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Type | List | Title [further info] | Series | Vol | No | Year | Pages | Status |
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1. | 100 chorals / Joh. Seb. Bach. Version française par Augustin Mahot. Avec une préface de Vincent d'Indy. Leipzig: Breitkopf, [c.1915] 35, [35?], 35, 35p. Best.-Nr.: Edition Breitkopf, 2121 - 2124; Pl.-Nr. V.A.2121 - 2124 [Vol. 1: Nos. 1-25; Vol. 2: Nos. 26-50; Vol. 3: Nos. 51-57; Vol. 4: Nos. 76-100] | EdBreitkopf | 2121-4 | 35, 35, 35, 35p | ||||
2. | 10. Aachener Bachtage. Berichte. | MKirche | 54 | 5 | 252-253 | |||
3. | 10 Jahre Frankfurter Bachstunden. Berichte aus der Arbeit. | MKirche | 20 | 2 | 75-77 | |||
4. | 10. und 11. Kölner Bachwochen und Kölner Orgeltage. Berichte. | MKirche | 62 | 4 | 231-233 | |||
5. | 125 Jahre Berufsverbände des Musikalienhandels. Frankfurter Ausg. Also in MHandel 5. 1954. pp. 81-89. | BörsenBlDBuchhandel | 10 | 370-373 | ||||
6. | 128 Choralsätze von Johann Sebastian Bach. Für den Vortrag auf der Orgel im Anschluss an das württembergische Kirchenchoralbuch bearb. und hrsg. von Alexander Beutter - Leipzig: Rieter-Biedermann, 1902. 85p. Best.-Nr.: 2413. [Mit einem Anhang: 14 Choralsätze / von Heinrich von Herzogenberg] | 85p | ||||||
7. | 12 melodische Inventionen zur Uebung des polyphonen Klavierspiels u. als Vorbereitung f. das Studium der Joh. Seb. Bach'schen Inventionen. Op. 150. componirt von Jean Vogt. - Berlin: Schlesinger, [1882] 27p. Pl.-Nr.: S. 7440. Mk 2. | 27p | ||||||
8. | 14. | TheoriaZagreb | 14 | 3-5 | Latin 2 | |||
9. | 14 canons BWV 1087 sur la basse Goldberg / J. S. Bach ; version 3(a) en sextuor à cordes. réalisation, Olivier Alain. [Edited from a ms. in the Bibliothèque nationale de France, Paris, ms. 17669] Paris; New York: Salabert, 1976. 8p. 6 parts, facs. Pl.-Nr. E.A.S. 17.259 Salabert. [BWV 1087] | 8p | ||||||
10. | 14 canons BWV 1087 sur la basse Goldberg / J. S. Bach ; version 3(b) pour deux claviers. réalisation, Olivier Alain. [Edited from a ms. in the Bibliothèque nationale de France, Paris, ms. 17669] Paris; New York: Salabert, 1977. 2 partitions) 12p. facs. Pl.-Nr. E.A.S. 17.264 Salabert. [BWV 1087] | 12p | ||||||
11. | 14 canons BWV 1087 sur la basse Goldberg / J. S. Bach ; version 3(c) pour trio à cordes et clavier. réalisation, Olivier Alain. [Edited from a ms. in the Bibliothèque nationale de France, Paris, ms. 17669] Paris; New York: Salabert, 1977. 1 partition (8p) facs. Pl.-Nr. E.A.S. 17.266 Salabert. [BWV 1087] | 8p | ||||||
12. | 14 canons BWV 1087 sur la basse Goldberg / texte original J. S. Bach ; et réalisation Olivier Alain. [Edited from a ms. in the Bibliothèque nationale de France, Paris, ms. 17669] Paris; New York: Salabert, 1976. 9p. facs. Pl.-Nr. E.A.S. 17.253 Salabert. [BWV 1087] | 9p | ||||||
13. | 14 canons sur la basse Goldberg ; BWV 1087 / J. S. Bach. Réalisation Olivier Alain. - Paris [u.a.]: Salabert, c1976. 12p + Beil. Pl.-Nr. E.A.S.17264. [BWV 1087] | 12p | ||||||
14. | 15 DUETS for Violin and Viola / J. S. Bach. Transcribed by F. David. [parts] - New York: International Music Co., [c.1945] 11, 9p. Pl.-Nr.: 893. [BWV 772-786] | 11, 9p | ||||||
15. | 15 Inventions à 2 voix: Oeuvres originales / J. S. Bach. 1re partie [and 2e partie, 3e partie, 4e partie]. Révision par Blanche Selva. - Paris: Maurice Senart [c.1908] 4 parts. Pl.-Nr.: M.S. & Cie. 117 to M.S. & Cie. 120. (= Nouvelle Édition française de musique classique, 117-120) [BWV 772-786] | NEdFrancMClassique | 117-120 | |||||
16. | 15 Inventions à 3 voix: Oeuvres originales / J. S. Bach. 1re partie [and 2e partie, 3e partie, 4e partie]. Rév. par Blanche Selva. - Paris: Maurice Senart [c.1910] 4 parts. Pl.-Nr.: M.S. & Cie. 227 to M.S. & Cie. 230. (= Nouvelle Édition française de musique classique, 227-230) [BWV 787-801] | NEdFrancMClassique | 227-230 | |||||
17. | 1750 - het laatste jaar van Johann Sebastian Bach. Tirion, Baarn, 2000. 102p. ISBN: 90-4390-149-0. | 102p | ||||||
18. | 1. Johann Sebastian Bach. Von C. H. Bitter. -- Zwei Bände im Verlage von Ferdinand Schneider in Berlin. / 2. J. S. Bach's Werke, herausgegeben von der Bach-Gesellschaft im Verlage von Breitkopf und Härtel in Leipzig. I.-XIII. Band. cont. in H. 32,34,35,38,39,40,41,42,43 (1865) 499-501; 530-533; 550-552; 597-602; 611-615; 627-633; 644-649; 660-664; 676-681 | MsTheaterM | 11 | 31 f | 484-487 f | |||
19. | 20 leichte Stücke aus dem Notenbuch der Anna Magdalena Bach / komponiert von Joh. Seb. Bach. Instruktive Ausgabe von Emil Sauer. - Leipzig: C. F. Peters, 1925. 19p. Best.-Nr. Ed. Peters 3829. Pl.-Nr.: 10390. [BWV Anh. 113 - 132] | EdPeters | 3829 | 19p | ||||
20. | 24 Präludien und Fugen für Gitarre: Idee, Konzeption, musikalische Umsetzung. trans. Leonhard Beck-Neuwirth. | [fs]Teuchert80 | 273-278 | |||||
21. | 25 Jahr Stiftung Preußischer Kulturbesitz. | JbPreussKulturbesitz | 23 | 27-39 | ||||
22. | 27. Bachwochen Thun, Schweiz, 12. August - 14. September 2014. Berichte und Mitteilungen. | MtblNBG | 74 | 63-64 | ||||
23. | 2e Sonate en La: piano et violon / J. S. Bach. Révision par Vincent D'Indy. - Paris: Edition M. Senart, B. Roudanez et Cie; Paris: Senart Roudanez [1908?] 7, 5, [?]p + St. (2, 2, [?]p) (= Nouvelle Édition française de musique classique, 74-76) [BWV 1015] | NEdFrancMClassique | 74-76 | 7, 5p; 2, 2p | ||||
24. | 2 Gavotten. No. 1. D-moll. No. 2. G-moll. [Deux gavottes en Ré-mineur et Sol-mineur (d-Moll und g-Moll)] Rev. und zum Vortrag einger. von Hans von Bülow. - Berlin: Bote & Bock: [1861]. 3-8p. Pl.-Nr.: 3021; 3022. (= Collection des oeuvres classiques; J. S. Bach. Compositionen für Pianoforte, [4]) [BWV 811/5-6; 808/5-6] | OeuvChoisiesPiano | 4 | 8p | ||||
25. | 2 Gavottes favorites, en Sol et Ré / J. S. Bach. Paris: Maurice Sénart, B. Roudanez et Cie [c.1908]. (= Nouvelle Édition française de musique classique, 23) | NEdFrancMClassique | 23 | |||||
26. | 2hlasé invence a 3hlasé symfonie: piano / Johann Sebastian Bach. Rev. Vilém Kurz - Praha [u.a.]: Národní hudební vydavatelství, c1950. 63p. Pl.-Nr. EO 183. [BWV 772-801] | 63p | ||||||
27. | [2 Menuette f. Pfte u. Harm. / J.S. Bach] Berlin: Fürstner, [1873] Price: 20 ngr. (= Duos, Trios, Quatuors f. Pfte, Harm, Viol. u. Vcllo. aus den Werken berühmter Meister, No. 1) | |||||||
28. | 32:3=14. | TheoriaZagreb | 14 | 5-8 | Latin 2 | |||
29. | [33 Cembalostücken von François Couperin] Paris, 1841. | |||||||
30. | 350 Jaar Arp Schnitger. [Idee en samenstelling: Stichting Groningen Orgelland. Eindred.: Bert Veening ...] Groningen, 1998. 51p. (= Publicaties [van de] Stichting Groningen Orgelland, Nr. 24) | PubStichtGroningenOrgLand | 24 | 51p | ||||
31. | 3 Duos / Johann Sebastian Bach. Bew. Willy Hautvast. 2 Klarinetten. - Nijmegen: van Teeseling, c1970. [3p.] Best.-Nr. V.T. 40. [BWV 935, 938, 775] | 3p | ||||||
32. | 3e livre d'orgue des huit tons de l'église... Paris: l'auteur: R. Ballard, 1675. 123p. - facs. ed. préf. de Jean Saint-Arroman et Philippe Lescat. Courlay: J.M. Fuzeau, 1994. 39, 123p. (= La musique française classique de 1650 à 1800, 74) | 123p | MusiqueFrancClassique 74 | |||||
33. | 3 Fugenskizzen nach Fugen aus dem "Wohltemperierten Klavier" J. S. Bachs zum Nachlesen bei der unterrichtlichen Behandlung der Fugenform und zur Ausbildung eines verständnisvollen polyphonen Hörens, dargestellt von Robert Hövker. - Cöthen: Schütze, [um 1900], [3]p. [BWV 846-869 unspecified] | 3p | ||||||
34. | 3 morceaux en forme de suite [in A major]: Oeuvres originales / J. S. Bach. Révision par Blanche Selva. - Paris: Maurice Sénart, [c.1910]. 5p. Pl.-Nr.: 279. (= Nouvelle Édition française de musique classique, 279) [BWV 824] | NEdFrancMClassique | 279 | 5p | ||||
35. | [3 String Trios by Bach, arranged after instrumental sonatas' by Arnold Trowell (Augener)] | MTimes | 65 | 978 | 716 | |||
36. | 40 Jahre Bach-Chor und Kaiser-Wilhelm-Gedächtnis-Kirche Berlin - Verabschiedung von Karl Hochreither. Berichte und Mitteilungen. | MtblNBG | 49 | 11-12 | ||||
