte Techniken in der Musik des 19. Jahrhunderts. | diss. | 138p | |||||
172. | A maker's secrets revealed: restoration of a 1784 clavichord by C. G. Hoffmann. | DeClavicordio | 4 | 187-201 | ||||
173. | A Master Lesson on a Fascinating Bach Prelude. | Etude | 62 | 7 | 396, 420 | |||
174. | Amateurs kiezen voor Bach in finale 5e Hanzesteden orgelconcours. | Orgelvriend | 39 | 2 | ||||
175. | 'Amerikan Bach Sources and Current Theologacal Research in Bach'. Tagung der Internationalen Arbeitsgemeinschaft für theologische Bachforschung. | MtblNBG | 42 | 13-14 | ||||
176. | Am Feste der Erscheinung Christi: 'Sie werden aus Saba Alle kommen' von Joh. Seb. Bach. | KantatenKlavAuszOrg | 1 | 38p | ||||
177. | Am Sonntage Quasimodogeniti: 'Halt im Gedächtnis Jesum Christ' von Joh. Seb. Bach. | KantatenKlavAuszOrg | 4 | 39p | ||||
178. | Amsterdam, mei 1848: Bach en Beethoven. De sinfoniemuziek. | NedMTijdschr | 10 | 7 | 56-59 | |||
179. | Am vierzehnten Sonntage nach Trinitatis, III: 'Es ist nichts Gesundes an meincm Leibe' von Joh. Seb. Bach. | KantatenKlavAuszOrg | 5 | |||||
180. | Am vierzehnten Sonntage nach Trinitatis (On the Fourteenth Sunday after Trinity): 'Wer Dank opfert' von Joh. Seb. Bach. | KantatenKlavAuszOrg | 2 | 39p | ||||
181. | Analisi della fuga Sicut locutus est dal Magnificat di J.S. Bach. | Analisi | 5 | 14 | 13-25 | |||
182. | Analiz nekotorych fug Bacha. | [ce]Bogatyrev | 29-52 | |||||
183. | Analyses of Iron Gall and Carbon Inks by Means of X-ray Fluorescence Analysis: A Non-Destructive Approach in the Field of Archaeometry and Conservation Science. | Restaurator | 31 | 1 | 41-64 | |||
184. | Analysis and trans-synthesis of acoustic bowed-string instrument recordings - a case study using Bach Cello Suites. | |||||||
185. | Analyzing Bach and how Bach actually wrote. | JSchenkerStud | 3 | 211-221 | ||||
186. | Analyzing Bach and how Bach actually wrote. | JSchenkerStud | 3 | 159-210 | ||||
187. | Ana Magdalena Bah: Mala hronika, [Banja Luka, 1989] | Rukovet | 78 | 36 | 3p | |||
188. | An Annotated Bibliography of Sources on J. S. Bach. | [ce]SacredChoralMusicJSB | 57-62 | |||||
189. | An Annotated List of Sacred Cantatas: 1960 - 1976. | diss. | 688p | |||||
190. | Anatolij Vedernikov ispolnâet Baha. | [fs]MoscowConservatory | 76-82 | |||||
191. | Andante - Bourrée - Double / Bach. | 7p | ||||||
192. | Andante Cantabile [arrangiert] für Flöte, Violine und Pianoforte / Bach. | |||||||
193. | Andante du Concerto dans le style Italien de J. S. Bach. | 5p + 1 St | ||||||
194. | Andante e Rondò (Sarabande Passepied) estratti dalla Suite Anglaise in Mi minore / di Bach. | SceltaOpere(Bülow) | 2 | 10p | ||||
195. | Andante et rondo (sarabande et passepied) extraits de la suite anglaise en Mi-mineur (e-Moll) / Joh. Séb. Bach. | OeuvChoisiesPiano | 2 | 12p | ||||
196. | Andante from 'Orione': (1763) / J. C. Bach | 3p + St | ||||||
197. | Andante, from the 3rd Sonata for Violin Solo ... | |||||||
198. | Andante per violoncello e pianoforte (dalle variazioni a Goldberg) di J. S. Bach | 4p | ||||||
199. | Andante u. Rondo (Sarabande und Passepied aus der englischen Suite No. V.) | OeuvChoisiesPiano | 2 | 12p | ||||
200. | Andreas Werckmeister's Cribrum musicum (1700) and Harmonologia musica (1702): The Original German Treatises with Parallel, Annotated English Translations. | xii, 510p | ||||||
201. | Andreas Werckmeisters Kritik an der David-Beck-Orgel im Schloss Grüningen bei Halberstadt: Versuch einer Rehabilitierung ihres Erbauers. | ArsOrgani | 57 | 2 | 107-110 | |||
202. | André Pirro (1869-1943) und Yvonne Rokseth (1890-1948) | Mf | 3 | 2 | 106-119 | |||