37. | 48 choralartige Orgel-Vorspiele zum gottesdienstlichen Gebrauch bestimmt, zunächst für Organisten in kleinen Städten und auf dem Lande nebst einer vollständigen Anleitung zum Gebrauch derselben, sowie auch einem Anhange: Zwei figurirte Choral-Vorspiele und ein Postludium bestehend aus einer fünfstimmigen Fuge von Seb. Bach mit einem Präludium von E. D. Wagner. Op. 16. Berlin: Trautweinsche Buch- und Musikalienhandlung, [1847]. | |||||||
38. | 48 choralartige Orge-Vorspiele zum gottesdienstlichen Gebrauch bestimmt, zunächst für Organisten in kleinen Städten und auf dem Lande nebst einer vollständigen Anleitung zum Gebrauch derselben, sowie auch einem Anhange: Zwei figurirte Choral-Vorspiele und ein Postludium, bestehend aus einer fünfstimmigen Fuge von Seb. Bach mit einem Präludium von E. D. Wagner. Op. 16. Berlin 1847. Trautweinsche Buch- und Musikalienhandlung. Anzeigen und Beurtheilungen. | Urania(Erfurt) | 9 | 8-9 | 116-118 | |||
39. | 49. Bachfest in Frankfurt/Oder. Berichte aus der Arbeit. | MKirche | 44 | 6 | 298-299 | |||
40. | 50 Jahre Bach-Kantaten in Berlin. Berichte. | MKirche | 67 | 4 | 268-269 | |||
41. | 50 Jahre Bach-Kantaten in Berlin. Berichte und Mitteilungen. | MtblNBG | 41 | 26-27 | ||||
42. | 50 Jahre Musikinstrumenten-Museum Leipzig. | MGesellschaft | 29 | 11 | 675-676 | |||
43. | 54. Bachov festival pod¾a úsudku hostí. | HudobnyZivot | 11 | 24 | 8 | Latin 2 | ||
44. | 5me Sonate en Fa: piano et violon / J. S. Bach. Révision par Vincent D'Indy. - Paris: Edition M. Senart, B. Roudanez et Cie; Paris: Senart Roudanez [1908?] Part. + St. x 3. Pl.-Nr.: S.R. et Cie 171; S.R. et Cie 172. 1 : 2 parti (5, [1] p.); S.R. et Cie 171. 3 : 2 parti (7, [2] p.); S.R. et Cie 173. 2 : 2 parti (5, [1] p.) (= Nouvelle Édition française de musique classique, 171-173) [BWV 1018] | NEdFrancMClassique | 171-173 | 5, 5, 7p + St | ||||
45. | 60 ausgewählte Klavier-Etüden von J. B. Cramer. Mit Vorw., Fingersatz, Vortragsbezeichnungen und Anmerkungen von Hans von Bülow. 3., vermehrte und verb. Ausg. - Leipzig: Aibl, [s.a.] 141, 63p. [Enth. außerdem: Zwei- und dreistimmige Inventionen / von Joh. Seb. Bach] | 141, 63p | ||||||
46. | 6e suite française: Oeuvres originales / J. S. Bach. Ed. Vincent D'Indy. - Paris: Maurice Sénart; B. Roudanez, [c.1910]. 9p. Pl.-Nr.: S.R. et Cie. 277 to S.R. et Cie. 278. (= Nouvelle Édition française de musique classique, 277-278) [BWV 817] | NEdFrancMClassique | 277-278 | 9p | ||||
47. | 6 Partitas / J.S. Bach. Révision et annotations par Blanche Selva. - Paris: Maurice Senart, c1920. 80p. Pl.-Nr.: 29-5022; 30-5022; 132-5022; 133-5022; 394-5022; 282-5022; 283-50212; 284-5022; 346-5022; 347-5022; 348-5022; 222-5022; 223-5022; 224-5022; 395-5022. (= Edition nationale de musique classique, No. 5022) [BWV 825-830] | EdNMClassique | 5022 | 80p | ||||
48. | 6 Petits Préludes: Oeuvres originales / J. S. Bach. Paris: Maurice Senart [c.1908] 2 parts. Pl.-Nr.: 116; 115. (= Nouvelle Édition française de musique classique, 115-116) [BWV 924-943, 999] | NEdFrancMClassique | 115-116 | |||||
49. | 6 Petits Préludes pour les commençants / J. S. Bach. [title from header] Révision par Blanche Selva. - Paris: Maurice Sénart, [c.1908]. 2-7p. Pl.-Nr.: S. R. et Cie. 24. (= Nouvelle Édition française de musique classique, 24) [BWV 924, 939, 999, 925, 926, 940] | NEdFrancMClassique | 24 | 7p | ||||
50. | 6 solo sonatas for violin / Joh. Seb. Bach. Revised and edited by Tivadar Nachèz. - London: Augener Ltd., c1924. 51p. Best.-Nr.: 7943. Pl.-Nr.: 16051. (= Augener's Edition, No. 7943) [BWV 1001-1006] | AugenerEd | 7943 | 51p | ||||
51. | 6 Sonatatas and Partitas for Violin Solo / J. S. Bach. (Ivan Galamian). With facsimile of the autograph manuscript. [With a foreword by Paul Affelder] - New York: International Music Company, [1971]. 66p music, 44p facs. No.2525 | 66, 44p | ||||||
52. | 6 suites a violoncello solo senza basso, BWV 1007-1012 / Johann Sebastian Bach nach Interpretationen von Pablo Casals ; herausgegeben und kommentiert (in 2 Bänden) von Rudolf von Tobel ; English translation by Joseph B. Dallett and Helga von Tobel. - Stuttgart: Carus, c2004. 53p. ISBN: 3-89948-060-0; ISMN: M-007-05968-2. | 53p | ||||||
53. | 6 Suites for solo cello (BWV 1007-12) / J. S. Bach. Edited by Dimitry Markevitch. - Bryn Mawr: Th. Presser, c1964. xii, 59p. [BWV 1007-1012] | xii, 59p | ||||||
54. | 6 Suites (sonatas) for Violoncello Solo / J. S. Bach. Transcribed, fingered & revised for violin solo by Tivadar Nachèz. Dedicated to Fritz Kreisler. - London: Augener, c1924. 40p. Pl.-Nr.: 16216. (= Augener's Edition, 7921) [BWV 1007-1012] | AugenerEd | 7921 | 40p | ||||
55. | 6 Violoncell-Sonaten (Suiten) für Violine solo als Vorstudien zu den grossen Violinsonaten / Joh. Seb. Bach. Bearb. von Ferdinand David. Durchges. von W. Altmann. - Leipzig: Breitkopf & Härtel [1903] 40p. Best.-Nr. Ed. Breitkopf 1953. Pl.-Nr. V.A.1953. [BWV 1007-1012] | EdBreitkopf | 1953 | 40p | ||||
56. | 8 kleine Präludien und Fugen für Orgel: Heft II [nos.5-8]. / J.S. Bach freie Bearbeitung für Klavier von D. Kabalewsky. - Moskau: Staatsmusikverlag; Wien: Universal-Edition, 1931. 17p. Best.-Nr. UE 10121 ; 11726. Pl.-Nr. U.E. 10121 ; M. 11726 G. [BWV 557, 558, 559, 560] | 17p | ||||||
57. | 8 kleine Präludien und Fugen für Orgel: Heft I [nos.1-4]. / J.S. Bach freie Bearbeitung für Klavier von D. Kabalewsky. - Moskau: Staatsmusikverlag; Wien: Universal-Edition, 1928. 17p. Best.-Nr. UE 10120. - 11726. Pl.-Nr. U.E. 10120. - M. 11615 G. [BWV 553-556 (Anh. II)] | 17p | ||||||
58. | 8 miscellaneous compositions. Edited by Alfred J. Silver. - New York: J. Fischer & Bro, 1902. 36p. Pl.-Nr.: J.F.&B. 3951-34 (= Organ Works of John Sebastian Bach ... Book II ... ; Fischer Edition, No. 3951) | 36p | ||||||
59. | 8 Short Preludes and Fugues. Edited by Alfred J. Silver. - New York: J. Fischer & Bro, 1902. (= Organ Works of John Sebastian Bach ... Book I) | |||||||
60. | A 2019 Bach Anniversary: The First American Edition of the St. Matthew Passion. | BachNotesABS | 30 | 1-8 | ||||
61. | Aachener Bachtage 1990. Berichte. | MKirche | 61 | 6 | 360 | |||
62. | A Bach Fugue Analyzed in Poetry. [Abstract] Read in Columbus, Ohio, on April 26, 1958, at a meeting of the Midwest Chapter. | JAMSoc | 11 | 2-3 | 251 | |||
63. | A Bach Manuscript Recovered: Berlin, Bibliothek der Hochschule der Künste, Spitta Ms. 1491. http://faculty.wagner.edu/david-schulenberg/files/2012/12/spitta_ms98.pdf | 4p | ||||||
64. | A Bach Number (Zeitschrift für Musik, July, contents) | MTimes | 65 | 980 | 911 | |||
65. | A Bach organ book for students. edited by C.H. Trevor. - London: Elkin and Company, [1971] xiv, 68p. Cat.-Nr.: 26 2740 10. [BWV 706, 730, 731, 714, 625, 632, 563, 737, 727, 638, 578, 620, 630, 723, 604, 643, 646, 576, 610, 703, 724, 710, 690, 571, 619, 716, 700, 639, 680, 579, 729, 533, 578] | xiv, 68p | ||||||
66. | A Bach Pilgrimage. Anthony St John Davies spent the summer following the Bach trail to Leipzig. | Organ | 74 | 291 | 41-42 | |||
67. | A Bach Polyglot - The A Major Prelude & Fugue BWV 536. | OrganYb | 20 | 72-87 | ||||
68. | A Bach-rendszer. [Bach system] | Nepujsag | 16 | |||||
69. | A Bach Sarabande (From the Cello Suite Number Five). | JIDoubleReedSoc | 21 | 65-70 | ||||
70. | Abbe Voglers, gründliche Anleitung zum Clavierstimmen für die, welche gutes Gehör haben. Nebst einer neuen Anzeige, jedes Saiteninstrument vortheilhaft und richtig zu beziehen. Stuttgart, 1807. 16p. | 16p | ||||||
71. | Abbé Vogler and the Bach Legacy. | 18cStud | 13 | 2 | 119-141 | |||
72. | Abbé Vogler and the Study of Fugue. | MTheorySpec | 1 | 43-66 | ||||
73. | Aboten Voglers Andra Lection til Choral-Eleven M. H. bestående. 3: o uti jämförelse af nya Svenska Choralboken med några arbeten of Sebastian Bach och andra Auctorer: ... - Stockholm: Anders Jacobsson Nordström, 1800. 8p. [4] pl. [S.6-8: Kritik an Bachs Choralharmonisierung] | 8p | ||||||
74. | Abschied der Musik: Ein Entwurf. | NZürcherZ | 213 | 254 | 70 | |||
75. | Absolute recognition of musical keys in non-absolute-pitch-possessors. | [cr]ESCOM_Keele | ||||||
76. | Abt Vogler's Choral-System. Kopenhagen: In Kommission in der haly'schen Musikhandlung, 1800. - Hrsg. und eingel. von Bernd Clausen und Robert Lang. Nachdr. der Ausg. Kopenhagen 1800. Hildesheim [u.a.]: G. Olms, 2004, 58*, 105p. | 105p | ||||||
77. | Abt Voglers 'Verbesserungen' Bachscher Choräle. | [cr]Stuttgart1985 | i: 500-512 | |||||
78. | Academia musico-poetica bipartita. Oder: Hohe Schul der Musicalischen Composition In Zwez Theil eingetheilt. Nürnberg, 1721. [xii], 186, [8]p | 186p | ||||||
79. | Academy of Ancient Music's Bach at St John's. [Christopher Hogwood conducted Fourth Orchestral Suite, Gloria in Excelsis Deo BWV 191 at St John's, Smith Square, on 22 December.] | MOpinion | 125 | 1428 | ||||
80. | A Case of Musical Symbolism in Bach's Christmas Oratorio. A paper read at the Joint Meeting, Northern California and Pacific Southwest Chapters of the American Musicological Society on 29-30 April 1989 at the University of Southern California. | [p]AMS_NorthernCalifornia | ||||||
81. | A catalog of the piano music, published by Oliver Ditson Company. Complete to January 1, 1915. Boston: Oliver Ditson Company, 1915. 156p | CatM(Ditson) | 156p | |||||
82. | A catalog of the vocal music (folio size) published by Oliver Ditson Company. Complete to April 1, 1913. Boston: Oliver Ditson Company, 1913. 184p | CatM(Ditson) | 184p | |||||
83. | A catalogue of a very valuable and celebrated collection of music, the whole being actually the property of William Knyvett, Esq. (Who is retiring from London,) comprising the most choice vocal and instrumental productions of the english and foreign schools, ancient and modern [...] which will be sold by auction, by Mr. W. P. Musgrave, [...] on Thursday 30th June, and Friday 1st July, 1825, [...] London: W. Watson, 1825. 26p. | 26p | ||||||
84. | A Catholic Hymnal for Use in Lutheran Leipzig: Catholisches Gesang-Buch (Leipzig, 1724). | BachPerspectives | 12 | 36-62 | ||||
85. | Accompanied keyboard music. | MQ | 60 | 2 | 222-245 | |||
86. | A Checklist of Music Manuscripts in Facsimile Edition. see also James Coover's 'supplement' in Notes xxxvii/ 3 (1981) 533-556 | Notes | 34 | 3 | 557-570 | |||
87. | A chronology of J. S. Bach's organ fugues by external and stylistic evidence. PhD diss., Iowa City, Iowa, The Univ. of Iowa 1979. 258p | diss. | 258p | |||||
88. | Acht Briefe von Lea Mendelssohn an den Verleger Schlesinger in Berlin. | StMges19Jh | 41 | 47-54 | ||||
89. | Acht Fugen und vier Praeludien aus Joh. Seb. Bach's Wohltemperirtem Clavier als Trios für Violine, Viola und Violoncell arrangirt von Carl van Bruyck. Drei Hefte. - Leipzig: Breitkopf & Härtel, [1867]. 3 Stimmen (Heft 1 - vln: 2-5p, vla: 1-3p, vc: 1-3p; Heft 2 - vln: 2-5p, vla: 1-4p, vc: 1-4p; Heft 3 - vln: 2-5p, vla: 1-2p, vc: 1-3p). Pl.-Nr.: 11029a, 11029b, 11029c. [BWV 847/2, 866/2, 860/2, 854/2; 889/2, 879/2, 893/2, 882/2; 871/1, 876/1, 869/1, 893/1] | 3 St | ||||||
90. | Acht kleine Klavierstücke von C.Ph.Em. Bach. Wien: Schreiber, [1874]. Mk. 1,50. | |||||||
91. | A clavichord from Peru in the period of the imperial vice-royalty. | DeClavicordio | 4 | 105-117 | ||||
92. | A cognitive neuropsychological analysis of melody recall. | ContempMReview | 9 | 97-111 | ||||
93. | A collection of organ music by pupils of J. S. Bach. DMA diss., Musicology. Eastman School of Music 1969. 102, 89p | diss. | 102, 89p | |||||
94. | A collection of sacred music, as performed at the Royal Portuguese Chapel in London / composed, selected & arranged with a separate accompaniment for the organ or piano forte by V. Novello. London: Phipps & Co, [1811]. 2 vols. - repr. London: For the editor, by I.A. Novello, [1825]. [vol.2 includes BWV 706] | |||||||
95. | A collision of values: text, music, and nascent enlightenment in J. C. Gottsched's and J. S. Bach's Trauerode. | LessingYb | 63 | 9-33 | ||||
96. | A Companion to 'The Art of Fugue' (Die Kunst der Fuge). J. S. Bach. London: Oxford Univ. Press, 1931. 79p. | 79p | ||||||
97. | A comparative study of registration practices in selected organ works of Johann Sebastian Bach (1685-1750) based on recordings made by Marie-Claire Alain and Jacques van Oortmerssen. MMus diss., University of Pretoria. 2000. | diss. | ||||||
98. | A comparative study of the use of ornamentation in two works by J.S. Bach in a South African context. MMus diss., University of the Witwatersrand, 2015. xi, 125p. | diss. | xi, 125p | |||||
99. | A comparison of selected Liszt and Schumann piano transcriptions of the Paganini violin caprices: a lecture recital, together with three recitals of selected works of Brahms, Mozart, J. S. Bach, von Weber, Dukas, Schoenberg, Rachmaninov and others. DMA diss., North Texas State Univ. 1980. x, 62p.; Ann Arbor, Mich. [usw.]: Univ. Microfilms Internat., 1982. | diss. | x, 62p | |||||
100. | A conductor's guide to the E-flat 'Magnificat' of Johann Sebastian Bach. DMA diss., University of Miami, 2007. 326p. Ann Arbor, MI: University Microfilms International, 2007. ISBN: 978-0-549-06448-0. Dissertation No: 3267723. | diss. | 326p | |||||
101. | A conspiracy of composers: J.C. Bach and C.F. Abel vs. Longman & Lukey. A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002. | [p]IMS_Leuven | ||||||
102. | A csucspontok esztetikuma J.S. Bach passioiban. [The aesthetics of the climaxes in J.S. Bach's Passions] | Iskolakultura | 11-12 | 2-18 | ||||
103. | Actes du Colloque XVIIe, XIXe, XXIe siècles: Bruxelles--Carrefour européen de l'orgue. [actes du colloque international organisé à Bruxelles du 12 au 15 octobre 2000] édités par Jean Ferrard [Intro. by Claude Javeau]. - Bruxelles: Carrefour europeen de l'orgue. Bruxelles: Sic, 2003. x, 294p. ISBN: 2-960036-6-3. | [cr]Brussels2000 | x, 294p | |||||
104. | Actus tragicus, 'Gottes Zeit ist die allerbeste Zeit' ('God's time is the best'): Kirchenkantate no.106 / Johann Sebastian Bach für Konzertaufführungen bearbeitet von Frank van der Stucken. - New York: Schirmer and London: Charles Woolhouse, c1909. 49p. Pl.-Nr.: 20552. [BWV 106] | 49p | ||||||
105. | Actus tragicus (O tendre maitre). Contr. / J. S. Bach. Paris: Maurice Sénart, B. Roudanez et Cie. [c.1908]. 3p. Pl.-Nr.: S.R. et Cie. 92. (= Nouvelle Édition française de musique classique, 92; 2e Série: Oeuvres pour Chant et Orchestre, transcrites pour Chant et Piano) | NEdFrancMClassique | 92 | 3p | ||||
106. | Adagio. arranged for oboe by Evelyn Rothwell.. - London: Chester, 1946. 3p. Pl.-Nr.: JWC1562. (= Music for oboe) ['This Adagio was originally written by Bach for oboe ... as the Sinfonia to Cantata BWV 156, Ich steh' mit einem Fuss im Grabe'] [BWV 156/1] | 3p | ||||||
107. | Adagio cantabile von Joh. Seb. Bach. Für Flöte, Violine und Klavier übertragen von Victor Reichelt. [Partitur, Stimmen]. - Offenbach a/Main: André, [c.1890]. 6p + 2 St. Pl.-Nr.: 13467. (= Perlen aus den Werken unserer klassischen Meister, 1) [BWV 1068/2] | 6p + 2 St. | ||||||
108. | ADAGIO: From Cantata No. 146, 'Wir müssen durch viel Trübsal'. Arranged by Harvey Grace. - London: Oxford University Press, c1934. pp.14-18. (= Twelve transcriptions from the Vocal Works / J.S. Bach ; arranged for organ by Harvey Grace; Book I, No.5) [from BWV 146] | 12Transcriptions(Grace) | 1 | 5 | 14-18 | |||
109. | Adagio. From the 1st Brandenburg Concerto. / J. S. Bach. London: Schott & Co, 1926. Pl.-Nr.: S. & Co Ltd 4274. (= Ten transcriptions / J.S. Bach ; [arranged] for organ by Harvey Grace; Book II, No.9) [BWV 1046/2] | 10Transcriptions(Grace) | 2 | 9 | 26-29 | |||
110. | Adagio. From the 6th Brandenburg Concerto. / J. S. Bach. London: Schott & Co, 1926. Pl.-Nr.: S. & Co Ltd 4274. (= Ten transcriptions / J.S. Bach ; [arranged] for organ by Harvey Grace; Book I, No.3) [BWV 1051/3] | 10Transcriptions(Grace) | 1 | 3 | 6-10 | |||
111. | Adagio. From the Goldberg Variations. / J. S. Bach. London: Schott & Co, 1926. Pl.-Nr.: S. & Co Ltd 4274. (= Ten transcriptions / J.S. Bach ; [arranged] for organ by Harvey Grace; Book I, No.5) [BWV 988/26] | 10Transcriptions(Grace) | 1 | 5 | 14-17 | |||
112. | Adagio from Toccata in C / J. S. Bach. arranged for two pianos by Joan Lovell. - London: Augener, c1956. 4p. Pl.-Nr.: 18404. [BWV 564/1] | 4p | ||||||