203. | An Early English Imprint of the B minor 'Crucifixus'. | [p]BNUK_Oxford | ||||||
204. | An Early English Imprint of the 'Crucifixus' of the B minor Mass (BWV 232II/5). | UnderstandingBach | 3 | 39-54 | ||||
205. | An Eighteenth-Century Organ Is Reconstructed at Cornell. | Soc18cMNL | 18 | 8-9 | ||||
206. | Anekdote. | ReclamUBib | 8832 | 89 | ||||
207. | An enigmatic legacy: Organ music and the Berlin Bach traditions. | KeyboardPerspectives | 4 | 153-174 | ||||
208. | An Enigmatic Legacy: The Music of Wilhelm Friedemann and Bach and Its Relationship to Other Bach-Family Works. | [p]BICB_Belfast | ||||||
209. | An Enigmatic Legacy: Two Instrumental Works Attributed to Wilhelm Friedemann Bach. | Bach | 41 | 2 | 24-60 | |||
210. | An Essay on Musical Expression. | 138p | ||||||
211. | A New Bach Source. | BachSocBul | 1 | 1 | 27-28 | |||
212. | A New Completion for Bach's Unfinished Harpsichord Fugue in c Minor, BWV 906/2. | [fs]Jeans75 | 113-120 | |||||
213. | A New Froberger Manuscript. | J17cM | 13 | 1 | ||||
214. | A new look at Schumann's impromptus. | MQ | 67 | 4 | 568-586 | |||
215. | A new source of Bach's Violin Solos from Prague and its implication for the work's reception history. | [p]BICB_Southampton | ||||||
216. | A New Source of Bach's Violin Solos from Vienna. | [p]BICB_Canterbury | ||||||
217. | Anglijskie sjuity I. S. Baha -- zagadka nazvanija. | VestnikStPetersburgUArts | 8 | 1 | 3-16 | |||
218. | Anglijskie sûity I.S. Baha: Stranicy istorii. | StarinnajaMuzyka | 4:74 | 8-15 | ||||
219. | An interpretative analysis of the Capriccio in B flat major, BWV 992, by J. S. Bach, with specific reference to comparative interpretations on the clavichord, harpsichord and piano. | diss. | ||||||
220. | An interview with Miklós Spányi. | ClavichordInternat | 8 | 1 | 2-8 | |||
221. | An Interview with Peter Schickle. | MEducatorsJ | 62 | 6 | 76-78 | |||
222. | Anmerkungen zu Bachs Leipziger Jahren. | [fs]Ruhnke65 | 68-82 | |||||
223. | Anmerkungen zu Bachs Parodieverfahren. | [fs]Dürr65 | 52-57 | |||||
224. | Anna Amalia (1723-1787): das Leben einer preußischen Prinzessin als Mäzenin, Komponistin und Äbtissin in Quedlinburg. | QuedlinburgerAnnalen | 6 | 46-56 | ||||
225. | Anna Magdalena Bach notebook: 20 pieces / Johann Sebastian Bach. | 32p | ||||||
226. | Anne Leahy (1961-2007): In Memoriam. | BachNotesABS | 8 | 20-21 | ||||
227. | Annotationen zur Musik: Ausgewählte Schriften, Aufsätze und Vorträge / Jürg Baur. | [fs]Baur85 | 288p | |||||
228. | Anordnung und Instrumentation des 'Musikalischen Opfers'. | Bachfeier_Leipzig | 8-9 | |||||
229. | Another View of the Bach Bow. | MTimes | 96 | 1344 | 98 | |||
230. | A novelty search and power-law-based genetic algorithm for exploring harmonic spaces in J.S. Bach chorales. | 95-106 | ||||||
231. | Ansprache. | MKirche | 55 | 6 | 294-299 | |||
232. | Anthology of Piano Classics. Twenty-eight selected compositions by Bach, Beethoven, Chopin, Field, Handel, Haydn, Mendelssohn, Mozart, Schubert, Schumann [and] Weber. | SchirmerLib | 1263 | 163p | ||||
233. | Antonio Brioschi e il nuovo stile musicale del Settecento lombardo. | [cr]Allessandria2008 | 447p | |||||
234. | Antonio Vivaldi's Violinconcerte unter besonderer Berücksichtigung der von Johann Sebastian Bach bearbeiteten. | VjsMw | 1 | 3 | 356-380 | |||
235. | An Uncertain Legacy: Two Instrumental Works Attributed to W.F. Bach (1710-1784). | [p]ABS_Wisconsin | ||||||
236. | Anweisung zum musikalisch richtigen Gesange, mit hinlänglichen Exempeln eräutert von Johann Adam Hiller. Leipzig, bey Johann Friedr. Junius, 1774. 1 Alph. 5 1/2 B. in 4. | AllgDBib | 25 | 1 | 100-111 | |||