113. | [Adagio (Hm.) aus dem Oster-Oratorium f. Pfte u. V.] arr. v. Paul Graf Waldersee. - Leipzig: Breitkopf & Härtel, [1882] Pl.-Nr.: 15889. (= Klassische u. Modernes III, 4 ; J. XXI, 3 ; Breitkopf & Härtels Violin-Bibliothek, 15889) [BWV 249/2] | KlassischesModernes | 3 | 4 | ||||
114. | ADAGIO von J. S. BACH. Aus der Violin-Sonate in E moll, No.9 der hehen Schule des Violinspiels von Ferd. David. [Für Violoncello u. Klavier.] Arr. von C. v. Radecki, - Leipzig [u. a.]: Breitkopf & Härtel, [1869]. 2-3p (Pianoforte), 1p (Violoncello). Pl.-Nr. 11794. (= Lyrische Stücke für Violoncell und Pianoforte, 6) - repr. pp.22-23. Pl.-Nr.: V.A.378. (= Lyrische Stücke für Violoncell und Pianoforte. Zum Gebrauch für Concert und Salon, 6) [BWV 1023/2 = H. 542.5/2] | LyrischeStücke | 6 | 3, 1p | ||||
115. | A diagnostic and analytical model of score preparation: A clinical approach to musical morphology. PhD diss., Florida State U., 1993. 189 p. | diss. | 189p | |||||
116. | Ad musicum: K 75-letiû so dnâ roždeniâ Ûriâ Nikolaevièa Holopova--Stat'i i vospominaniâ. [Ad musicum: On the 75th birthday of Ûrij Nikolaeviè Holopov--Articles and recollections] - Moskva: Gosudarstvennaâ Konservatoriâ imeni P.I. Èajkovskogo, 2008. 184p. ISBN: 5-89598-203-4; 978-5-89598-203-7. | [fs]Holopov | 184p | Latin 2 | ||||
117. | Adolf Scherbaum (1909-2000): Précurseur de la trompette classique en soliste. = / Trailblazer of the classical solo trumpet / Wegbereiter der klassischen Solotrompete. | BrassBul | 122 | 62-74 | ||||
118. | Adolph Hesses Erinnerung an seinen Aufenthalt bei Christian Heinrich Rinck in Darmstadt. | MtArbgMittRheinMges | 80 | 21-33 | ||||
119. | A dynamical systems perspective on music. [BWV 1012] | JMcol | 15 | 4 | 529-545 | |||
120. | Aesthetic and Stylistic Mediation in Telemann's VI Ouvertures à 4 ou 6. A Paper read at the Biennial Meeting of the American Bach Society 'BACH AND HIS GERMAN CONTEMPORARIES', May 7-9, 2010, University of Wisconsin-Madison | [p]ABS_Wisconsin | ||||||
121. | Aesthetic Mediation and Tertiary Rhetoric. | BachPerspectives | 9 | 24-49 | ||||
122. | Afektová teorie a hudebnì rétorické figury. [Doctrine of Affections and Musical-Rhetorical Figures] PhD thesis, Faculty of Education, Masaryk University, Brno. 2006. 208p. | diss. | 208p | Latin 2 | ||||
123. | Affective discourse in German baroque textbased music. | TijdschrMtheorie | 9 | 3 | 217-236 | |||
124. | Affekt und Expression: Ästhetische Anmerkungen zum 18. Jahrhundert. | [ce]HamburgerBach | 193-205 | |||||
125. | A French overture revisited: another look at the two versions of BWV 831. | EarlyM | 25 | 1 | 47-58, 60-61 | |||
126. | Agnus Dei Composition of J. S. Bach: Some Liturgical and Theological Perspectives. | [cr]Amsterdam1993 | 233-249 | |||||
127. | A Graded Analysis of the Organ Preludes and Fugues of Johann Sebastian Bach for Teachers and Students Providing a Compendium of Increasingly Difficult Performance Problems. MA diss., The American University, 1970. 88p | diss. | 88p | |||||
128. | Air (auf der G-Saite) / J. S. Bach. Bearb. von Willy Burmester = arr. cello & piano by J. van Lier. [Score & Pt.] - London: F. Harris ; Berlin: Schlesinger, [1907]. 3p + St. Pl.-Nr. S. 9278(10), 9741 (= Stücke alter Meister, No.10) [BWV 1068/2] | AlteMeister(Burmester/Lier) | 2 | 10 | 3p + St | |||
129. | Air (auf der G-Saite) / J. S. Bach bearb. v. Willy Burmeister. Ausg. f. Fl. m. Pfte übertr. v. Ary van Leewen. - Berlin: Schlesinger, [1907] | AlteMeister(Burmester/Leeuwen) | 2 | 10 | ||||
130. | AIR: BE THOU BUT NEAR = 'Bist du bei mir', from the 'Anna Magdalena Clavier Book' Arranged by Harvey Grace. To G. Thalben Ball. - London: Oxford University Press, c1934. pp.1-3. (= Twelve transcriptions from the Vocal Works / J.S. Bach ; arranged for organ by Harvey Grace; Book II, No.7) [BWV 508] | 12Transcriptions(Grace) | 2 | 7 | 1-3 | |||
131. | Air & Bourrée from Suite no. 3 in D / Bach. [edited by Adam Carse]. - London: Augener, c1930. 2 scores (5p,3p) + 4 parts.. Pl.-Nr.: 17082 R. (= Music for school orchestras/Series 2) [BWV 1068/2+5] | 5, 3p + St | ||||||
132. | Air dans la cantate de la pentecôte / J. S. Bach. Traduction de Sylvain St. Etienne; musique de J.S. Bach. [Also hat Gott die Welt geliebt. Mein gläubiges herze, frohlokke, sing', scherze. French] - Paris: J. Hamelle, [1886]. 5p. Pl.-Nr. J. 2530 (= École classique de chant: collection de morceaux choisis dans les chefs-d'œuvres des plus grands maitres classiques italiens, allemands et français avec le style, l'accentuation, le phrasé et les nuances propres à l'interpretation traditionnelle de ces œuvres / par Mme. P. Viardot Garcia, 12) [BWV 68/2] | 5p | ||||||
133. | Air dans la sterbe cantate / traduction de Sylvain St. Étienne ; musique de Seb. Bach. Paris: J. Hamelle, [1886]. 3p. Pl.-Nr.: J. 2561 H. (= École classique de chant: collection de morceaux choisis dans les chefs-d'œuvres des plus grands maitres classiques italiens, allemands et français avec le style, l'accentuation, le phrasé et les nuances propres à l'interpretation traditionnelle de ces œuvres / par Mme. P. Viardot Garcia, 43) [BWV 106/3a] | 3p | ||||||
134. | AIR de la CANTATE D'ÉGLISE 'O flamme éternelle' de J. S. BACH. (Texte français de J. Guilliaume.) [O ewiges Feuer. Wohl euch, ihr auserwählten Seelen] - Paris: Henry Lemoine et Cie, [1886] 1-7p. Pl.-Nr.: 18382. H. (= Gevaert (F. A.) Répertoire Classique, etc., No. 344, Contralto) [BWV 34/3] | RepertoireClassique(Gevaert) | 344 | 7p | ||||
135. | Air de la Pentecôte / de J.S. Bach. Braunschweig: Henry Litolff's Verlag, [1879]. 3-5p + St. Pl.-Nr.: Collection Litolff No. 873, 875, 877 (score); Collection Litolff No. 875 (part for Flute). (= Le concert au salon: transcriptions de morceaux célèbres / par Vogel & A. Lefort, 31) [BWV 68/2] | CollLitolff | 875 | 3-5p + St | ||||
136. | Air extrait de la cantate La Pentecôte de J. S. Bach. transcription symphonique. [pour piano] - London, [1872, R/1878] [BWV 68/2] | |||||||
137. | Air. From the Suite in D for Orchestra. / J. S. Bach. London: Schott & Co, 1926. Pl.-Nr.: S. & Co Ltd 4274. (= Ten transcriptions / J.S. Bach ; [arranged] for organ by Harvey Grace; Book I, No.4) [BWV 1068/2] | 10Transcriptions(Grace) | 1 | 4 | 11-13 | |||
138. | Air in C minor: from French suites no. 2 / J. S. Bach. Edited by Granville Bantock. - London: Joseph Williams, [c.1934] 3p. Pl.-Nr.: J.W. 16945. (= Berners edition, 150) [BWV 813/4] | 3p | ||||||
139. | Air on the G string / J. S. Bach arr. cello & piano by J. van Lier. [Score & Pt.] - London: F. Harris ; Berlin: Schlesinger, c1906. (= Stücke alter Meister, No.10) [BWV 1068/2, arr. cello] | |||||||
140. | Air on the G string. (Suite no. 3, D major) / J. S. Bach. Arranged [as piano solo] by Granville Bantock. - London: W. Paxton & Co., [c.1942, R/1971]. 4p. Pl.-Nr.: 2200. [BWV 1068/2] | 4p | ||||||
141. | Air von Joh. Seb. Bach, für Violoncello (Violine) mit Begleitung des Pianoforte oder der Orgel eingerichtet von Aug. Wilhelmj. ... [11] Vorzügliche Cello-Compositionen. [BWV 1068] | AllgMlZ(3) | 14 | 2 | 32 | |||
142. | Air von S. Bach für Orgel von Stehle. - Leipzig: Schuberth & Co., [1877]. pp.58-59. Best.-Nr. 1719 ; Pl.-Nr.: 5557. (= A. W. Gottschalg's Repertorium für Orgel, Harmonium oder Pedal-Flügel / bearb. unter Revision und mit Beitr. von Franz Liszt. III Serie, No. 29) [BWV 1068/2] | GottschalgsRepertorium | 3 | 29 | 58-59 | |||
143. | Aktual'nye voprosy iskusstvoznaniâ: Èelovek--tekst--kul'tura--Sbornik statej po materialam VII Vserossijskoj nauèno-praktièeskoj konferencii studentov i aspirantov. [Topical problems of art: Man, text, culture--Proceedings of the 7th all-Russian scholarly conference of students and graduate students] [symposium Aktual'nye voprosy iskusstvoznaniâ: Èelovek--tekst--kul'tura (2009): Saratov] - Saratov: Gosudarstvennaâ Konservatoriâ, 2009. 182p. ISBN: 5-94841-065-X; 978-5-94841-065-4. | [cr]Saratov2009 | [Aktualnye] | 182p | Latin 2 | |||
144. | Aktuelle problemer vedrørende interpretasjon av Johann Sebastian Bachs orgelverker. [Problems connected to the interpretation of the organ music by Johann Sebastian Bach] | NorskKm | 51 | 2 | 5-8 | |||
145. | A late-Romantic motet intabulation: Sigfrid Karg-Elert's organ transcription of J. S. Bach's Singet dem Herrn ein neues Lied. | [fs]Vogel65 | 161-189 | |||||
146. | Albert Schweitzer als Mensch und als Denker. Berechtigte Übersetzung aus dem Englischen von A. Lindemann. Göttingen: Vandenhoeck & Ruprecht, [1960]. 373p. (= Der Siebenstern) | 373p | ||||||
147. | Albert Schweitzer als pleitbezorger van de orgelwerken van Johann Sebastian Bach in Nederland. | [ce]CatalogusExpositie | 15-22 | |||||
148. | Albert Schweitzer: Da Bach al rispetto per la vita. [Albert Schweitzer: From Bach to the respect for life] | ArteOrganariaOrganistica | 6 | 26 | 10-17 | |||
149. | Albert Schweitzer, el organista. | RadioClasica | 10 | 115 | 35-38 | |||
150. | Albert Schweitzer. Pionier an Bach & Fluss. | BachMag | 5 | 10-13 | ||||
151. | Albert Schweitzer -- The Man and His Mind. New York: Harper & Brothers, 1947, 346p. - 1st revised and enlarged edn. 1955. 370p. | 346p | ||||||
152. | Albert Schweitzer the man and the musician: a keen appraisal of one of the greatest personalities of the twentieth century. | Etude | 72 | 1 | 11, 63-64 | |||
153. | Albert Schweitzer zum 90. Geburtstag. (Der Musikalienhandel Folge 1/1965) | BörsenBlDBuchhandel | 132 | 4 | 2-3 | |||
154. | Alchemy and Counterpoint in an Age of Reason | JAMSoc | 51 | 2 | 201-243 | |||
155. | Aleksandr Naumoviè Dolžanskij: Sbornik statej k 100-letiû so dnâ roždeniâ. [Aleksandr Naumoviè Dolžanskij: Collection of articles on the centenary of birth] - Sankt-Peterburg: Sudarynâ, 2008. 512p. | [fs]Dolzanskij100 | 512p | Latin 2 | ||||
156. | A Lesser Secret of J. S. Bach Uncovered. [BWV 241] | JAMSoc | 14 | 2 | 199-223 | |||
157. | Alfred Dürr zum 70. Geburtstag. Persönliches. | MKirche | 59 | 1 | 48-49 | |||
158. | Alfred Dürr zum 85. Geburtstag. Personalia. | MtblNBG | 52 | 24 | ||||
159. | Alfred Mann. | Bach | 37 | 2 | 119 | |||
160. | Algunes claus per descobrir Bach (I). | CatalunyaM | 17 | 188 | 6f | |||
161. | A Listener's Guide to 'Die Kunst der Fuge.' | [ce]Tovey MusicAnalysis | Chamber | 75-89 | ||||
162. | A List of Durations and Associated Data of Bach's Works. | MBook | 7 | 411-435 | ||||
163. | A Little More Muscle Please, Playing the Organ Before the 20th Century. [incl. subsection, 'Clues to the key action in the Leipzig organs during Bach's tenure'] | AmerOrganist(2) | 39 | 9 | 105-108 | |||
164. | Allegorija i emblema v kantate J. S. Bacha 'O Ewigkeit, du Donnerwort' Nr. 60. [Sinnbild und Emblem in der Kantate...] [BWV 60] | [ce]ProblemyMusykalnogoStilja | 45-62 | |||||
165. | Allegro and Adagio Rhythmic Style in the Instrumental Works of J. S. Bach. PhD diss., Tallahassee: Florida State University, 1968. | diss. | ||||||
166. | ALLEGRO: From the Secular Cantata 'Amore traditore'. Arranged by Harvey Grace. - London: Oxford University Press, c1934. pp.19-23. (= Twelve transcriptions from the Vocal Works / J.S. Bach ; arranged for organ by Harvey Grace; Book I, No.6) [BWV 203/3] | 12Transcriptions(Grace) | 1 | 6 | 19-23 | |||
167. | Alleluia. For Chorus of Women's (Men's) Voices ... English version by Sydney Biden ... Arranged by C. Lefebvre. - New York: Galaxy Music Corporation, 1940. | |||||||
168. | Alte Musik in neuer Zeit. | [ce]Dadelsen | 168-172 | |||||
169. | Alte Musik in neuer Zeit. | NZsfM(2) | 140 | 2 | 118-120 | |||
170. | Alte Musik. Praxis und Reflexion. Sonderband der Reihe 'Basler Jahrbuch für Historische Musikpraxis' zum 50. Jubiläum der Schola Cantorum Basiliensis. Winterthur: Amadeus 1983. 411p | BaslerJbHistMpraxis | [Sonderband] | 411p | ||||
171. | Alter Stil und alte Techniken in der Musik des 19. Jahrhunderts. Freie Universität Berlin, Phil. F., Diss. v. 13. Okt. 1951 (Nicht f. d. Aust.). - 138 gez. Bl. [Maschinenschr.] (unpublished) | diss. | 138p | |||||
172. | A maker's secrets revealed: restoration of a 1784 clavichord by C. G. Hoffmann. | DeClavicordio | 4 | 187-201 | ||||
173. | A Master Lesson on a Fascinating Bach Prelude. Music and Study. | Etude | 62 | 7 | 396, 420 | |||
174. | Amateurs kiezen voor Bach in finale 5e Hanzesteden orgelconcours. | Orgelvriend | 39 | 2 | ||||
175. | 'Amerikan Bach Sources and Current Theologacal Research in Bach'. Tagung der Internationalen Arbeitsgemeinschaft für theologische Bachforschung. Berichte und Mitteilungen. | MtblNBG | 42 | 13-14 | ||||
176. | Am Feste der Erscheinung Christi: 'Sie werden aus Saba Alle kommen' von Joh. Seb. Bach. Im Clavierauszuge mit unterlegter Orgelstimme hrsg. vom Bach-Vereine in Leipzig. Bearbeitet von Alfred Volkland. English version (by R. H. Benson): They All Shall Come from Saba. - Leipzig u. Winterthur: J. Rieter-Biedermann, [1876]. 38p. Pl.-Nr.: 864. (= Bach, Joh. Seb., Kirchen-Kantaten. Im Klavier-Auszuge m. unterl. Orgelst. hrsg. v. Bach-Vereine in Leipzig, 1) [BWV 65] | KantatenKlavAuszOrg | 1 | 38p | ||||
177. | Am Sonntage Quasimodogeniti: 'Halt im Gedächtnis Jesum Christ' von Joh. Seb. Bach. Im Clavierauszuge mit unterlegter Orgelstimme hrsg. vom Bach-Vereine in Leipzig. Bearbeitet von H. von Herzogenberg. - Leipzig u. Winterthur: J. Rieter-Biedermann, [1877] 39p. Pl.-Nr.: 879. (= Kirchen-Cantaten / von Joh. Seb. Bach. Hrsg. vom Bach-Vereine in Leipzig, 4) [BWV 67] | KantatenKlavAuszOrg | 4 | 39p | ||||
178. | Amsterdam, mei 1848: Bach en Beethoven. De sinfoniemuziek. Binnenlandsche berigten. [Maatschappij `Caecilia' (1 mei 1848)] | NedMTijdschr | 10 | 7 | 56-59 | |||
179. | Am vierzehnten Sonntage nach Trinitatis, III: 'Es ist nichts Gesundes an meincm Leibe' von Joh. Seb. Bach. Im Clavierauszuge mit unterlegter Orgelstimme hrsg. vom Bach-Vereine in Leipzig. Bearbeitet von Alfred Volkland. - Leipzig u. Winterthur: J. Rieter-Biedermann, [1877] (= Kirchen-Cantaten / von Joh. Seb. Bach. Hrsg. vom Bach-Vereine in Leipzig, 5) [BWV 25] | KantatenKlavAuszOrg | 5 | |||||
180. | Am vierzehnten Sonntage nach Trinitatis (On the Fourteenth Sunday after Trinity): 'Wer Dank opfert' von Joh. Seb. Bach. bearb. von H. von Herzogenberg. English version by R. H. Benson. Clavierauszug mit unterlegter Orgelstimme. Leipzig u. Winterthur: Rieter-Biedermann; London: Stanley Lucas, Weber & Co., 1876. 39p. Pl.-Nr.: 871. (= Kirchen-Cantaten / von Joh. Seb. Bach. Hrsg. vom Bach-Vereine in Leipzig, 2) [BWV 17] | KantatenKlavAuszOrg | 2 | 39p | ||||
181. | Analisi della fuga Sicut locutus est dal Magnificat di J.S. Bach. [Analysis of the fugue Sicut locutus est from J.S. Bach's Magnificat] | Analisi | 5 | 14 | 13-25 | |||
182. | Analiz nekotorych fug Bacha. [Analyse einiger Fugen von Bach.] | [ce]Bogatyrev | 29-52 | |||||
183. | Analyses of Iron Gall and Carbon Inks by Means of X-ray Fluorescence Analysis: A Non-Destructive Approach in the Field of Archaeometry and Conservation Science. | Restaurator | 31 | 1 | 41-64 | |||
184. | Analysis and trans-synthesis of acoustic bowed-string instrument recordings - a case study using Bach Cello Suites. Proceeding of the 14th International Conference on Digital Audio Effects (DAFx-11), Paris, France, September 19-23, 2011. | |||||||
185. | Analyzing Bach and how Bach actually wrote. A response. | JSchenkerStud | 3 | 211-221 | ||||
186. | Analyzing Bach and how Bach actually wrote. A review essay. | JSchenkerStud | 3 | 159-210 | ||||
187. | Ana Magdalena Bah: Mala hronika, [Banja Luka, 1989] | Rukovet | 78 | 36 | 3p | |||
188. | An Annotated Bibliography of Sources on J. S. Bach. | [ce]SacredChoralMusicJSB | 57-62 | |||||
189. | An Annotated List of Sacred Cantatas: 1960 - 1976. DMA diss., Rochester, N. Y.: Eastman School of Music, 1978. 688p. | diss. | 688p | |||||
190. | Anatolij Vedernikov ispolnâet Baha. [Anatolij Vedernikov performs Bach] | [fs]MoscowConservatory | 76-82 | |||||
191. | Andante - Bourrée - Double / Bach. Transcr. de Andrés Segovia. - für Git. - Mainz: Schott, 1928. 7p. Best.-Nr.: G.-A. No. 108; Pl.-Nr.: 32052.3. (= Transcriptions classiques: collection de morceaux divers, tirés des œuvres pour luth, violon ou violoncelle - seul et autres = Klassische Transkriptionen: eine Sammlung von verschied. Stücken aus Werken für Laute, Violine oder Violoncello Solo und anderen / Joh. Seb. Bach. Éd. Andrès Segovia, Vol. 3) | 7p | ||||||