237. | Análisis de la Fuga en do menor de El clave bien temperado, Libro I, de Johann Sebastian Bach. | MusicaInvestigacion | 4 | 7-8 | 117-129 | |||
238. | A Parallel-Processing Key-Finding Model. | MPerception | 14 | 2 | 185-223 | |||
239. | A Passion Cycle and a Set of Epiphany Cantatas by Christoph Graupner. | BachNotesABS | 32 | 7-11 | ||||
240. | A Pedagogical Edition and Performer's Guide to J. S. Bach's Cello Suites (BWV 1007--1010) transcribed for the violin. | diss. | 92p | |||||
241. | A Performer's Guide to the Keyboard Partitas of J. S. Bach. | 136p | ||||||
242. | A performer's guide to the sacred solo cantatas of Johann Sebastian Bach. | JSinging | 65 | 5 | 545-560 | |||
243. | A Portrait of Bach. Illustrated by Faith Jaques. | 153p | ||||||
244. | Appendice. La figlia e il genero di Sebastiano Bach. | GazMMilano | 6 | 45 | 353-354 | |||
245. | Appendice. La figlia e il genero di Sebastiano Bach (Continuazione e fine. Vedi n. 45). | GazMMilano | 6 | 46 | 361-363 | |||
246. | Applications of Reductive Analytical Techniques in the Phrygian Settings of the 'Orgelbuechlein' by Johann Sebastian Bach. | diss. | 116p | |||||
247. | Aprendendo contraponto atraves dos preludios corais. | diss. | ||||||
248. | A propos de l' 'Art de la Fugue' | RevueM(4) | 13 | 131 | 80-81 | |||
249. | [A proposito delle fughe di Händel e Bach (Estratto da Ab. Vogler, 'Sistema per la costruzione della fuga')]. | GazMMilano | 1 | 23 | 106 | |||
250. | A proposito del 'violoncello piccolo' di Bach. | RivistaItaliMcol | 8 | 1 | 113-131 | |||
251. | Aproximaciones a la técnica de Composición en los 'Estrechos' de las fugas del 'Clave bien templado' de J. S. Bach. | RevistaInstInvMcolCarlosVega | 9 | 9 | 27-33 | |||
252. | A quantitative study of seven historically informed performances of Bach's BWV1007 Prelude. | EarlyM | 43 | 4 | 611-622 | |||
253. | A Question of Genre: J.S. Bach and the 'mixed style'. | [p]BICB_Warsaw | ||||||
254. | A question of genre: J.S. Bach and the 'mixed style'. | [fs]Williams70 | 205-224 | |||||
255. | Arcangelo Corelli fra mito e realtà storica: nuove prospettive d'indagine musicologica e interdisciplinare nel 350o anniversario della nascita | HistMCultores | 111 | xxiv, 707p | ||||
256. | A Re-Evaluation of the Role Played by Carl Philipp Emanuel Bach in the Development of the Clavier Sonata. | diss. | xv, 185p | |||||
257. | [A response to D. Ledbetter's 'Bach's meaning?' (review of book by C. Booth), EarlyM xxxix/3 (2011)] | EarlyM | 40 | 3 | 544 | |||
258. | ARIA aus der D dur-Suite / Joh. Seb. Bach. | CollLitolff | 1725 | 2-3 | ||||
259. | Aria aus der Pfingst-Cantate / Joh. Seb. Bach. | OeuvChoisiesPiano | 8 | 10p | ||||
260. | Aria - 'Bist du bei mir' (If Thou art with me) / J. S. Bach. [recte: Stölzel] | 2PianoSer | 24 | 4, 4p | ||||
261. | Aria form in the Bach B-minor Mass. | ChoralJ | 22 | 4 | 17-19,22 | |||
262. | Aria from Suite (No.3) in D. Words by Helen F. Bantock ; Music by BACH. | 4p | ||||||
263. | ARIA (from the SUITE in D) for Violin (or 'Cello) & Pianoforte, also TRIO / BACH | 3p + St | ||||||
264. | ARIA (from the SUITE in D major) and GAVOTTE & MUSETTE (from the ENGLISH SUITES [No. 3] | 6p | ||||||
265. | Aria from the Suite, No. 3. Piano Solo / Bach. | 3p | ||||||
266. | Arias and chamber cantatas / Carl Philipp Emanuel Bach | CPEBachCW | 6 | 4 | xxiv, 8, 160p | |||
267. | ARIA: SLUMBER BELOVED: From the Christmas Oratorio. | 12Transcriptions(Grace) | 2 | 11 | 15-18 | |||