192. | Andante Cantabile [arrangiert] für Flöte, Violine und Pianoforte / Bach. Leipzig: Forberg [1886] (= Voigt (G. B.): Vier Stücke zur Uebung im Ensemble-Spiel, Op. 34, No. 3) | |||||||
193. | Andante du Concerto dans le style Italien de J. S. Bach. Arrangé pour Violon par O. Musin, l'accompagnement adapté par T. d'Ernesti. - Mainz: Schott, [1881] 5p + 1 St. Best.-Nr. 23378. Pl.-Nr. 23378. [BWV 971/2] | 5p + 1 St | ||||||
194. | Andante e Rondò (Sarabande Passepied) estratti dalla Suite Anglaise in Mi minore / di Bach. Milano: F. Lucca, [c.1881] 10p. Pl.-Nr.: 35907. (= Scelta di Opere Classiche per Pianoforte / Gio. Seb. Bach. Rivedute ed arrichite colla digitazione nonchè coi segni di portamento piu precisi da Hans di Bülow, n.2) [BWV 810/4-6] | SceltaOpere(Bülow) | 2 | 10p | ||||
195. | Andante et rondo (sarabande et passepied) extraits de la suite anglaise en Mi-mineur (e-Moll) / Joh. Séb. Bach. Publ. par Hans de Bülow. - Berlin & Posen: Ed. Bote & G. Bock, [1862] 12p. Pl.-Nr.: 3023. (= Collection Oeuvres classiques. Joh. Seb. Bach. Oeuvres choisies pour le Piano avec doigté et indications sur l'Exécution publiées par van Boom, H. de Bulow, H. Krigar, Fr. Kullak, etc., No.2) [BWV 810/4-6] | OeuvChoisiesPiano | 2 | 12p | ||||
196. | Andante from 'Orione': (1763) / J. C. Bach arr. by Adam Carse. [score + set of parts] - London: Augener, c1931. 3p + St. Pl.-Nr. 17165. | 3p + St | ||||||
197. | Andante, from the 3rd Sonata for Violin Solo ... Arranged for Two Pianos by L. V. Saar. - New York: J. Fischer & Bro, 1936. [BWV 1005/3] | |||||||
198. | Andante per violoncello e pianoforte (dalle variazioni a Goldberg) di J. S. Bach trascrizione di Luigi Silva. [Klavierpartitur, Stimme] - Padova: Zanibon, c1937. 4p. Best.-Nr. 3114. Pl.-Nr. G. 3114 Z. [BWV 988/25] | 4p | ||||||
199. | Andante u. Rondo (Sarabande und Passepied aus der englischen Suite No. V.) revidirt und zum Vortrag eingerichtet von Hans von Bülow. - Berlin: Bote & Bock, [1862]. 12p. Pl.-Nr.: 3023. (= Collection des Oeuvres classiques. Joh. Seb. Bach.; Ausgewählte Klavierwerke von Joh. Seb. Bach, G. F. Händel bearb. durch Hans von Bülow, 2) [BWV 810/4-6] | OeuvChoisiesPiano | 2 | 12p | ||||
200. | Andreas Werckmeister's Cribrum musicum (1700) and Harmonologia musica (1702): The Original German Treatises with Parallel, Annotated English Translations. by Casey Mongovern. - Hillsdale, NY: Pendragon Press, 2013. xii, 510p. ISBN: 978-1-57647-2117-0. (= Harmonologia: Studies in Music Theory, 19) | xii, 510p | ||||||
201. | Andreas Werckmeisters Kritik an der David-Beck-Orgel im Schloss Grüningen bei Halberstadt: Versuch einer Rehabilitierung ihres Erbauers. | ArsOrgani | 57 | 2 | 107-110 | |||
202. | André Pirro (1869-1943) und Yvonne Rokseth (1890-1948) Deutsche Übersetzung: Hans Albrecht. | Mf | 3 | 2 | 106-119 | |||
203. | An Early English Imprint of the B minor 'Crucifixus'. A paper read at the Third J. S. Bach Dialogue Meeting 'New Directions in Bach Studies' at Faculty of Music, University of Oxford, 5-6 January 2008. | [p]BNUK_Oxford | ||||||
204. | An Early English Imprint of the 'Crucifixus' of the B minor Mass (BWV 232II/5). http://www.bachnetwork.co.uk/ub3/LEAVER.pdf | UnderstandingBach | 3 | 39-54 | ||||
205. | An Eighteenth-Century Organ Is Reconstructed at Cornell. | Soc18cMNL | 18 | 8-9 | ||||
206. | Anekdote. Nachdr. aus Sämtliche Werke und Briefe. hrsg. von H. Sembdner. - 6. Aufl. - München, 1977. - Bd. 2 S. 268. | ReclamUBib | 8832 | 89 | ||||
207. | An enigmatic legacy: Organ music and the Berlin Bach traditions. | KeyboardPerspectives | 4 | 153-174 | ||||
208. | An Enigmatic Legacy: The Music of Wilhelm Friedemann and Bach and Its Relationship to Other Bach-Family Works. A Paper read at the 14th Biennial International Conference on Baroque Music held at Queen's University Belfast, 30 June-4 July 2010. | [p]BICB_Belfast | ||||||
209. | An Enigmatic Legacy: Two Instrumental Works Attributed to Wilhelm Friedemann Bach. | Bach | 41 | 2 | 24-60 | |||
210. | An Essay on Musical Expression. London: Printed for C. Davis, 1752. [8], 138p; 2nd ed. with alterations and large additions / to which is added, a Letter to the author, concerning the music of the ancients, ... likewise, Mr. Avison's Reply to the author of Remarks on the Essay on musical expression, in a letter from Mr. Avison, to his friend in London. London: Printed for C. Davis, 1753. [8], 152, 43; [4], 53, [6] p; 3rd ed. With alterations and large additions. To which is added, a letter to the author, concerning the music of the ancients, ... Likewise, Mr. Avison's Reply to the author of Remarks on the Essay on musical expression. In a letter from Mr. Avison, to his friend in London. London: printed for Lockyer Davis, 1775. vii, 221, [3]p. | 138p | ||||||
211. | A New Bach Source. [BWV 1087] | BachSocBul | 1 | 1 | 27-28 | |||
212. | A New Completion for Bach's Unfinished Harpsichord Fugue in c Minor, BWV 906/2. | [fs]Jeans75 | 113-120 | |||||
213. | A New Froberger Manuscript. http://sscm-jscm.press.illinois.edu/v13/no1/vanasperen.html | J17cM | 13 | 1 | ||||
214. | A new look at Schumann's impromptus. | MQ | 67 | 4 | 568-586 | |||
215. | A new source of Bach's Violin Solos from Prague and its implication for the work's reception history. A Paper read at the 15th Biennial International Conference on Baroque Music held at Southampton University, 11-15 July 2012. | [p]BICB_Southampton | Latin 2 | |||||
216. | A New Source of Bach's Violin Solos from Vienna. A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on pp. 93-94. | [p]BICB_Canterbury | Latin 2 | |||||
217. | Anglijskie sjuity I. S. Baha -- zagadka nazvanija. [J. S. Bach's English Suites -- enigma of the title] | VestnikStPetersburgUArts | 8 | 1 | 3-16 | Latin 2 | ||
218. | Anglijskie sûity I.S. Baha: Stranicy istorii. [J.S. Bach’s English suites: Creation of the work] | StarinnajaMuzyka | 4:74 | 8-15 | ||||
219. | An interpretative analysis of the Capriccio in B flat major, BWV 992, by J. S. Bach, with specific reference to comparative interpretations on the clavichord, harpsichord and piano. MMus diss., University of South Africa, 1997. | diss. | ||||||
220. | An interview with Miklós Spányi. | ClavichordInternat | 8 | 1 | 2-8 | |||
221. | An Interview with Peter Schickle. | MEducatorsJ | 62 | 6 | 76-78 | |||
222. | Anmerkungen zu Bachs Leipziger Jahren. | [fs]Ruhnke65 | 68-82 | |||||
223. | Anmerkungen zu Bachs Parodieverfahren. | [fs]Dürr65 | 52-57 | |||||
224. | Anna Amalia (1723-1787): das Leben einer preußischen Prinzessin als Mäzenin, Komponistin und Äbtissin in Quedlinburg. | QuedlinburgerAnnalen | 6 | 46-56 | ||||
225. | Anna Magdalena Bach notebook: 20 pieces / Johann Sebastian Bach. Edited by Vivian Langrish. - [London]: The Associated Board of the Royal Schools of Music, c1983, c1936. 32p. Pl.-Nr.: AB1820. (= Easier piano pieces, no.14) [BWV Anh. 113-132] | 32p | ||||||
226. | Anne Leahy (1961-2007): In Memoriam. http://www.americanbachsociety.org/Newsletters/BachNotes08.pdf | BachNotesABS | 8 | 20-21 | ||||
227. | Annotationen zur Musik: Ausgewählte Schriften, Aufsätze und Vorträge / Jürg Baur. Eingel. und hrsg. von Oliver Drechsel. - Köln-Rheinkassel: Dohr, 2003. 288p. ISBN: 3-936655-01-4; 978-3-936655-01-8. | [fs]Baur85 | 288p | |||||
228. | Anordnung und Instrumentation des 'Musikalischen Opfers'. | Bachfeier_Leipzig | 8-9 | |||||
229. | Another View of the Bach Bow. | MTimes | 96 | 1344 | 98 | |||
230. | A novelty search and power-law-based genetic algorithm for exploring harmonic spaces in J.S. Bach chorales. In: Evolutionary and biologically inspired music, sound, art and design. - Heidelberg: Springer, 2014. ISBN: 978-3-662-44334-7; 3-662-44334-1; 978-3-662-44335-4; 3-662-44335-X.; (= Lecture notes in computer science, 8601) pp.95-106. | 95-106 | ||||||
231. | Ansprache. von .... Richard Freiherr von Weizsäcker bei dem Festakt des Internationalen Musikfestes Stuttgart am 21. September 1985. | MKirche | 55 | 6 | 294-299 | |||
232. | Anthology of Piano Classics. Twenty-eight selected compositions by Bach, Beethoven, Chopin, Field, Handel, Haydn, Mendelssohn, Mozart, Schubert, Schumann [and] Weber. Carefully revised and fingered by Hans von Bulow. - New York, G. Schirmer, c1904, c1932. 163p. Pl.-Nr.: 17072. (= Schirmer's Library of musical Classics, 1263) [contains Gavotte in D minor and Gavotte in G minor] - repr.(?) London: Chappell & Co. [1950] 163p. [most likelz BWV 808/6, 811/5+6] | SchirmerLib | 1263 | 163p | ||||
233. | Antonio Brioschi e il nuovo stile musicale del Settecento lombardo. [Conference report - Antonio Brioschi e il Nuovo Stile Musicale del Settecento Lombardo (2008): Alessandria] - Mlano: LED, 2010. 447p. ISBN: 88-7916-469-4; 978-88-7916-469-6. (= Cantar sottile, 2) | [cr]Allessandria2008 | 447p | |||||
234. | Antonio Vivaldi's Violinconcerte unter besonderer Berücksichtigung der von Johann Sebastian Bach bearbeiteten. | VjsMw | 1 | 3 | 356-380 | |||
235. | An Uncertain Legacy: Two Instrumental Works Attributed to W.F. Bach (1710-1784). A Paper read at the Biennial Meeting of the American Bach Society 'BACH AND HIS GERMAN CONTEMPORARIES', May 7-9, 2010, University of Wisconsin-Madison | [p]ABS_Wisconsin | ||||||
236. | Anweisung zum musikalisch richtigen Gesange, mit hinlänglichen Exempeln eräutert von Johann Adam Hiller. Leipzig, bey Johann Friedr. Junius, 1774. 1 Alph. 5 1/2 B. in 4. IV. [Verwendung seltner Taktarten, S. 108-109] | AllgDBib | 25 | 1 | 100-111 | |||
237. | Análisis de la Fuga en do menor de El clave bien temperado, Libro I, de Johann Sebastian Bach. [Analysis of the fugue in C minor from Johann Sebastian Bach's Das wohltemperirte Clavier I.] [BWV 847/2] | MusicaInvestigacion | 4 | 7-8 | 117-129 | |||
238. | A Parallel-Processing Key-Finding Model. | MPerception | 14 | 2 | 185-223 | |||
239. | A Passion Cycle and a Set of Epiphany Cantatas by Christoph Graupner. [Recording Review] | BachNotesABS | 32 | 7-11 | ||||
240. | A Pedagogical Edition and Performer's Guide to J. S. Bach's Cello Suites (BWV 1007--1010) transcribed for the violin. DM diss. The Florida State University, 2001, 92p. - Ann Arbor, MI: University Microfilms International, 2001. ISBN: 0-493-13495-6; 978-0-493-13495-6. Dissertation No: 3004416. | diss. | 92p | |||||
241. | A Performer's Guide to the Keyboard Partitas of J. S. Bach. New Haven, London: Yale Univ. Press, 1989, viii, 136p | 136p | ||||||
242. | A performer's guide to the sacred solo cantatas of Johann Sebastian Bach. | JSinging | 65 | 5 | 545-560 | |||
243. | A Portrait of Bach. Illustrated by Faith Jaques. London: Methuen, 1957. 153p. (= Story Biographies) | 153p | ||||||
244. | Appendice. La figlia e il genero di Sebastiano Bach. [Racconto (Ad altro numero il fine)] | GazMMilano | 6 | 45 | 353-354 | |||
245. | Appendice. La figlia e il genero di Sebastiano Bach (Continuazione e fine. Vedi n. 45). | GazMMilano | 6 | 46 | 361-363 | |||
246. | Applications of Reductive Analytical Techniques in the Phrygian Settings of the 'Orgelbuechlein' by Johann Sebastian Bach. MM diss., University of North Texas, 1995. 116p | diss. | 116p | |||||
247. | Aprendendo contraponto atraves dos preludios corais. [Learning counterpoint through the chorale preludes] Mestrado, U. Federal da Bahia, 1996. | diss. | ||||||
248. | A propos de l' 'Art de la Fugue' numéro special 'Bach'. | RevueM(4) | 13 | 131 | 80-81 | |||
249. | [A proposito delle fughe di Händel e Bach (Estratto da Ab. Vogler, 'Sistema per la costruzione della fuga')]. | GazMMilano | 1 | 23 | 106 | |||
250. | A proposito del 'violoncello piccolo' di Bach. [Apropos of Bach's violoncello piccolo.] | RivistaItaliMcol | 8 | 1 | 113-131 | |||
251. | Aproximaciones a la técnica de Composición en los 'Estrechos' de las fugas del 'Clave bien templado' de J. S. Bach. | RevistaInstInvMcolCarlosVega | 9 | 9 | 27-33 | |||
252. | A quantitative study of seven historically informed performances of Bach's BWV1007 Prelude. | EarlyM | 43 | 4 | 611-622 | |||
253. | A Question of Genre: J.S. Bach and the 'mixed style'. A paper read at the 12th biennial international conference on Baroque music, held at Warsaw University from 26 to 30 July 2006. | [p]BICB_Warsaw | ||||||
254. | A question of genre: J.S. Bach and the 'mixed style'. [BWV 1010, 1004, 1002] | [fs]Williams70 | 205-224 | |||||
255. | Arcangelo Corelli fra mito e realtà storica: nuove prospettive d'indagine musicologica e interdisciplinare nel 350o anniversario della nascita atti del Congresso internazionale di studi, Fusignano, 11-14 settembre 2003, coord. by Gregory Barnett, Stefano la Via, Antonella de Ovidio, 2 vols. - Firenze, Italy: Leo S. Olschki, 2007, xxiv, 707p. ISBN: 88-222-5697-2; 978-88-222-5697-3. | HistMCultores | 111 | xxiv, 707p | ||||
256. | A Re-Evaluation of the Role Played by Carl Philipp Emanuel Bach in the Development of the Clavier Sonata. PhD diss., Musicology, Washington: Catholic University of America, 1956. xv, 185p | diss. | xv, 185p | |||||
257. | [A response to D. Ledbetter's 'Bach's meaning?' (review of book by C. Booth), EarlyM xxxix/3 (2011)] Correspondence. [Kirnberger bought doubtful cantatas from Breitkopf for Princess Amalia's library] | EarlyM | 40 | 3 | 544 | |||
258. | ARIA aus der D dur-Suite / Joh. Seb. Bach. Braunschweig: Edit. Litolff [1887] 2-3p + St. Pl.-Nr.: Collection Litolff No. 1723, 1725, 1727 (score); Collection Litolff No. 1725. (= Le Concert au Salon. Transcriptions de Morceaux célèbres pour Piano et Violon par VOGEL & W. LENZ. Vol. VII, No. 91 ; Collection Litolff, No. 1725) [BWV 1068/2] | CollLitolff | 1725 | 2-3 | ||||
259. | Aria aus der Pfingst-Cantate / Joh. Seb. Bach. Publ. par Hans de Bülow. - Berlin & Posen: Ed. Bote & G. Bock, [1860] 3-10p. Pl.-Nr.: B.& B. 5453. (= Collection Oeuvres classiques. Joh. Seb. Bach. Oeuvres choisies pour le Piano avec doigté et indications sur l'Exécution publiées par van Boom, H. de Bulow, H. Krigar, Fr. Kullak, etc., No. 8) [BWV 68/2 arr., in Es dur] | OeuvChoisiesPiano | 8 | 10p | ||||
260. | Aria - 'Bist du bei mir' (If Thou art with me) / J. S. Bach. [recte: Stölzel] arranged by Ray Lev. - London: Oxford University Press, c1940. 4, 4p. (= The two-piano series, No. 24) [BWV 508] | 2PianoSer | 24 | 4, 4p | ||||
261. | Aria form in the Bach B-minor Mass. | ChoralJ | 22 | 4 | 17-19,22 | |||
262. | Aria from Suite (No.3) in D. Words by Helen F. Bantock ; Music by BACH. Arranged by Granville Bantock. [Title-page has extra info 'Sung by Astra Desmond' with her photograph] - London: W. Paxton & Co., c1943. 1-4p. Pl.-Nr.: 40579. [BWV 1068/ 2] | 4p | ||||||
263. | ARIA (from the SUITE in D) for Violin (or 'Cello) & Pianoforte, also TRIO / BACH arranged by Ernest Reeves. - London: Walsh Holmes, c1930. 3p + St. Pl.-Nr.: 1759. (= The 'Brown Cover' Edition, No. 39) [BWV 1068/2] | 3p + St | ||||||
264. | ARIA (from the SUITE in D major) and GAVOTTE & MUSETTE (from the ENGLISH SUITES [No. 3] arranged by E. Reeves for the Pianoforte. - London: Walsh, Holmes & Co, 1930. 2-6p. Pl.-Nr.: 1760. (= The 'Brown Cover' Edition, No. 140) [BWV 1068/2 in C; BWV 808/5+6] | 6p | ||||||
265. | Aria from the Suite, No. 3. Piano Solo / Bach. Arranged by G. Bantock. - London: W. Paxton & Co, [1942]. 3p. Pl.-Nr.: 51065. [BWV 1068/2] | 3p | ||||||
266. | Arias and chamber cantatas / Carl Philipp Emanuel Bach Edited by Bertil van Boer. - Los Altos, CA: Packard Humanities Institute, 2010. xxiv, 8, 160p. ISBN: 978-1-933280-43-1. (= Carl Philipp Emanuel Bach: The Complete Works. Series VI: Songs and vocal chamber music, Volume 6) [Klopstocks Morgengesang am Schöpfungsfeste, Wq 239; Trauungs-Cantate, H 824a; Arias: Edle Freiheit, Götterglück (Wq 211/1), Himmels Tochter, Ruh der Seelen (Wq 211/2), Reiche bis zum Wolkensitze (Wq 211/3), D'amor per te languisco (Wq 213), Fürsten sind am Lebensziele (Wq 214); Chamber Cantatas: Phyllis und Thirsis (Wq 232); Der Frühling (Wq 237); Selma (Wq 236)] [Wq.239, H 824a, Wq 211/1, 211/2, 213, 214, 232, 237, 236] | CPEBachCW | 6 | 4 | xxiv, 8, 160p | |||
267. | ARIA: SLUMBER BELOVED: From the Christmas Oratorio. Arranged by Harvey Grace. - London: Oxford University Press, c1934. pp.15-18. (= Twelve transcriptions from the Vocal Works / J.S. Bach ; arranged for organ by Harvey Grace; Book II, No.11) [from BWV 248] | 12Transcriptions(Grace) | 2 | 11 | 15-18 | |||