268. | Aria with Thirty Variations (The 'Goldberg' Variations) (1990) | [ce]Tovey MusicAnalysis | Chamber | 28-74 | ||||
269. | Arie aus der D-Dur-Suite / Bach | PerlesM(André) | 21 | 3p + St | ||||
270. | Arie aus der D-Suite, für Orchester [Streich-Quintett, 2 Clarin. u. 2 Fag.] | |||||||
271. | Arie aus der Pfingst-Cantate von Joh. Seb. Bach. | 5p | ||||||
272. | ARIE aus der Pfingst-Cantate von Joh. Seb. Bach. | 5p | ||||||
273. | Arie aus der Suite (D) / Joh. Seb. Bach. | |||||||
274. | Arie Mein gläubiges Herz frohlocke für Sopran mit Pianoforte und Violoncell obl. oder Violine auch mit Pianoforte allein beaeitet und componirt von J. S. Bach. | 5p + St | ||||||
275. | Arie: 'Was mein Herz von dir begehrt' aus der Kantate 'Es ist nicht gut' / J. S. Bach. | |||||||
276. | Arii v korotkih messah I.S. Baha: Molitva ili propoved'? | [cr]Saratov2009 | [Dialogièeskoe] | 56-62 | ||||
277. | Arioso dall'aria con variazione / G. S. Bach. | 19p | ||||||
278. | ARIOSO de L'ACTUS TRAGICUS (1711) (le chrétien mourant) de Jean Sébastien BACH. | RepertoireClassique(Gevaert) | 350 | 3p | ||||
279. | ARIOSO et AIR de la 1re Partie de l'Oratorio de Noël de J. S. Bach. | RepertoireClassique(Gevaert) | 341 | 8p | ||||
280. | ARIOSO et AIR de la PASSION de Jean Sébastien BACH. | RepertoireClassique(Gevaert) | 349 | 8p | ||||
281. | ARIOSO et AIR de la PASSION selon Saint Matthieu de JEAN SÉBASTIEN BACH. | RepertoireClassique(Gevaert) | 368 | 6p | ||||
282. | Armastan Bachi kui kuningat: Artur Kapp (1878-1952)--Elu ja looming. | 64p | ||||||
283. | A Roman Concerto Repertory: Ottoboni's 'what not'? | ProceedRMA | 110 | 62-78 | ||||
284. | Arp Schnitger en zijn werk in het Groningerland. | PubStichtGroningenOrgLand | 1 | 104p | ||||
285. | Ars et musica in liturgia: celebratory volume presented to Casper Honders on the occasion of his seventieth birthday on 6 June 1993. | KerkMLiturg | 7 | viii, 215p | ||||
286. | Ars et musica in liturgia: Essays Presented to Casper Honders on his Seventieth Birthday. | StudLiturgMcol | 1 | 206p | ||||
287. | [article on Bach] | CourrierM | 37 | 3 | ||||
288. | Articulation in J.S. Bach's unaccompanied cello suites. | AmerStringTeacher | 48 | 1 | 51-56 | |||
289. | Articulation in Late Baroque Choral Music. | ChoralJ | 27 | 10 | 17-30 | |||
290. | Arvo Pärts 'Passio' und Johann Sebastian Bachs 'Johannespassion': Rezeptionsästhetische Perspektiven. | AfMw | 56 | 3 | 198-223 | |||
291. | A Second-Piano Part by Louis Victor Saar to the Fifteen Two-part Inventions of J. S. Bach | 39p | ||||||
292. | A Second-Piano Part to the Fifteen Two-part Inventions of Johann Sebastian Bach | 41p | ||||||
293. | A Selected List of Bach Recordings. | [ce]LittleBachBook | 138-160 | |||||
294. | A shower of gold. | [ce]Thomson | 206-207 | |||||
295. | 'As if Created for the Modern Organ': Aspects of Sigfrid Karg-Elert's Bach Transcriptions for Organ, II. | OrganYb | 44 | 103-119 | ||||
296. | 'As if created for the modern organ'. I: Aspects of Sigfrid Karg-Elert's Bach transcriptions for organ. | OrganYb | 43 | 114-141 | ||||
297. | A solo woodwind transcription of J. S. Bach's 'Concerto No 4' BWV 1055. | diss. | ||||||
298. | Aspectos tecnicos da partita n. 1 para violino solo de J.S. Bach. | diss. | 91p | |||||
299. | Aspects of Harpsichord Technique. | AmerMTeacher | 20 | 2 | 24-25 | |||
300. | Aspects of Performance Practice. | [ce]18cKeyboardM | 33-67 | |||||
301. | Aspects of Unity in J. S. Bach's Partitas and Suites: An Analytical Study. | EastmanStudM | 33 | xiii, 92p |
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