268. | Aria with Thirty Variations (The 'Goldberg' Variations) (1990) | [ce]Tovey MusicAnalysis | Chamber | 28-74 | ||||
269. | Arie aus der D-Dur-Suite / Bach [Partitur, Stimme] - Offenbach a./M.: André, [1911] 3p + 1 St. Pl.-Nr.: 16483 (= Perles musicales / transcrites pour violoncelle et piano et executées dans ses concerts par David Popper, 21) [BWV 1068/2] | PerlesM(André) | 21 | 3p + St | ||||
270. | Arie aus der D-Suite, für Orchester [Streich-Quintett, 2 Clarin. u. 2 Fag.] arr. v. L. v. Brenner. - Berlin: Philipp, [1876] Mk 0,75. [BWV 1068/2] | |||||||
271. | Arie aus der Pfingst-Cantate von Joh. Seb. Bach. Symphonische transcription von Albert Lavignac. - Berlin: Adolph Fürstner, [1872] 5p. Pl.-Nr.: 340. 12½ ngr. (= Transcriptionen für das Pianoforte von Albert Lavignac, No.1) [BWV 68/2] | 5p | ||||||
272. | ARIE aus der Pfingst-Cantate von Joh. Seb. Bach. Symphonische transcription von Albert Lavignac. New rev. & fing. Edition by G. B. Manzotti. - New York: J. O. von Prochazka, c1885. 2-5p. Best.-Nr.: American Elite Edition No. 107. (= The Rafael Joseffy Concert Repertoire, 119) [BWV 68/2 arr. for piano] | 5p | ||||||
273. | Arie aus der Suite (D) / Joh. Seb. Bach. Ausgabe für Violin und Pianoforte bearb. v. Gustav Zanger und C. Markees. - Frankfurt a/O.: Bratfisch [1921] [BWV 1068/2] | |||||||
274. | Arie Mein gläubiges Herz frohlocke für Sopran mit Pianoforte und Violoncell obl. oder Violine auch mit Pianoforte allein beaeitet und componirt von J. S. Bach. [Ausg. für Sopran mit Pianof. (Pianofortebegleitung bearb. von F. X. Gleichauf)] Ausg. für Sopran mit Pianof. (ohne Vlle od. Viol.) ... F dur Mk_80. / ,, für Sopran mit Pianof. & Vlle od Viol F dur, Mk.1,30. / ,, für Sopran mit Pianof. & Vlle od. Viol zum Concert-Vortrag eingerichtet v. Carl Küllweck, F dur, ,, 1,30 / ,, für Alt mit Pianof. & Vlo od. Viol. zum Concert-Vortrag eingerichtet v. Carl Küllweck, D dur, ,, 1,30 / ,, für Alt mit Pianof. (ohne Vlle od. Viol.) ... C dur _80. / ,, für Alt mit Pianof. (ohne Vlle od. Viol.) ... D dur _80. (footnote: Original f. Gesang u. Vlle mit beziffertem Bass, wonach J. N. Schelble eine Quartettbegl. und F. X. Gleichauf nach letzterer die Pfbegl. bearbeitete.) - Offenbach (Main): André, [1853]. 5p + St. Best.-Nr. 7316. Pl.-Nr. 7316.F. [BWV 68/2] | 5p + St | ||||||
275. | Arie: 'Was mein Herz von dir begehrt' aus der Kantate 'Es ist nicht gut' / J. S. Bach. Leipzig: Junne, [1891] (= Klassisches Repertorium. Ausgewählte Kompositionen alter Meister f. 1 Singst. u. Pfte hrsg., m. deutschem u. französ. Text., No. 3) [BWV 108/5] | |||||||
276. | Arii v korotkih messah I.S. Baha: Molitva ili propoved'? [Arias in J.S. Bach's short Masses: Prayer or preaching?] | [cr]Saratov2009 | [Dialogièeskoe] | 56-62 | ||||
277. | Arioso dall'aria con variazione / G. S. Bach. trascritto per orchestra (1933) da Vittorio Gui. [Partitur] - Milano: Carisch S. A. 1936. 19p. | 19p | ||||||
278. | ARIOSO de L'ACTUS TRAGICUS (1711) (le chrétien mourant) de Jean Sébastien BACH. [Gottes Zeit ist die allerbeste Zeit. In deine Hände] - Paris: Henry Lemoine et Cie, [1886] 1-3p. Pl.-Nr.: 18897. H. (= Gevaert (F. A.) Répertoire Classique, etc., No. 350) [BWV 106/3] | RepertoireClassique(Gevaert) | 350 | 3p | ||||
279. | ARIOSO et AIR de la 1re Partie de l'Oratorio de Noël de J. S. Bach. (Traduction française d'A. Samuel.) [Weihnachts-Oratorium. Bereite dich, Zion] - Paris: Henry Lemoine et Cie, [1886] 1-8p. Pl.-Nr.: 9969. H. (= Gevaert (F. A.) Répertoire Classique, etc., No. 341, Contralto) [BWV 248/3-4] | RepertoireClassique(Gevaert) | 341 | 8p | ||||
280. | ARIOSO et AIR de la PASSION de Jean Sébastien BACH. (Du lieber Heiland du [u. Buß und Reu]) Jésus à Béthanie. Texte français de G. Antheunis. - Paris: Henry Lemoine et Cie, [1886] 1-8p. Pl.-Nr.: 18525. H. (= Gevaert (F. A.) Répertoire Classique, etc., No. 349) [BWV 244/5-6] | RepertoireClassique(Gevaert) | 349 | 8p | ||||
281. | ARIOSO et AIR de la PASSION selon Saint Matthieu de JEAN SÉBASTIEN BACH. (Mein Jesus schweigt) (Jésus chez caiphë) Texte français de G. Antheunis. - Paris: Henry Lemoine et Cie, [1886] 1-6p. Pl.-Nr.: 18508. H. (= Gevaert (F. A.) Répertoire Classique, etc., No. 368, Tenor) [BWV 244/34] | RepertoireClassique(Gevaert) | 368 | 6p | ||||
282. | Armastan Bachi kui kuningat: Artur Kapp (1878-1952)--Elu ja looming. [I love Bach as a king: Artur Kapp (1878-1952)--His life and works] Tallinn: Eres Estonia, 2006. 64p. ISBN: 3-87204-924-0. | 64p | ||||||
283. | A Roman Concerto Repertory: Ottoboni's 'what not'? | ProceedRMA | 110 | 62-78 | ||||
284. | Arp Schnitger en zijn werk in het Groningerland. Sneek: Boeijenga, c.1969. 104p. (= Publicaties van de Stichting Groningen Orgelland, Nr. 1) | PubStichtGroningenOrgLand | 1 | 104p | ||||
285. | Ars et musica in liturgia: celebratory volume presented to Casper Honders on the occasion of his seventieth birthday on 6 June 1993. Utrecht/Baarn, 1993. viii, 215p. ISBN: 90-304-0714-X. (= Kerkmuziek en liturgie, 7) [Cf. rec.14527] | KerkMLiturg | 7 | viii, 215p | [fs]Honders70 | |||
286. | Ars et musica in liturgia: Essays Presented to Casper Honders on his Seventieth Birthday. Metuchen, NJ: Scarecrow Press, 1994. 206p. ISBN: 0-8108-2948-7. (= Studies in liturgical musicology, 1) [Cf. rec.15204] | StudLiturgMcol | 1 | 206p | ||||
287. | [article on Bach] | CourrierM | 37 | 3 | ||||
288. | Articulation in J.S. Bach's unaccompanied cello suites. [BWV 1007-1712] | AmerStringTeacher | 48 | 1 | 51-56 | |||
289. | Articulation in Late Baroque Choral Music. | ChoralJ | 27 | 10 | 17-30 | |||
290. | Arvo Pärts 'Passio' und Johann Sebastian Bachs 'Johannespassion': Rezeptionsästhetische Perspektiven. | AfMw | 56 | 3 | 198-223 | |||
291. | A Second-Piano Part by Louis Victor Saar to the Fifteen Two-part Inventions of J. S. Bach For two Pianos, Four Hands. - New York: G. Schirmer, 1932. 39p. Pl.-Nr.: 35595. [BWV 772-786] | 39p | ||||||
292. | A Second-Piano Part to the Fifteen Two-part Inventions of Johann Sebastian Bach by Ruggero Vené (with original in score). - Philadelphia: Theodore Presser [c.1944] 41p. Pl.-Nr.: S.P.B.I.-42. [BWV 772-786] | 41p | ||||||
293. | A Selected List of Bach Recordings. | [ce]LittleBachBook | 138-160 | |||||
294. | A shower of gold. [Review of a recital by Wanda Landowska, harpsichordist, on 21 October 1942 at Town Hall, New York City, performing Jean-Philippe Rameau's suite in E minor, Johan Jakob Froberger's Lament composed in London to dispel melancholy, and three works by J.S. Bach, including the partita in B-flat major. The review appeared in the New York herald tribune on 22 October 1942] | [ce]Thomson | 206-207 | |||||
295. | 'As if Created for the Modern Organ': Aspects of Sigfrid Karg-Elert's Bach Transcriptions for Organ, II. | OrganYb | 44 | 103-119 | ||||
296. | 'As if created for the modern organ'. I: Aspects of Sigfrid Karg-Elert's Bach transcriptions for organ. [BWV 904, 910-916] | OrganYb | 43 | 114-141 | ||||
297. | A solo woodwind transcription of J. S. Bach's 'Concerto No 4' BWV 1055. Louisville, Ky., The Southern Baptist Theological Seminary 1980. | diss. | ||||||
298. | Aspectos tecnicos da partita n. 1 para violino solo de J.S. Bach. [Technical aspects of the partita no. 1 for solo violin by J.S. Bach] Mestrado, Performance practice: U. Federal do Rio de Janeiro, 1992. 91p. [BWV 1002] | diss. | 91p | |||||
299. | Aspects of Harpsichord Technique. Fretted String. | AmerMTeacher | 20 | 2 | 24-25 | |||
300. | Aspects of Performance Practice. [Headings: Problems of Text and Notation; Tempo; Rhythm; Ornaments; Improvised Embellishments; Authenticity and 'Original' Sound; Early Use of the Cembalo con martelli; Good Execution: Music as Language and Rhetoric] | [ce]18cKeyboardM | 33-67 | |||||
301. | Aspects of Unity in J. S. Bach's Partitas and Suites: An Analytical Study. Rochester, NY: University of Rochester Press, 2005. xiii, 92p. ISBN: 1-58046-202-2. (= Eastman studies in music, 33) | EastmanStudM | 33 | xiii, 92p |
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